Park Jeong-ja (actress)

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Park Jeong-ja
박정자
Born (1942-03-12) 12 March 1942 (age 82)
Sorae Port, South Korea
Other namesPark Masako
Alma materEwha Womans University Honour Diploma
OccupationActress
Years active1962–present
OrganizationNational Academy of Arts of Korea
Relatives
AwardsLee Hae-rang Theater Award
Honours Bogwan Order of Cultural Merit (2007)
Korean name
Hangul
박정자
Hanja
Revised RomanizationBak Jong-ja
McCune–ReischauerPak Jŏngja

Park Jeong-ja (Korean박정자; Hanja朴正子, born March 12, 1942) is a South Korean actress. She made her debut as a theater actor in 1962 and is recognized for her intense, passionate, and intelligent performances. Park is the most critically acclaimed theater actress in South Korea. In 1997, Park became the first Woman who received theater award from 7th Lee Hae-rang Theatre Award, one of the major theater awards in Korea.[1] She also holds the distinction of being the only actress to have won the Best Actress award three times at the Dong-A Theatre Award. In 1971, she received the award for her portrayal of Ondal's mother in "Where and How Shall We Meet?" (7th edition). Then, in 1986, she won for her performances as the second wife in "The Egg" and the aunt in "A Country as Far as the Sky" (22nd edition). In 1987, she secured the award once again for her role as Monique in "Women in Crisis" (23rd edition). Among these works, she played the lead role solely in "Women in Crisis," while in the other two productions, she acted in supporting roles.[2]

Park's talent as a film actress has garnered significant recognition. In 1975, she was honored with the Grand Bell Awards for Best Supporting Actress for her role in director Kim Ki-young's "The Promise of the Flesh." She achieved the same feat once again in 1985 for her performance in director Jeong Jin-woo's "The MA-NIM." In addition to these accolades, Park has showcased her acting skills in other notable films such as "Growing Generously," "Anemone," and "Widow's Dance."[3]

Since its establishment in 2005, she has served as chairman of the board of directors of the Korea Activist Welfare Foundation and has been supporting medical and living expenses for theater practitioners.[2] In 2007, Park was awarded the 2007 Bogwan Order of Cultural Merit (South Korea) by the government.[4] In 2008, She has been granted membership in the National Academy of Arts of Korea.[5]

Early life and education[edit]

Park Jeong-ja, the youngest of five children, was born on March 12, 1942, in Sorae Port, Namdong-gu, Incheon, during the Japanese colonial period. Her father was a native of Incheon, while her mother originated from Ganghwa Island.[6] Her Japanese name was Masako (正子). Her father selected Chinese character "Baaljeong (正)" as the middle character for her name. Reflecting on her name, Park later commented, "It is uncommon for a woman's name to include the character 'Baaljeong.' However, I believe that 'brightness' has been a guiding force in my life, bringing me to where I am today."[3]

Living in Seaside Town during her childhood, she was surrounded by salt farms and narrow-gauge trains. Her father ran a brewery wholesale business called Cheonil Sanghoe in Sorae Port and also served as the village head. Her family, moved to Sinheung-dong, Incheon in the wake of liberation in 1945. They moved into Jeoksan House, where Japanese people used to live. However, in the same year, her father was ill and passed away. After her father's death, Park Jeong-ja's family packs their bags and heads to Yongsan, Seoul. Her mother opens a textile factory in her newly settled city and struggles to support her five children.[6]

It was in Seoul, Park first encountered the world of theater. In April 1950, there was a theater called Bumin-gwan, located in what is now the Seoul City Hall. It was there that she witnessed the play "Wonsullang." She was able to watch plays at the theater thanks to her older brother, Park Sang-ho, who worked as a research student at Shinhyup Theater Company. In that era, television was non-existent, and radios were only found in one out of every ten households, making it a tremendous privilege to have the opportunity to attend the theater and experience a live performance.[7]

I saw my first play when I was nine years old (Korean Age). In April 1950, before the June 25 Incident occurred, at the theater now called Bumin-gwan. My brother appeared in a minor role in 'Wonsulang' written and directed by Yoo Chi-jin [ko] (柳致眞, 1905-1974). I was ecstatic. Even now, I still remember that scene. Kim Dong-hoon (金東勳) plays the lead role of Won-sullang, Kim Seon-yeong (金仙英) plays Jin Dal-rae, the girl who follows Won-sullang, and Baek Seong-hee (白星姬) plays the princess who is Won-sullang's fiancée. Kim Sun-young was a North Korean actress during the June 25 Uprising. She was short, had a sonorous voice, and was an impressively tall actress.[8]

Following the outbreak of the Korean War on June 25, her older brother fled to Daegu with Shinhyup Theater Company. He enlisted locally, and went to consolation performances as a member of the military art corps. Her mother took her four young daughters to seek refuge in her hometown, Ganghwa Island. After the retreat on January 4, 1951, her family relocated once again, this time to Jeju Island. Park distinctly recalls embarking on a US military ship, the LST, from Wolmido to Jeju Island. During their stay, her mother would frequently travel between Jeju, Daegu and Mokpo, buying and selling various goods to make a living. These memories have led Park to consider Jongdal-ri, Gujwa-eup, Jeju, also as her hometown. In the future, she will occasionally visit to reminisce about those days, especially when she misses her mother.[3][7][8][9]

After three years of war, an armistice was finally declared, and Park's family returned home to Incheon. She transferred to the 4th grade at Parkmun Elementary School and continued her education in her hometown until the beginning of the 6th grade. During her time at Parkmun Elementary School, there was only one class per grade, and all the students were female. The school was situated within Dapdong Cathedral, which meant that she spent a significant amount of time in the church's front yard. She also appeared in a Sunday school play. She couldn't help but wonder why this fun thing was only done once a year on Christmas.[3][8]

Upon returning to Seoul, Park engaged in various activities during her middle and high school years at Jinmyeong Girls' Middle and High School. She participated in oratory, choir, and Korean dance. The stage became her calling, and she fearlessly embraced every opportunity to perform, showcasing her talent and dedication.[3]

During her university entrance exam preparations, a Theater and Film Department was established at Chung-Ang University. However, Park didn't feel inclined to apply. Instead, she unexpectedly chose to pursue Journalism in the Department of Journalism at Ewha Womans University. Initially, during her freshman year, Park intentionally avoided involvement in theater, considering her previous experiences sufficient. She held reservations about university theater, perceiving it as somewhat juvenile and uninteresting. As a result, she didn't audition or consider participating. However, by her sophomore year, the irresistible pull of theater became too strong to resist.[3]

Career[edit]

In 1962, during her second year as a journalism student, Park auditioned for Jean Racine's Phèdre produced by The Ewha Womans University College of Liberal Arts Theater Department (이화여대 문리대 연극부). Despite being confident that she would secure the lead role of Phaedra, she was instead cast as Panov, a maid with only 16 lines of dialogue. When she took the stage, she became stiff and made a mistake towards the end, leading to a scolding from the director. These experiences served as humbling moments for her.[10]

Starting from 1962, Park actively participated in three plays throughout her university years. The following year, she performed The House of Bernarda Alba directed by Heo Gyu (許珪, 1934-2000). She received rave reviews for her role as an old woman in her 80s. There was even a comment that 'college plays threaten established plays.'[11] The experiences laid a solid foundation for her career, thanks to the unique nature of The Ewha Womans University College of Liberal Arts Theater Department (이화여대 문리대 연극부). It went beyond being a typical theater club or a departmental project; it embodied the concept of a "college of arts play." The performances took place at prestigious venues such as the Drama Center and Myeongdong Art Theater, rather than the university auditorium. Renowned professional directors provided guidance for the productions, resulting in significant acclaim.[10]

Park's passion for acting motivated her to pursue a career in voice acting, especially considering that television was not yet widely accessible, making radio the primary form of entertainment at the time. In 1963, while in her third year of university, Dong-A Broadcasting was established and announced open recruitment for voice actors. Despite the fierce competition, with approximately 150 applicants for each available position, Park decided to apply. She successfully passed the first, second, and third rounds of exams. However, a dilemma arose as her university had a prohibition on students appearing in broadcasts. Park found herself faced with an important decision and ultimately chose to drop out.[7]

During her time as a voice actor, Park had the opportunity to work alongside her classmates and other theater actors who also ventured into voice acting on the radio, such as Sami-ja, Jeon Won-ju, and Kim Moo-saeng. She also collaborated with theater actors like Jang Min-ho and Na Ok-ju. This experience allowed her to further develop her skills as a theater actor, including improving her pronunciation abilities.[7]

Upon the request of the university's president, Kim Gap-soon (1914-2005), Park still practiced theater with students after work and perform on stage. In 1964, they staged the play Blood Wedding by Federico García Lorca at the National Theater of Korea in Myeongdong. It was during this time that she met the director Kim Jeong-ok, who later became her lifelong theater companion.[12][11] Kim Jeong-ok was a renowned director from the Minjung Theater. In addition to teaching and directing at The Ewha Womans University College of Liberal Arts Theater Department (이화여대 문리대 연극부), he also held a professorship in Theater and Film Studies at Chung-Ang University.[13]

Early career as member of Jayu Theater[edit]

In 1966, Kim Jeong-ok and Lee Byung-bok established Jayu Theater, inviting actors from the "Minjung Theater" such as Na Ok-ju, Kim Hye-ja, Ham Hyun-jin, and Choi Sang-hyun as founding members. Na Ok-ju recommended Park to join. Park agreed and very happy to be able to work in the same trope with Kim Jeong-ok. Subsequently, the company expanded its roster to include actors Kim Yong-rim, Yoon So-jung, Kim Gwan-soo, Choi Bul-am, Moon Oh-jang, and even film director Kim Hong-sik.[13]

In March 1966, they gathered at a famous restaurant called "Hyangwon" in Jingogae. After the founding meeting, with Teacher Lee Byung-bok as the representative, Jayu Theater was officially declared on April 29. Jayu's first performance was a play called "The Feast of the Followers" by Italian playwright Eduardo De Filippo (original title: Poverty and Nobility). It was a farce about poor servants disguising themselves as nobles. At Kim Jeong-ok's suggestion, Jayu Theater initially planned to stage Friedrich Dürrenmatt's The Physicists. However, due to its difficulty and philosophical nature, they changed the play to "The Feast of the Followers." With the performance date approaching in less than a month, they felt the pressure and urgency to prepare. They practiced tirelessly, using Lee Byung-bok's reception room in Jangchung-dong as their rehearsal space. Despite the challenging start, the performance was well-received, particularly for the actors' exceptional acting skills. This successful production marked the beginning of Jayu Theater's journey.[13]

Like the saying 'There must be a small hill for a cow,' I, too, had a definite small hill in my life. Established in June 1966, the theater company called "Jayu" (Freedom) has one of the longest histories in the Korean theater industry. To me, Jayu was not just a simple hill, but a place that felt like home. Jayu was the starting point where I, Park Jeong-ja, an aspiring actress, could have the space and time to become a star in the theater world.[13]

During her time with Jayu, Park had the privilege of participating in remarkable productions such as "The Feast of the Followers," "The Diver Ashore," "Murder Fantasy," "Marius," "The Medal of the Dead," "Song of the Sad Cafe," "Confessions for a Black Prostitute," "Where and What Will We Become?," "Couple Practice," and approximately 30 other works.[7]

After standing on stage with Jayu for years, there are works where evaluations of the productions intertwine with Park's personal history. One such work is "Where and How Shall We Meet?" written by Choi In-hoon and directed by Kim Jeong-ok. In the original production at Myeongdong National Theater in 1970, as well as in the revivals in 1974 and 1986, Park Jeong-ja portrayed the role of "On Dal's Mother." Throughout the play, she remained silent until her son, On Dal, died in battle and her daughter-in-law, Princess Pyeonggang, lost her life opposing the rival political faction. Then, she was left alone on stage, delivering a soliloquy in solitude, saying, "Is it snowing...? Why is he so late?"[13] It was during this production in 1970 that Park received her first Dong-A Theatre Award.

During the 1974 performance, Park took to the stage with a full-term pregnancy. In the early part of the play, when she had to lie down on the floor upon meeting the princess, she had concerns that the fetus might pop out through her mouth. It was a performance where the baby moved so much that she worried about such an occurrence. In the dressing room, she lay down, gasping for breath, and barely made it onto the stage, enduring each day of the performance.[13]

Park had an opportunity to reprise her role as Mother in play Blood Wedding by Federico García Lorca during an outdoor performance at the Malaga International Theatre Festival in Spain, which was the hometown of the playwright. The audience was enthralled even without translation. Local newspapers titled their articles, "Lorca was not betrayed." In response to the evaluation that the actress who played the role of the mother was a world-class performer, the excited interpreter relayed Kim Jeong-ok's words, softly but earnestly, "Park Jeong-ja is already a world-class actress. Her fame has simply not reached Spain yet."[8]

Works with Sanullim Theater[edit]

Park first work with director Lim Young-woong CEO of Sanullim Theater, was play in 'A Country As Far As the Sky'. She acted alongside Jeon Jeon-song, Joo Ho-seong, Jo Myeong-nam and Baek Seong-hee.[14] In January 1986, Park won her second Dong-A Theatre Award for her performance.[15]

In 1986, Lim Young-woong was planning to perform Korean adaptations of Simone de Beauvoir's play "Women in Crisis" to commemorate the first anniversary of Sanullim Theater opening. As CEO Lim Young-woong sought a suitable actress for the female lead, he asked Park for recommendations. Park suggested actors Kim Hye-ja and Kim Min-ja, but unfortunately, they were both too busy at the time. In the end, Park recommended herself. However, CEO Lim Young-woong initially rejected the idea, expecting a more renowned actress for the role, which deeply wounded Park's pride. Eventually, CEO Lim Young-woong approached her and handed her the script, suggesting that she join the production.[11][16]

The play turned out to be a success. From the first performance for VIPs on March 30, the response was unusual. Lee Byeong-bok, CEO of Jayu Theater Company, said to director Lim Young-woong, "Thank you for making Park Jeong-ja a woman," and from the next day, housewife audiences flocked to Sanullim Small Theater like a tide. The audience was indignant in real time at the lines spoken by Cho Myeong-nam, who played her husband, and when Park Jeong-ja complained, the housewives sobbed. The article was so popular that it appeared in the social section rather than the cultural section.[8][17]

Park Jeong-ja described it as a work that drew a tremendous audience and marked a significant moment in Korean theater.[11] Through role Monique, Park garnered prestigious accolades including the Dong-A Theatre Award, Baeksang Arts Award, and Seoul Drama Critics Group Award. This remarkable achievement solidified her status as a triple crown winner in the theater industry.[18]

However, that particular year happened to coincide with the 20th anniversary of the Jayu Theater Company. Coincidentally, the play chosen to commemorate the occasion was "Where and How Shall We Meet?" based on Choi In-hoon's acclaimed work, which held significant importance for the Jayu Theater. The relationship between two great masters of the Korean theater world, Kim Jeong-ok and Lim Young-woong, was strained because neither of them wanted to give up on Park Jeong-ja. Park revealed that the clash between the two directors made her feel trapped in the middle, making it the most challenging moment in her career.[8][11]

Throughout the summer, "Woman in Crisis" drew packed audiences every day. It had been a long time since such an unprecedented hit had emerged, and the leading actress found herself torn between two extremes, contemplating whether to step down. After many twist and turn, Park Jeong-ja once again took on the role of Ondal's mother. "Woman in Crisis" continued its performances with a change in its lead actress. Kim Jeong-ok, who had not even made eye contact with Park Jeong-ja, resolved the conflict after her first performance by saying, "As expected, you shine on stage."[8]

In 1990, Park had remarkable moment in her acting career. It was during the performance of Marsha Norman's play 'night, Mother. Park portrayed the role of a mother desperately trying to dissuade her daughter from taking her own life. The play reached its climax in the final conversation between the mother and daughter, where the daughter ominously hinted at her intentions. The daughter retreated to her room, armed with a pistol, and locked the door. In front of the locked door, Park's character alternated between soothing her daughter, pleading with her, shouting at her, venting her anger, and ultimately collapsing in despair when the gunshots rang out. It was a haunting monologue that traversed a wide spectrum of emotions and showcased the diverse personalities of the characters in just over a minute. Such a performance is a testament to Park Jeong-ja's unique unparalleled talent.[8]

Park won Grand prize and Best Actress Award in 8th Baeksang Arts Awards for her performance in play 'night, Mother.[19] When asked about this exceptional performance, Park Jeong-ja humbly responds, "That's high praise. However, I have no plans to revisit play 'night, Mother. I don't believe I can surpass what I accomplished back then. Nevertheless, there are a few other works that offer similar depth and challenges."[8]

In 1991, Park worked again with Sanullim Theater with the play 'Mom Discovered the Sea at Fifty,' It was performed for almost a year and attracted more than 50,000 audiences, and set a record of winning four categories including Best Picture, Best Actor, Best Director, and Best Translation in the free entry section of the Seoul Theater Festival.[20]

In that same year, The "Flower Bouquet Society," was established, starting with 17 people who love Park Jeong-ja's branded plays such as "Mom Discovered the Sea at Fifty" and "Woman in Crisis," The 12 members already form a group as early as 1987. The name "Flower Bouquet" was chosen by the members, symbolizing the desire to spread the subtle and long-lasting fragrance of culture, like the scent of dried flowers in a bag. Members of the Flower Bouquet Society pay an entrance fee of one million won and purchase four theater tickets per person whenever Park Jeong-ja has a performance. Attending the performances is mandatory. The entrance fees paid by the members are used for the Flower Bouquet Society's activities or donated to other organizations under the name of the society.[21][22]

In 1992, Sanullim Theater relocated to Dongsung-dong, as the current small theater in Unni-dong had to be closed in line with the Seoul Metropolitan Government's initiative to restore Daewongun's private residence. After the theater moved to its new location, a performance of their popular experimental repertoire, Agnes of God, was staged in April to celebrate the opening. Park played the role of the head nun, while Son Sook portrayed Dr. Livingstone. Shin Ae-ra and Jung Soo-young alternated in playing the character of Agnes.[23][24]

In 2003, Park took on the role of Maude in 2nd encore performance of "19 and 80." The play was originally titled Harold and Maude, written by Colin Higgins, and premiered in Korea in 1987, featuring Kim Hye-ja and Kim Joo-seung. The story revolves around Maude, an eccentric, adorable grandmother who, even at the age of 80, refuses to let go of her dream of becoming an astronaut. She meets Harold, a 19-year-old young man, who offers her wisdom and love, helping her find her own strength. It was directed by Jang Doo-yi.[25]

Park performed in "19 and 80" five times, in 2003, 2004, 2006, 2008, and 2012, each time with different co-stars. In 2008 version, the play was adapted into a musical. Park personally taking charge as a producer for all five productions.[12]

Other activities[edit]

On May 2005, the Theater People's Welfare Foundation was established, with Park assuming the role of its inaugural president. The is to support the stability of actors' lives in retirement and scholarship programs for their children.[9] Initially hesitant about creating an organization for the theater, Park was eventually persuaded by her colleagues. Park also believed that she had benefited greatly from theater and should contribute back to the theater community.[26][27]

Personal life[edit]

Park Jeong-ja's path crossed with her future husband thanks to her friend Lee Ji-seon, a reporter of Women Donga. Lee Ji-seon enlisted Park's help to put on a consolation performance for a military unit in Gangwon Province where her brother, Lieutenant Lee Ji-song, was stationed. During Lieutenant Lee Ji-song's break from duty, Park and Lee Ji-seon met to discuss the upcoming performance. Alongside their colleagues Choo Song-woong and Ham Hyun-jin, member of the theater group Jayu, they passionately planned and performed the play "Friendship." Their collaboration and shared experiences forged a deep bond, and Park and Lieutenant Lee Ji-song began their relationship.[8][10]

The couple faced opposition from both families due to the four-year age gap between Park and Lee. Lee's mother, in particular, strongly objected to their relationship. She was worried about Lee's career choice of transitioning from interior design to the advertising industry, and she believed that his decision was solely motivated by his desire to marry Park. This intensified her concerns about the perceived instability of his profession. Despite facing opposition from their families, Park and Lee remained steadfast and ultimately tied the knot in 1972 when Park was 30 years old and Lee was 26 years old. Throughout their marriage, they had a son and a daughter.[10]

In 1973, after graduating from the Department of Western Painting at Hongik University, director Lee Ji-song entered the advertising industry. He worked as a commercial director at Manbosa, Yonhap Advertising, Sejong Culture, and Cheil Worldwide. Bravocon and Young Age were among the companies he worked for. He was known for creating successful commercials of the time, including Ghana Chocolate.[10]

Filmography[edit]

Film[edit]

Film appearances[28]
Year Title Role Note Ref.
English Korean
1972 The Insect Woman 충녀 Madame supporting actor [29]
1975 Promise of the Flesh 육체의 약속 Female prison guard Main Role [30]
1977 Io Island 이어도 Shaman [31]
1977 The Reincarnation, Hanne's Moonlight 한네의 승천 [32]
1978 Yeo-su 여수 [33]
1978 The Guest in Room Guest and Mother 사랑방 손님과 어머니 Housekeeper, Ahn Seong-daek Main Role [34]
1978 Once Upon a Long Time 옛날 옛적에 훠어이 훠이 Main Role [35]
1978 Rainy Season 장마 supporting actor [36]
1978 Soil [37]
1979 Paljunochopanambo 빨주노초파남보 Main Role [38]
1981 Ban Geum-ryun 반금련 [39]
1981 Mandala 만다라 [40]
1982 Come Low Unto Us 낮은 데로 임하소서 Bit Role [41]
1984 Widow Dancing 과부춤 Director of a marriage counseling center Main Role [42]
1985 The MA-NIM 자녀목 Nomanim [43]
1986 Lee Jang-ho's Foreign Team 이장호의 외인구단 Bit Role [44]
1987 Flowers are blooming in a windy day 바람 부는 날에도 꽃은 피고 [45]
1987 Pillar of Mist 안개 기둥 supporting actor [46]
1989 I Give You Everything 아낌없이 주련다 [47]
1993 Western Avenue 웨스턴 애비뉴 [48]
1995 Sea Anemone 말미잘 Main Role [49]
2013 Applause 박수건달 Wang Mudang [50]
2015 Invited 초대 Grandmother Short film [51]
2016 Master 마스터 Shin Seon-saeng Special appearance [52]
2018 Herstory 허스토리 Mrs. Hong of the brothel [53]
2021 Love to See 보는 것을 사랑한다 My Role [54]

Television series[edit]

Television series appearances
Year Title Role Note Ref.
English Korean
1987 Eolgureomneun Moksori 얼굴없는 목소리 MBC [55]

Radio program[edit]

Radio program
Year Title Role Note Ref.
2015 EBS Book Reading Radio Reading Series Announcer EBS Korea Educational Broadcasting Corporation [56]

Stage[edit]

Concert[edit]

Appearances in music concerts, poetry reading and talk shows
Year Title Role Theater Date Ref.
English Korean
2010 Heavenly Concert Where the Poem Flows 시가 흐르는 천상음악회 Poetry reading Uijeongbu Arts Centre Grand Theatre April 24 [57]
2018 March 2018, "Noon Concert" 2018 <정오의 음악회> 3월 Host National Theatre Sky Theatre May 19 [58]
2018 Gangneung Seamarq Festival— Summer Praise with Actress Park Jeong-ja 2018 강릉 씨마크 페스티벌 " 연극배우 박정자와 함께하는 여름 예찬" Poetry reading Seamark Hotel in Gangneung August 11 [59]
September 2018, "Noon Concert" 2018 <정오의 음악회> 9월 Host National Theatre Sky Theatre September 5 [60]
The 3rd M-PAT Classical Music Festival: Read Aloud Classic 제3회 M―PAT(엠팻) 클래식 음악축제: 책 읽어주는 클래식 Poetry reading Mapo Central Library September 20 [61]
October 2018, "Noon Concert" 2018 <정오의 음악회> 10월 Host National Theatre Sky Theatre October 17 [62]
November 2018, "Noon Concert" 2018 <정오의 음악회> 11월 November 7 [63]
2019 March 2019, "Noon Concert" 2019 <정오의 음악회> 3월 Host; Poetry reading National Theatre Sky Theatre March 6 [64]
April 2019, "Noon Concert" 2019 <정오의 음악회> 4월 April 10 [65]
May 2019, "Noon Concert" 2019 <정오의 음악회> 5월 May 22 [66]
June 2019, "Noon Concert" 2019 <정오의 음악회> 6월 June 26 [67]
Gangneung sings a movie: Park Jung-ja's poet who loved movies 강릉, 영화를 노래하다: 박정자의 영화를 사랑한 시인 Presenter Gangneung Arts Center Small Performance Hall November 9 [68]
2020 Masterpiece reading brunch concert 'Actor who reads books' 명작 낭독 브런치 음악회 ‘책 읽어주는 배우’ Narrator Raum Art Center March 10 [69]

Creative musical Theater[edit]

Creative musical plays performances
Year Title Role Theater Date Ref.
English Korean
1994 Park Jung-ja's November Waltz 박정자의 11월의 왈츠 Park Jeong-ja Sanullim Theater October 27 [70]
2009 Do you like Brahms by Park Jeong-ja 박정자의 브람스를 좋아하세요 Park Jeong-ja Jeongmiso, Daehak-ro Installation Theatre Feb 7–28 [71]
Auditorium of the National Museum of Korea April 2–23 [72]
2012 Park Jeong-ja's November Waltz 박정자의 11월의 왈츠 Park Jeong-ja Cheonan Arts Center Grand Hall Nov 24–25 [73]
2013 Yeoju Cultural Center Jan 31 [74]
Uijeongbu Arts Center Small Theater March 8–9 [75]
2014 Icheon Art Hall Small Performance Hall Sep 27 [76]
Take Care of Mom 친정엄마 Mother Bupyeong Art Center Dalnuri Theater March 27 [77]
2020 Park Jeong-ja's Actor Theory: Speak Like a Song 박정자의 배우론: 노래처럼 말해줘 Park Jeong-ja Seoul Arts Centre Free Small Theatre Feb 6–16 [78]
2021 Park Jeong-ja's musical play: Speak Like a Song- Goyang 박정자의 노래대화극: 노래처럼 말해줘-고양 Park Jeong-ja Sarasae Theater in Aram Nuri, Goyang July 31 [79]

Musical[edit]

Musical plays performances
Year Title Role Theater Date Ref.
English Korean
1993 Romantic comedy musical midsummer night's dream 로맨틱코메디 뮤지컬 한여름밤의 꿈 Sejong Center for the Performing Arts Fountain Outdoor Stage Sep 7–16 [80]
1998 Nunsense 넌센스 Nun Sejong Center for the Performing Arts Main Auditorium Jan 31–Feb 5 [81]
2008 19 and 80 19그리고80 Maude Seoul Arts Centre Free Small Theatre Jan 19–Mar 5 [82]
2011 Mother's Song 어머니의 노래 Mother Arko Arts Theater Grand Theater Aug 22–24 [83]
Incheon Culture and Arts Center Main Performance Hall Oct 19–20
2017–2018 Billy Elliot 빌리 엘리어트 Billy's Grandma Daesung D Cube Art Center Nov 28–May 7 [84]
2021–2022 Aug 31– Feb 13 [85]

Theater[edit]

Theater plays performances
Year Title Role Theater Date Ref.
English Korean
1962 Phèdre 페드라 Panov [10]
1963 The House of Bernarda Alba 베르나르다 알바의 집 Maria Josefa National Theatre (Myeongdong) [86]
1964 Blood Wedding 피의 결혼 Mother [87]
1965 Evil Spirit 악령 [88][89]
1965 Faust 파우스트 [5]
1966 The Feast of the Followers 따라지의 향연(饗宴) Concetta National Theatre (Myeongdong) June 16–19 [90][91][92]
Agent of God 신의 대리인 Nov 17–21 [93]
1967 Haenyeo Come Ashore 해녀 뭍에 오르다 Haenyeo Apr 28–May 4 [94]
1968 Operation Picnic 픽크닉 작전 April 9–14 [95]
Murder Fantasia 살인환상곡 Oct 26–30 [96]
1969 La Cantatrice Chauve 대머리 여가수 Echo Café Teatre (the first small theater in Korea, 24-1 Chungmuro 1-ga) April [12][97]
Friendship 우정 Sushi Couple (female)
Sunny morning 햇빛 밝은 아침
1969 Marius 마리우스 National Theatre (Myeongdong) Jun 12–16 [98]
Passing for Black 흑인 창녀를 위한 고백 Nancy Manigo Sep 17–21 [99]
1970 Medal of the Lion 사자의 훈장 Feb 20–26 [100]
Forest Fire 산불 Byeong-gyeok's Wife Jun 26–Jul 1 [101]
Where and How Shall We meet? 어디서 무엇이 되어 만나랴 Ondal's mother Nov 18-22 [102]
1971 The School for Wives 아가씨 길들이기 March 9–14 [103]
Women in the Net 그물안의 여인들 May 26–30 [104]
The Ballad of the Sad Café 슬픈 까페의 노래 Amelia Evans Sep 2–6 [105]
1972 Fantasy Travel 환상여행 Yoon Geum-bong Feb 1–7 [106]
The Feast of the Followers 따라지의 향연(饗宴) Concetta Sep 14–18 [90][107]
1973 Cat on a Hot Tin Roof 뜨거운 양철지붕위의 고양이 Art Theater Dec 20–24 [108]
1974 Leather Beoseon 가죽버선 Korea Culture and Arts Foundation Theater Hall July 5–7 [109]
The Legend of a River that Doesn't Flow 흐르지 않는 강의 전설 Unsul Theater Oct 10–14 [110]
1975 Faust 파우스트 Myeongdong Arts Center June 5–6 [111]
Woman and Suin 여인과 수인 Woman July 9–14 [112]
1976 Tango in Your Pocket 주머니속에서 탱고를 Malt Civic Center Annex June 17–21 [113]
1978 Passing for Black 흑인 창녀를 위한 고백 Nancy Manigo Theatre Hall Sesil Theatre Feb 15–21 [114]
The Bald Soprano - 100th episode 대머리 여가수 - 100회째 Echo May 31–Jun 6 [115]
What Will Becomes? 무엇이 될고하니 Oct 27–Nov 1 [116]
The Bald Soprano 대머리 여가수 Echo El Canto Arts Theater Dec 14–31 [117]
1979 That Woman Catches Someone 그 여자 사람 잡네 Feb 13–March 4 [118]
1980 Baekyang Island's Desire 백양섬의 욕망 Bia Feb 17–March 13 [119]
1982 Blood Wedding 피의 결혼 Mother Culture and Arts Center Grand Theater June 1–July 12 [87]
Evening Primrose 달맞이꽃 National Theater Small Theater June 11–16 [120]
1983 Blood Wedding 피의 결혼 Mother Culture and Arts Center Grand Theater May 3–9 [121]
1984 Flowers Bloom Even on Windy Days 바람부는 날에도 꽃은 피네 Munyae Theater Seoul Feb 16-22 [122]
Blood Wedding
Flowers Bloom Even on Windy Days
피의 결혼
바람부는 날에도 꽃은 피네
Mother Cultural Center-Seoul June 1–July 12 [123]
National Theater-Seoul
Theater des Nations, Nancy, Epinal, Metz
Maison des Cultures du Monde, Paris
Festival International du Theater Hamamett, Tunisie
Festival International du Theater, Asti, Italy
1984 Flowers Bloom Even on Windy Days 바람부는 날에도 꽃은 피네 Mother Literary Theater June 1–18 [124]
Theater des Nations, Nancy, Epinal, Metz June 18–22 [125]
Maison des Cultures du Monde, Paris June 24–27 [126]
Festival International du Theater Hamamett, Tunisie July 1–6 [127]
Festival International du Theater, Asti, Italy July 9–12 [127]
1985 Blood Wedding 피의 결혼 Mother Calazon Theater Festival in France
Barcelona Theater Festival in Spain
1985 Flowers Bloom Even on Windy Days 바람부는 날에도 꽃은 피네 Mother Munyae Theater Seoul June 12–15 [128]
Japan June 16–20 [129]
Barcelona Theater Festival in Spain
Calazon Theater Festival in France
A Country as Far Away as the Sky 하늘만큼 먼 나라 Culture and Arts Center Grand Theater Sep 12–17 [130]
Oct 20 [131]
Egg 달걀 Margis (second wife) Culture and Art Hall Small Theater Oct 18–31 [132]
1986 Women in Crisis 위기의 여자 Monique Small Theater Sanullim April 1–30 [133][134]
Where and How Shall We meet? 어디서 무엇이 되어 만나랴 Ondal's mother Culture and Art Hall Grand Theater Oct 8–12 [135]
Jeonbuk Student Centre Nov 5 [136]
1987 Impossible Impossible 불가불가 actor in the play Culture and Art Hall Small Theater Sep 7–Oct 3 [137]
1988 If the Rooster Doesn't Crow, Even a Hen 수탉이 안 울면 암탉이라도 Culture and Art Hall Small Theater May 4–10 [138][139]
Blood Wedding 피의 결혼 Mother Aug 27–Sep 5 [140]
Blood Wedding (1988) 문화예술축전 서울국제연극제; 피의 결혼 Mother Wonju KBS Public Hall Oct 15–28 [141]
1989 Defeating the Mount Geumgang Tiger 금강산 호랑이 물리치기 Korean dance instructor Culture and Art Hall Small Theater Aug 13–16 [142]
Thieves' Carnival 도적들의 무도회 Ho-am Art Hall Oct 20–29 [143]
1990 'night, Mother 굿나잇, 마더 Selma Cates (Mother) Feb 6–March 10 [144]
Thieves' Carnival 도적들의 무도회 Lotte World Arts Theater March 3–17 [145]
The House of Bernarda Alba 베르나르다 알바의 집 Bernarda Alba National Theater Small Theater April 5–19 [146]
Chuseok is Bright and Sweet 한가위 밝은 달아 Mother Culture and Art Hall Grand Theater Sep 1–6 [147]
The Bald Soprano 대머리 여가수 Echo Culture and Art Hall Small Theater Oct 5–18 [148]
1991 The Feast of the Followers 따라지의 향연(饗宴) Echo Grand Theater of the Arts Center Feb 1–7 [149]
1991–1992 Mom Discovered the Sea When She Was Fifty 엄마는 오십에 바다를 발견했다 Mother Small Theater Sanullim Dec 24–Feb 9 [150]
1992 Agnes of God 신의 아그네스 Director Miriam Small Theater Sanullim April 4–19 [151]
1993 Hamlet 햄릿 Clown the Jayu Theater Company March 13 to 21 [152]
France's Rollpoint Theater April
1993 Hiroshima My Love 내사랑 히로시마 Female Hyundai ToArt Hall Oct 13–Nov 21 [153]
1994 What happened to that sister? 그 자매에게 무슨 일이 일어났나? Jane Hutson Hakjeon Small Theater Feb 24–March 31 [154]
Shaman Island 무녀도 Shaman Seoul Arts Center CJ Towol Theater July 2–17 [155]
Park Jung-ja's November Waltz 박정자의 11월의 왈츠 Experimental Theater in Apgujeong-dong Oct 27 [156]
1995 Blood Wedding 피의 결혼 Mother Seoul Arts Center Jayu Theater May 13–21 [157]
Sambaek Theater in Tokyo, Japan June 7–11 [158]
Wilshire Ebell Theater in LA, USA June 13–14
Caracas World Theater Festival in Venezuela June 23–25
1995–1996 Teresa's dream 테레사의 꿈 Teresa Small Theater Sanullim Dec 1–Feb 4 [159]
1996 The Feast of the Followers 따라지의 향연 Concetta Yonkang Hall Mar 10–Jin 16 [160]
1997 The woman, the strong mother 그 여자 억척어멈 Mother Academic Blue April 8–July 6 [161]
1998 Citizen's Theater - Special Feature: Korean Ahn Jung-geun 시민연극 - 특집·대한국인 안중근 Jo Maria Culture and Arts Center Grand Theater Oct 2–3 [162]
Mom Discovered the Sea When She Was Fifty (제1회) 엄마는 오십에 바다를 발견했다 Mother Naju Dongshin University Oct 28–Nov 2 [163]
Namdo Culture and Arts Center
A Story of Success 출세기2 Park Jeong-ja Daehakro Arts Center Grand Theater Dec 12–20 [164]
1999 Mom Discovered the Sea When She Was Fifty 엄마는 오십에 바다를 발견했다 Mother Small Theater Sanullim Jan 21–March 28 [165]
Phèdre 페드라 Phèdre Small theater of Daehakro Arts Center in Seoul. June 1 to 27 [166]
(23rd) Seoul Theater Festival: Lee Byung-bok’s Ot-Gut - Sal (제23회) 서울연극제 : 이병복의 옷굿 - 살 Ophelia Culture and Arts Center Grand Theater Oct 2–3 [167]
Lee Byung-bok’s Ot-Gut - Sal 이병복의 옷굿 - 살 Ophelia Culture and Arts Center Grand Theate Oct 2–3 [168]
The Bald Soprano 대머리 여가수 Echo Human Theater Oct 22–Nov 28 [169]

Theater (2000-present)[edit]

Theater plays performances
Year Title Role Theater Date Ref.
English Korean
2003 19 and 80 19 그리고 80 Maude Jeongmiso, Daehak-ro Installation Theatre Jan 9–April 20 [170]
Mom Discovered the Sea When She Was Fifty 엄마는 오십에 바다를 발견했다 Mother Sanullim Small Theater Sep 25–Nov 23 [171]
2004 19 and 80 19 그리고 80 Maude Jeongmiso, Daehak-ro Installation Theatre Jan 9–April 29 [172]
Blood Wedding 피의 결혼 Mother Dongsung Hall of the Dongsung Art Center in Daehakro, Seoul Dec 3–31 [173][174]
2005 Woodangtangtang, Grandma's Room 우당탕탕, 할머니의 방 Grandma National Jeongdong Theatre (Seoul) April 15–May 15 [175]
Mom Discovered the Sea When She Was Fifty 엄마는 오십에 바다를 발견했다 Mother Sanullim Small Theater Aug 2–Sep 25 [176]
Woodangtangtang, Grandma's Room 우당탕탕, 할머니의 방 Grandma Seongnam Arts Center Ensemble Theater October 27-30 [177]
2006 19 and 80 19 그리고 80 Maude Woorim Cheongdam Theatre Jan 9– Feb 19 [178]
The feast of the following: original title Miseria e nobiltà 따라지의 향연:원제 Miseria e nobiltà Biase Arko Grand Theater in Dongsung-dong, Daehakro, Seoul Jun 28–July 9 [179]
Mom Discovered the Sea When She Was Fifty 엄마는 오십에 바다를 발견했다 Mother Sanullim Small Theater July 25–Aug 27 [180]
2007 Agnes of God 신의 아그네스 Mother Miriam Ruth
(Anna Maria Burchetti)
National Jeongdong Theatre Seoul Jan 9–Feb 7 [181][182]
Seongnam Art Center March 2–4 [183]
Mom Discovered the Sea When She Was Fifty 엄마는 오십에 바다를 발견했다 Mother Sanullim Small Theater April 12–May 27 [184]
Agnes of God 신의 아그네스 Mother Miriam Ruth
(Anna Maria Burchetti)
Seoul Arts Center Jayu Small Theater Dec 8–30 [185]
2008 Agarwood 침향 (沈香) Old mother Arko Arts Theatre Grand Theatre June 11–29 [186]
2009 Mom Discovered the Sea When She Was Fifty 엄마는 오십에 바다를 발견했다 Mother Sanullim Small Theater May 7–Jun 6 [187]
Where and What to Meet 어디서 무엇이 되어 만나랴 Ondal's mother Myeongdong Arts Theatre July 10–26 [188]
Mom Discovered the Sea When She Was Fifty 엄마는 오십에 바다를 발견했다 Mother Pyeongchon Art Hall Oct 29–31 [189]
2010 Mom Discovered the Sea When She Was Fifty 엄마는 오십에 바다를 발견했다 Mother Sanullim Small Theater May [190]
I Am You 나는 너다 Maria Jo National Theater Sky Theater July 21–August 22 [191]
2011 Oedipus 오이디푸스 Dysart Myeongdong Arts Center January 20 to February 13 [192][193]
I Am You 나는 너다 Maria Jo Seoul Arts Center CJ Towol Theater May 17–June 6 [194]
Jeju Art Center June 24–25 [195]
World National Theater Festival - Sand Station 모래의 정거장 National Theater KB Youth Sky Theater Oct 7–8 [196]
Sand Station 모래의 정거장 Busan LIG Art Hall Oct 15–16 [197]
National Theater Company Baek Seong-hee and Jang Min-ho Theater Oct 22-23 [198]
Oedipus 오이디푸스 Dysart Myeongdong Arts Center November 8 to 27 [199]
2012 19 and 80 19 그리고 80 Maude Samil-ro Warehouse Theater Dec 14–30 [200]
2013 Antigone 안티고네 Tyresias Beater Seoul Arts Center CJ Towol Theater April 15–28 [201]
Chekhov in 14 — Swansong 14인 체홉 — 백조의 노래 Vasily Vasilyevich Svetlovidov Project box view June 18–July 7 [202]
Daehakro Arts Theater Small Theater Aug 17–22 [203]
Dante's New Song 단테의 신곡 Francesca National Theater of Korea Haeoreum Theater Nov 2–9 [204]
2014 Eternal Goodbye Spirit Goodbye 영영이별 영이별 Queen Jeongsun Gangdong Arts Center Small Theater Dream Feb 21 [205]
Dante's New Song 단테의 신곡 Francesca National Theater Haeoreum Theater Oct 31–Nov 8 [206]
2015 Harold and Maude 해롤드 & 모드 Maude National Theatre Daloreum Theatre Jan 9–Mar 1 [207]
Forever Farewell, Forever Farewell 영영이별 영이별 Queen Jeongsun Sanullim Small Theater July 16–26 [208]
The 1st Monodrama Festival: Forever Farewell, Forever Farewell 제1회 모노드라마 페스티벌 Queen Jeongsun Namhansanseong Art Hall Small Theatre September 11 [209]
Three Tall Women 키 큰 세 여자 A Myeongdong Arts Theatre October 3 to 25 [210]
2016 Hamlet 햄릿 Actor 2 National Theater Haeoreum Theater July 12–August 7 [211]
2017 Forever Farewell, Forever Farewell 영영이별 영이별 Queen Jeongsun Asian Culture Centre Theatre 1 May 27–28 [212]
The Story of Three Women - Gangneung 세 여자 이야기-강릉 Women Myeongju Art Madang June 3–8 [213]
Forever Farewell, Forever Farewell 영영이별 영이별 Queen Jeongsun Munhwa Station Seoul 284 3rd class waiting room June 15–16 [214]
2018 main auditorium of Government Complex Building 6 at Sejong Government Complex Feb 27 [215]
The Andersen's fairy tale play "Mother's Story" 안데르센 동화연극 "엄마 이야기" Mother Gwangmyeong November [216]
2019 In My Dream, I Was Tender 꿈속에선 다정하였네 Lady Hyegyeonggung Guro Art Valley Arts Theatre March 21–23 [217]
Forever Farewell, Forever Farewell 영영 이별 영 이별 Queen Jeongsun JCC Art Centre Concert Hall April 13 [218]
The drama concert of actress Park Jeong-ja, titled "In My Dream, I Was Tender" 연극배우 박정자의 드라마 콘서트 "꿈속에선 다정하였네" Lady Hyegyeonggung Jeongmiso, an installation theatre March 2–12 [219]
Ewha Womans University Samsung Hall December 5 [220]
2021 Harold and Maude 해롤드 & 모드 Maude Daechi Art Hall, KT&G Sangsang Madang, Daechi-dong, Gangnam-gu, Seoul May 1 to 23 [221]
In My Dream, I Was Tender 꿈속에선 다정하였네 Lady Hyegyeonggung Ansan Arts Center May 29 [222]
2022 Hamlet 햄릿 Actor 2 National Theater Haeoreum Theater July 13–August 13 [223][224]
In My Dream, I Was Tender 꿈속에선 다정하였네 Lady Hyegyeonggung Incheon Three Bowl Sep 28 [225]
National Theater Daloreum Theater Oct 26 [226]
Love Letter 러브레터 Melissa Seoul Arts Center Jayu Theater Oct 6–Nov 13 [227]
2023 Jangsu Store 장수상회 Im Geum-nim Doosan Art Center Yonkang Hall April 21–May 21 [228]
Jeju Arts Center Grand Theater July 15 [229]
Incheon Art Hall Grand Performance Hall Dec 8–9 [230]

Accolades[edit]

Awards and nominations[edit]

Award and nomination received[231]
Year Award ceremony Category Nominee / Work Result Ref.
1970 6th Baeksang Arts Awards Best Actress Award — Theater Passing for Black Won [232]
1970–1971 7th Dong-A Theatre Award Best Actress Where and How Shall We meet? Won [233]
1972 8th Baeksang Arts Awards Grand Prize — Theater The Ballad of the Sad Café Won [231]
1975 1st Younghee Theater Award Best Actress Park Jeong-ja Won
1975 14th Grand Bell Awards Best Supporting Actress Promise of the Flesh Won
1984 23rd Grand Bell Award Best Supporting Actress The MA-NIM Won
1985–1986 22nd Dong-A Theatre Award Best Actress Award Jayu Theater's play "Egg" and
Sanullim's play "As Far as the Sky"
Won [233]
1986 8th Seoul Dramatic Evaluation Group Award Best Actress Award Won [231]
1986–1987 23rd Dong-A Theatre Award Best Actress Award Sanullim's play Woman in Crisis Won [233]
1987 23rd Baeksang Arts Awards Best Actress Award in Theatre Won [234]
1987 9th Seoul Dramatic Evaluation Group Award Best Actress Award in Theatre Won [231]
1988 Korean Theater Arts Award Best Actress Award in Theatre Blood Marriage Won
1989 25th Baeksang Arts Awards Popularity Award — Theatre Won [235]
1990 26th Baeksang Arts Awards Theatre Grand Prize 'night, Mother Won [236]
Best Actress Award Won
1991 Seoul Theater Festival Best Actress Award Mom Discovered the Sea at 50 Won [231]
1991 Love Play Festival Best Actress Award Won [231]
1997 7th Lee Hae-rang Theatre Award Theatre Award Park Jeong-ja Won [1]
2000 Ewha Womans University Department of Media and Public Relations Film Award Proud Media and Public Relations Video Award Won [231]
2001 Jinmyeong Girls’ High School Alumni Association Proud Jinmyeong Impression Award Won
2001 MBC Hall of Fame Theatre Artist Award Won
2005 14th Seoul Children's Theater Awards Best Actress Award You Are Special Won [237]
2011 Korea Theater Award 4th Special Award Park Jeong-ja Won [231]
2012 Paradise Awards[note 1] 8th Culture and Arts Category Won [238]
2013 Samsung Happiness Awards[note 2] Women's Creation Award Won [239]
2016 Shining Ewha Impression Award Won [240]
2014 4th Beautiful Artist Award[note 3] Theatre Artist Award Won [241]
2020 7th E-Daily Culture Awards Achievement Award Won [242]
2020 3·1 Culture Award for Art Won [243][244]
2023 21st Proud Ewha People Won [245]

State honors[edit]

Name of country, award ceremony, year given, and name of honor
Country Award Ceremony Year Honor Ref.
Seoul Metropolitan City Seoul Metropolitan City Cultural Award 1998 Cultural Award — Theater [231][246]
South Korea Culture Day Ceremony 2007 Bogwan Order of Cultural Merit [4]

Listicle[edit]

Name of publisher, year listed, name of listicle, and placement
Publisher Year List Placement Ref.
DongA Ilbo 2003 [Best in our field selected by professionals] Plays and musicals — Best Actress 1st [247]
Asia Today 2013 Actors in their 60s and 70s who dominate the theater stage Top 3 [248]
Book & People
Written by Jang Won-jae
2015 Who is an actor Top 15 [249]
Korean Theater[note 4] 2019 34 Leading Korean Theater Artist Top 34 [250]

Notes[edit]

  1. ^ The Paradise Award, sponsored by Paradise Group, is a combination of the 2003 'Woo-kyung Welfare Award' of the Paradise Welfare Foundation and the 'Woo-kyung Culture and Arts Award' of the Paradise Cultural Foundation.
  2. ^ Samsung Happiness Awards is organized by Samsung Life Public Welfare Foundation.
  3. ^ The Beautiful Artist Award Theater Artist Award is hosted by Shin Young-kyun Culture and Arts Foundation since 2011.
  4. ^ Jeong Jin-soo, a theater director and former professor at Sungkyunkwan University and the head of the People's Theater Company, says about those who represent Korean theater. Representative Jeong collects the lives of 34 leading Korean theater artists and publishes 'The Life of a Theater Artist - A Biography of Korea's Representative Theater Artists.' The book is a compilation of interviews with 34 theater artists from the content serialized by the author in the magazine 'Korean Theater'.

References[edit]

  1. ^ a b "이해랑 상 과거 수상자 (1회~10회)" [Lee Hae-rang Award Past Winner (1–10)]. leehaerang.cafe24.com. Retrieved September 2, 2023.
  2. ^ a b "50회 맞은 동아연극상, 연기상 최다 수상자 연극계 거목 신구-박정자" [The 50th Dong-A Theatre Award, the most actor award winner in the theatre industry, Shin Gu-Park Jeong-ja]. The Dong-a Ilbo (in Korean). January 24, 2014. Retrieved September 4, 2023.
  3. ^ a b c d e f "아, 이건 운명이야…무대 위에선 도망갈 수 없거든요" [Oh, this is destiny... I can't run away on the stage.]. The Hankyoreh (in Korean). June 19, 2021. Retrieved September 2, 2023.
  4. ^ a b "'빛나는 예술인들' 故 송범, 보아, 유인택…" ['Shining Artists' The late Song Beom, BoA, Yoo In-taek...]. Naver News (in Korean). October 16, 2007. Retrieved September 2, 2023.
  5. ^ a b "박정자 상세정보" [Details of Park Jung-ja]. THE NATIONAL ACADEMY OF ARTS, REPUBLIC OF KOREA (in Korean). Retrieved September 2, 2023.
  6. ^ a b "연극은 나의 종교, 인천의 나의 고향" [The play is my religion, my hometown in Incheon.]. www.incheon.go.kr. Retrieved September 2, 2023.
  7. ^ a b c d e "박정자" [Park Jeong-ja]. terms.naver.com (in Korean). Retrieved September 2, 2023.
  8. ^ a b c d e f g h i j "50년간 한 해도 공연 거르지 않은 朴正子" [Park Jeong-ja, who hasn't stop performed for 50 years.]. Monthly Chosun (in Korean). October 21, 2013. Retrieved September 4, 2023.
  9. ^ a b "[김문기자가 만난사람] 神氣의 연극배우 박정자" [[The person that reporter Kim Moon met] Theatre actor Park Jung-ja with Divine Energy]. Seoul Shinmun (in Korean). August 3, 2005. Retrieved September 4, 2023.
  10. ^ a b c d e f Park, Joo-yeon (July 21, 2021). "박정자 "난 연극밖에 할 줄 몰라···죽은 뒤 수수꽃다리 아래 의자로 남고 싶어"[박주연의 색다른 인터뷰]" [Park Jung-ja "I can only do the play···I want to stay as a chair under the flower bridge after I die" [Park Joo-yeon's different interview]]. Kyunghyang Shinmun (in Korean). Retrieved September 2, 2023.
  11. ^ a b c d e Moon, Hak-su (April 25, 2012). "'박정자전' 여는 배우 박정자 "한 해도 안 빠지고 50년간 무대 섰지요"" [Park Jung-ja, the actor who opens 'Park Jung-jajeon', said, "I've been on stage for 50 years without missing a year."]. Kyunghyang Shinmun (in Korean). Retrieved September 4, 2023.
  12. ^ a b c Choi, Hyun-mi (December 31, 2019). ""연극은 조국이자 종교… 오늘도 내 모든 걸 짜내려 대본과 씨름"" ["Theatre is a country and a religion... Squeeze everything about me today and wrestle with the script"]. Munhwa Ilbo (in Korean). Retrieved September 4, 2023.
  13. ^ a b c d e f "[나의 이력서] 무대의 카리스마 박정자 극단 "자유"(自由)와 만나다" [[My resume] Meet the charismatic Park Jung-ja troupe "freedom" on stage]. Hankook Ilbo (in Korean). December 4, 2003. Retrieved September 4, 2023.
  14. ^ Lee, Yoon-ju (January 10, 2016). "유치진 이해랑 등 최고 연출가 대표작 섭렵" [The representative work of the best director, such as Yoo Chi-jin, Lee Hae-rang]. Hankook Ilbo (in Korean). Retrieved September 4, 2023.
  15. ^ "소극장 산울림 — 수상연보" [Small theatre Sanullim — Award Annual Report]. sanwoollim.kr. Retrieved September 4, 2023.
  16. ^ "정책소통 - 대학생기자단 - 나는 배우다, 이 시대 진정한 예술인 박정자를 만나다" [Policy Communications - University Student Corps - I Learn, Meet Park Jung-ja, the True Artist of This Era]. Ministry of Culture, Sports and Tourism (in Korean). Retrieved September 4, 2023.
  17. ^ "다시보는 「위기의 여자」(장명수 칼럼)" ["Woman in Crisis" (Jang Myung-soo's column)]. Hankook Ilbo (in Korean). October 9, 1995. Retrieved September 4, 2023.
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  29. ^ "충녀" [The Insect Woman]. 다음영화 (in Korean). Retrieved September 2, 2023.
  30. ^ "육체의 약속" [Promise of the Flesh]. 다음영화 (in Korean). Retrieved September 2, 2023.
  31. ^ "이어도" [Io Island]. 다음영화 (in Korean). Retrieved September 2, 2023.
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  37. ^ "흙" [Soil]. 다음영화 (in Korean). Retrieved September 2, 2023.
  38. ^ "씨네21" [Paljunochopanambo]. m.cine21.com. Retrieved September 2, 2023.
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  41. ^ "낮은 대로 임하소서" [Come Low Unto Us]. 다음영화 (in Korean). Retrieved September 2, 2023.
  42. ^ "과부춤" [Widow Dancing]. 다음영화 (in Korean). Retrieved September 2, 2023.
  43. ^ "자녀목" [The MA-NIM]. 다음영화 (in Korean). Retrieved September 2, 2023.
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  47. ^ "아낌없이 주련다" [I Give You Everything]. 다음영화 (in Korean). Retrieved September 2, 2023.
  48. ^ "씨네21" [Western Avenue]. m.cine21.com. Retrieved September 2, 2023.
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  51. ^ "초대" [Invited]. 다음영화 (in Korean). Retrieved September 2, 2023.
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  73. ^ "천안아산 문화공연 소식" [Cheonan Asan Cultural Performance News]. Naver News (in Korean). Retrieved September 6, 2023.
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  77. ^ "낭독연극 '엄마를 부탁해' 27일 부평아트센터 공연" [Read the play 'Take Care of Mom' performed at Bupyeong Art Centre on the 27th]. 인천뉴스 (in Korean). March 12, 2014. Retrieved September 6, 2023.
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  81. ^ "[문화마당]뮤지컬 「넌센스」,박정자등 「빅5」출연" [[Culture Madang] Musical "Nonsense", Park Jung-ja and other "Big 5" appearances]. The Dong-a Ilbo (in Korean). January 19, 1998. Retrieved September 3, 2023.
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  84. ^ "빌리 엘리어트 2017" [Billie Elliot 2017]. www.themusical.co.kr. Retrieved September 3, 2023.
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  86. ^ "베르나르다 알바의 집" [The House of Bernarda Alba]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
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  88. ^ "[김문기자가 만난사람] 神氣의 연극배우 박정자" [[The person Kim Moon-ja met] Park Jung-ja, the theatre actor divine energy]. Naver News (in Korean). Retrieved September 3, 2023.
  89. ^ "연극배우 박정자는…아홉살때 처음 본 연극 "온몸에 소름 돋는 경험"" [Actor Park Jung-ja... The first play I saw when I was nine years old, "The experience of getting goosebumps all over my body"]. Munhwa Ilbo (in Korean). Retrieved September 4, 2023.
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  91. ^ "40주년 기념공연 극단 자유 제작진" [40th Anniversary Performance Theatre Company Free Production Team]. Naver News (in Korean). Retrieved September 3, 2023.
  92. ^ "따라지의 향연(饗宴)" [A Feast of Tadajji]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  93. ^ "신의 대리인" [Agent of God]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  94. ^ "해녀 뭍에 오르다" [Haenyeo Come Ashore]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  95. ^ "픽크닉 작전" [Operation Picnic]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  96. ^ "살인환상곡" [Murder Fantasia]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  97. ^ "까페 떼아뜨르" [Cafe teatre]. Encyclopedia of Korean Culture (in Korean). Retrieved September 4, 2023.
  98. ^ "마리우스" [Marius] (in Korean). Retrieved September 3, 2023.
  99. ^ "흑인 창녀를 위한 고백" [Passing for Black] (in Korean). Retrieved September 3, 2023.
  100. ^ "사자의 훈장" [Medal of the Lion]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  101. ^ "산불" [Forest Fire]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  102. ^ "어디서 무엇이 되어 만나랴" [Where and What Should We Meet?]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  103. ^ "아가씨 길들이기" [The School for Wives]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  104. ^ "그물안의 여인들" [Women in the Net]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  105. ^ "슬픈 까페의 노래" [The Ballad of the Sad Café]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  106. ^ "국립극단 디지털 아카이브" [Fantasy Travel]. archive.ntck.or.kr. Retrieved September 2, 2023.
  107. ^ "따라지의 향연(饗宴)" [The Feast of the Followers]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  108. ^ "뜨거운 양철지붕위의 고양이" [Cat on a Hot Tin Roof]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  109. ^ "가죽버선" [Leather Beoseon]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  110. ^ "흐르지 않는 강의 전설" [The legend of a river that doesn't flow]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  111. ^ "파우스트" [Faust]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  112. ^ "여인과 수인" [Woman and Suin]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  113. ^ "주머니속에서 탱고를" [Tango in Your Pocket]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  114. ^ "흑인 창녀를 위한 고백" [Passing for Black]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  115. ^ "대머리 여가수 - 100회째" [The Bald Soprano - 100th episode]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  116. ^ "무엇이 될고하니" [What Will Becomes?]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  117. ^ "대머리 여가수" [The Bald Soprano]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  118. ^ "그 여자 사람 잡네" [That woman catches someone]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  119. ^ "백양섬의 욕망" [Baekyang Island's Desire]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  120. ^ "달맞이꽃" [Evening Primrose]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  121. ^ "피의 결혼" [Bloody Wedding]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  122. ^ "바람부는 날에도 꽃은 피네". www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  123. ^ "피의 결혼; 바람부는 날에도 꽃은 피네" [Blood Wedding; Flowers bloom even on a windy day]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  124. ^ "바람부는 날에도 꽃은 피네" [Flower]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  125. ^ "바람부는 날에도 꽃은 피네" [Flower]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  126. ^ "바람부는 날에도 꽃은 피네" [Flowers bloom even on a windy day]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
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  129. ^ "바람부는 날에도 꽃은 피네" [Flowers bloom even on a windy day.]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  130. ^ "하늘만큼 먼 나라" [A country as far away as the sky]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  131. ^ "하늘만큼 먼 나라" [A country as far away as the sky] (in Korean). Retrieved September 3, 2023.
  132. ^ "Blood Wedding" [Egg]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  133. ^ "위기의 여자 (危機의 女子)". www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
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  136. ^ "어디서 무엇이 되어 만나랴" [Where and How Shall We meet?] (in Korean). Retrieved September 3, 2023.
  137. ^ "불가불가" [Impossible Impossible].
  138. ^ "수탉이 안 울면 암탉이라도" [If the Rooster Doesn't Crow, Even a Hen]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  139. ^ "수탉이 안울면 암탉이라도" [If the Rooster Doesn't Crow, Even a Hen]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  140. ^ "피의 결혼" [Blood Wedding]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  141. ^ "(1988) 문화예술축전 서울국제연극제; 피의 결혼" [(1988) Seoul International Theater Festival, Culture and Arts Festival; Blood Wedding]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  142. ^ "금강산 호랑이 물리치기" [Defeating the Mt. Geumgang Tiger]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  143. ^ "도적들의 무도회" [Thieves' Ball]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  144. ^ "연극배우 박정자 50년 삶의 궤적, 한자리에 모인다" [The trajectory of actor Park Jung-ja's 50-year life, gathers in one place]. www.cnbnews.com (in Korean). Retrieved September 4, 2023.
  145. ^ "도적들의 무도회" [Thieves' Ball]. www.daarts.or.kr (in Korean). Retrieved September 3, 2023.
  146. ^ "베르나르다 알바의 집" [The House of Bernarda Alba]. archive.ntck.or.kr. Retrieved September 2, 2023.
  147. ^ "한가위 밝은 달아".
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External links[edit]