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The Hôtel Lambert (pronounced: [otɛl lɑ̃bɛːʁ]) is a hôtel particulier, a grand mansion townhouse, on the Quai Anjou on the eastern tip of the Île Saint-Louis, in 4th arrondissement of Paris. In the 19th century, the name Hôtel Lambert also came to designate a political faction of Polish exiles associated with Prince Adam Jerzy Czartoryski, who had purchased the Hôtel Lambert. On 10 July 2013 the building was ravaged by a fire which started in the roof during renovation work.
The house, on an irregular site at the tip of the Île Saint-Louis in the heart of Paris, was designed by architect Louis Le Vau. It was built between 1640 and 1644, originally for the financier Jean-Baptiste Lambert (d. 1644) and continued by his younger brother Nicolas Lambert, later president of the Chambre des Comptes. For Nicolas Lambert, the interiors were decorated by Charles Le Brun, François Perrier, and Eustache Le Sueur, producing one of the finest, most-innovative, and iconographically coherent examples of mid-17th-century domestic architecture and decorative painting in France.
The entrance gives onto the central square courtyard, around which the hôtel was built. A wing extends to the right at the rear, embracing a walled garden. At the same time, Louis Le Vau constructed a residence for himself adjacent to the Hôtel Lambert. He lived there between 1642 and 1650. It was where all of his children were born and his mother died. After the architect's own death in 1670, his hôtel was bought by the La Haye family, who owned the other residence as well. Both buildings were then joined and their façades combined.
Both painters worked on the internal decoration for almost five years, producing the gallant allegories of Le Brun's grand Galerie d'Hercule (still in situ) and the small Cabinet des Muses, with five canvases by Le Sueur that were purchased for the royal collection (now in the Louvre) and the earlier ensemble, the Cabinet de l'Amour, which in its original configuration featured an alcove for a canopied bed upon which the lady of the house would receive visitors, according to the custom of the day. Significantly the alcove was eliminated about 1703. All the ensembles featured themes of love and marriage. However, the paintings have since been dispersed.
In the 1740s, the Marquise du Châtelet and Voltaire, her lover, used the Hôtel Lambert as their Paris residence when not at her country estate in Cirey. The marquise was famed for her salon there. Later, the Marquis du Châtelet sold the Lambert to Claude Dupin and his wife Louise-Marie Dupin, who continued the tradition of the salon. The Dupins were ancestors of writer George Sand, who, because of her relationship with the Polish composer Chopin, was also a frequent guest of the 19th-century Polish owners of the property.
The political salon
In 1843, the hôtel particulier was bought by Prince Adam Jerzy Czartoryski of the powerful family of Polish magnates. Two of its members, Konstanty Adam and Adam Jerzy Czartoryski, were leaders of the liberal aristocratic faction of the Polish Great Emigration, which came into being after the collapse of the November Uprising of 1830–1831 in Poland. The political group was formed around the latter, and his palatial dwelling lent its name to the faction.
The political beliefs of the Hôtel Lambert faction were derived from the May 3rd Constitution that the members supported. The Hôtel Lambert played an important part in keeping the "Polish question" alive in European politics by promoting the Polish cause. It also served as a safe harbor for Polish emigrants and royalists, exiled from their country after the unsuccessful uprising against Russia. Among the notable politicians taking part in Hôtel Lambert's activities were Władysław Czartoryski, Józef Bem, Henryk Dembiński, Karol Kniaziewicz, Julian Ursyn Niemcewicz, Władysław Stanisław Zamoyski, and Władysław Ostrowski. Activist Leon Kaplinski was also a member.
Initially a political think tank and a discussion club, the political faction also started to work on the preservation and promotion of the Polish culture. A Polish language library, a historical society, two schools teaching Polish (one for girls, one for boys), and several other notable social and cultural organizations were founded next to the hôtel. Within time, it became one of the most important centers of Polish culture in the world, especially after the January Uprising, when the Polish language and culture became heavily persecuted in Poland itself.
Among the notable guests and patrons of the Hôtel Lambert were some renowned artists and politicians of the epoch, including Frédéric Chopin, Zygmunt Krasiński, Alphonse de Lamartine, George Sand, Honoré de Balzac, Hector Berlioz, Franz Liszt, Eugène Delacroix, and Adam Mickiewicz. In fact, Chopin's "La Polonaise" was composed exclusively for the Polish ball held there every year. The Polish library, founded in the Hôtel Lambert, still exists, although it was moved to a different place after World War II.
20th and 21st centuries
The Hôtel Lambert was discreetly split into several luxurious apartments. It was once the home of actress Michèle Morgan, Mona von Bismarck, and of Alexis von Rosenberg, Baron de Redé, who rented the ground floor from 1947 until his death.[n 1] De Redé entertained his lover Arturo Lopez-Willshaw (1900–1962), who continued to maintain a formal residence with wife Patricia in Neuilly. Redé and Lopez-Willshaw's dinner parties were at the center of le tout Paris.
In 1956, at de Redé's Bal des Têtes, young Yves Saint-Laurent provided many of the headdresses, a gesture which boosted his career. In December 1969, de Redé had his most famous ball, the Bal Oriental, with guests such as Jacqueline de Ribes, Guy de Rothschild, Salvador Dalí, Brigitte Bardot, Dolores Guinness, and Margrethe II of Denmark. In 1975, the Czartoryski heirs sold the Hôtel Lambert to Baron Guy de Rothschild, whose wife, Marie-Hélène de Rothschild, was a close friend of de Redé; they used it as their Paris residence.
The Lambert, a UNESCO-listed site, was divided into apartments by the Rothschilds, and parts of the wooden structure are rotting; the staircases are sagging, and the paint is cracked and discolored. Thierry Tomasi, the prince's lawyer, has claimed that the installation of air conditioning will preserve the paintings and hinder cracking.
In September 2007, Prince Abdullah bin Khalifa al-Thani, brother of the Emir of Qatar bought the Hôtel Lambert from the Rothschilds for the purported sum of about 80 million euros ($111 million). The prince's plan for a comprehensive overhaul of the building has sparked controversy and became the subject of legal action brought by French conservationists. The scheme reportedly includes plans to install lifts, an underground car park, and a number of security measures, including digging under the garden and raising the 17th-century garden wall about 80 cm. Former tenant Michèle Morgan criticized the plans in an interview, suggesting that super-rich clients wanting a tailor-made luxury modern residence should consider a larger site on the outskirts of Paris rather than a cramped position limited on all sides by the river Seine and listed monuments. However, Alain-Charles Perrot, the architect in charge of the project, suggests that there is an element of racism in objections to the plans.[n 2]
On 10 July 2013 the building was ravaged by a fire which started in the roof during renovation work.
- Petition for preservation of Hôtel Lambert
- Alexis von Rosenberg, Baron de Redé
- Great Emigration (Wielka Emigracja)
- Union of National Unity (Związek Jedności Narodowej)
- Rothschild family
- The restorations undertaken at the Hôtel Lambert were discussed by J. Dupont.
- Incidentally, another mansion by Le Vau, the Hôtel de Hesselin, dating from 1642, was demolished in 1934 by its wealthy American owner, Helena Rubinstein, and replaced with a luxury block.
- "Paris mansion Hotel Lambert seriously damaged by fire". bbc.co.uk. 10 July 2013. Retrieved 11 July 2013.
- Anthony Blunt, Art and Architecture in France 1500-1700 (2nd ed. Baltimore 1970) p 135f.
- Henderson 1974:556; compare the custom of the royal Levée.
- Natalie Rosenberg Henderson, "Le Sueur's Decorations for the Cabinet des Muses in the Hôtel Lambert," The Art Bulletin 56.4 (December 1974) pp. 555-570.
- "Quelques notes sur la restoration de l'Hôtel Lambert". Noted by Henderson 1974:557 note. Bulletin de la société de l'histoire de l'art français. 1947. p. 128.
- Erlanger, Steven (8 October 2009). "A Palace Overhaul, Treading on French Heritage". The New York Times. Retrieved 2014-04-08.
- Media related to Hôtel Lambert at Wikimedia Commons
- Hôtel Lambert - from the Encyclopedia of 1848 Revolutions