||This article needs additional citations for verification. (January 2012)|
September 4, 1918 |
Shelby, Mississippi, USA
|Occupations||Trumpeter, bandleader, composer|
Wilson was born in Shelby, Mississippi, and went on to graduate from Cass Technical High School in Detroit. Wilson joined the Jimmie Lunceford orchestra in 1939, replacing its star trumpeter and arranger Sy Oliver. While with Lunceford, he contributed numbers to the band's book, including "Hi Spook" and "Yard-dog Mazurka," the latter being a big influence on Stan Kenton's recording "Intermission Riff." In addition to leading his band, Wilson has written arrangements for others including Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson to name a few.
Early life 
During World War II, Wilson also performed for a brief time with the U.S. Navy, with musicians such as Clark Terry, Willie Smith and Jimmy Nottingham, among others. Recently (~2005), many of the members of the band reunited as "The Great Lakes Experience Big Band," with Wilson conducting and Ernie Andrews making a guest appearance at the invitation of Clark Terry. Wilson originally started out as trumpeter and arranger for Jimmie Lunceford. He has also played and arranged for the bands of Benny Carter, Duke Ellington, Count Basie and Dizzy Gillespie.
Wilson formed his own band, with some success, in the mid-1940s. In 1960, Wilson formed a Los Angeles-based band that began a series of superb recordings for the Pacific Jazz label. Musicians in the band at various times included lead trumpeter Snooky Young, trumpet soloist Carmell Jones and saxophonists Bud Shank, Joe Maini, Harold Land, Teddy Edwards, and Don Raffell. The rhythm section included guitarist Joe Pass, Richard Holmes (organist), vibists Roy Ayers and Bobby Hutcherson, and drummers Mel Lewis and Mel Lee. His wife of over fifty years, Josefina Villasenor Wilson, is Mexican-American. A number of Wilson's compositions showed his love of Spanish/Mexican themes, especially "Viva Tirado," which later became a hit for the rock band El Chicano. Along with his wife, Wilson has three daughters (Jeri Teri and Nancy Jo), his son Anthony (who is guitarist for Diana Krall), and a number of grandchildren, all of which have songs composed for them.
Wilson has continued leading bands and recording in the ensuing decades. Recent musicians have included his son-in-law Shuggie Otis and son Anthony Wilson, both guitarists; Gerald's grandson, Eric Otis, has also played on such recordings. Wilson has continued to record Spanish-flavored compositions, notably the bravura trumpet solos "Carlos" (named for Mexican matador Carlos Arruza, and recorded three times over the years, featuring trumpeters Jimmy Owens, Oscar Brashear, and Ron Barrows) and "Lomelin" (also named for a matador—Antonio Lomelin—and recorded twice, with solos by Oscar Brashear and Jon Faddis). In 1998, Wilson received a commission from the Monterey Jazz Festival for an original composition, resulting in "Theme for Monterey," which was performed at that year's festival. In recent years, Wilson has formed orchestras on the West and East coasts each with local outstanding musicians. He also makes special appearances as guest conductor, including with the Carnegie Hall Jazz Band (now the Jon Faddis Jazz Orchestra of New York) the Lincoln Center Jazz Orchestra, the Chicago Jazz Ensemble and European Radio Jazz Orchestras including the BBC Big Band. He was host of his own jazz show in the 1970s on the old jazz radio station KBCA in Los Angeles. Wilson has been a member of the faculty at the University of California, Los Angeles, for many years, recently winning a "teacher of the year" award. He also served on the faculty at California State University, Northridge in the 1970s where he taught Jazz History to wide acclaim among the student body and has also taught at Cal Arts in Los Angeles. He is currently "retired" from UCLA but will continue to contribute his vast knowledge and experience as a living "jazz legend" at UCLA and wherever his musical journey takes him.
In February 2006, Wynton Marsalis and The Lincoln Center Jazz Orchestra performed his music with Mr. Wilson conducting. In June 2007, Wilson returned to the studio with producer Al Pryor and an all-star big band to record a special album of compositions originally commissioned and premiered at the Monterey Jazz Festival for the festival's 50th anniversary. Wilson had helped lead celebrations of the Monterey Jazz Festival's 20th and 40th anniversary with his specially commissioned works (1998's grammy nominated album Theme for Monterey). The album, Monterey Moods was released on Mack Avenue Records in September 2007. In September 2009, Wilson conducted his eight movement suite "Detroit" commissioned by the Detroit Jazz Festival in honor of its 30th anniversary. The work includes a movement entitled "Cass Tech" in honor of his high school alma mater.
- Legacy (2011)
- Detroit (2009)
- Monterey Moods (2007)
- In My Time (2005)
- State Street Sweet (MAMA 1010)
- New York, New Sound (Mack Avenue MAC 31009 + MAC 1019)
- The Complete Pacific Jazz Recordings of Gerald Wilson and His Orchestra (Mosaic MD5-198)
- The Artist Selects: Gerald Wilson (Blue Note 31439)
- Gerald Wilson and His Orchestra 1946-1954 (Classics 1444)
- Love You Madly (Discovery DSCD-947)
- Suite Memories (MAMA 1014)
- Theme for Monterey (MAMA 1021)
- You Better Believe It! (Pacific Jazz Records, 1961)
- Moment of Truth (Pacific Jazz Records, 1963)
- Richard S. Ginell (2011). "Gerald Wilson Biography". allmusic. Retrieved 16 July 2011.
- The Legacy of Gerald Wilson - Panel Discussion on Detroit JazzStage - Jazz Extras
- "Twelve Essential Gerald Wilson Recordings" by Jeff Sultanof
- "Track Listing, Personnel & Recording Dates for The Complete Pacific Jazz Recordings of Gerald Wilson" at Mosaic Records
- Interview by Jason Crane (Part 1) from The Jazz Session Podcast Series
- Interview by Jason Crane (Part 2) from The Jazz Session Podcast Series