Arthur Rubinstein

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For the 19th century Russian pianist and composer, see Anton Rubinstein.
Photographed by Carl Van Vechten, 1937

Arthur Rubinstein KBE[1] (January 28, 1887 – December 20, 1982) was a Polish-born American pianist. He received international acclaim for his performances of the music of Frédéric Chopin, Johannes Brahms and his championing of the music of Spanish composers. He is widely considered one of the greatest pianists of the twentieth century.

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[edit] Early life

Arthur Rubinstein was born on January 28, 1887, the youngest of 8 children of a businessman from the large Jewish community of Łódź, Congress Poland, today's Poland.

He demonstrated an early and singular fascination with the piano beginning two years of age during his elder sister's piano lessons. Rubinstein first studied in Warsaw playing at the age of four for the great Hungarian violinist Joseph Joachim, who was greatly impressed and began to play the role of mentor for the young prodigy. By age ten Rubinstein moved to Berlin to continue his studies. In 1900, he made his debut with the Berlin Philharmonic, followed by appearances in Germany and Poland and further study with Karl Heinrich Barth (an associate of Franz Liszt, Hans von Bulow, Joseph Joachim and Johannes Brahms; Barth also taught Wilhelm Kempff).

[edit] Career

In 1904, Rubinstein moved to Paris to launch his career in earnest. There he met the composers Maurice Ravel and Paul Dukas and the violinist Jacques Thibaud. He also played Camille Saint-Saëns' Piano Concerto No. 2 in the presence of the composer. Through the family of Juliusz Wertheim (to whose understanding of Chopin's genius he attributed his own inspiration in the works of that composer) he formed friendships with the violinist Paweł Kochański and composer Karol Szymanowski.[2]

Rubinstein made his New York debut at Carnegie Hall in 1906, and thereafter toured the United States, Austria, Italy, and Russia. According to his own testimony and that of his son in François Reichenbach's film L'Amour de la vie (1969), however, he was not well received in the United States, and in 1907, when he found himself destitute and desperate in a Berlin hotel room, hounded by creditors and threatened with being thrown out into the street, he made a failed attempt to hang himself. Subsequently he said that he felt "reborn" and endowed with an unconditional love of life. In 1912, he made his London debut, and found a home there in the Edith Grove, Chelsea musical salon of Paul and Muriel Draper, in company with Kochanski, Stravinsky, Jacques Thibaud, Pablo Casals, Pierre Monteux and others.[3]

Rubinstein stayed in London during World War I, giving recitals and accompanying the violinist Eugène Ysaÿe. In 1916 and 1917, he made his first tours in Spain and South America where he was wildly acclaimed. It was during those tours that he developed a lifelong enthusiasm for the music of Enrique Granados, Isaac Albéniz, Manuel de Falla, and Heitor Villa-Lobos. He was the dedicatee of Villa-Lobos's Rudepoêma and Stravinsky's Trois mouvements de Petrouchka.

Contrary to popular belief that it was the murder of Jews including many members of his own family during World War II which caused Rubinstein to cut all ties with German audiences, it was actually his disgust with Germany's conduct during the first world war, which led Rubinstein never to play there again. His last performance in Germany was in 1914.[4]

In 1921 he made two American tours, travelling to New York with Paweł Kochański (they remained close friends until Kochański's death in 1934) and Karol Szymanowski. The autumn voyage was the occasion of Kochański's permanent migration to the USA.[5]

Rubinstein made numerous live-recording player piano music rolls for the Aeolian Duo-Art system and the American Piano Company (AMPICO), all of which survive today and can be heard. In 1932, he withdrew from concert life for several months to work on his technique and repertoire. Astor Piazzolla cites a Rubinstein concert staged in Buenos Aires in 1939 as one of his first great impressions, which led the 18-year-old to write and dedicate to Rubinstein a piano "concerto", a definition that Rubinstein was to debate with the young composer.

During World War II, the Germans looted his home in Paris, and his career became centered in the United States. Impresario Sol Hurok insisted Rubinstein be billed as Artur for his American concerts, even though the pianist referred to himself as Arthur when in English-speaking countries. He became a naturalized United States citizen in 1946. He expressed his warm feelings for his native country when he played on June 26, 1945, at the San Francisco Opera during the inauguration of the United Nations.[6]

In the mid-1970s, Rubinstein's eyesight began to deteriorate and he retired from the stage at age 89 in May 1976, giving his last concert at London's Wigmore Hall, where he had first played nearly 70 years before.

[edit] Personal life

In 1932 Rubinstein married Aniela (Nela) Młynarska, daughter of conductor Emil Młynarski and ex-wife of Mieczysław Munz. They had four children, including daughter Eva, who married William Sloane Coffin, and son John Rubinstein, a Tony Award-winning actor and father of actor Michael Weston. [7]

Rubinstein also fathered a daughter with a South American woman.

During his marriage, Rubinstein carried on a series of affairs with other women, including Mary Irene Curzon, and in 1977, at age 90, he left his wife for the young Annabelle Whitestone, though he and Nela never divorced.

[edit] Musical style

Although best known as a recitalist and concerto soloist, Rubinstein was also considered an outstanding chamber musician, partnering with such luminaries as Henryk Szeryng, Jascha Heifetz, Gregor Piatigorsky, and the Guarneri Quartet. Of the piano solo repertoire Rubinstein recorded a vast portion, including innumerable Romantic composers. He recorded nearly all the works of Chopin. He was one of the earliest champions of the Spanish and South American composers and of French composers who, in the early 20th century, were still considered "modern" such as Debussy and Dukas. In addition, Rubinstein was the first champion of the music of his compatriot Karol Szymanowski. Rubinstein, in conversation with Alexander Scriabin, named Brahms as his favorite composer, a response that enraged Scriabin.[8]

Rubinstein was fluent in eight languages.[9] His photographic memory of much of the repertoire, not simply that of the piano, was formidable.[9] According to his memoirs, he learned César Franck’s Symphonic Variations while on a train en route to the concert, without the benefit of a piano.

In October 2007, his family donated to the Juilliard School an extensive collection of original manuscripts, manuscript copies and published editions that had been seized by the Germans during World War II from his Paris residence. Seventy-one items were returned to his four children, marking the first time that Jewish property kept in the Berlin State Library was returned to the legal heirs.[10]

[edit] His pupils

Arthur Rubinstein was reluctant to teach in his earlier life, refusing to accept William Kapell's request for lessons. It was not until the late 1950s that he accepted his first student Dubravka Tomšič Srebotnjak.[11] Other students of Arthur Rubinstein include François-René Duchâble, Avi Schönfeld, Eugen Indjic, Dean Kramer and Marc Laforêt. Rubinstein stated that his main goal in teaching was to help his pupils to find themselves and for them to become real musical personalities. Rubinstein also gave Master classes towards the end of his life.[12][13]

[edit] Death

Rubinstein died in Geneva, Switzerland, on December 20, 1982, at the age of 95, and his body was cremated. On the first anniversary of his death, an urn holding his ashes was buried in Jerusalem — as specified in his will — in a dedicated plot now dubbed "Rubinstein Forest" overlooking the Jerusalem Forest. This was arranged with the rabbis so that the main forest wouldn't fall under religious laws governing cemeteries. Israel now has an Arthur Rubinstein International Music Society which holds the triennial Arthur Rubinstein International Piano Master Competition [14]

While he identified himself as an agnostic, Rubinstein was nevertheless proud of his Jewish heritage. He was a great friend of Israel, which he visited several times with his wife and children, giving concerts with the Israel Philharmonic Orchestra, recitals, and master classes at the Jerusalem Music Center.

[edit] Recordings

Rubinstein recorded extensively for RCA Victor, making a large number of chamber, concerto and solo recordings from 1928 to 1976. He recorded Edvard Grieg's piano concerto with Eugene Ormandy and the Philadelphia Orchestra in the 78-rpm format. He also recorded all five of Beethoven's piano concertos thrice, including the first stereophonic set with Josef Krips and the Symphony of the Air in 1956. All of his recordings, which include many of Chopin's solo works, have been released on compact disc.

[edit] Honors

Sculpture of Artur Rubinstein on Piotrkowska Street, in Łódź, where Rubinstein once lived

In 1977, he was made an honorary Knight Commander of the Order of the British Empire (KBE).

Grammy Award for Best Chamber Music Performance:

Grammy Award for Best Instrumental Soloist Performance (without orchestra):

Grammy Lifetime Achievement Award (1994)

[edit] Bibliography

  • Rubinstein, Artur (1973). My Young Years. New York: Knopf. ISBN 0394468902. 
  • Rubinstein, Artur (1980). My Many Years. New York: New York. ISBN 0394422538. 

[edit] See also

[edit] Notes

  1. ^ http://www.culture.pl/en/culture/artykuly/wy_in_rok_rubinsteina_2007
  2. ^ Sachs 1997,
  3. ^ Sachs, ibid.
  4. ^ Sachs 1997,
  5. ^ Sachs 1997, 200-212.
  6. ^ Rubinstein later described becoming overwhelmed by a blind fury and angrily pointing out to the public the absence of the Polish flag, for which the Second World War had just been fought. He then sat down to the piano and played the Polish national anthem loudly and slowly, repeating the final part in a great thunderous forte. When he had finished, the public rose to their feet as a man and gave him a great ovation. Elżbieta Ulanowska, "Na cześć Artura Rubinsteina: Pianistyczna gala w Łodzi" ("In Honor of Artur Rubinstein: Piano Gala in Łódź"), Gwiazda Polarna (The Pole Star, a Polish-American biweekly), vol. 99, no. 21 (October 11, 2008), p. 18.
  7. ^ "John Rubinstein Biography". filmreference. 2008. http://www.filmreference.com/film/82/John-Rubinstein.html. Retrieved on 2008-04-10. 
  8. ^ Artur Rubinstein, My Young Years, quoted in Norman Lebrecht, The Book of Musical Anecdotes
  9. ^ a b Sachs, Harvey (1995). Rubinstein: A Life. New York: Grove Press. p. 8. ISBN 0802115799. 
  10. ^ Juilliard NEWS dated October 15, 2007
  11. ^ *Rubinstein, Artur (1980). My Many Years. New York: New York. 
  12. ^ http://www.youtube.com/watch?v=tdTu995y-jc&feature=related
  13. ^ http://www.youtube.com/watch?v=M78NQE4uGm4&feature=PlayList&p=D8F831FE46ADBDFC&playnext=1&index=4
  14. ^ Associated Press (1983-12-22). "Arthur Rubinstein Remains Are Buried in Jerusalem Plot". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9A07E1D71438F931A15751C1A965948260. Retrieved on 2007-08-27. 

[edit] References

  • Sachs, Harvey (1995). Rubinstein, a Life. New York: Grove Press. ISBN 0802115799. 
  • Rubinstein, Artur (1980). My Many Years. New York: New York. ISBN 0394422538. 

[edit] External links

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