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Restore text that was unreasonably blanked (though changing "typically" to "often"); I have sat on the floor, as has the entire audience, for many Low concerts in different U.S. cities.
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In April 2003, Peter S. Scholtes of the [[Minneapolis-St. Paul|Twin Cities]] weekly paper ''City Pages'' posted in his [[weblog]] that Sally had left Low. The following month, the band posted an [http://web.archive.org/web/20030525182959/http://chairkickers.com update] to the news on their website: "We have all had to work through some personal things recently ... After sorting it out, the good news is that Zak is remaining in the band ..." In July 2003, they toured Europe with [[Radiohead]], Sally in tow. Following a successful tour in early 2004 that vividly demonstrated the band's commitment to their fans (Parker was visibly pregnant throughout), the band signaled their intent to continue making music by signing with powerhouse indie label [[Sub Pop]]. To fulfill their contract with Kranky, Low released a three-disc rarities compilation on that label in 2004.
In April 2003, Peter S. Scholtes of the [[Minneapolis-St. Paul|Twin Cities]] weekly paper ''City Pages'' posted in his [[weblog]] that Sally had left Low. The following month, the band posted an [http://web.archive.org/web/20030525182959/http://chairkickers.com update] to the news on their website: "We have all had to work through some personal things recently ... After sorting it out, the good news is that Zak is remaining in the band ..." In July 2003, they toured Europe with [[Radiohead]], Sally in tow. Following a successful tour in early 2004 that vividly demonstrated the band's commitment to their fans (Parker was visibly pregnant throughout), the band signaled their intent to continue making music by signing with powerhouse indie label [[Sub Pop]]. To fulfill their contract with Kranky, Low released a three-disc rarities compilation on that label in 2004.


Beginning with ''Secret Name'', the band have diversified their sound. The band use subtle [[electronic music]] touches to augment their sound, reflective of their tenure with [[Kranky]] and their exposure to the Midwest's [[post-rock]] scene. Adding a more overt rock element to their aesthetic, the band has used [[fuzz bass]] from ''Things We Lost on the Fire'' onward, and began using distorted lead guitar on ''Trust''. The band's latest album, ''The Great Destroyer'', nods even further in the direction of rock. Recorded with producer [[Dave Fridmann]] and released by Sub Pop in January 2005, ''The Great Destroyer'' has received mostly positive reviews; the [[Village Voice]] described the record's [http://www.villagevoice.com/music/0508,gross,61348,22.html "comparatively thunderous verve."] One notable exception to the critical applause is [[Pitchfork Media]], which rated the album 5.5 out of 10 and panned its lead single "California."
Beginning with ''Secret Name'', the band have diversified their sound. The band use subtle [[electronic music]] touches to augment their sound, reflective of their tenure with [[Kranky]] and their exposure to the Midwest's [[post-rock]] scene. Adding a more overt rock element to their aesthetic, the band has used [[fuzz bass]] from ''Things We Lost on the Fire'' onward, and began using distorted lead guitar on ''Trust''. The band's latest album, ''The Great Destroyer'', nods even further in the direction of rock. Recorded with producer [[Dave Fridmann]] and released by Sub Pop in January 2005, ''The Great Destroyer'' has received mostly positive reviews; the [[Village Voice]] described the record's [http://www.villagevoice.com/music/0508,gross,61348,22.html "comparatively thunderous verve."]


Low cancelled the second leg of their extensive tour in support of ''The Great Destroyer'' in late spring of 2005. Sparhawk's informal statement, published on the band's web forum and addressed directly to fans, detailed the personal reasons behind the cancellation. In August 2005, however, Sparhawk announced his return to performance, embarking on a United States tour with fellow slowcore pioneer, former [[Red House Painters]] frontman [[Mark Kozelek]]. However, in October 2005, Sally announced his resignation. Replacing him is Matt Livingston, a longtime bassist and saxophonist in Duluth's musical scene.
Low cancelled the second leg of their extensive tour in support of ''The Great Destroyer'' in late spring of 2005. Sparhawk's informal statement, published on the band's web forum and addressed directly to fans, detailed the personal reasons behind the cancellation. In August 2005, however, Sparhawk announced his return to performance, embarking on a United States tour with fellow slowcore pioneer, former [[Red House Painters]] frontman [[Mark Kozelek]]. However, in October 2005, Sally announced his resignation. Replacing him is Matt Livingston, a longtime bassist and saxophonist in Duluth's musical scene.

Revision as of 16:08, 15 January 2007

Low

Low is an American indie rock group from Duluth, Minnesota. The group was formed in 1993, by Alan Sparhawk (guitar and vocals), Mimi Parker (drums and vocals) and original bassist John Nichols (bass guitar). Zak Sally replaced Nichols after Low's first album and tour. In 2005, Sally quit the band; Matt Livingston replaced him shortly thereafter, creating the current lineup of Sparhawk, Parker and Livingston.

Their music is commonly described as "slowcore," a subgenre characterised by slow tempos and minimalist arrangements. They are one of the earlier bands to adopt and popularize the style, making them considerable contributors to the slowcore movement. (It is worth noting that the band dislike this tag. In an interview Alan Sparhawk says of descriptions of their music: What's the cheesiest? Slow-core. I hate that word. The most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that. ) Parker and Sparhawk's striking vocal harmonies represent perhaps the group's most distinctive element; critic Denise Sullivan writes that their shared vocals are "as chilling as anything Gram and Emmylou ever conspired on -- though that's not to say it's country-tinged, just straight from the heart."

History

The band formed in the spring of 1993. Sparhawk had been playing in the Superior, Wisconsin band Zen Identity, the core of which was formed by drummer Robb Berry and vocalist Bill Walton. That band needed a new bassist, and Nichols was recruited. At that time, Nichols was a senior at Superior Senior High School, and bassist in the band Lorenzo's Tractor. Sparhawk was called upon to teach Zen Identity songs to Nichols. During practices, the two started improvising with some very modest, quiet themes. As a joke, they wondered what would happen if they played such quiet music in front of Duluth crowds, which at that point focused around the loud, grunge, "post-punk" sound. Soon, the joke became a serious thought. Sparhawk left Zen Identity, who continued to perform and record without him, and he and Nichols recruited Sparhawk's wife Mimi Parker to play a very modest drum kit composed of a single cymbal and a single floor tom. She was to use brushes almost exclusively rather than drum sticks.

Low's debut album, I Could Live in Hope, was released on Virgin Records' Vernon Yard imprint in 1994. It featured Nichols on bass, though he was replaced by Sally, who joined for the recording of the band's next album Long Division. Long Division and its similar follow-up, 1996's The Curtain Hits the Cast, established the band as critical darlings; extensive touring helped them to develop a highly devoted fan base. "Over the Ocean," a single drawn from The Curtain Hits the Cast, also became something of a hit on college radio.

Low experienced considerable difficulties during their tenure with Vernon Yard, and by the time of their next full-length (1999's Secret Name) they had moved to the influential independent label Kranky. In between, they released several singles and EPs. In 1999, Low joined forces with Dirty Three to record an In The Fishtank session for Konkurrent records. All Music Guide called the six-song disc "some of the best material either unit has produced." Of particular note is the disc's lengthy cover of Neil Young's "Down by the River." 2001 saw the release of Things We Lost in the Fire.

The following year saw the release of the band's final full-length on Kranky, Trust. All three of the band's full-length releases on Kranky featured superstar producers: Secret Name and Things We Lost in the Fire feature the work of "recordist" Steve Albini (best known for producing abrasive noise rock and punk groups), who proved surprisingly sympathetic to capturing the band's strengths; while Trust was recorded with Duluth engineer Eric Swanson and mixed by Tchad Blake.

In April 2003, Peter S. Scholtes of the Twin Cities weekly paper City Pages posted in his weblog that Sally had left Low. The following month, the band posted an update to the news on their website: "We have all had to work through some personal things recently ... After sorting it out, the good news is that Zak is remaining in the band ..." In July 2003, they toured Europe with Radiohead, Sally in tow. Following a successful tour in early 2004 that vividly demonstrated the band's commitment to their fans (Parker was visibly pregnant throughout), the band signaled their intent to continue making music by signing with powerhouse indie label Sub Pop. To fulfill their contract with Kranky, Low released a three-disc rarities compilation on that label in 2004.

Beginning with Secret Name, the band have diversified their sound. The band use subtle electronic music touches to augment their sound, reflective of their tenure with Kranky and their exposure to the Midwest's post-rock scene. Adding a more overt rock element to their aesthetic, the band has used fuzz bass from Things We Lost on the Fire onward, and began using distorted lead guitar on Trust. The band's latest album, The Great Destroyer, nods even further in the direction of rock. Recorded with producer Dave Fridmann and released by Sub Pop in January 2005, The Great Destroyer has received mostly positive reviews; the Village Voice described the record's "comparatively thunderous verve."

Low cancelled the second leg of their extensive tour in support of The Great Destroyer in late spring of 2005. Sparhawk's informal statement, published on the band's web forum and addressed directly to fans, detailed the personal reasons behind the cancellation. In August 2005, however, Sparhawk announced his return to performance, embarking on a United States tour with fellow slowcore pioneer, former Red House Painters frontman Mark Kozelek. However, in October 2005, Sally announced his resignation. Replacing him is Matt Livingston, a longtime bassist and saxophonist in Duluth's musical scene.

Performance

Low are known for their impressive live performances. Rock club audiences often watch the band while seated on the floor (due to the difficulty of standing for long periods while listening to such slow and quiet music). During their early career, the band often faced unsympathetic and inattentive audiences in bars and clubs, to which they responded by bucking rock protocol and turning their volume down. The huge dynamic range of Low's early music made it susceptible to background noise and chatter, since many of their songs were very quiet; for example, a performance in 1996 at the South by Southwest festival was essentially ruined when a Scandinavian hardcore band was booked downstairs. However, since the Trust album, Low's music has generally been louder and more aggressive.

Their shows often feature drastically reinterpreted cover versions of famous songs by the likes of Joy Division and The Smiths, in addition to their own original material. Live, Low shows a sense of humor not necessarily found on their recordings; a tour in early 2004 featured a cover of OutKast's hit song "Hey Ya." At a gig in Los Angeles on Halloween 1998, the band took the stage as a Misfits tribute act, complete with corpse paint and black clothing.

Commercial success

The band's mainstream exposure has been limited: their best-known song is arguably a hymnal version of "The Little Drummer Boy," which was featured in a Gap television ad that depicted a snowball fight in slow-motion to match the song's glacial tempo. A remix of their "Halflight" was featured in the Mothman Prophecies motion picture.

However, because of their minimal overhead expenses (the band makes very little use of professional recording facilities), Low have managed to develop a reasonably comfortable career.

Personal lives

Sparhawk and Parker are married, have two children, and are practicing members of the Mormon faith. (Sparhawk was born into an LDS family in Seattle, and for some time lived in Utah before moving to Minnesota at age nine; he also and briefly attended Brigham Young University. Parker is a convert.)

Lyrical references: Christianity and Mormonism

Low are hardly a Christian rock group, however, at least in the usual sense: neither Sally's religious affiliation (or lack thereof) nor Parker and Sparhawk's faith is mentioned in their latest press kit. Low have often toured with other "Christian, not Christian rock" acts such as Pedro the Lion and the Danielson Famile.

However, there are occasional lyrical references (usually subtle and/or indirect) to Parker and Sparhawk's religion. Sometimes these references are to traditional Christian themes, not only specifically LDS subjects. The song "If You Were Born Today," on both the live album One More Reason to Forget and on the Christmas album, quietly suggests what might happen if Jesus were born in contemporary times. On Things We Lost in the Fire, the song "Whore" includes Parker's haunting chorus "you will get your reward", while Sparhawk asks "is it so wrong to think there's more?" Disc one of A Lifetime of Temporary Relief includes the song "David & Jude," while disc two includes two versions of "Joan of Arc" and the Spacemen 3 cover "Lord, Can You Hear Me?" Many references draw specifically on themes from the Church of Jesus Christ of Latter-day Saints. These include "Weight of Water" and "Missouri" on Secret Name, whose title itself refers to an LDS naming ritual; this album also contains the song "Lion/Lamb." The Trust track "The Lamb," at least partially concerns the death of Joseph Smith.

This lyric from "Over the Ocean": "and if I'm wrong, the mighty and strong will be rejected" alludes to Section 85 of the Mormon text The Doctrine and the Covenants which states: "And it shall come to pass that I, the Lord God, will send one mighty and strong...to set in order the house of God..."

The Christmas album's religious content is generally more direct, including in addition to "If you were born today" an original song about the Three Wise Men's subversion of Herod to protect Jesus ("Long Way Around The Sea"), as well as traditionals ("Silent Night," "Little Drummer Boy," the Elvis song "Blue Christmas") and original secular, seasonal songs ("Just Like Christmas," "Taking Down the Tree," "One Special Gift,").

Side projects

Low owns a record label, Chairkickers' Union, which releases material by other musicians such as Rivulets and Haley Bonar, as well as some of their own material. Sparhawk is notably active in Duluth's small but vibrant independent music scene; he operates a recording studio in the town, in a deconsecrated church that naturally provides the lush reverb characteristic of Low's sound. The Chairkickers label offers another outlet for Duluth musicians, as most groups on the label are from that city, or at least from Minnesota and surrounding areas.

Sally has toured as a bassist with Dirty Three, and Sparhawk has devoted considerable time and energy to his Black Eyed Snakes project, a blues-rock revival band quite far removed from the Low aesthetic. Recently Sparhawk has also been seen with a new side project called The Retribution Gospel Choir. Matt Livingston, who became Low's new bassist in late 2005, also plays in The Retribution Gospel Choir. On Retribution's first tour (fall 2005), they played the Low song "From Your Place on Sunset." (Similarly, Low and the Black-Eyed Snakes have played some overlapping songs, such as "Lordy".)

Discography

Studio recordings

Live recordings

  • One More Reason to Forget - (2000)
  • Paris '99: Anthony, Are You Around? - (2001)
  • Owl (remixes) - (1998)
  • Bombscare (EP) - (Tugboat, 2000)
  • The Exit Papers ("a soundtrack to an imaginary film") - (Temporary Residence, 2000)
  • In the Fishtank (with Dirty Three) (2001)
  • The Mothman Prophecies - (2002) - "Half Light (Single)", "Half Light"

Compilations

  • A Lifetime of Temporary Relief: 10 Years of B-Sides and Rarities - (2004)
Articles