The Bechdel test (// BEK-dəl) asks whether a work of fiction features at least two women who talk to each other about something other than a man. A popular addendum is that the two women must be named. Many contemporary works fail this test of gender bias.
The test is named after the American cartoonist Alison Bechdel. In 1985, she had a character in her comic strip Dykes to Watch Out For voice the idea, which she attributed to a friend, Liz Wallace. The test was originally conceived for evaluating films but has since been applied to other media. It is also known as the Bechdel/Wallace test, the Bechdel rule, Bechdel's law, or the Mo Movie Measure.
Gender portrayal in popular fiction
All these relationships between women, I thought, rapidly recalling the splendid gallery of fictitious women, are too simple. [...] And I tried to remember any case in the course of my reading where two women are represented as friends. [...] They are now and then mothers and daughters. But almost without exception they are shown in their relation to men. It was strange to think that all the great women of fiction were, until Jane Austen's day, not only seen by the other sex, but seen only in relation to the other sex. And how small a part of a woman’s life is that [...]
In film, a study of gender portrayals in 855 of the most financially successful U.S. films from 1950 to 2006 showed that there were, on average, two male characters for each female character, a ratio that remained stable over time. Female characters were portrayed as being involved in sex twice as often as male characters, and their proportion of scenes with explicit sexual content increased over time. Violence increased over time in male and female characters alike.
The Bechdel test
What is now known as the Bechdel test was introduced in Alison Bechdel's comic strip Dykes to Watch Out For. In a 1985 strip titled "The Rule", an unnamed female character says that she only watches a movie if it satisfies the following requirements:
- It has to have at least two women in it,
- who talk to each other,
- about something besides a man.
Bechdel credited the idea for the test to a friend and karate training partner, Liz Wallace. She later wrote that she was pretty certain that Wallace was inspired by Virginia Woolf's essay A Room of One’s Own, reproduced in part above.
The test, which has been described as "the standard by which feminist critics judge television, movies, books, and other media", moved into mainstream criticism in the 2010s. By 2013, an Internet newspaper described it as "almost a household phrase, common shorthand to capture whether a film is woman-friendly", and the failure of major Hollywood productions such as Pacific Rim (2013) to pass it was addressed in depth in the media. According to Neda Ulaby, the test still resonates because "it articulates something often missing in popular culture: not the number of women we see on screen, but the depth of their stories, and the range of their concerns."
Only a small proportion of films pass the Bechdel test, according to writer Charles Stross and film director Jason Reitman. According to Mark Harris of Entertainment Weekly, if passing the test were mandatory, it would have jeopardized half of the 2009 Academy Award for Best Picture nominees. The news website Vocativ, when subjecting the top-grossing films of 2013 to the Bechdel test, concluded that roughly half of them passed (although some dubiously) and the other half failed the test. The authors also found that the films that passed the test earned a total of $4.22 billion in the U.S., while the ones that failed earned $2.66 billion in total, leading them to conclude that a way for Hollywood to make more money might be to "put more women onscreen."
Stross noted that about half of the films that do pass the test only do so because the women talk about marriage or babies. Works that fail the test include some that are mainly about or aimed at women, or which do feature prominent female characters. The television series Sex and the City highlights its own failure to pass the test by having one of the four female main characters ask: "How does it happen that four such smart women have nothing to talk about but boyfriends? It's like seventh grade with bank accounts!"
Explanations that have been offered as to why relatively few films pass the Bechdel test include the relative lack of diversity among scriptwriters and other movie professionals: in 2012, only one in six of the directors, writers, and producers behind the 100 most commercially successful movies in the U.S. were women. Professionals' assumptions about the audience's preferences may also be relevant: A scriptwriting student at UCLA wrote in 2008 that she was told by professors that the audience "only wanted white, straight, male leads" and not, as she quoted a male industry professional as saying, "a bunch of women talking about whatever it is women talk about".
The website, bechdeltest.com, is a user-edited database of some 4,500 films classified by whether or not they pass the test, with the added requirement that the women must be named characters. As of November 2013, it listed 56% of these films as passing all three of the test's requirements, 11% as failing one (the women's conversations are about men), 23% as failing two (the women don't talk to each other) and 10% as failing all three (there are not two named female characters).
Limitations and criticism
The Bechdel test only indicates whether women are present in a work of fiction to a certain degree. A work may pass the test and still contain sexist content, and a work with prominent female characters may fail the test. A work may fail the test for reasons unrelated to gender bias, such as because its setting works against the inclusion of women (e.g., Umberto Eco's The Name of the Rose, set in a medieval monastery). For these reasons, the Telegraph film critic, Robbie Collin, criticized the test as prizing "box-ticking and stat-hoarding over analysis and appreciation", and suggested that the underlying problem of the lack of well-drawn female characters in film ought to be a topic of discourse, rather than films failing or passing the Bechdel test.
In an attempt at a quantitative analysis of works as to whether or not they pass the test, at least one researcher, Faith Lawrence, noted that the results depend on how rigorously the test is applied. One of the questions arising from its application is whether a reference to a man at any point within a conversation that also covers other topics invalidates the entire exchange. If not, the question remains, how one defines the start and end of a conversation.
Nina Power wrote that the test raises the questions of whether fiction has a duty to represent women (rather than to pursue whatever the creator's own agenda might be) or to be "realistic" in the representation of women. She also wrote that it remained to be determined how often real life passes the Bechdel test, and what the influence of fiction on that might be.
The Bechdel test has inspired others to formulate gender-related criteria for evaluating works of fiction or nonfiction.
In 2013, the American lesbian, gay, bisexual, and transgender (LGBT) media organization GLAAD introduced the "Vito Russo Test", intended to analyze the representation of LGBT characters in films. Inspired by the Bechdel test and named after film historian Vito Russo, it encompasses three criteria:
- The film contains a character that is identifiably lesbian, gay, bisexual, and/or transgender.
- The character must not be solely or predominantly defined by their sexual orientation or gender identity.
- The character must be tied into the plot in such a way that their removal would have a significant effect.
- "Swedish cinemas take aim at gender bias with Bechdel test rating". The Guardian. Associated Press. November 6, 2013. Retrieved 2013-11-08.
- How many of this year’s Oscar nominees pass the Bechdel test? Not many, Washington Post, 2014
- The Bechdel test and why Hollywood is a man’s, man’s, man’s world, Metro, 2013
- The Bechdel Test: Women in Film, BBC, 2013
- Lawrence, Faith (June 2011). "SPARQLing Conversation: Automating The Bechdel-Wallace Test". Paper presented at the Narrative and Hypertext Workshop, Hypertext 2011. Retrieved 26 July 2012.
- Wilson, Sarah (28 June 2012). "Bechdel Rule still applies to portrayal of women in films". The Oklahoma Daily.
- Stross, Charles (28 July 2008). "Bechdel's Law". Charlie's Diary. Retrieved 26 July 2012.
- Although the test is sometimes referred to as the "Mo Movie Measure", the character who articulates it, is not Bechdel's character Mo. The episode in which it appears predates the development of the strip's ongoing cast.
- "Bechdel-Test: Frauen spielen keine Rolle". Kurier. 8 August 2012. Retrieved 19 August 2012.
- Woolf, Virginia. "A Room of One's Own: Chapter 5" (HTML:eBook/Multiple). In Thomas, Stephen. The University of Adelaide Library. University of Adelaide Press. Retrieved 24 December 2012.
- Bleakley, A.; Jamieson, P. E.; Romer, D. (2012). "Trends of Sexual and Violent Content by Gender in Top-Grossing U.S. Films, 1950–2006". Journal of Adolescent Health 51 (1): 73–79. doi:10.1016/j.jadohealth.2012.02.006. PMID 22727080.
- Bechdel, Alison. "The Rule". Retrieved 26 July 2012.
- "The Rule". DTWOF: The Blog. 16 August 2005. Retrieved 2011-11-09.
- Ulaby, Neda (2008-09-02). "The 'Bechdel Rule,' Defining Pop-Culture Character". All Things Considered (National Public Radio). Retrieved 2012-07-26.
- Friend, Tad (11 April 2011). "Funny Like a Guy: Anna Faris and Hollywood's woman problem". The New Yorker (Condé Nast): 55. Retrieved 2011-09-17.
- Bechdel, Alison (8 November 2013). "Testy". Dykes to Watch Out For. Retrieved 15 November 2013.
- Steiger, Kay (2011). "No Clean Slate: Unshakeable race and gender politics in The Walking Dead". In Lowder, James. Triumph of The Walking Dead. BenBella Books. p. 104. ISBN 9781936661138.
- Romano, Aja (18 August 2013). "The Mako Mori Test: 'Pacific Rim' inspires a Bechdel Test alternative". The Daily Dot. Retrieved 15 September 2013.
- McGuinness, Ross (18 July 2013). "The Bechdel test and why Hollywood is a man’s, man’s, man’s world". Metro. Retrieved 15 September 2013.
- Harris, Mark (6 August 2010). "I Am Woman. Hear Me... Please!". Entertainment Weekly. Retrieved 26 July 2012.
- "The Oscars and the Bechdel Test". Feminist Frequency. February 15, 2012. Retrieved 2013-11-08.
- Power, Nina (2009). One-dimensional woman. Zero Books. pp. 39 et seq. ISBN 1846942411.
- "Ewig jung im blonden Herzen". Salzburger Nachrichten. Retrieved 26 July 2012. ""Wie unglaublich wenige Filme diesen simplen Test bestehen, ist wirklich bezeichnend." ("It's really telling how incredibly few films pass this simple test.")"
- Sharma, Versha; Sender, Hanna (2 January 2014). "Hollywood Movies With Strong Female Roles Make More Money". Vocativ. Retrieved 2 January 2014.
- Kesler, Jenifer (30 June 2008). "Why film schools teach screenwriters not to pass the Bechdel test". The Hathor Legacy. Retrieved 26 July 2012.
- "Statistics". bechdeltest.com. Retrieved 13 November 2013.
- Anthropy, Anna (2012). Rise of the videogame zinesters: How freaks, normals, amateurs, artists, dreamers, dropouts, queers, housewives, and people like you are taking back an art form (Seven Stories Press 1st ed.). Seven Stories Press. ISBN 9781609803735.
- Agnello, Anthony John (July 2012). "Something other than a man: 15 games that pass the Bechdel Test". Gameological. Retrieved 26 July 2012.
- Zalben, Alex (22 February 2012). "Witchblade/Red Sonja #1 Passes The Bechdel Test". MTV Geek!. Retrieved 26 July 2012.
- Collin, Robbie (15 November 2013). "Bechdel test is damaging to the way we think about film". The Telegraph. Retrieved 15 November 2013.
- "GLAAD introduces 'Studio Responsibility Index', report on LGBT images in films released by 'Big Six' studios". GLAAD. August 20, 2013. Retrieved August 24, 2013.
- John, Arit (21 August 2013). "Beyond the Bechdel Test: Two (New) Ways of Looking at Movies". The Atlantic. Retrieved 15 September 2013.
- Brainard, Curtis (22 March 2013). "‘The Finkbeiner Test’ Seven rules to avoid gratuitous gender profiles of female scientists". Columbia Journalism Review. Retrieved 31 March 2013.