Sanitarium (video game)
(iOS Port, Android Port)
DotEmu (iOS Port, Android Port)
|Artist(s)||Eric Ranier Rice|
|Platform(s)||Microsoft Windows, iOS, Android|
Sanitarium is a psychological horror point-and-click adventure game that was released for Microsoft Windows, developed by DreamForge Intertainment and published by ASC Games. It was ported to iOS and Android devices on October 29, 2015.
Sanitarium was a commercial success, with sales around 300,000 units.
After a car accident knocks him unconscious, a man awakens from a coma, his face fully bandaged, to find that he has been admitted to a derelict sanitarium and that he cannot remember who he is or where he came from, or how he came to be there, though his fellow inmates seem to know him simply as "Max". As he delves deeper into the asylum's corridors in search of answers, Max finds himself transported to various obscure and otherworldly locations: a small town inhabited only by malformed children and overlooked by a malevolent alien entity known only as "Mother", a demented circus surrounded by an endless ocean and terrorized by a squid-like individual, an alien hive overrun by cyborg insects and an Aztec village, devastated by the return of the god Quetzalcoatl. Between each imaginary episode, Max returns to the asylum grounds, blending real and unreal, each time closer to regaining his memory and unravelling the truth surrounding the mysterious Dr. Morgan, head of the asylum. He remembers the death of his younger sister Sarah years ago and the real reason behind his institutionalization.
The game uses a bird's-eye view perspective and a non-tiled 2D navigational system. Each world and setting carries a distinct atmosphere that presents either the real world, the imaginary world, or a mix of both of the main protagonist. In many cases, it is unclear to the player if the world the character is currently in is real or a product of Max's own imagination. This indistinction underlines much of the horror portrayed in the game.
The game is separated into different levels or "chapters" with each having a different style and atmosphere. The player must find clues, solve puzzles and interact with other characters to reach a final challenge where the player must reach the end of a path while avoiding obstacles. If the player fails to do so (by, for instance, getting killed) then the player is transported back to the beginning of the path without losing progress, thus a Game Over in this game is non-existent. When the player reaches the end of the path, a cinematic is played and the game proceeds to the next chapter.
Sanitarium was commercially successful. According to Mike Nicholson of DreamForge, the game sold roughly 300,000 copies. Chris Kellner of DTP Entertainment, which handled Sanitarium's German localization, reported its lifetime sales between 10,000 and 50,000 copies in the region.
Sanitarium won Computer Gaming World's 1998 "Best Adventure" award, tied with Grim Fandango. The editors wrote that the game "came from out of nowhere to provide the creepiest, most compelling, and best-told story of the year, bar none". Computer Games Strategy Plus, PC Gamer US, GameSpot, IGN and the Academy of Interactive Arts & Sciences (AIAS) all nominated Sanitarium as the best adventure game of 1998, but it lost these awards to Grim Fandango. PC Gamer US's editors remarked that Sanitarium is "full of beautiful graphics, interesting characters, and well-designed puzzles, and is a must-play for any true adventurer."
The game was also a nominee for GameSpot's "Best Story" and the AIAS's "Outstanding Achievement in Character or Story Development" awards, which went to StarCraft and Pokémon Red and Blue, respectively.
In 2013, a programmer from the Sanitarium development team announced a project on Kickstarter called Shades of Sanity that was touted as the spiritual successor to Sanitarium. The project failed to attain funding. In 2015, a Kickstarter funded adventure game called Stasis was released by a South African independent studio The Brotherhood. It has been compared to Sanitarium.
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