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{{Unreferenced|date=September 2007}}
{{Unreferenced|date=September 2007}}
[[Image:Mexicanstandoff.jpg|thumb|right|250px|A [[photomanipulation]] depicting a mexican standoff.]]
<!-- Commented out because image was deleted: [[Image:ResevoirDogs standoff.jpg|thumb|right|200px|Quentin Tarantino's ''[[Reservoir Dogs]]'' featured several Mexican standoffs.]] -->
<!-- Commented out because image was deleted: [[Image:ResevoirDogs standoff.jpg|thumb|right|200px|Quentin Tarantino's ''[[Reservoir Dogs]]'' featured several Mexican standoffs.]] -->



Revision as of 08:22, 7 October 2007

A Mexican standoff is a stalemate or impasse involving more than two people. It is distinct from a normal standoff in that it involves more than two opposing parties. Unlike a normal, two-sided conflict, the asymmetrical nature of a Mexican standoff means that - in the event of conflict - each party will face a tactical decision as to which other party to strike first.

In popular culture, the Mexican standoff is usually portrayed as multiple opponents with guns aimed at each other at close range. Exacerbating the tension is that neither side wants to put down its weapons for fear that its opponents will shoot them.

This expression came into usage during the last decade of the 19th century, most likely originating in the American Southwest. There are many songs or corridos written about famous duels in Mexico and Southwest.

The Mexican standoff is now considered a movie cliché due to its frequent use in Spaghetti Westerns and action movies.

  • The comedy series Stella parodied the Mexican Standoff in the episode "Camping".
  • Quentin Tarantino, who makes no secret of his borrowing from the Western genre, has shown a particular affection for the Mexican standoff.
  • The Wachowski Brothers incorporated a Mexican standoff in The Matrix Revolutions. Trinity, Morpheus, and Seraph are attempting to bargain for Neo's life with the Merovingian in Club Hel. When made an offer they cannot accept, Trinity begins a brawl, grabs a gun, and points it directly at the Merovingian's forehead. All others in the room have a gun pointed at them, one at another.
  • In an episode of Cowboy Bebop, Spike Spiegel and Vicious perform a Mexican standoff wielding a gun and a katana, respectively. In the resolution of the situation, both sides end up wounded.
  • John Woo incorporates Mexican Standoffs in most of his films, allowing it to become a trademark of his movies (as in Face/Off where John Travolta and Nicholas Cage end a long running gunfight with their pistols pointed at each other at close range). In the upcoming John Woo Stranglehold (video game) there is a gameplay feature which allows the player to participate in a slow-motion Mexican standoff.
  • Steven Spielberg has occasionally incorporated Mexican standoffs in his films, prehaps most notably in Munich. In Munich, there was a brief (and probably fictional) Mexican standoff between a Black September terrorist and an Israeli athelete who somehow managed to take an AK-47 from another terrorist, and was resolved when the terrorist fired first, killing the Israeli.
  • On the television show Veronica Mars, a sleep-deprived Veronica (Kristen Bell) mentions having a Mexican Standoff with the Sandman.
  • In the video game Final Fantasy X-2, three Crimson Squad ex-teamates twice find themselves in a Mexican standoff. In the first viewed instance, a possessed Nooj threatens to shoot a recently depossessed Baralai. Gippal raises his gun against Nooj, telling him to put his gun down, only to have Baralai make the same at-gunpoint demand of Gippal.
  • The Metal Gear Solid series is known for its incorporation of Mexican standoffs, one of the most notable is found in Metal Gear Solid 2: Sons of Liberty, in which Solid Snake and Raiden face off against the Tengu Ninjas (who surrounded the protagonists) inside Arsenal Gear, but ultimately, Snake and Raiden surrendered.
  • The climax of The Siege includes a Mexican standoff between FBI Agents and U.S. Army soldiers under the command of the corrupt Major General William Deveraux (Bruce Willis), which ends when the General finally orders his men to stand down.
  • In R. Kelly's hip-hopera "Trapped in the Closet," when Sylvester, James, and Bridget point guns at each after James finds out that Bridget has been sleeping with Big Man.

See also