The Magnificent Seven (song)
|"The Magnificent Seven"|
UK vinyl single, whose sleeve reveals the vinyl labels on both sides, including the A-side label showing seven o'clock
|Single by the Clash|
|from the album Sandinista!|
|B-side||"The Magnificent Dance"|
|Released||10 April 1981 (U.K.)|
|Recorded||April 1980 at Electric Lady Studios, New York|
|Genre||Funk, hip hop, rap rock|
|the Clash singles chronology|
The song was inspired by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & the Furious Five. Rap was still a new and emerging music genre at the time, and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack". The song was recorded in April 1980 at Electric Lady Studios in New York City, built around a funky bass loop played by Norman Watt-Roy of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create Sandinista!'s other rap track, "Lightning Strikes (Not Once But Twice)". "The Magnificent Seven" represents the first attempt by a rock band to write and perform original rap music, and one of the earliest examples of hip hop records with political and social content. It is the first major white rap record, predating the recording of Blondie's "Rapture" by six months. Strummer said of the group's encounter with hip-hop:
When we came to the U.S., Mick stumbled upon a music shop in Brooklyn that carried the music of Grand Master Flash and the Furious Five, the Sugar Hill Gang...these groups were radically changing music and they changed everything for us.
Though it failed to chart in America, the song was an underground hit and received heavy play on underground and college radio. Jeff Chang wrote that in New York City, the song "had become an unlikely hit on the Black radio station, WBLS." Also popular were various dance re-mixes, both official B-side, ("The Magnificent Dance"), and original DJ remixes such as WBLS's remix known as "Dirty Harry", after the film of same name, which can be found on various Clash's bootlegs, including Clash on Broadway Disc 4: The Outtakes.
The single was reissued in 1981 with "Stop the World" as its B-side and with different sleeve art.
The Magnificent Dance
"The Magnificent Dance", released on 12 April 1981 by CBS in 12-inch single format, is the dance remix of "The Magnificent Seven". The maxi single was released in the UK featuring an edited version of "The Magnificent Seven" on side-A, and in the U.S., where it was backed with the extended version of "The Cool Out". It is credited to "Pepe Unidos", a pseudonym for Strummer, Paul Simonon and manager Bernie Rhodes. "Pepe Unidos" also produced "The Cool Out", a remix of "The Call Up". This dance version "definitely capitalized on the funky groove of the original, adding in some very cool drumming."
In 2015, Pitchfork Media included the song on their "Early 80's Disco" playlist, saying "if they were bored with the USA in 1977, four years on, they were also bored with both punk and rock. Instead, they became infatuated with NYC street culture, from early hip-hop to post-disco. This dubbed-out disco remix of the lead track off of Sandinista! was a club hit and the record Larry Levan would use to fine tune the sound system at the Paradise Garage."
The song was played by the Max Weinberg 7 on Late Night with Conan O'Brien on its first show since the Writer's Strike. An instrumental version of the song was used with sampled vocals from Basement Jaxx's "Romeo" by 2 Many DJs to create the track "The Magnificent Romeo".
- Joe Strummer – lead and backing vocals, electric piano
- Mick Jones – lead guitars, backing vocals, sound effects
- Topper Headon – drums, backing vocals
- Norman Watt-Roy – bass guitar
|1981||UK Singles Chart||34|
|1981||Belgium (Ultratop 50 Flanders)||18|
|1981||Dutch Single Chart||21|
|1982||US Billboard Club Play Singles||21|
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