In Greek mythology, Hector (Ἕκτωρ Hektōr, pronounced [héktɔ͜ɔr]) was a Trojan prince and the greatest fighter for Troy in the Trojan War. As the first-born son of King Priam and Queen Hecuba, a descendant of Dardanus, who lived under Mount Ida, and of Tros, the founder of Troy, he was a prince of the royal house and the heir apparent to his father's throne. He was married to Andromache, with whom he had an infant son, Scamandrius (whom the people of Troy called Astyanax). He acted as leader of the Trojans and their allies in the defense of Troy, killing 31,000 Greek fighters in all. In the European Middle Ages, Hector figures as one of the Nine Worthies noted by Jacques de Longuyon, known not only for his courage but also for his noble and courtly nature. Indeed Homer places Hector as peace-loving, thoughtful as well as bold, a good son, husband and father, and without darker motives. James Redfield writes of Hector as a "martyr to loyalties, a witness to the things of this world, a hero ready to die for the precious imperfections of ordinary life."
- 1 Etymology
- 2 Greek mythology
- 3 Historical references
- 4 Later treatments
- 5 See also
- 6 References
- 7 External links
In Greek, Héktōr is a derivative of the verb ékhein, archaic form hékhein, "to have" or "to hold". Héktōr, or Éktōr as found in Aeolic poetry, is also an epithet of Zeus in his capacity as "he who holds [everything together]". Hector's name could thus be taken to mean "holding fast".
Greatest warrior of Troy
According to the Iliad, Hector did not approve of war between the Greeks and the Trojans.
For ten years, the Achaeans besieged Troy and their allies in the east. Hector commanded the Trojan army, with a number of subordinates including Polydamas, and his brothers Deiphobus, Helenus, and Paris. By all accounts, Hector was the best warrior the Trojans and all their allies could field, and his fighting powers were admired by Greeks and his own people alike.
Duel with Protesilaus
In the Iliad, Hector's exploits in the war prior to the events of the book are recapitulated. He had fought the Greek champion Protesilaus in single combat at the start of the war and killed him. A prophecy had stated that the first Greek to land on Trojan soil would die. Thus, Protesilaus, Ajax, and Odysseus would not land. Finally, Odysseus threw his shield out and landed on that, and Protesilaus jumped next from his own ship. In the ensuing fight, Hector killed him, fulfilling the prophecy.
Duel with Ajax
At the advice of his brother, Helenus (who also is divinely inspired), and being told by him that he is not destined to die yet, Hector managed to get both armies seated and challenges any one of the Greek warriors to single combat. The Argives were initially reluctant to accept the challenge. However, after Nestor's chiding, nine Greek heroes stepped up to the challenge and drew by lot to see who was to face Hector. Ajax wins and fights Hector to a stalemate for the entire day. With neither able to achieve victory, they express admiration for each other's courage, skill, and strength. Hector gave Ajax his sword, which Ajax later uses to kill himself. Ajax gives Hector his girdle, which later was used to attach Hector's corpse to Achilles' chariot by which he is dragged around the walls of Troy.
The Greek and the Trojans make a truce to bury the dead. In the early dawn the next day the Greeks take advantage of it to build a wall and ditch around the ships. Zeus is watching in a distance.
Duel with Achilles
Another mention of Hector's exploits in the early years of war was given in the Iliad book 9. During the embassy to Achilles, Odysseus, Phoenix and Ajax all try to persuade Achilles to rejoin the fight. In his response, Achilles points out that while Hector was terrorizing the Greek forces now, and that while he himself had fought in their front lines, Hector had 'no wish' to take his force far beyond the walls and out from the Skiaian Gate and nearby oak tree. He then claims, 'There he stood up to me alone one day, and he barely escaped my onslaught.'
A 2004 film version of Troy has Achilles slaying Hector following a duel, whereas in the Iliad it is rather different. Hector remains outside the walls, while his army flees into the city. As Achilles approaches, Hector stands his ground, fights and dies upon looking up at Troy. The film version of his death more resembles the single combat between the champions mentioned by Achilles in the Iliad, book 9.
In the tenth year of the war, observing Paris avoiding combat with Menelaus, Hector upbraids him with having brought trouble on his whole country and now refusing to fight. Paris therefore proposes single combat between himself and Menelaus, with Helen to go to the victor, ending the war. The duel, however, leads to inconclusive results due to intervention by Aphrodite who leads Paris off the field. After Pandarus wounds Menelaus with an arrow the fight begins again.
The Greeks attack and drive the Trojans back. Hector must now go out to lead a counter-attack. His wife, Andromache, carrying in her arms their son Astyanax, intercepts him at the gate, pleading with him not to go out for her sake as well as his son's. Hector knows that Troy and the house of Priam are doomed to fall and that the gloomy fate of his wife and infant son will be to die or go into slavery in a foreign land. With understanding, compassion, and tenderness he explains that he cannot personally refuse to fight, and comforts her with the idea that no one can take him until it is his time to go. The gleaming bronze helmet frightens Astyanax and makes him cry. Hector takes it off, embraces his wife and son, and for her sake prays aloud to Zeus that his son might be chief after him and become more glorious in battle than he.
Hector and Paris pass through the gate and rally the Trojans, raising havoc among the Greeks.
Trojan counter attack
Zeus weighs the fates of the two armies in the balance, and that of the Greeks sinks down. The Trojans press the Greeks into their camp over the ditch and wall and would have laid hands on the ships, but Agamemnon rallies the Greeks in person. The Trojans are driven off, night falls, and Hector resolves to take the camp and burn the ships next day. The Trojans bivouac in the field.
- "A thousand camp-fires gleamed upon the plain, ...".
The next day Agamemnon rallies the Greeks and drives the Trojans
- "like a herd of cows maddened with fright when a lion has attacked them ..."
Hector refrains from battle until Agamemnon leaves the field, wounded in the arm by a spear. Then Hector rallies the Trojans:
- "...like some fierce tempest that swoops down upon the sea...."
Diomedes and Odysseus hinder Hector and win the Greeks some time to retreat, but the Trojans sweep down upon the wall and rain blows upon it. The Greeks in the camp contest the gates to secure entrance for their fleeing warriors. The Trojans try to pull down the ramparts while the Greeks rain arrows upon them. Hector smashes open a gate with a large stone, clears the gate and calls on the Trojans to scale the wall, which they do, and
- "... all was uproar and confusion."
The battle rages inside the camp. Hector goes down, hit by a stone thrown by Ajax, but Apollo arrives from Olympus and infuses strength into "the shepherd of the people", who orders a chariot attack, with Apollo clearing the way. Many combats, deaths, boasts, threats, epithets, figures of speech, stories, lines of poetry and books of the Iliad later, Hector lays hold of Protesilaus' ship and calls for fire. The Trojans cannot bring it to him, as Ajax kills everyone who tries. Eventually, Hector breaks Ajax' spear with his sword, forcing him to give ground, and he sets the ship on fire.
These events are all according to the will of the gods, who have decreed the fall of Troy, and therefore intend to tempt Achilles back into the war. Patroclus, Achilles' closest companion, disguised in the armor of Achilles, enters the combat leading the Myrmidons and the rest of the Achaeans to force a Trojan withdrawal. After Patroclus has routed the Trojan army, Hector, with the aid of Apollo and Euphorbus, kills Patroclus, vaunting over him:
- "I am foremost of all the Trojan warriors to stave the day of bondage from off them; as for you, vultures shall devour you here."
The dying Patroclus replies:
- ".. death and the day of your doom are close upon you...".
Hector's last fight
|“||Alas! the gods have lured me on to my destruction. ... death is now indeed exceedingly near at hand and there is no way out of it- for so Zeus and his son Apollo the far-darter have willed it, though heretofore they have been ever ready to protect me. My doom has come upon me; let me not then die ingloriously and without a struggle, but let me first do some great thing that shall be told among men hereafter.||”|
—Spoken by Hector facing Achilles, after a missed spear-throw, The Iliad Book XXII Lines 299-305.
Hector strips the armor of Achilles off the fallen Patroclus and gives it to his men to take back to the city. Glaucus accuses Hector of cowardice for not challenging Ajax. Stung, Hector calls for the armor, puts it on, and uses it to rally the Trojans. Zeus regards the donning of a hero's armor as an act of insolence by a fool about to die, but it makes Hector strong for now.
The next day, the enraged Achilles renounces the wrath that kept him out of action and routs the Trojans, forcing them back to the city. Hector chooses to remain outside the gates of Troy to face Achilles, partly because had he listened to Polydamas and retreated with his troops the previous night, Achilles would not have killed so many Trojans. When he sees Achilles, however, Hector is seized by fear and turns to flee. Achilles chases to him around the city three times before Hector masters his fear and turns to face Achilles. But Athena, in the disguise of Hector's brother Deiphobus, has deluded Hector. He requests from Achilles that the victor should return the other's body after the duel, (though Hector himself made it clear he planned to throw the body of Patroclus to the dogs) but Achilles refuses. Achilles hurls his spear at Hector, who dodges it, but Athena brings it back to Achilles' hands without Hector noticing. Hector then throws his own spear at Achilles; it hits his shield and does no injury. When Hector turns to face his supposed brother to retrieve another spear, he sees no one there. At that moment he realizes that he is doomed. Hector decides that he will go down fighting and that men will talk about his bravery in years to come. The desire to achieve ever-lasting honor was one of the most fierce for soldiers living in the timocratic (honor based) society of the age.
Hector pulls out his sword, now his only weapon, and charges. A raging duel ensues, and eventually Achilles finishes it. He slices at Hector's armor, throwing him off guard and spinning him around. Achilles spins around too, and when Hector turns around completely, Achilles grapples him, stabbing him through the belly with his sword and throwing him a short way over his shoulder. Hector, in his final moments, begs Achilles for an honorable funeral, but Achilles replies that he will let the dogs and vultures devour Hector's flesh. (Throughout the Homeric poems, several references are made to dogs, vultures, and other creatures that devour the dead. It can be seen as another way of saying one will die.) Hector dies, prophesying that Achilles' death will follow soon.
After his death, Achilles slits Hector's heels and passes the girdle that Ajax had given Hector through the slits. He then fastens the girdle to his chariot and drives his fallen enemy through the dust to the Danaan camp. For the next twelve days, Achilles mistreats the body, but it remains preserved from all injury by Apollo and Aphrodite. After these twelve days, the gods can no longer stand watching it and send down two messengers: Iris, another messenger god, and Thetis, the mother of Achilles. Thetis has told Achilles to allow King Priam to come and take the body for ransom. Once King Priam has been notified that Achilles will allow him to claim the body, he goes to his strongroom to withdraw the ransom. The ransom King Priam offers includes twelve fine robes, twelve white mantles, several richly embroidered tunics, ten bars of yellow gold, a special gold cup, and several cauldrons. Priam himself goes to claim his son's body, and Hermes grants him safe passage by casting a charm that will make anyone who looks at him fall asleep.
|“||Think of thy father, and this helpless face behold!
See him in me, as helpless and as old!
Though not so wretched: there he yields to me,
The first of men in sovereign misery!
Thus forced to kneel, thus groveling to embrace
The scourge and ruin of my realm and race;
Suppliant my children’s murderer to implore,
And kiss those hands yet reeking with their gore!
Achilles, moved by Priam's actions and following his mother's orders sent by Zeus, returns Hector's body to Priam and promises him a truce of twelve days to allow the Trojans to perform funeral rites for Hector. Priam returns to Troy with the body of his son, and it is given full funeral honors. Even Helen mourns Hector, for he had always been kind to her and protected her from spite. The last lines of the Iliad are dedicated to Hector's funeral. Homer concludes by referring to the Trojan prince as the "tamer of horses."
The most valuable historical evidence for the Battle of Troy are treaties and letters mentioned in Hittite cuneiform texts of the same approximate era, which mention an unruly Western Anatolian warlord named Piyama-Radu (possibly Priam) and his successor Alaksandu (possibly Alexander, the nickname of Paris) both based in Wilusa (possibly Ilion/Ilios), as well as the god Apaliunas (possibly Apollo).
Other such pieces of evidence are names of Trojan heroes in Linear B tablets. Twenty out of fifty-eight men's names also known from Homer, including e-ko-to (Hector), are Trojan warriors and some, including Hector, are in a servile capacity. No such conclusion that they are the offspring of Trojan captive women is warranted. Generally the public has to be content with the knowledge that these names existed in Greek in Mycenaean times, although Page hypothesizes that Hector "may very well be ... a familiar Greek form impressed on a similar-sounding foreign name."
When Pausanias visited Thebes in Boeotia, in the second century AD, he was shown Hector's tomb and was told that the bones had been transported to Thebes according to a Delphic oracle. Moses I. Finley observes "this typical bit of fiction must mean that there was an old Theban hero Hector, a Greek, whose myths antedated the Homeric poems. Even after Homer had located Hector in Troy for all time, the Thebans held on to their hero, and the Delphic oracle provided the necessary sanction."
- In Dante Alighieri's Inferno (which is part of the Divine Comedy series), Hector and his family are placed in Limbo, the outer circle wherein the virtuous non-Christians dwell.
- Roland's sword in early 12th century French poem Song of Roland, was named Durendal. According to Ludovico Ariosto's Orlando Furioso it once belonged to Hector of Troy, and was given to Roland by Malagigi (Maugris).
- In William Shakespeare's Troilus and Cressida, Hector's death is used to mark the conclusion of the play. His nobility is shown in stark contrast to the deceit and pridefulness of the Greeks, especially Achilles.
- In David Gemmell's Troy trilogy Hektor is seen as a man of peace and would rather breed his horses than go to war but is forced by King Priam to fight for the Hittite empire against the Egytians at the Battle of Kadesh and other conflicts. In Fall of Kings Hektor kills Patrokles while attacking a supply wagon. Achilles challenges Hektor to a duel through Odyseus. Hektor accepts but only so the women and children of Troy could get on ships to Kypros. They fight in a specially designed pit dug especially for the duel. Hektor and Achilles are equally matched but both their swords are poisoned by Agamemnon's priest. Both warriors died fighting back to back against Agamemnon's followers. Achilles' Myrmidons carry Hektor back to Troy and Achilles back to their camp and the next morning head back to Thessaly.
- In Michael Longley's poem 'Ceasefire', Priam's petition to Achilles for the return of Hector's body is used as an analogue for the necessity for opposing sides to make conciliatory gestures, however difficult, to bring about peace in Northern Ireland. The poem ends with Priam's declaration, 'I get down on my knees and do what must be done/And kiss Achilles' hand, the killer of my son.'
Film and television
Hector has been portrayed by a variety of actors, including:
- Harry Andrews in Helen of Troy (1956)
- Jacques Bergerac in The Fury of Achilles (1962)
- Derek Lea in The Odyssey (1997 miniseries)
- Daniel Lapaine in Helen of Troy (2003)
- Eric Bana in Troy (2004)
- Hector is given his heraldry of a seated lion holding a sword in the Enfances Hector of the early 14th century.
- Hector is commemorated as the face of the Jack of diamonds in French playing cards.
- Iliad XX.215ff.
- Hyginus, Fabulae 115.
- James M. Redfield, Nature and Culture in the Iliad: The Tragedy of Hector. (Durham: Duke University Press, 1994), ix.
- This etymology is given under Hector in the Online Etymological Dictionary, which, if true, would make it an Indo-European name, of root *seĝh-. The Dardanians would not have been Greek, but the language of the city of Troy is still an open question.
- Iliad, VII.
- Iliad VII.433ff)
- Iliad III.
- Iliad VI.
- This Trojan helmet was made famous by Denys Page in History and the Homeric Iliad, Chapter VI, "Some Mycenaean relics in the Iliad", as the Greeks do not wear bronze helmets in the poem's epic formulae, but they did in the Homeric Age; therefore, Page concludes (on other evidence as well) that the bronze helmet of Hector descends in oral poetry from Mycenaean times.
- Iliad VIII.542ff.
- Iliad, XI.163ff.
- Iliad XII.
- Iliad, XV end.
- Iliad XVI end.
- Iliad XVII
- Bibliotheca III, xii, 5-6; Epitome IV, 2.
- John Chadwick, in Ventris and Chadwick, Documents in Mycenaean Greek, 2nd edition, Cambridge, 1973, p. 104.
- Page History and the Homeric Iliad, Chapter V.
- Finley, The World of Odysseus, 1954, rev. ed. 1978) p. 44
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