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* ''[[The Transmigration of Timothy Archer]]'' (1982) by [[Philip K. Dick]], a fictionalized account of last years of Episcopal Bishop [[James A. Pike]] and people close to him
* ''[[The Transmigration of Timothy Archer]]'' (1982) by [[Philip K. Dick]], a fictionalized account of last years of Episcopal Bishop [[James A. Pike]] and people close to him
* ''[[The Lords of Discipline]]'' (1980) by [[Pat Conroy]], supposedly about the integration of the first black cadets into [[The Citadel (military college)|The Citadel]]. The accuracy of the events depicted within is vehemently denied by other alumni who attended at the time
* ''[[The Lords of Discipline]]'' (1980) by [[Pat Conroy]], supposedly about the integration of the first black cadets into [[The Citadel (military college)|The Citadel]]. The accuracy of the events depicted within is vehemently denied by other alumni who attended at the time
* [[The Spike]] (1980), a spy thriller [[novel]] by [[Arnaud de Borchgrave]] and [[Robert Moss]], included fictionalized versions of real-life [[Washington, DC]] personalities and organizations.
* [[Vasily Aksyonov]]'s ''Say Cheese'' (1983) recounts in a fictionalized form the story of the ''Metropol'' anthology by Soviet writers, the first project of its kind not subject to censorship
* [[Vasily Aksyonov]]'s ''Say Cheese'' (1983) recounts in a fictionalized form the story of the ''Metropol'' anthology by Soviet writers, the first project of its kind not subject to censorship
* ''[[Queenie (miniseries)|Queenie]]'' (1985) by [[Michael Korda]], nephew of [[Alexander Korda]] and the actress [[Merle Oberon]]. In the novel, Queenie Kelley, a girl of Indian and Irish descent, is based on Oberon, who went to great lengths to disguise her mixed-race background
* ''[[Queenie (miniseries)|Queenie]]'' (1985) by [[Michael Korda]], nephew of [[Alexander Korda]] and the actress [[Merle Oberon]]. In the novel, Queenie Kelley, a girl of Indian and Irish descent, is based on Oberon, who went to great lengths to disguise her mixed-race background

Revision as of 15:09, 15 January 2014

Key to vol. 2 of Delarivier Manley's, New Atalantis (1709).

Roman à clef or roman à clé (French pronunciation: [ʁɔmɑ̃n a kle]), French for novel with a key, is a novel about real life, overlaid with a façade of fiction.[1] The fictitious names in the novel represent real people, and the "key" is the relationship between the nonfiction and the fiction.[2] This "key" may be produced separately by the author, or implied through the use of epigraphs or other literary techniques.[3]

Created by Madeleine de Scudery in the 17th century to provide a forum for her thinly veiled fiction featuring political and public figures,[3] roman à clef has since been used by writers as diverse as George Orwell, Victor Hugo, Phillip K. Dick, and Bret Easton Ellis.

The reasons an author might choose the roman à clef format include satire; writing about controversial topics and/or reporting inside information on scandals without giving rise to charges of libel; the opportunity to turn the tale the way the author would like it to have gone; the opportunity to portray personal, autobiographical experiences without having to expose the author as the subject; avoiding self-incrimination or incrimination of others that could be used as evidence in civil, criminal, or disciplinary proceedings; and the settling of scores.

Biographically inspired works have also appeared in other literary genres and art forms, notably the film à clef.[citation needed]

Notable romans à clef

Prose

Verse, drama, and film

See also

References

  • Amos, William (1985) The Originals: Who's Really Who in Fiction. London: Cape ISBN 0-7221-1069-3
  • Busby, Brian (2003) Character Parts: Who's Really Who in CanLit. Toronto: Knopf Canada ISBN 0-676-97579-8