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*''[[Megaritual]]'' (2009) as Omar Rodriguez-Lopez - LP
*''[[Megaritual]]'' (2009) as Omar Rodriguez-Lopez - LP
*''[[Despair (Omar Rodriguez-Lopez album)|Despair]]'' (2009) as Omar Rodriguez-Lopez - LP
*''[[Despair (Omar Rodriguez-Lopez album)|Despair]]'' (2009) as Omar Rodriguez-Lopez - LP
*''Cryptomnesia'' (2009) as El Grupo Nuevo De Omar Rodriguez-Lopez - LP
*''[[Cryptomnesia (Omar Rodriguez-Lopez album)|Cryptomnesia]]'' (2009) as El Grupo Nuevo De Omar Rodriguez-Lopez - LP


===Collaborations===
===Collaborations===

Revision as of 05:35, 3 March 2009

Omar Rodríguez-López

Omar Alfredo Rodriguez-Lopez (born September 1, 1975 in Bayamón, Puerto Rico) is a multi-instrumentalist, songwriter, lead guitarist and producer for the progressive rock group The Mars Volta and the former guitarist for the post-hardcore outfit At the Drive-In.

Biography

Rodriguez-Lopez grew up in El Paso, Texas, but spent some of his childhood in South Carolina. He started his music career at 15 years of age when he became the singer for the El Paso hardcore band Startled Calf from 1990 to 1992. It was during this time that Rodriguez-Lopez met Cedric Bixler-Zavala while practicing with friend Paul Hinojos. Since then Rodriguez-Lopez has spent most of his career living and working with his close friend Bixler-Zavala. During this time he frequently collaborated with his friends and future bandmates from El Paso, which included people like Paul Hinojos, Cedric Bixler-Zavala, Julio Venegas, and Jeremy Michael Ward. [1]

At the Drive-In

At 17, Rodriguez-Lopez left El Paso to hitchhike around the country for a year in the early 90's, which was where he acquired an addiction to opiates.[1] Eventually he got in touch with friend Cedric Bixler-Zavala who suggested he come back to El Paso. With the help of Bixler-Zavala, he was able to return to El Paso where he could begin to reclaim his life from addiction and join At the Drive-In as backup vocalist and bass guitarist. After receiving a record deal with Flipside Records and recording Acrobatic Tenement with the band, he became their full-time bassist before switching to guitar. After several years, for a variety of reasons, Rodriguez-Lopez and Bixler-Zavala left At the Drive-In and the band went on "indefinite hiatus". The remaining members, Paul Hinojos, Hajjar, and Jim Ward went on to form Sparta while the duo focused on other projects.

The Mars Volta

They refocused their efforts on the dub reggae outfit called De Facto which also included Jeremy Michael Ward and Ikey Owens which they had started years before while still in At The Drive-In. Eventually the same collective of musicians in De Facto would be expanded into Rodriguez-Lopez's new band, The Mars Volta. Once again starting from scratch he wrote and toured with the band which consumed almost all his time and money.

On May 25, 2003 less than a month before the release of their first full-length album, De-Loused in the Comatorium, bandmate and close friend Jeremy Ward was found dead of a heroin overdose. This event, coupled with the memories of the suicide of his friend Julio Venegas years earlier, finally convinced both him and Bixler-Zavala to quit using hard narcotics. Since then he has been clean and credited his newfound musical work ethic on his new lifestyle. The Mars Volta's second album, Frances the Mute, would later be dedicated to Ward.

During the early years of the band he also worked on a low budget movie called A Manual Dexterity which starred Jeremy Ward. The soundtrack A Manual Dexterity: Soundtrack Volume 1 was released in 2004. The release of the second volume, which was originally planned for Spring of 2005, and the film were both delayed indefinitely due to legal problems. Conflicts over ownership of certain footage and Rodriguez-Lopez's reluctance to revisit the project which featured his late friend Jeremy Michael Ward were both cited as reasons for the delay.[2]. However, Rodriguez-Lopez stated that he does intend to release both Volume 2 and the film at some point in the future.

Omar Rodriguez-Lopez with The Mars Volta live at LC Pavilion in Columbus, Ohio

The Omar Rodriguez-Lopez Quintet

In 2005 Rodriguez-Lopez relocated to Amsterdam, where he eventually wrote and recorded four separate albums. His first solo project was the "Omar Rodriguez-Lopez Quintet". Rodriguez-Lopez played several live shows in Europe with his quintet, which in 2005 also included three members of The Mars Volta Group (Juan Alderete, Marcel Rodriguez-Lopez and Adrián Terrazas-González) and Money Mark.

The songs featured on this tour later appeared on the album Omar Rodriguez. It was characterized by long, improvisational songs with Dutch titles and no lyrics. The Quintet also performed live with Damo Suzuki, parts of which were recorded and incorporated into a 25-minute EP titled Please Heat This Eventually, which was released in 2007.

During this time Rodriguez-Lopez was also working on The Mars Volta's 2006 record Amputechture and composing the score to the film El Búfalo de la Noche, a film by Guillermo Arriaga and Jorge Hernandez Aldana simultaneously to his work with the quintet.

On May 29, 2007 Se Dice Bisonte, No Búfalo was released. It was the third full-length solo album by Rodriguez-Lopez. It featured performances by Mars Volta members Cedric Bixler-Zavala, Marcel Rodriguez-Lopez, Juan Alderete, Adrián Terrazas-González as well as cameos by Money Mark, John Frusciante, and John Theodore. It was written and recorded between 2005-2006 in California and Amsterdam.

The Quintet later resurfaced in 2007, now known as "The Omar Rodriguez-Lopez Group" to perform on the "white" stage at The Fuji Rock Festival in Japan on July 28.[2] Performing with the group for the first time were singer, Cedric Bixler-Zavala and drummer, Thomas Pridgen.[3]

On October 8th, 2007 the EP Omar Rodriguez-Lopez & Lydia Lunch, a collaboration with spoken word poet Lydia Lunch, was released.[4]

The Apocalypse Inside of an Orange is a double LP featuring the original quintet and was released on vinyl November 20, 2007.[5] It was also released for digital download.

Calibration, a record that Rodriguez-Lopez recorded during his stay in Amsterdam, was released February 5, 2008. It was described as being influenced by electronic music and acid-jazz.[2]

Recent events

On June 10, 2008 Omar Rodriguez-Lopez & Jeremy Michael Ward was released. It was a collaboration between Rodriguez-Lopez and Jeremy Michael Ward recorded in 2001 before the formation of The Mars Volta and consists of various ambient tracks based on field recordings in the musique concrète tradition.

Rodriguez-Lopez has also continued to release a series of albums recorded in 2001 which include Absence Makes the Heart Grow Fungus and Minor Cuts and Scrapes in the Bushes Ahead. In addition a collaboration with Zach Hill of the band Hella has also been completed. Rodriguez-Lopez has stated that the album will be "heavier" and "mostly guitars". This LP was recorded some 2 years ago and Willie Anderson's Myspace page says there will be an early 2009 release for this record.[6]

The vinyl version of Old Money became available on the Stones Throw Record Label on February 6, 2009.[7]

Also, two more Omar Rodriguez-Lopez solo albums were released in the United Kingdom on January 26, 2009 from Holland based record label Willie Anderson Recordings. The albums are Megaritual and Despair. Sonny Kay, co-owner of the former "Gold Standard Labs" label with Omar, created the cover artwork for these albums.

Furthermore Rodriguez-Lopez and Hans Zimmer will be composing the score for the upcoming film The Burning Plain.[8]

Alongside his musical career, Rodriguez-Lopez is directing and acting in a film tentatively titled "The Sentimental Engine Slayer", which also features his younger brother Marcel Rodriguez-Lopez. Rodriguez-Lopez is co-producing the film with fellow Mars Volta band mates Juan Alderte and Paul Hinojos.[9] A second project also mentioned was a film entitled "El Divino Influjo de los Secretos".[citation needed]

Musicianship

Omar facing Thomas Pridgen.

Style

Rodriguez-Lopez's compositional and playing style is characterized by, among other factors, unresolving dissonances (in particular a heavy use of the tritone), chromatic passages, serial composition and lengthy improvisation. He is also known for his vast array of effects pedals; in a feature appearing in Guitar World, Rodriguez-Lopez stated that he "began to see effects as allies in my war against the guitar". In that interview he also stated that he hated the instrument guitar for a very long time. He only utilized it because it was the instrument his bandmates could "relate to". He said he "wrestled" guitar by adding effects and playing oddly to attempt "making it sound like anything besides this thing I hate—the guitar!". However, he claimed to feel more comfortable with the instrument on Amputechture.

Rodriguez-Lopez plays guitar left-handed. He has cited salsa pianist and bandleader Larry Harlow as his primary influence.[citation needed] Both Rodriguez-Lopez and bandmate Cedric have often stated their admiration for early 1970s krautrock group Can, and have even recorded with lead singer Damo Suzuki for the Please Heat This Eventually EP.[citation needed] He has also stated that film is a primary influence on him.[citation needed] David Lynch, David Cronenberg and Takashi Miike are among his favorite directors.[citation needed]

In a 2008 interview, Rodriguez-Lopez stated that he had 17 recorded, mixed, and completed albums sitting at home.[10]

As Producer

Rodriguez is also notable for his recording, producing and songwriting techniques. He has been known to refuse to let other musicians in a session hear each other's parts, or the context of their own part, thus forcing them to play each part as if it's a self-sufficient song [11]. He has claimed that he is "ignorant of music theory" and that thus he lacks knowledge in writing music in sheet music form, claiming that his songwriting "comes from emotion completely" [12]. Rodriguez writes all of the music for his projects, then dictates the performance to the musicians involved [13].

In addition to his producing credits with The Mars Volta and his solo albums, he also produced the only LP from the defunct LA-based band Radio Vago.

Discography

Solo

Collaborations

With Startled Calf

With At the Drive-In

With De Facto

With The Mars Volta

Guest appearances

As Producer

References

  1. ^ a b HARP Magazine
  2. ^ a b c www.themarsvoltaitalia.com - SITO ITALIANO NON UFFICIALE DEDICATO AI THE MARS VOLTA
  3. ^ YouTube - Broadcast Yourself
  4. ^ News for July 12, 2007 http://www.goldstandardlabs.com/news.html
  5. ^ Infrasonic Sound
  6. ^ http://www.goldstandardlabs.com/images/bandpages/omar_rodriguez/press/GSL129_AP228_July07.jpg
  7. ^ http://www.stonesthrow.com/news/2008/11/omar-rodriguez-lopez-releases-old-money-on-stones-throw
  8. ^ The Burning Plain
  9. ^ Da oportunidad a talento de EP - Diario.com.mx: Edición Cd. Juárez
  10. ^ YouTube - Never heard a man speak like this man before... (part 3)
  11. ^ The Mars Volta - Artistopia Music
  12. ^ Speakers of the house | The San Diego Union-Tribune
  13. ^ SPIN.com: Omar Rodriguez-Lopez Chats Projects, Mars Volta
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