|Location||77–82 Whitechapel High Street, London, UK.|
|Visitors||490,000 (April 2009 – April 2010)|
|Public transit access||Aldgate East|
The Whitechapel Gallery is a public art gallery on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. Designed by Charles Harrison Townsend, it was founded in 1901 as one of the first publicly funded galleries for temporary exhibitions in London, and it has a long track record for education and outreach projects, now focused on the Whitechapel area's deprived populations. It exhibits the work of contemporary artists, as well as organising retrospective exhibitions and shows that are of interest to the local community.
The Whitechapel Gallery played an important part in the history of post-war British art, several important exhibitions were held at the Whitechapel Gallery including This is Tomorrow in 1956, the first UK exhibition by Mark Rothko in 1961, and in 1964 The New Generation show which featured John Hoyland, Bridget Riley, David Hockney and Patrick Caulfield among others.
Initiated by members of the Independent Group, the exhibition brought Pop Art to the general public as well as introducing some of the artists, concepts, designers and photographers that would define the Swinging Sixties.
Throughout its history, the Whitechapel Gallery had a series of open exhibitions that were a strong feature for the area's artist community, but by the early 1990s these open shows became less relevant as emerging artists moved to other areas.
In the late 1970s, the critical importance of the Whitechapel Gallery was displaced by newer venues such as the Hayward Gallery, but in the 1980s the Gallery enjoyed a resurgence under the Directorship of Nicholas Serota. The Whitechapel Gallery had a major refurbishment in 1986 and completed, in April 2009, a two-year programme of work to incorporate the former Passmore Edwards Library building next door, vacated when Whitechapel Idea Store opened. This has doubled the physical size of the Gallery and nearly tripled the available exhibition space, and now allows the Whitechapel Gallery to remain open to the public all year round.
The Whitechapel has premiered international artists such as Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, and Nan Goldin, and provided a showcase for Britain’s most significant artists including Gilbert & George, John Hoyland, Lucian Freud, Bridget Riley, Peter Doig, Ian McKeever and Mark Wallinger. The Gallery plays a unique role in London's cultural landscape and is pivotal to the continued growth of east London as one of the world’s most vibrant contemporary art quarters.
1956 – This is Tomorrow exhibit
1958 – The first major show in Britain of seminal American abstract expressionist Jackson Pollock
1961 – British premiere of Mark Rothko. The installation of his work at the Whitechapel becomes his template for all subsequent shows
1970 and 1971 – First major David Hockney retrospective, first major shows of Gilbert & George and Richard Long
1982 – The Whitechapel Gallery introduces little-known Mexican painter, Frida Kahlo to London audiences
1993 – The Whitechapel Gallery showcases Lucian Freud, one of Britain’s greatest living figurative painters
2010 – First survey of Alice Neel's portraits in Britain
Since 1923, art has been presented alongside education. A not-for-profit educational charity, the Whitechapel has pioneered artists’ residencies in schools and other education innovations that have been adopted as models across the UK and internationally.
The Whitechapel reopened on 4 April 2009 after a two-year project, which approximately doubled the size of the Gallery by incorporating the former neighbouring library building. The work cost approximately £13.5 million and was partly funded by the Heritage Lottery Fund. A tapestry based on Pablo Picasso's Guernica, loaned by the United Nations, was included in the inaugural exhibition by Goshka Macuga. and Isa Genzken.
As part of the expansion, a new Archive Gallery, a reading room and an archive repository (where the Whitechapel’s historic records are held) have been created to support the Whitechapel's standing as an educational charity. The archives catalogue the very conception of the gallery, as well as the complete directors' files of correspondence which reveal the reasons behind key decisions in the Gallery's history.
- Charles Aitken (1901–1911)
- Bryan Robertson (1952–1968)
- Jasia Reichardt (1974–1976)
- Nicholas Serota (1976–1988)
- Catherine Lampert (1988–2002)
- Iwona Blazwick (2002– )
- Lambirth, Andrew (2009). John Hoyland: Scatter the Devils. Norwich: Unicorn Press. p. 17. ISBN 978-1-906509-07-1.
- Johnson, Paul (24 January 2011). "Reaching the summit". The British Ambassador to Sweden blogs on The Local. Retrieved 30 May 2013.
- "Art gallery extension completed". BBC News. 2009-03-31.
- "Iwona Blazwik on the Whitechapel. Interview by Oliver Basciano". ARTINFO. 06-04-2009. Check date values in:
- Yiakoumaki, Nayia. "The Whitechapel Opens its Archive", Apollo (magazine), 2009-03-01. 2009-05-28.
- Whitechapel Gallery Gallery website
- Greg Whitfield, Review of Janet Cardiff, George Bures Miller and Philip DiCorcia show at Whitechapel Art Gallery (June–August 2003), 3:am Magazine. Includes a good photograph of the Gallery interior.
- Prince William opens Whitechapel Gallery Prince of Wales Website
- Alice Neel: Painted Truths Exhibition 2010, Exhibition Review
- Isa Genzken, first exhibition in newly expanded Gallery Isa Genzken: Open Sesame
- Sophie Calle review Guardian Article
- Interview with Iwona Blaswick Times Online
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