Mosque–Cathedral of Córdoba
|Mosque–Cathedral of Córdoba|
Mezquita de Córdoba, a World Heritage Site.
|Location||Córdoba, Andalusia, Spain|
|District||Diocese of Córdoba|
|Heritage designation||UNESCO World Heritage Site|
|Architectural type||Cathedral, mosque|
|Architectural style||Moorish, Renaissance|
Mosque–Cathedral of Córdoba (Spanish: Mezquita–catedral de Córdoba, Mezquita de Córdoba), also called the Mezquita and the Great Mosque of Córdoba, is now a Catholic Christian cathedral and formerly a medieval Islamic mosque. It is located in the Spanish city of Córdoba, Andalusia.
The Cathedral is regarded as the one of the most accomplished monuments of Renaissance and Moorish architecture. Since the early 2000s (decade), Spanish Muslims have lobbied the Roman Catholic Church to allow them to pray in the cathedral. The Muslim campaign has been rejected on multiple occasions, by both Spanish Catholic authorities, and the Vatican.
After the Islamic conquest of the Visigothic Kingdom, the church was divided between the Muslims and Christians. When the exiled Umayyad prince Abd al-Rahman I escaped to Spain and defeated the governor of Al-Andaluz, Yusuf al-Fihri, he allowed the Christians to rebuild their ruined churches, and purchased the Christian half of the church of St. Vincent. Abd al-Rahman I and his descendants reworked it over two centuries to refashion it as a mosque, starting in 784. Additionally, Abd al-Rahman I used the mosque (originally called Aljama Mosque) as an adjunct to his palace and named it to honor his wife. Traditionally, the mihrab, or apse of a mosque faces in the direction of Mecca; by facing the mihrab, worshipers pray towards Mecca. Mecca is east-southeast of the mosque, but the mihrab points south.
The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while Al-Hakam II, in 961, enlarged the building and enriched the Mihrab. The last of the reforms was carried out by Al-Mansur Ibn Abi Aamir in 987. It was connected to the Caliph's palace by a raised walk-way, mosques within the palaces being the tradition for previous Islamic rulers - much like Christian Kings built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
The Great Mosque of Córdoba held a place of importance amongst the Islamic community of al-Andalus for three centuries. In Córdoba, the capital, the Mosque was seen as the heart and central focus. Muhammad Iqbal described its hypostyle hall as having "countless pillars like rows of palm trees in the oases of Syria". To the people of al-Andalus “the beauty of the mosque was so dazzling that it defied any description.”
The main hall of the mosque was used for a variety of purposes. It served as a central Prayer hall for for personal devotion, the five daily Muslim prayers and the special Friday prayers. It also would have served as a hall for teaching and for Sharia Law cases during the rule of Abd al-Rahman & his successors.
The Great Mosque of Córdoba exhibited features, and an architectural appearance, similar to the Great Mosque of Damascus, therefore it is evident that it was used as a model by Abd al-Rahman for the creation of the Great Mosque in Córdoba.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, and granite. These were made from pieces of the Roman temple which had occupied the site previously, as well as other destroyed Roman buildings, such as the Mérida amphitheatre. The double arches were a new introduction to architecture, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch. The famous alternating red and white voussoirs of the arches were inspired by those in the Dome of the Rock. and also resemble those of the Aachen Cathedral, which were built almost at the same time. A centrally located honey-combed dome has blue tiles decorated with stars.
The mosque also has a richly gilded prayer niche or mihrab. The mihrab is a masterpiece of architectural art, with geometric and flowing designs of plants. Other prominent features were: an open court (sahn) surrounded by arcades, screens of wood, minarets, colourful mosaics, and windows of coloured glass. The walls of the mosque had Quranic inscriptions written on them. As Islam rejects all sculptural or pictorial representation of people or of God, all decoration of the mosque is accomplished through tile work, caligraphy and architectural forms.
The mosque’s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large in size, flat, with timber ceilings held up by arches of horseshoe-like appearance.
One hundred fifty years following its creation, a staircase to the roof was added, along with a southward extension of the mosque itself. A bridge was built linking the prayer hall with the Caliph’s palace. The mosque was later expanded even further south, as was the courtyard which surrounded it. The mosque was built in four stages, with each Caliph and his elite contributing to it.
Until the 11th century, the courtyard was unpaved earth with citrus and palm trees irrigated - at first by rainwater cisterns, and later by aqueduct. Excavation indicates the trees were planted in a pattern, with surface irrigation channels. The stone channels visible today are not original.
In 1236, Córdoba was conquered by King Ferdinand III of Castile in the Reconquista, and the mosque was returned into a Catholic church. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela’s captured cathedral bells.
The most significant alteration was the building of a Renaissance cathedral nave right in the middle of the expansive structure. The insertion was constructed by permission of El Libertador Charles V, king of Castile and Aragon. However, when Charles V visited the completed cathedral he was displeased by the result and famously commented, "they have taken something unique in all the world and destroyed it to build something you can find in any city."
The mosque's reconversion to a Christian Catholic church, the Cathedral de Córdoba, may have helped to preserve it when the Spanish Inquisition was most active. Artisans and architects continued to add to the existing structure until the late 18th century.
Current Muslim campaign 
Muslims across Spain are lobbying the Roman Catholic Church to allow them to pray in the complex, with the Islamic Council of Spain lodging a formal request with the Vatican. However, Spanish church authorities and the Vatican oppose this move. These battles over the cathedral reflect the contested view of what constitutes Spanish history and Spanish identity.
2010 violence 
In April 2010, two Muslim tourists were arrested at the Cathedral, after an incident in which two security guards were seriously injured. The incident occurred when the building was filled with tourists visiting the cathedral during Holy Week.
According to cathedral authorities, when half a dozen Austrian Muslims, who were part of a group of 118 people on an organized tour for young European Muslims, knelt to pray at the same time, security guards stepped in and “invited them to continue with their tour or leave the building”. A fight took place between two of the tourists and the security guards. The security guards suffered serious injuries and had to be hospitalized and two Muslim men were detained.
In popular culture 
- Muhammad Iqbal, who is considered as one of the founding fathers of Pakistan and its national poet, visited the Great Cathedral of Córdoba in 1931–32. He requested the authorities to offer adhan at the mosque. The deep emotional responses that the Mosque evoked in him found expression in the immortal poem called The Mosque of Cordoba. Iqbal saw it as a cultural landmark of Islam and described it as:
- "Sacred for lovers of art, you are the glory of faith,
- You have made Andalusia pure as a holy land!"
Photos of the Mezquita architecture.
Bell tower or minaret of the Mosque–Cathedral of Córdoba
Present appearance of the mihrab, built during the expansion of Alheken II
See also 
- Islamic architecture
- Timeline of Muslim history
- Umayyad Mosque of Damascus
- 12 Treasures of Spain
- Muslim campaign at Córdoba Cathedral
- Fichner-Rathus, Lois (2012). Understanding Art (with Art Coursemate with EBook Printed Access Card). Cengage Learning. p. 336. ISBN 1111836957. Retrieved December 14, 2012.
- "Mosque-Cathedral of Córdoba". Encyclopædia Britannica, Inc. Retrieved 4 November 2012.
- Sills, Ben (2004-04-19). "Cathedral may see return of Muslims". The Guardian (London).
- Thomson, Muslims ask Pope to OK worship in ex-mosque, Reuters, (2011), 
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- David Levering Lewis, God's Crucible: Islam and the Making of Europe, 570 to 1215, W. W. Norton & Company, (2008) p. 272 ff.
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- Jayyusi, Salma Khadra, ed. The Legacy of Muslim Spain, 2 Vols.. Leiden: BRILL, p.599.
- Muhammad Iqbal,The Mosque of Cordoba
- Anwar, G. Chejne, Muslim Spain: Its History and Culture, MINNE ed. Minnesota: University Of Minnesota Press, p.364.
- Jan, Read. The Moors in Spain and Portugal. London: Rowman & Littlefield Pub Inc, p.56.
- The Literature of Al-Andalus (The Cambridge History of Arabic Literature). New Ed ed. New York: Cambridge University Press, 161.
- The Literature of Al-Andalus, p.159
- The Literature of Al-Andalus p.162
- Ruggles, D. Fairchild (2008). Islamic Gardens and Landscapes. University of Pennsylvania Press. p. 152. ISBN 0-8122-4025-1.
- "Interior of a Mosque at Cordova". The Walters Art Museum.
- Chris, Lowney A Vanished World: Muslims, Christians, and Jews in Medieval Spain. New York: Oxford University Press, USA, 11.
- D. Fairchild Ruggles, “The Stratigraphy of Forgetting: The Great Cathedral of Cordoba and Its Contested Legacy,” in Contested Cultural Heritage, ed. Helaine Silverman. New York: Springer, 2011, pp. 51-67. Spanish translation in the journal Antípoda:Revista de Antropología y Arqueología (Bogotá, Colombia) 12 (2011): 19-38.
- Tremlett, Giles (2010-04-01). "Two arrested after fight in Cordoba's former mosque". The Guardian (London).
- Keeley, Graham (2010-04-03). "Muslims arrested for trying to pray in Cordobas former Mosque". The Times (London).
- "Muslims in Spain campaign to worship alongside Christians". CNN. 2010-09-07.
|Wikimedia Commons has media related to: Mezquita de Córdoba|
- Great Mosque-Cathedral of Córdoba by art historians
- Mezquita (Great Mosque) of Córdoba
- Mezquita (Great Mosque) of Córdoba at Google Maps
- Wonders of the World: Mezquita videos
- The Mosque of Cordova (during early 19th century)
- Al-Andalus: the art of Islamic Spain, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on the Mosque–Cathedral of Córdoba (see index)