Richard Rodgers

From Wikipedia, the free encyclopedia
Jump to: navigation, search
For other people named Richard Rodgers, see Richard Rodgers (disambiguation).
Richard Rodgers
Rodgers.jpg
Background information
Birth name Richard Charles Rodgers
Born (1902-06-28)June 28, 1902
New York City, U.S.
Died December 30, 1979(1979-12-30) (aged 77)
New York City, U.S.
Genres Musical theatre
Occupation(s) Composer, songwriter, playwright

Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer of music for more than 900 songs and for 43 Broadway musicals. He also composed music for films and television. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His compositions have had a significant impact on popular music up to the present day, and have an enduring broad appeal.

Rodgers was the first person to win what are considered the top show business awards in television, recording, movies and Broadway—an Emmy, a Grammy, an Oscar, and a Tony—now known collectively as an EGOT. He has also won a Pulitzer Prize, making him one of two people (Marvin Hamlisch is the other) to receive each award.

Biography[edit]

Early life and education[edit]

Born into a prosperous German Jewish family in Arverne, Queens, New York City, Rodgers was the son of Mamie (Levy) and Dr. William Abrahams Rodgers, a prominent physician who had changed the family name from Abrahams. Richard began playing the piano at age six. He attended P.S. 10, Townsend Harris Hall and DeWitt Clinton High School. Rodgers spent his early teenage summers in Camp Wigwam (Waterford, Maine) where he composed some of his first songs.[1]

Rodgers, Lorenz Hart, and later collaborator Oscar Hammerstein II all attended Columbia University. At Columbia, Rodgers joined the Pi Lambda Phi fraternity. In 1921, Rodgers shifted his studies to the Institute of Musical Art (now Juilliard).[2] Rodgers was influenced by composers such as Victor Herbert and Jerome Kern, as well as by the operettas his parents took him to see on Broadway when he was a child.

Career[edit]

Rodgers and Hart[edit]

Main article: Rodgers and Hart
Richard Rodgers (seated) with Lorenz Hart in 1936.

In 1919, Richard met Lorenz Hart, thanks to Phillip Leavitt, a friend of Richard's older brother. Rodgers and Hart struggled for years in the field of musical comedy, writing several amateur shows. They made their professional debut with the song "Any Old Place With You", featured in the 1919 Broadway musical comedy A Lonely Romeo. Their first professional production was the 1920 Poor Little Ritz Girl. Their next professional show, The Melody Man, did not premiere until 1924.

When he was just out of college Rodgers worked as musical director for Lew Fields. Among the stars he accompanied were Nora Bayes and Fred Allen. Rodgers was considering quitting show business altogether to sell children's underwear, when he and Hart finally broke through in 1925. They wrote the songs for a benefit show presented by the prestigious Theatre Guild, called The Garrick Gaieties, and the critics found the show fresh and delightful. Only meant to run one day, the Guild knew they had a success and allowed it to re-open later. The show's biggest hit — the song that Rodgers believed "made" Rodgers and Hart — was "Manhattan". The two were now a Broadway songwriting force.

Throughout the rest of the decade, the duo wrote several hit shows for both Broadway and London, including Dearest Enemy (1925), The Girl Friend (1926), Peggy-Ann (1926), A Connecticut Yankee (1927), and Present Arms (1928). Their 1920s shows produced standards such as "Here in My Arms", "Mountain Greenery", "Blue Room", "My Heart Stood Still" and "You Took Advantage of Me".

With the Depression in full swing during the first half of the 1930s, the team sought greener pastures in Hollywood. The hardworking Rodgers later regretted these relatively fallow years, but he and Hart did write some classic songs and film scores while out west, including Love Me Tonight (1932) (directed by Rouben Mamoulian, who would later direct Rodgers' Oklahoma! on Broadway), which introduced three standards: "Lover", "Mimi", and "Isn't It Romantic?". Rodgers also wrote a melody for which Hart wrote three consecutive lyrics which either were cut, not recorded or not a hit. The fourth lyric resulted in one of their most famous songs, "Blue Moon". Other film work includes the scores to The Phantom President (1932), starring George M. Cohan, Hallelujah, I'm a Bum (1933), starring Al Jolson, and, in a quick return after having left Hollywood, Mississippi (1935), starring Bing Crosby and W.C. Fields.

In 1935, they returned to Broadway and wrote an almost unbroken string of hit shows that ended only with Hart's death in 1943. Among the most notable are Jumbo (1935), On Your Toes (1936, which included the ballet "Slaughter on Tenth Avenue", choreographed by George Balanchine), Babes in Arms (1937), I Married an Angel (1938), The Boys from Syracuse (1938), Pal Joey (1940), and their last original work, By Jupiter (1942). Rodgers also contributed to the book on several of these shows.

Many of the songs from these shows are still sung and remembered, including "The Most Beautiful Girl in the World", "My Romance", "Little Girl Blue", "I'll Tell the Man in the Street", "There's a Small Hotel", "Where or When", "My Funny Valentine", "The Lady Is a Tramp", "Falling in Love with Love", "Bewitched, Bothered and Bewildered", and "Wait till You See Her".

In 1939, he wrote the ballet Ghost Town for the Ballet Russe de Monte Carlo, with choreography by Marc Platoff.[3]

Rodgers and Hammerstein[edit]

His partnership with Hart having problems because of the lyricist's unreliability and declining health, Rodgers began working with Oscar Hammerstein II, with whom he had previously written songs (before ever working with Lorenz Hart). Their first musical, the groundbreaking hit, Oklahoma! (1943), marked the beginning of the most successful partnership in American musical theatre history. Their work revolutionized the form. What was once a collection of songs, dances and comic turns held together by a tenuous plot became an integrated masterpiece.

The team went on to create four more hits that are among the most popular of all musicals and were each made into successful films: Carousel (1945), South Pacific (1949, winner of the 1950 Pulitzer Prize for Drama), The King and I (1951), and The Sound of Music (1959). Other shows include the minor hit, Flower Drum Song (1958), as well as relative failures Allegro (1947), Me and Juliet (1953) and Pipe Dream (1955). They also wrote the score to the film State Fair (1945) (which was remade in 1962 with Pat Boone), and a special TV musical of Cinderella (1957).

Their collaboration produced many well-known songs, including "Oh, What a Beautiful Mornin'", "People Will Say We're in Love", "Oklahoma!" (which also became the state song of Oklahoma), "If I Loved You", "You'll Never Walk Alone", "It Might as Well Be Spring", "Some Enchanted Evening", "Getting to Know You", "My Favorite Things", "The Sound of Music", "Sixteen Going on Seventeen", "Climb Ev'ry Mountain", "Do-Re-Mi", and "Edelweiss", Hammerstein's last song.

Rodgers was the subject of a two-part special on Ed Sullivan's Toast of the Town television show in 1952.

Much of Rodgers's work with both Hart and Hammerstein was orchestrated by Robert Russell Bennett. Rodgers composed twelve themes, which Bennett used in preparing the orchestra score for the 26-episode World War II television documentary Victory at Sea (1952–53). This NBC production pioneered the "compilation documentary"—programming based on pre-existing footage — and was eventually broadcast in dozens of countries. The melody of the popular song "No Other Love" was later taken from the Victory at Sea theme entitled "Beneath the Southern Cross". Rodgers won an Emmy for the music for the ABC documentary Winston Churchill: The Valiant Years, scored by Eddie Sauter, Hershy Kay, and Robert Emmett Dolan. He composed the theme music, "March of the Clowns", for the 1963–64 television series The Greatest Show on Earth, which ran for 30 episodes. He also contributed the main-title theme for the 1963–64 historical anthology television series The Great Adventure.

In 1950, Rodgers and Hammerstein received The Hundred Year Association of New York's Gold Medal Award "in recognition of outstanding contributions to the City of New York." Rodgers, Hammerstein, and Joshua Logan won the Pulitzer Prize for Drama for South Pacific.[4] Rodgers and Hammerstein had won a special Pulitzer Prize in 1944 for Oklahoma!.[5]

In 1954, Rodgers conducted the New York Philharmonic Orchestra in excerpts from Victory at Sea, Slaughter on Tenth Avenue and the Carousel Waltz for a special LP released by Columbia Records.

Rodgers and Hammerstein musicals earned a total of 35 Tony Awards, 15 Academy Awards, two Pulitzer Prizes, two Grammy Awards, and two Emmy Awards.

After Hammerstein[edit]

After Hammerstein's death in 1960, Rodgers wrote both words and music for his first new Broadway project No Strings (1962, which earned two Tony Awards). The show was a minor hit and featured the song, "The Sweetest Sounds".

Rodgers also wrote both the words and music for two new songs used in the film version of The Sound of Music. (Other songs in that film were from Rodgers and Hammerstein.)

Rodgers went on to work with lyricists Stephen Sondheim (Do I Hear a Waltz?), a protégé of Hammerstein; Martin Charnin (Two by Two, I Remember Mama); and Sheldon Harnick (Rex).

At its 1978 commencement ceremonies, Barnard College awarded Rodgers its highest honor, the Barnard Medal of Distinction.

Death and legacy[edit]

Rodgers died in 1979 at age 77 after surviving cancer of the jaw, a heart attack, and a laryngectomy. He was cremated and his ashes were scattered at sea.

In 1990, the 46th Street Theatre was renamed "The Richard Rodgers Theatre" in his memory. In 1999, Rodgers and Hart were each commemorated on United States postage stamps. 2002 was the centennial year of Rodgers's birth, celebrated worldwide with books, retrospectives, performances, new recordings of his music, and a Broadway revival of Oklahoma!. The BBC Proms that year devoted an entire evening to Rodgers' music including a concert performance of Oklahoma!

Several American schools are named after Richard Rodgers.

Alec Wilder wrote the following about Rodgers:

Of all the writers whose songs are considered and examined in this book, those of Rodgers show the highest degree of consistent excellence, inventiveness, and sophistication...[A]fter spending weeks playing his songs, I am more than impressed and respectful: I am astonished.[6]

Richard Rodgers is a member of the American Theatre Hall of Fame.[7]

Relationship with performers[edit]

Rosemary Clooney recorded a version of "Falling In Love With Love" by Rodgers, using a swing style. After the recording session Richard Rodgers told her pointedly that it should be sung as a waltz.[8] The 1961 doo-wop arrangement of the Rodgers and Hart song "Blue Moon" by The Marcels so incensed Rodgers that he took out full page newspaper ads urging people not to buy it. His efforts were unsuccessful as it reached #1 on the charts.[9] After Doris Day recorded "I Have Dreamed" in 1961, he wrote to her and her arranger, James Harbert, that theirs was the most beautiful rendition of his song he had ever heard.

After Peggy Lee recorded her version of "Lover", a Rodgers song with a dramatically different arrangement from that originally conceived by him, Rodgers said, "I don't know why Peggy picked on me, she could have fucked up "Silent Night".[10] Mary Martin said that Richard Rodgers composed songs for her for South Pacific, knowing she had a small vocal range, and the songs generally made her look her best. She also said that Rodgers and Hammerstein listened to all her suggestions and she worked extremely well with them.[11] Rodgers & Hammerstein wanted Doris Day for the lead in the film version of "South Pacific" and she reportedly wanted the part. They discussed it with her, but after her manager/husband, Martin Melcher, would not budge on his demand for a high salary for her, the role went to Mitzi Gaynor.

Personal life[edit]

In 1930, Rodgers married Dorothy Belle Feiner (1909 - 1992). Their daughter, Mary (1931 - 2014), was the composer of Once Upon a Mattress and an author of children's books. The Rodgerses later lost a daughter at birth, but another daughter, Linda, was born in the 1930s. Mary Rodgers' son and Richard Rodgers' grandson, Adam Guettel (b.1964), also a musical theatre composer, won Tony Awards for Best Score and Best Orchestrations for The Light in the Piazza in 2005. Peter Melnick (b. 1958), Linda Rodgers' son and thus another grandson to Richard Rodgers, is the composer of Adrift In Macao, which debuted at the Philadelphia Theatre Company in 2005 and was produced Off-Broadway in 2007.

Shows with music by Rodgers[edit]

Lyrics by Lorenz Hart[edit]

Lyrics by Oscar Hammerstein II[edit]

Other lyricists and solo works[edit]

Wider influence[edit]

  • The Internet Movie Database lists 276 film and TV soundtracks using songs by Rodgers, as well as 46 films and TV events that credit him as the composer.
  • In 1960, the saxophonist John Coltrane recorded a jazz version of "My Favorite Things" from The Sound of Music whose rich modal improvisations proved germane. The tune became a regular part of his repertoire.
  • The entry "You'll Never Walk Alone" (from Carousel) discusses in detail the many cover versions of this song, and its extraordinary popularity with professional soccer teams and their fans. It was the first song ever sung by soccer fans, first being adopted by the Liverpool fans in November 1963 and then widely copied by other fans since then as their anthem.
  • Jerry Lewis ended his Labor Day telethon by singing "You'll Never Walk Alone".
  • "Oh, What a Beautiful Mornin'" from Oklahoma! is sometimes mistaken for a traditional folk song.
  • "Happy Talk" is covered by Daniel Johnston and Jad Fair. Captain Sensible did a jaunty rendition in the 1980s, complete with burlesque organ. The British rapper Dizzee Rascal uses the chorus of this song.
  • Several professional awards in musical theater are named for Rodgers.

References[edit]

  1. ^ Hyland, William G: Richard Rodgers. Chapter 1. Yale University Press, 1998
  2. ^ Richard Rodgers, Musical Stages: An Autobiography (2002 Reissue), pp. 12,20–21,44, DaCapo Press, ISBN 0-306-81134-0
  3. ^ DANCE REVIEW; Rodgers As Ideal Dance Partner
  4. ^ "Drama". The Pulitzer Prizes. Retrieved 2013-12-03.
  5. ^ "Special Awards and Citations". The Pulitzer Prizes. Retrieved December 3, 2013.
  6. ^ Wilder, Alec, 1973. American Popular Song: The Great Innovators, 1900–1950 Oxford University Press: 163. ISBN 0-19-501445-6
  7. ^ "Theater Hall of Fame members". Retrieved February 9, 2014. 
  8. ^ Lehman, David (2009). A Fine Romance. New York: Random House. p. 249. ISBN 0-8052-4250-3. 
  9. ^ The Marcels By Marv Goldberg Marv Goldberg 2006. 2009.
  10. ^ Lehman, p. 140.
  11. ^ Lehman, p. 142–43.
Other sources

External links[edit]