Talk:T-Bone Walker

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Newfound style

Cite: "By 1942, with his second album release, Walker's new-found musical maturity and ability had advanced to the point that Rolling Stone claimed that he "shocked everyone" with his newly developed distinctive song (...)." It implies that Rolling Stone assured it back then, 25 years before its first number. 189.194.76.14 (talk) 23:22, 20 August 2011 (UTC)nohamucho-at-hotmail.com[reply]

I removed it. Typical Rolling Stone invented bumpf. The track in question received very limited release in late 1945 and was finally widely released as a 10" in 1947 (after T-Bone had become a star)StonePeter (talk) 17:44, 19 May 2015 (UTC).[reply]

Copyright problem removed

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Oldid 1034203050, 18th july 2021

Throughout his career Walker worked with top-notch musicians, including the trumpeter Teddy Buckner (e.g. in Call It Stormy Monday (But Tuesday Is Just as Bad)[11][12][13]), the pianist Lloyd Glenn[14], the bassist Billy Hadnott (in the vinile album Hot Leftovers[15] and in Good-Bye Blues[16]), and the tenor saxophonist Jack McVea[17] (in the songs Don't leave me baby[18] and No Worry Blues[19])
— WP

It was one of the few sentences without any source. Now there are provided some vinile catalogues, YouTube videos or musical books that link T-Bone Walker with other authors with regards to some renowned songs. Regards, Theologian81sp