The Revenant (2015 film): Difference between revisions
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==Plot== |
==Plot== |
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The film begins |
The film, set in 1823, begins as a quasi-military party of [[hunter]]s and [[trapping|trappers]] seek pelts in a wilderness area of the [[Louisiana Purchase]]. There is hostility from Native Americans—[[Arikara]] (or Ree) [[Indigenous_peoples_of_the_Americas|Indians]]—leading to an ambush of the hunting party. About half of the hunters escape the attack on one of their rafts, salvaging what they can of their provisions while under fire from the Arikara. |
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Pursued by the Indian band, the escaping hunting party is led by their Captain. The party is slowed when [[Hugh Glass]], an experienced hunter, is separated from the rest of the party and stumbles on a mother [[grizzly bear]] and her cubs. He is mauled but gets off a gunshot, and although seriously wounded manages to kill the bear with his knife. Nearly dead, he rejoins the hunting party, but they can only provide rudimentary medical care. The party continues their flight with the wounded Glass on a makeshift stretcher, which slows their march. Eventually, one of the party, John Fitzgerald, suggests they kill Glass so that the party can move faster. |
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The Captain |
The Captain is the first to consider killing Glass, and covers his eyes,{{verification needed}} but is unable to shoot him. He then offers payment to any men willing to stay behind with Glass. Two boys volunteer, Glass' son Hawk and a young [[Jim Bridger]]). Fitzgerald points out the likelihood that the boys and Glass will be killed. The boys change their minds about staying, and the Captain increases the offered payment, so much so that Fitzgerald himself volunteers. The Captain elicits a promise from Fitzgerald to stay with Glass until he dies, and to give him a proper burial. Once alone with Glass—who is badly wounded and cannot speak—Fitzgerald tries instead to smother him. Glass' son, Hawk, stumbles upon the murder attempt, a struggle ensues, and Fitzgerald kills Hawk. When Bridger returns,{{what?}} he claims he doesn't know Hawk's whereabouts, concocting a story that he saw men down by the river, and arguing that the party needs to abandon Glass for dead. |
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The Captain and the surviving hunting party are the first to return to their |
The party agrees, and proceeds in its flight.{{verification needed}} Captain and the surviving hunting party are the first to return to their dilapidated outpost, and Fitzgerald and another young hunter{{who?}} eventually return without Glass. Fitzgerald effectively weaves a yarn to the Captain: that despite heroic efforts, they could not save Glass or his son from the elements. Fitzgerald receives a cash reward from the unsuspecting Captain for his effort. |
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Glass |
Meanwhile, Glass is alone in the woods, initially crawling, then struggling to walk. He feeds on roots, and struggles to build fires to warm himself. He is being tracked by hostile Indians, whose chief is looking for his kidnapped daughter. Glass escapes a close encounter with them by floating down rapids. He then encounters a friendly Indian, who feeds him raw bison. The two travel together for a bit, and the Indian builds Glass an overnight shelter in a blizzard. Glass awakens to find the Indian hanged, and a group of unknown hunters camped nearby. Their captive, an Indian girl—presumably the kidnapped daughter of the chief following Glass' trail—is being raped, and Glass rescues/releases her.{{what?}} Glass steals a horse from the hunters and uses it to escapes the trailing Indians, jumping off of a cliff. The jump kills the horse and wounds Glass even further. Glass keeps warm for a night inside the body of the dead horse. |
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Weeks have gone by back at the outpost, where a desperate, bedraggled hunter is found to be carrying Glass' canteen. Most believe the hunter stole it from Hawk not far from camp, so they organize a search party. Rather than finding Hawk, they discover Glass, alive. Fitzgerald decides to flee the outpost before Glass can discredit the earlier, false heroic claims he made to the Captain, and does so after emptying the outpost's payroll safe. Glass requests that the Captain assign him alone to bring back Fitzgerald, dead or alive. The Captain initially agrees, but instead goes with Glass. |
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At one point that follows, Glass is separated, briefly, from the Captain. In that time, Fitzgerald ambushes the Captain and kills him. Glass hears gunshots and returns to find the Captain dead. Knowing Fitzgerald is nearby, Glass ingeniously changes places with the Captain to set a trap: Glass dresses the dead Captain in his own coat, placing him upright on a lead horse, and pretends to be the dead Captain, hiding himself under blankets, draped over a pack horse trailing behind the first. |
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Glass requests that the Captain assign him and only him to bring back Fitzgerald dead or alive, and the Captain agrees but goes with Glass. Fitzgerald ambushes the Captain and kills him when Glass separated moments earlier. Glass returns to find a deceased captain after hearing gunshots. He knows Fitzgerald is close. Glass sets an ingenious trap for Fitzgerald by placing the captain upright as a mock heavily-clad dummy rider on a traveling horse dressed in Glass's coat, while simultaneously hiding himself with a loaded gun under the pack blankets on a companion pack horse trailing directly behind acting as the dead captain. In the wilderness now, Fitzgerald takes the bait and shoots the mock dummy down off the horse from a distance and goes down to ensure that Glass is dead. Fitzgerald checks the body, only to discover it is the Captain, not Glass, when Glass suddenly drops out of the pack horse blankets to shoot Fitzgerald, hitting him in the shoulder, Fitzgerald flees with Glass in close pursuit and face off in a river bank. Glass fights and nearly kills Fitzgerald, but instead pushes the heavily wounded Fitzgerald down stream and into the hands of the approaching Indians. The chief, now accompanied by his daughter, kills Fitzgerald. As the film ends, Glass continues to have flashbacks about his deceased wife and his deceased son, which have haunted him throughout the film, even after his culminating revenge on Fitzgerald has been completed. |
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Fitzgerald falls for the ruse, and, from a distance, shoots the lead rider down off the horse. He approaches ensure that Glass is dead, discovers that the fallen body is the Captain, and Glass drops from the pack horse and shoots Fitzgerald. Hit in the shoulder, Fitzgerald flees. Glass pursues, and the two face off at a river bank. Glass fights and nearly kills Fitzgerald, pushing his wounded adversary into a stream that carries him into the hands of the approaching Indian chief. The chief, accompanied by his daughter, kills Fitzgerald. |
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As the film ends, Glass continues to have the flashbacks about his deceased son and his deceased wife{{who??}} that have haunted him throughout the film. |
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==Cast== |
==Cast== |
Revision as of 15:14, 27 December 2015
The Revenant | |
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Directed by | Alejandro G. Iñárritu |
Screenplay by |
|
Produced by |
|
Starring | |
Cinematography | Emmanuel Lubezki |
Edited by | Stephen Mirrione |
Music by | |
Distributed by | 20th Century Fox |
Release dates |
|
Running time | 156 minutes[1] |
Country | United States |
Language | English |
Budget | $135 million[2] |
Box office | $171,758[3] |
The Revenant is a 2015 American epic biographical western revenge film directed by Alejandro G. Iñárritu set in 1823 Montana and South Dakota. The screenplay by Mark L. Smith and Iñárritu is based in part on Michael Punke's 2002 novel of the same name, which was inspired by the life of frontiersman Hugh Glass. The film stars Leonardo DiCaprio, Tom Hardy, Will Poulter, and Domhnall Gleeson. It is the second onscreen collaboration of Leonardo DiCaprio and Tom Hardy after Inception.
Development of the film began in August 2001 when Akiva Goldsman purchased Punke's manuscript with the intent to produce the film. The film was originally set to be directed by Park Chan-wook with Samuel L. Jackson in mind to star, and later by John Hillcoat with Christian Bale in negotiations to star. Both directors left the project, and Iñárritu signed on to direct in August 2011. In April 2014, after several delays in production due to other projects, Iñárritu confirmed that he was beginning work on The Revenant and that DiCaprio would play the lead role. Principal photography began in October 2014 and ended in August 2015.
The Revenant premiered at the TCL Chinese Theatre in Los Angeles on December 16, 2015 and had a limited release on December 25, 2015, followed by a wide release on January 8, 2016.
Plot
The film, set in 1823, begins as a quasi-military party of hunters and trappers seek pelts in a wilderness area of the Louisiana Purchase. There is hostility from Native Americans—Arikara (or Ree) Indians—leading to an ambush of the hunting party. About half of the hunters escape the attack on one of their rafts, salvaging what they can of their provisions while under fire from the Arikara.
Pursued by the Indian band, the escaping hunting party is led by their Captain. The party is slowed when Hugh Glass, an experienced hunter, is separated from the rest of the party and stumbles on a mother grizzly bear and her cubs. He is mauled but gets off a gunshot, and although seriously wounded manages to kill the bear with his knife. Nearly dead, he rejoins the hunting party, but they can only provide rudimentary medical care. The party continues their flight with the wounded Glass on a makeshift stretcher, which slows their march. Eventually, one of the party, John Fitzgerald, suggests they kill Glass so that the party can move faster.
The Captain is the first to consider killing Glass, and covers his eyes,[verification needed] but is unable to shoot him. He then offers payment to any men willing to stay behind with Glass. Two boys volunteer, Glass' son Hawk and a young Jim Bridger). Fitzgerald points out the likelihood that the boys and Glass will be killed. The boys change their minds about staying, and the Captain increases the offered payment, so much so that Fitzgerald himself volunteers. The Captain elicits a promise from Fitzgerald to stay with Glass until he dies, and to give him a proper burial. Once alone with Glass—who is badly wounded and cannot speak—Fitzgerald tries instead to smother him. Glass' son, Hawk, stumbles upon the murder attempt, a struggle ensues, and Fitzgerald kills Hawk. When Bridger returns,[clarification needed] he claims he doesn't know Hawk's whereabouts, concocting a story that he saw men down by the river, and arguing that the party needs to abandon Glass for dead.
The party agrees, and proceeds in its flight.[verification needed] Captain and the surviving hunting party are the first to return to their dilapidated outpost, and Fitzgerald and another young hunter[who?] eventually return without Glass. Fitzgerald effectively weaves a yarn to the Captain: that despite heroic efforts, they could not save Glass or his son from the elements. Fitzgerald receives a cash reward from the unsuspecting Captain for his effort.
Meanwhile, Glass is alone in the woods, initially crawling, then struggling to walk. He feeds on roots, and struggles to build fires to warm himself. He is being tracked by hostile Indians, whose chief is looking for his kidnapped daughter. Glass escapes a close encounter with them by floating down rapids. He then encounters a friendly Indian, who feeds him raw bison. The two travel together for a bit, and the Indian builds Glass an overnight shelter in a blizzard. Glass awakens to find the Indian hanged, and a group of unknown hunters camped nearby. Their captive, an Indian girl—presumably the kidnapped daughter of the chief following Glass' trail—is being raped, and Glass rescues/releases her.[clarification needed] Glass steals a horse from the hunters and uses it to escapes the trailing Indians, jumping off of a cliff. The jump kills the horse and wounds Glass even further. Glass keeps warm for a night inside the body of the dead horse.
Weeks have gone by back at the outpost, where a desperate, bedraggled hunter is found to be carrying Glass' canteen. Most believe the hunter stole it from Hawk not far from camp, so they organize a search party. Rather than finding Hawk, they discover Glass, alive. Fitzgerald decides to flee the outpost before Glass can discredit the earlier, false heroic claims he made to the Captain, and does so after emptying the outpost's payroll safe. Glass requests that the Captain assign him alone to bring back Fitzgerald, dead or alive. The Captain initially agrees, but instead goes with Glass.
At one point that follows, Glass is separated, briefly, from the Captain. In that time, Fitzgerald ambushes the Captain and kills him. Glass hears gunshots and returns to find the Captain dead. Knowing Fitzgerald is nearby, Glass ingeniously changes places with the Captain to set a trap: Glass dresses the dead Captain in his own coat, placing him upright on a lead horse, and pretends to be the dead Captain, hiding himself under blankets, draped over a pack horse trailing behind the first.
Fitzgerald falls for the ruse, and, from a distance, shoots the lead rider down off the horse. He approaches ensure that Glass is dead, discovers that the fallen body is the Captain, and Glass drops from the pack horse and shoots Fitzgerald. Hit in the shoulder, Fitzgerald flees. Glass pursues, and the two face off at a river bank. Glass fights and nearly kills Fitzgerald, pushing his wounded adversary into a stream that carries him into the hands of the approaching Indian chief. The chief, accompanied by his daughter, kills Fitzgerald.
As the film ends, Glass continues to have the flashbacks about his deceased son and his deceased wifeTemplate:Who?? that have haunted him throughout the film.
Cast
- Leonardo DiCaprio as Hugh Glass,[4] an 1820s frontiersman who is left for dead by his fellow travelers after a vicious bear attack and subsequently seeks revenge on them for abandoning him. On his experience filming, DiCaprio stated: "I can name 30 or 40 sequences that were some of the most difficult things I’ve ever had to do...Whether it’s going in and out of frozen rivers, or sleeping in animal carcasses, or what I ate on set. [I was] enduring freezing cold and possible hypothermia constantly."[5][6]
- Tom Hardy as John Fitzgerald, a criminal on the run from bad debts who winds up on a fur-trapping expedition on the American frontier.[4]
- Domhnall Gleeson as Andrew Henry[7]
- Will Poulter as Jim Bridger[4]
- Paul Anderson as Anderson
- Forrest Goodluck as Hawk
- Lukas Haas
- Brendan Fletcher as Fryman
- Kristoffer Joner as Murphy
- Brad Carter[8] as Johnnie
Production
Team
- Alejandro G. Iñárritu – director, producer, screenwriter
- Arnon Milchan – producer
- David Kanter – producer
- Steve Golin – producer
- Mary Parent – producer
- James W. Skotchdopole – producer
- Keith Redmon – producer
- Mark L. Smith – screenwriter
- Emmanuel Lubezki – cinematographer
- Jack Fisk – production designer[9]
- Jacqueline West – costume designer[10]
- Stephen Mirrione – editor
- Ryuichi Sakamoto, Alva Noto and Bryce Dessner – music composers
Development and financing
Development of The Revenant began in August 2001, with producer Akiva Goldsman acquiring the rights to Michael Punke's unpublished manuscript for The Revenant.[11] David Rabe had written the film's script.[12] The production was picked up by Park Chan-wook, with Samuel L. Jackson in mind to star. Park later left the project.[13][14] The development stalled until 2010, when Mark L. Smith wrote a new adaptation of the novel for Steve Golin's Anonymous Content. In May 2010, Smith revealed that John Hillcoat was attached to direct the film and that Christian Bale was in negotiations to star.[15] Hillcoat left the project in October 2010.[14] Jean-François Richet was considered to replace him[14] but Alejandro G. Iñárritu signed on to direct in August 2011.[16] Goldsman was also confirmed to be producing with Weed Road Pictures.[16] In November, New Regency Productions joined to produce with Anonymous Content, and 20th Century Fox was confirmed to be distributing the film.[17][18] Days later, Iñárritu stated that he was seeking Leonardo DiCaprio and Sean Penn for the two lead roles.[19]
The film was put on hold in March 2012, as New Regency hired Iñárritu to direct an adaptation of Jennifer Vogel's tome Flim-Flam Man, a non-fiction book about her criminal father.[20] Penn was also under consideration for the lead role in that film.[21] In December, Iñárritu announced that his next film would be Birdman or: (The Unexpected Virtue of Ignorance), a comedy about an actor who once played a famous superhero. Iñarritu won the Oscars for Best Director and Best Original Screenplay and the film won Best Picture. Filming took place in March 2013.[22] Iñárritu was scheduled to begin production on The Revenant after Birdman wrapped.[23]
The film was granted a production budget of $60 million, with $30 million funded by New Regency. Brett Ratner's RatPac-Dune Entertainment also funded the film.[17] Worldview Entertainment was originally set to fund the film[23] but backed out in July 2014 due to the departure of CEO, Christopher Woodrow.[17][24] New Regency approached 20th Century Fox for additional funding, but the company declined, citing the pay-or-play contracts made for both DiCaprio and Tom Hardy, which would require that the actors be paid regardless of whether the film is completed.[24] Annapurna Pictures' Megan Ellison entered negotiations to finance the film shortly after.[17][24]
Filming
Principal photography began in October 2014 and was originally scheduled to end in March 2015,[25][26] though in February 2015, Iñarritu stated that production would last "until the end of April or May", as the crew is "shooting in such remote far-away locations that, by the time we arrive and have to return, we have already spent 40% of the day".[27]
Iñarritu said that the film was being shot using natural lighting.[28] Crewmembers often complained about difficult shoots, with many quitting or getting fired. Mary Parent was then brought in as a producer.[29] Filming took place in British Columbia and Alberta including Victoria, Fortress mountain, Calgary, Alberta, at Mammoth Studios in Burnaby, British Columbia, and in southern Argentina.[30][31]
Iñárritu had stated that he originally wanted to shoot the film chronologically, a process that would have added $7 million to the film's production budget.[32] Hardy later stated that, due to weather conditions, the film would not be shot chronologically,[33] although Iñarritu later confirmed that the film was shot in-sequence.[34] While the initial plan was to film entirely in Canada, the weather ended up being too warm. The filmmakers went to the tip of Argentina in order to shoot the film's ending with snow on the ground.[29]
In July 2015, it was reported that the film's budget had ballooned from the original $60 million to $95 million, and by the time production wrapped it had reached $135 million.[2] Iñárritu stated that some of the members of the crew had left the film, explaining that "as a director, if I identify a violin that is out of tune, I have to take that from the orchestra". A planned two-week break from filming in December was extended to six weeks, which forced Hardy to drop out of appearing in Suicide Squad. Brad Weston, president and CEO of New Regency Pictures, opined that principal photography had been challenging due to the ambitious nature of the film. Iñárritu was insistent that computer-generated imagery not be used to enhance the film, stating "If we ended up in greenscreen with coffee and everybody having a good time, everybody will be happy, but most likely the film would be a piece of shit."[29] Principal photography wrapped in August 2015.[35]
The Revenant was filmed in 12 different locations and three different countries including Canada, United States, Argentina.[36]
Music
The musical score for The Revenant was composed by Japanese musician Ryuichi Sakamoto in collaboration with The National's Bryce Dessner and German electronic musician Alva Noto.[37] The score was performed by the 25-piece Berlin-based orchestra known as s t a r g a z e under conductor André de Ridder.[38][39] A soundtrack album will be released digitally on December 25, 2015 and on CD on January 8, 2016. Milan Records will release a vinyl pressing of the soundtrack in April 2016.[39]
Release
The film was released in a limited release in the United States on December 25, 2015, making it eligible for the 88th Academy Awards, before being released nationwide on January 8, 2016.[40][41] It is scheduled to open in the UK on January 15, 2016.[42]
Reception
Critical response
The Revenant has received positive reviews from critics. On Rotten Tomatoes, the film has an approval rating of 81%, based on 94 reviews, with an average rating of 8.1/10. The site's critical consensus reads, "As starkly beautiful as it is harshly uncompromising, The Revenant offers punishing challenges – and rich rewards."[43] On Metacritic, the film has a weighted average score of 75 out of 100, based on 35 critics, indicating "generally favorable reviews".[44] Peter Travers of Rolling Stone called DiCaprio's acting "a virtuoso performance, thrilling in its brute force and silent eloquence".[45]
Accolades
Award | Category | Recipient(s) | Result | Ref(s) |
---|---|---|---|---|
Annie Awards | Outstanding Achievement in Character Animation in a Live Action Production | Matt Shumway, Adrian Millington, Blaine Toderian, Alex Poei, and Kai-Hua Lan | Pending | [46] |
Austin Film Critics Association | Best Actor | Leonardo DiCaprio | Pending | [47] |
Best Cinematography | Emmanuel Lubezki | Pending | ||
Boston Society of Film Critics | Best Actor | Leonardo DiCaprio | Won | [48] |
Chicago Film Critics Association | Best Picture | Nominated | [49] | |
Best Director | Alejandro G. Iñárritu | Nominated | ||
Best Actor | Leonardo DiCaprio | Won | ||
Best Cinematography | Emmanuel Lubezki | Nominated | ||
Best Editing | Stephen Mirrione | Nominated | ||
Critics' Choice Awards | Best Picture | Pending | [50] | |
Best Director | Alejandro González Iñárritu | Pending | ||
Best Actor | Leonardo DiCaprio | Pending | ||
Best Supporting Actor | Tom Hardy | Pending | ||
Best Cinematography | Emmanuel Lubezki | Pending | ||
Best Editing | Stephen Mirrione | Pending | ||
Best Hair & Make Up | Pending | |||
Best Visual Effects | Pending | |||
Best Score | Ryuichi Sakamoto and Alva Noto | Pending | ||
Dallas–Fort Worth Film Critics Association | Top Ten Films | Won | [51] | |
Best Director | Alejandro G. Iñárritu | Won | ||
Best Actor | Leonardo DiCaprio | Won | ||
Best Supporting Actor | Tom Hardy | Runner-up | ||
Best Cinematography | Emmanuel Lubezki | Won | ||
Best Musical Score | Bryce Dessner, Carsten Nicolai and Ryuichi Sakamoto | Won | ||
Detroit Film Critics Society | Best Film | Nominated | [52] | |
Best Director | Alejandro G. Iñárritu | Nominated | ||
Best Actor | Leonardo DiCaprio | Nominated | ||
Florida Film Critics Circle | Best Director | Alejandro G. Iñárritu | Nominated | [53] |
Best Actor | Leonardo DiCaprio | Runner-up | ||
Best Cinematography | Emmanuel Lubezki | Nominated | ||
Golden Globe Awards | Best Motion Picture – Drama | Pending | [54] | |
Best Director | Alejandro G. Iñárritu | Pending | ||
Best Actor - Drama | Leonardo DiCaprio | Pending | ||
Best Original Score | Ryuichi Sakamoto and Carsten Nicolai | Pending | ||
Hollywood Music in Media Awards | Best Song/Score - Trailer | John Luther Adams, Sigur Rós and Mark Hannah | Nominated | [55] |
Indiana Film Journalists Association | Best Film | Nominated | [56] | |
Best Adapted Screenplay | Alejandro González Iñárritu and Mark L. Smith | Nominated | ||
Best Director | Alejandro González Iñárritu | Nominated | ||
Best Actor | Leonardo DiCaprio | Nominated | ||
Best Supporting Actor | Tom Hardy | Nominated | ||
Kansas City Film Critics Circle | Best Picture | Nominated | [57] | |
Robert Altman Award for Best Director | Alejandro G. Iñárritu | Nominated | ||
Best Actor | Leonardo DiCaprio | Won | ||
Best Supporting Actor | Tom Hardy | Nominated | ||
Las Vegas Film Critics Society | Best Actor | Leonardo DiCaprio | Won | [58] |
Best Supporting Actor | Tom Hardy | Nominated | ||
Best Cinematography | Emmanuel Lubezki | Won | ||
Best Film Editing | Stephen Mirrione | Nominated | ||
Best Score | Ryuichi Sakamoto and Carsten Nicolai | Nominated | ||
London Film Critics' Circle | Film of the Year | Pending | [59] | |
Actor of the Year | Leonardo DiCaprio | Pending | ||
Supporting Actor of the Year | Tom Hardy | Pending | ||
Director of the Year | Alejandro G. Iñárritu | Pending | ||
British Actor of the Year | Tom Hardy | Pending | ||
Movies For Grownups Awards | Best Director | Alejandro G. Iñárritu | Pending | [60] |
Nevada Film Critics Society | Best Director | Alejandro G. Iñárritu | Won | [61] |
Best Actor | Leonardo DiCaprio | Won | ||
Best Supporting Actor | Tom Hardy | Won | ||
Best Cinematography | Emmanuel Lubezki | Won | ||
Online Film Critics Society | Best Picture | Nominated | [62] | |
Best Actor | Leonardo DiCaprio | Nominated | ||
Best Editing | Stephen Mirrione | Nominated | ||
Best Cinematography | Emmanuel Lubezki | Nominated | ||
Phoenix Critics Circle | Best Director | Alejandro G. Iñárritu | Nominated | [63] |
Best Actor | Leonardo DiCaprio | Nominated | ||
Best Supporting Actor | Tom Hardy | Nominated | ||
Phoenix Film Critics Society | Best Picture | Nominated | [64] | |
Best Director | Alejandro G. Iñárritu | Nominated | ||
Best Actor in a Leading Role | Leonardo DiCaprio | Won | ||
Best Actor in a Supporting Role | Tom Hardy | Nominated | ||
Best Original Score | Ryuichi Sakamoto and Carsten Nicolai | Nominated | ||
Best Cinematography | Emmanuel Lubezki | Won | ||
San Diego Film Critics Society | Best Director | Alejandro G. Iñárritu | Nominated | [65] |
Best Actor | Leonardo DiCaprio | Won | ||
Best Editing | Stephen Mirrione | Nominated | ||
Best Cinematography | Emmanuel Lubezki | Runner-up | ||
San Francisco Film Critics Circle | Best Director | Alejandro G. Iñárritu | Nominated | [66] |
Best Actor | Leonardo DiCaprio | Nominated | ||
Best Cinematography | Emmanuel Lubezki | Nominated | ||
Best Production Design | Jack Fisk and Hamish Purdy | Nominated | ||
Best Film Editing | Stephen Mirrione | Nominated | ||
Satellite Awards | Best Film | Pending | [67] | |
Best Actor | Leonardo DiCaprio | Pending | ||
Best Director | Alejandro G. Iñárritu | Pending | ||
Best Adapted Screenplay | Alejandro G. Iñárritu and Mark L. Smith | Pending | ||
Best Cinematography | Emmanuel Lubezki | Pending | ||
Screen Actors Guild Awards | Outstanding Performance by a Male Actor in a Leading Role | Leonardo DiCaprio | Pending | [68] |
St. Louis Film Critics Association | Best Picture | Nominated | [69] | |
Best Director | Alejandro G. Iñárritu | Nominated | ||
Best Actor | Leonardo DiCaprio | Won | ||
Best Editing | Stephen Mirrione | Nominated | ||
Best Cinematography | Emmanuel Lubezki | Won | ||
Best Visual Effects | Nominated | |||
Best Scene | The Revenant - Bear attack | Won | ||
Utah Film Critics Association | Best Actor | Leonardo DiCaprio | Won | [70] |
Best Cinematography | Emmanuel Lubezki | Runner-up | ||
Vancouver Film Critics Circle | Best Film | Nominated | [71] | |
Best Actor | Leonardo DiCaprio | Nominated | ||
Best Director | Alejandro G. Iñárritu | Nominated | ||
Washington D.C. Area Film Critics Association | Best Film | Nominated | [72] | |
Best Director | Alejandro G. Iñárritu | Nominated | ||
Best Actor | Leonardo DiCaprio | Won | ||
Best Supporting Actor | Tom Hardy | Nominated | ||
Best Cinematography | Emmanuel Lubezki | Won | ||
Best Editing | Stephen Mirrione | Nominated |
See also
- Man in the Wilderness, a 1971 historical film also based on the Hugh Glass story.
References
- ^ "THE REVENANT (15)". British Board of Film Classification. December 8, 2015. Retrieved December 8, 2015.
- ^ a b "'The Revenant' Budget Soars to $135 Million As New Regency Foots the Bill". TheWrap. October 16, 2015. Retrieved October 23, 2015.
- ^ "The Revenant (2015)". Box Office Mojo. Retrieved December 26, 2015.
- ^ a b c "The Revenant | Regency Enterprises". New Regency. Retrieved July 30, 2015.
- ^ Jordan Zakarin (October 19, 2015). "Leonardo DiCaprio on Fighting a Bear in 'The Revenant' and Film vs. TV". Yahoo! Movies. Retrieved October 22, 2015.
- ^ Julie Miller (December 10, 2015). "Leonardo DiCaprio Could Have Starred Opposite Jennifer Lawrence in Joy". Vanity Fair. Retrieved December 11, 2015.
- ^ Staff (July 20, 2015). "Gleeson joins DiCaprio in The Revenant teaser". RTÉ.
- ^ Yamato, Jen (October 24, 2014). "Brad Carter Lands 'The Revenant'". Deadline. Retrieved October 25, 2014.
- ^ "Watch: Leonardo DiCaprio And Tom Hardy Battle The Elements In New Trailer For 'The Revenant'". Indiewire. September 29, 2015. Retrieved November 19, 2015.
- ^ "Oscars: 'Mad Max,' 'Cinderella,' 'Danish Girl' Highlight Costume Design Race". Variety. October 29, 2015. Retrieved November 19, 2015.
- ^ "Akiva Goldsman Mauled by Grizzly!". IGN. August 9, 2001. Retrieved August 29, 2014.
- ^ Kit, Borys (April 15, 2014). "Leonardo DiCaprio, Alejandro Gonzalez Inarritu Team Up for 'Revenant'". The Hollywood Reporter. Retrieved August 29, 2014.
- ^ Han, Angie (June 4, 2014). "Tom Hardy in Talks for Alejandro González Iñárritu's 'The Revenant'". /Film. Retrieved August 29, 2014.
- ^ a b c Franklin, Garth (June 30, 2014). ""Revenant," "Orphanage" Dropouts". Dark Horizons. Retrieved September 4, 2014.
- ^ Miska, Brad (May 25, 2010). "'Vacancy' Writer Pens 'Martyrs', Latest John Hillcoat Thriller!". Bloody Disgusting. Retrieved August 29, 2014.
- ^ a b Weinstein, Joshua L. (August 17, 2011). "Alejandro Gonzalez Inarritu Attached to Direct Warner's 'The Revenant' (Exclusive)". TheWrap. Retrieved August 29, 2014.
- ^ a b c d McNary, Dave (July 11, 2014). "Leonardo DiCaprio's Survival Drama 'The Revenant' Attracts Megan Ellison's Annapurna". Variety. Retrieved August 29, 2014.
- ^ Abrams, Rachel (November 1, 2011). "New Regency boarding 'The Revenant'". Variety. Retrieved August 29, 2014.
- ^ Fleming, Jr., Mike (November 4, 2011). "Leonardo DiCaprio, Sean Penn Wanted Men For New Regency's 'The Revenant'". Deadline. Retrieved August 29, 2014.
- ^ Kroll, Justin (March 8, 2012). "New Regency backing Inarritu pic". Variety. Retrieved August 29, 2014.
- ^ Brodesser-Akner, Claude (March 15, 2012). "How Leonardo DiCaprio Flirted With a Bear But Committed to a Wolf". New York. Retrieved August 29, 2014.
- ^ Fleming, Jr., Mike (December 7, 2012). "A Departure For Alejandro Gonzalez Inarritu: He'll Next Direct A Comedy". Deadline. Retrieved August 29, 2014.
- ^ a b Kay, Jeremy (April 15, 2014). "Leonardo DiCaprio to star in Alejandro González Iñárritu's The Revenant". Screen International. Retrieved August 29, 2014.
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suggested) (help) - ^ a b c Masters, Kim; Siegel, Tatiana (July 11, 2014). "Megan Ellison in Talks to Rescue Leonardo DiCaprio's 'The Revenant' (Exclusive)". The Hollywood Reporter. Retrieved August 29, 2014.
- ^ McNary, Dave (October 7, 2014). "Steve Carell to Star in Thriller Directed by Gore Verbinski". Variety. Retrieved November 6, 2014.
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- ^ Chitwood, Adam (February 3, 2015). "Alejandro González Iñárritu Explains Why The Revenant Is Taking 9 Months to Shoot". Collider. Retrieved August 11, 2015.
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{{cite web}}
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External links
- Official website
- The Revenant at IMDb
- The Revenant at History vs. Hollywood
- 2015 films
- American films
- English-language films
- 2010s adventure films
- 2010s biographical films
- 2010s drama films
- 2010s thriller films
- 2010s Western (genre) films
- American adventure drama films
- American biographical films
- American epic films
- American thriller films
- American Western (genre) films
- Epic films
- Films about revenge
- Films based on actual events
- Films directed by Alejandro González Iñárritu
- Films produced by Steve Golin
- Films set in the 1820s
- Films set in South Dakota
- Films set in Montana
- Films shot in British Columbia
- Films shot in Calgary
- IMAX films
- Screenplays by Alejandro González Iñárritu
- Survival films
- Appian Way Productions films
- Regency Enterprises films
- 20th Century Fox films
- Films based on American novels