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Ditched the Trivia section... replaced it with "Twin Cities" section and added recent info about the home break-in. Moved the art-deco line to "opening sequence" ~~~~
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In the opening montage, from 1973 to the series' conclusion, Mary is shown at one point washing her car wearing the #10 home jersey of [[Minnesota Vikings]]' [[quarterback]] [[Fran Tarkenton]]. This was during a time in which Tarkenton and the Vikings had played in three [[Super Bowl]]s.
In the opening montage, from 1973 to the series' conclusion, Mary is shown at one point washing her car wearing the #10 home jersey of [[Minnesota Vikings]]' [[quarterback]] [[Fran Tarkenton]]. This was during a time in which Tarkenton and the Vikings had played in three [[Super Bowl]]s.

⚫
With its use in the title cards, the show sparked a revival of the Art Deco [[Peignot]] typeface which had fallen out of fashion in the 1940s.


== Cultural references ==
== Cultural references ==
Line 197: Line 199:
An attempt was made at producing a spin-off from ''Rhoda'', an animated series entitled ''Carlton the Doorman''. Only the [[television pilot|pilot episode]] was broadcast.
An attempt was made at producing a spin-off from ''Rhoda'', an animated series entitled ''Carlton the Doorman''. Only the [[television pilot|pilot episode]] was broadcast.


==Impact on the [[Twin Cities]]==
==Trivia==
{{toomuchtrivia}}
*For the first few seasons, Mary, Rhoda and Phyllis lived in apartments at 119 N. Weatherly in Minneapolis. That address is entirely fictional ("North Weatherly" being an impish comment on the city's climate), although the exterior of a real house in Minneapolis (in the [[Kenwood, Minneapolis|Kenwood]] neighborhood, on Kenwood Parkway) was used. Once fans of the series discovered the place, it became a popular tourist destination. However, the real owners at the time did not enjoy the attention. A sign saying "Impeach [[Richard Nixon|Nixon]]" was in a window for a time, discouraging many from taking pictures. (Later, the owners repainted the house a dark color instead of its original white). When producers returned to Minneapolis in 1973 to film additional exterior shots of the house, the owners refused to remove the sign. This was allegedly the motivation behind Mary Richards' move to the high rise ([[Riverside Plaza]]), at the start of the [[1975]] season. Other Minneapolis sites were also featured on the show (especially in the opening credits), but the show's cast very rarely spent time in the actual city, as the regular filming was done in Hollywood.
*For the first few seasons, Mary, Rhoda and Phyllis lived in apartments at 119 N. Weatherly in Minneapolis. That address is entirely fictional ("North Weatherly" being an impish comment on the city's climate), although the exterior of a real house in Minneapolis (in the [[Kenwood, Minneapolis|Kenwood]] neighborhood, on Kenwood Parkway) was used. Once fans of the series discovered the place, it became a popular tourist destination. However, the real owners at the time did not enjoy the attention. A sign saying "Impeach [[Richard Nixon|Nixon]]" was in a window for a time, discouraging many from taking pictures. (Later, the owners repainted the house a dark color instead of its original white). When producers returned to Minneapolis in 1973 to film additional exterior shots of the house, the owners refused to remove the sign. This was allegedly the motivation behind Mary Richards' move to the high rise ([[Riverside Plaza]]), at the start of the [[1975]] season. Other Minneapolis sites were also featured on the show (especially in the opening credits), but the show's cast very rarely spent time in the actual city, as the regular filming was done in Hollywood.
*The house used in the filming (2104 Kenwood, Minneapolis) is now up for sale<ref>[www.marytylermoorehouse.com]</ref>.
*The house used in the filming (2104 Kenwood, Minneapolis) is now up for sale<ref>[www.marytylermoorehouse.com]</ref>. An intruder broke into the uninhabited house in March 2007 and fell asleep for the night. A cleaning crew noticed the broken glass in the morning and called authorities<ref>[http://www.kare11.com/news/news_article.aspx?storyid=246364]</ref>.
*In [[2004]], the decidedly non-fictional [[Minneapolis-St. Paul|Twin Cities]] television station [[KSTP-TV]] began airing commercials featuring Ed Asner as a gruff newsman. Meant to evoke the persona of Lou Grant, the commercials featured Asner speaking to members of the station's staff. These commercials were intended to promote the channel's news department, which had seen poor ratings in recent years. For legal reasons the character was never named in the ads.
*In [[2004]], the decidedly non-fictional [[Minneapolis-St. Paul|Twin Cities]] television station [[KSTP-TV]] began airing commercials featuring Ed Asner as a gruff newsman. Meant to evoke the persona of Lou Grant, the commercials featured Asner speaking to members of the station's staff. These commercials were intended to promote the channel's news department, which had seen poor ratings in recent years. For legal reasons the character was never named in the ads.

⚫
*With its use in the title cards, the show sparked a revival of the Art Deco [[Peignot]] typeface which had fallen out of fashion in the 1940s.


== References ==
== References ==

Revision as of 07:25, 7 March 2007

The Mary Tyler Moore Show
File:MTM.jpg
Mary Tyler Moore opening titles.
Created byJames L. Brooks & Allan Burns
StarringMary Tyler Moore
Edward Asner
Gavin MacLeod
Ted Knight
Valerie Harper
Cloris Leachman
Betty White
John Amos
Georgia Engel
Country of origin United States
No. of episodes168+ 1 made-for-television movie
Production
Running time30 minutes per episode
Original release
NetworkCBS
ReleaseSeptember 19, 1970 –
March 19, 1977

The Mary Tyler Moore Show is an American television sitcom created by James L. Brooks and Allan Burns that aired on CBS from September 19, 1970 to March 19, 1977. It was one of the most critically acclaimed shows—and one of the most beloved—in US television history, as well as a breakthrough for leading female characters in television, due to the single, career-minded title character played by Mary Tyler Moore.

The correct name of the sitcom is Mary Tyler Moore, although it has always been more widely known as The Mary Tyler Moore Show. Moore stated in an A&E documentary that she had hoped dropping "Show" from the title would emphasize the ensemble cast.

Overview

Mary Richards (Moore) is a single woman who, at age 30, moves to Minneapolis, Minnesota after breaking off a relationship with her boyfriend of two years. She applies for a secretarial job at TV station WJM-TV, only to find it has already been filled. To her surprise, she is offered the position of associate producer for the Six O'Clock News (which pays less than the job she originally sought).

At work, she befriends her tough boss (with a soft side) Lou Grant (played by Edward Asner), sympathetic, long-suffering newswriter Murray Slaughter (Gavin MacLeod), and buffoonish anchorman Ted Baxter (Ted Knight). Mary's other acquaintances and friends include upstairs neighbor Rhoda Morgenstern (Valerie Harper), a self-deprecating, ex-New Yorker who becomes her best friend, their self-involved landlady, Phyllis Lindstrom (Cloris Leachman) and her precocious daughter Bess (Lisa Gerritsen). Characters introduced later are the acerbic, man-hungry host of WJM's cooking program, The Happy Homemaker, Sue Ann Nivens (Betty White), sweet-natured, soft-spoken Georgette Franklin (Georgia Engel), Ted Baxter's girlfriend, and African-American weatherman Gordon Howard (John Amos).

The show dealt with important issues (romance, death, career, friendships) in the lives of Richards and her friends in a comical way.

Cast

File:MTMCast.jpg
from left to right, top to bottom: Ed Asner, Ted Knight, Gavin MacLeod, Mary Tyler Moore, Georgia Engel, Betty White.

(*Recurring Role)

Awards and honors

Emmy Awards

1971

  • Edward Asner, Outstanding Performance by Supporting Actor/Comedy
  • Valerie Harper, Outstanding Performance by Supporting Actress/Comedy
  • James L. Brooks and Allan Burns, Outstanding Writing Achievement/Comedy, for episode "Support Your Local Mother"
  • Jay Sandrich, Outstanding Directorial Achievement/Comedy, for episode "Toulouse Lautrec is One of My Favorite Artists"

1972

  • Edward Asner, Outstanding Performance by Supporting Actor/Comedy
  • Valerie Harper, Outstanding Performance by Supporting Actress/Comedy

1973

  • Mary Tyler Moore, Outstanding Continued Performance by Leading Actress/comedy
  • Ted Knight, Outstanding Continued Performance by Supporting Actor/comedy
  • Valerie Harper, Outstanding Continued Performance by Supporting Actress/comedy
  • Jay Sandrich, Outstanding Directorial Achievement/Comedy, for episode "It's Whether You Win or Lose"

1974

  • Mary Tyler Moore, Actress of the Year/Series
  • Mary Tyler Moore, Best Lead Actress/comedy
  • Cloris Leachman, Best Supporting Actress/comedy, Single Performance for episode "The Lars Affair"
  • Treva Silverman, Best Comedy Writing in a Single Program of a Series with Continuing Characters and/or Theme, for episode "The Lou and Edie Story"
  • Treva Silverman, Writer of the Year/TV Series

1975

  • James L. Brooks, Allan Burns, Stan Daniels, Ed Weinberger, Outstanding Comedy Series
  • Edward Asner, Outstanding Continuing Performance by Supporting Actor/comedy
  • Betty White, Outstanding Continuing Performance by Supporting Actress/comedy
  • Cloris Leachman, Best Supporting Actress/comedy, Single Performance for episode "Phyllis Whips Inflation" (award shared with Zohra Lampert, Kojak)
  • Ed Weinberger and Stan Daniels, Outstanding Writing/Comedy for a Single Episode of Regular or Limited Series with Continuing Characters and/or Theme, for episode "Will Mary Richards Go to Jail?"
  • Douglas Hines, Outstanding Film Editing for Entertainment Programming

1976

  • Mary Tyler Moore, Outstanding Lead Actress/Comedy
  • Ted Knight, Outstanding Continuing Performance by Supporting Actor/Comedy
  • Betty White, Outstanding Continuing Performance by Supporting Actress/Comedy
  • James L. Brooks, Allan Burns, Stan Daniels, Ed Weinberger, Outstanding Comedy Series
  • David Lloyd, Outstanding Writing in Comedy Series for Single Episode of Regular/Limited Series with Continuing Characters/Theme, for episode "Chuckles Bites the Dust"

1977

  • James L. Brooks, Allan Burns, Stan Daniels, Ed Weinberger, Outstanding Comedy Series
  • Allan Burns, James L. Brooks, Ed Weinberger, Stan Daniels, David Lloyd, Bob Ellison, for episode "The Last Show"
  • Douglas Hines, Outstanding Film Editing/Comedy Series, for episode "Murray Can't Lose"

Golden Globe Awards

  • 1971 Mary Tyler Moore, Best Actress/Comedy
  • 1972 Edward Asner, Best Supporting Actor/Comedy

Honors

  • In 1997, TV Guide ranked "Chuckles Bites The Dust" as #1 on their list of The Greatest Episodes of All Time. The episode "The Lars Affair" made the list at #27.
  • In 1999, TV Guide ranked Mary Richards and Ted Baxter on their list of TV's 50 Greatest Characters Ever.
  • In 2001, Entertainment Weekly ranked the opening credits image of Mary tossing her hat into the air as #2 on their list of The 100 Greatest Moments In Television. [2]
  • In 2002, TV Guide ranked The Mary Tyler Moore Show as #11 on their Top 50 Greatest Shows of All Time List. [3]
  • Bravo ranked Mary Richards, Ted Baxter, Lou Grant, and Rhoda Morgenstern on their list of the 100 greatest TV characters [4].

Memorable episodes

  • "Love Is All Around" (September 19, 1970) The very first episode, in which Mary Richards, 30, moves to Minneapolis after rebounding from a broken romance. She finds an apartment in the same building as her old friend Phyllis Lindstrom and becomes friends with her upstairs neighbor, native New Yorker Rhoda Morgenstern. She also gets a job as associate producer for The Six O'Clock News at WJM-TV.
  • "Support Your Local Mother" (October 24, 1970) Mary finds herself caught between Rhoda and her mother Ida when Mrs. Morgenstern, a member of the keep-them-feeling-guilty school of child rearing, comes to Minneapolis for a visit and Rhoda refuses to see her.
  • "Rhoda the Beautiful" (October 21, 1972) After dropping twenty pounds, Rhoda reluctantly enters a beauty pageant at work. Though she looks great (even Phyllis compliments her), she still can't get used to thinking of herself as beautiful. The episode won Valerie Harper her second "Best Supporting Actress" Emmy.
  • "The Lars Affair" (September 15, 1973) Phyllis makes a desperate bid to win back her husband Lars when she finds out that he's having an affair with Sue Ann Nivens, the star of WJM's Happy Homemaker series. The character of Sue Ann Nivens, played by Betty White, was introduced in this episode. This episode was ranked #27 on TV Guide's The Greatest Episodes of All Time.
  • "Chuckles Bites the Dust" (October 25, 1975) The ludicrous death of WJM's Chuckles the Clown, crushed by an elephant while dressed as Peter Peanut, provokes a torrent of black humor which has everyone in the newsroom but Mary convulsed in laughter. Mary's suppressed laughter comes out at an inopportune moment: at Chuckles' funeral. This episode was ranked #1 on TV Guide's The Greatest Episodes of All Time.
  • "The Last Show" (March 19, 1977) The new owner of WJM re-evaluates the news operation and, unable to determine the reason for the low ratings, arbitrarily fires everyone in the newsroom except for the supremely incompetent Ted. The tag of this episode shows Mary Tyler Moore introducing the other seven regular cast members to the audience as "the best cast ever."

Ratings

The show became extremely popular in the Saturday night CBS sitcom lineup. Although it never ranked #1 overall for a season, it maintained high ratings throughout its seven year-run. Despite finishing relatively well in the final season, producers argued for its cancellation due to falling ratings, afraid that the show's legacy might be damaged if it was renewed for another season. Grant Tinker was also aware that his show faced enormous competition from ABC's Three's Company, a midseason hit slated for a permanent primetime slot. The series finished strong, and the series finale was by far the most watched show during the week it aired. Listed below are its annual rankings among all television shows:

Theme song

The theme song, "Love Is All Around," was written and performed by Sonny Curtis.

The lyrics were rewritten after the first season ("you might just make it after all" became "you're gonna make it after all," as it became apparent that there was little doubt Mary Richards would indeed succeed), and the style of the revised song was also more energetic than the original. The second version is arguably much better known. It has been covered by artists such as Joan Jett & The Blackhearts, Sammy Davis Jr., and Hüsker Dü.

(Season 1, 1970)

How will you make it on your own?
This world is awfully big, and girl, this time you're all alone.
But it's time you started living.
It's time you let someone else do some giving.
Love is all around, no need to waste it.
You can have the town, why don't you take it?
You might just make it after all.
You might just make it after all.

(Seasons 2-7, 1971-1977)

Who can turn the world on with her smile?
Who can take a nothing day, and suddenly make it all seem worthwhile?
Well it's you, girl, and you should know it
With each glance and every little movement you show it
Love is all around, no need to waste it
You can have the town, why don't you take it?
You're gonna make it after all
You're gonna make it after all

Opening sequence

File:MaryHat.jpg
The opening sequence of Mary tossing her hat in the air was ranked by Entertainment Weekly as the second greatest moment in television.

The opening montage was created by Reza Badiyi who also did the one for Hawaii Five-O. Badiyi came up with the idea of having Mary throw her hat into the air. An older woman can be seen in the background, obviously puzzled by the sight of a young woman tossing her tam o'shanter in the air in the middle of the street. This unwitting "extra" was Hazel Frederick, a lifelong Minnesota resident who happened to be out shopping the day the sequence was shot. Moore and Frederick met in 1996 at a book signing at the Mall of America, where Moore introduced her to the crowd as "my costar".

On May 8, 2002, cable TV network TV Land dedicated a statue to Mary Tyler Moore near the corner of 7th Street and Nicollet Mall in Minneapolis. It captured her iconic toss and was placed near the spot where it occurred (the actual location was in the middle of the street). Although many in the press were skeptical of TV Land's motive at first— some claiming it was a marketing strategy, one Macalester professor stating that it was "like honoring a unicorn" [2]— crowds of onlookers at the unveiling exhibited hushed excitement rather than animosity. Moore herself attended, the slender and somewhat frail-looking star braving the bone-chilling cold. It has become something of a tourist attraction for fans of the show, who sometimes throw their own hats in front of it. Moore released the cap when her hand was about at waist-level and her hand went high in the air only as a follow-through. The statue by necessity shows her hand high above her head as she is releasing (or possibly catching) the cap.

The Dayton's building in the background of some of those scenes (later a Marshall Field's and now a Macy's) has changed considerably in appearance. In fact, the exact spot where the cap toss occurred was debated extensively, because the layout along Nicollet has changed substantially since the early 1970s. (Exterior shots of the Dayton's store were also used to serve as the fictional Hempel's Department Store, where Rhoda worked as a window dresser.)

The establishing shots of Mary walking around a lake (be it in the summer or the winter) were filmed in the "Chain of Lakes" area west of downtown Minneapolis, most notably at the Lake of the Isles.

In the opening montage, from 1973 to the series' conclusion, Mary is shown at one point washing her car wearing the #10 home jersey of Minnesota Vikings' quarterback Fran Tarkenton. This was during a time in which Tarkenton and the Vikings had played in three Super Bowls.

With its use in the title cards, the show sparked a revival of the Art Deco Peignot typeface which had fallen out of fashion in the 1940s.

Cultural references

  • On her 1995 debut album A Stranger to This Land singer-songwriter Barbara Kessler included a song entitled "Mary Tyler Moore", in which she sang about how she wished her life were more like Mary Richards' life on The Mary Tyler Moore Show.
  • In The Simpsons episode "And Maggie Makes Three", while working at the bowling alley, Homer spins around singing, "I'm gonna make it after all!", and tosses a bowling ball in the air. It, of course, lands straight on the ground.
  • Chase Manhattan Bank used a hard rock remix of the "Mary Tyler Moore" theme as background music in a 2005 television commercial called "First Checking" or "Roxy," which depicted a young professional woman receiving her first paycheck and opening a Chase account.[5]
  • In the comedy series Girlfriends, character Maya Wilkes is in New York for her book tour. In the middle of traffic, she imitates Mary and throws her hat up in the air. A man catches it and runs away. Maya chases him.

DVD release

The first season of the series was released to DVD in North America in 2002, after which it was initially announced that no further seasons would be released in that format. Three years later, however, in July 2005, release of the series to DVD resumed with season 2. Season 3 was released on January 17, 2006 and season 4 was released on June 20, 2006.

Broadcast history

  • September 1970 - December 1971, Saturday 9:30 p.m.
  • December 1971 - September 1972, Saturday 8:30 p.m.
  • September 1972 - October 1976, Saturday 9:00 p.m.
  • November 1976 - September 1977, Saturday 8:00 p.m.

Spin-off series

An attempt was made at producing a spin-off from Rhoda, an animated series entitled Carlton the Doorman. Only the pilot episode was broadcast.

Impact on the Twin Cities

  • For the first few seasons, Mary, Rhoda and Phyllis lived in apartments at 119 N. Weatherly in Minneapolis. That address is entirely fictional ("North Weatherly" being an impish comment on the city's climate), although the exterior of a real house in Minneapolis (in the Kenwood neighborhood, on Kenwood Parkway) was used. Once fans of the series discovered the place, it became a popular tourist destination. However, the real owners at the time did not enjoy the attention. A sign saying "Impeach Nixon" was in a window for a time, discouraging many from taking pictures. (Later, the owners repainted the house a dark color instead of its original white). When producers returned to Minneapolis in 1973 to film additional exterior shots of the house, the owners refused to remove the sign. This was allegedly the motivation behind Mary Richards' move to the high rise (Riverside Plaza), at the start of the 1975 season. Other Minneapolis sites were also featured on the show (especially in the opening credits), but the show's cast very rarely spent time in the actual city, as the regular filming was done in Hollywood.
  • The house used in the filming (2104 Kenwood, Minneapolis) is now up for sale[3]. An intruder broke into the uninhabited house in March 2007 and fell asleep for the night. A cleaning crew noticed the broken glass in the morning and called authorities[4].
  • In 2004, the decidedly non-fictional Twin Cities television station KSTP-TV began airing commercials featuring Ed Asner as a gruff newsman. Meant to evoke the persona of Lou Grant, the commercials featured Asner speaking to members of the station's staff. These commercials were intended to promote the channel's news department, which had seen poor ratings in recent years. For legal reasons the character was never named in the ads.


References

  1. ^ Other examples include The Brady Bunch/The Bradys and M*A*S*H/Trapper John, M.D.). The Bradys is often considered a revival/continuation rather than a spin-off.
  2. ^ news.minnesota.publicradio.org
  3. ^ [www.marytylermoorehouse.com]
  4. ^ [1]
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