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Rasas and different schools of abhinaya in India
Since the treatment and interpretations of rasas and abhinaya in general varies greatly not only between the classical Indian dance and musical theatre styles but even between the sub-styles too, I suggest that we should specify each interpretation, illustration, etc.
This article mentions rasa as only specific to drama, yet from that developed the important associations in music of ragas with (not one specific, as is sometimes claimed, but specific) rasas. I hope this page is made more complete by the treatment of music-realted rasa theory. —Preceding unsigned comment added by 126.96.36.199 (talk) 13:54, 5 December 2007 (UTC)