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DS is a tabloid online magazine, COS focuses on music and is inclued in the Metacritic score, furthermore the reviewbox should reflect all types of reviews
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| rev2 = ''[[The A.V. Club]]''
| rev2 = ''[[The A.V. Club]]''
| rev2Score = B<ref name=TheAVClub>{{cite web|last1=Zaleski|first1=Annie|title=Ariana Grande finds her pop star footing on Dangerous Woman|url=http://www.avclub.com/review/ariana-grande-finds-her-pop-star-footing-dangerous-237047|newspaper=[[The A.V. Club]]|date=May 20, 2016|accessdate=May 20, 2016}}</ref>
| rev2Score = B<ref name=TheAVClub>{{cite web|last1=Zaleski|first1=Annie|title=Ariana Grande finds her pop star footing on Dangerous Woman|url=http://www.avclub.com/review/ariana-grande-finds-her-pop-star-footing-dangerous-237047|newspaper=[[The A.V. Club]]|date=May 20, 2016|accessdate=May 20, 2016}}</ref>
| rev3 = [[Digital Spy]]
| rev3 = [[Consequence of Sound]]
| rev3Score = C<ref>http://consequenceofsound.net/2016/05/album-review-ariana-grande-dangerous-woman/</ref>
| rev3Score = {{Rating|4|5}}<ref name="DigitalSpy">{{cite web|last1=Corner|first1=Lewis|url=http://www.digitalspy.com/music/album-reviews/review/a794550/ariana-grandes-new-album-dangerous-woman-our-track-by-track-first-listen-review/|title=Ariana Grande's new album Dangerous Woman – our track-by-track first-listen review|work=[[Digital Spy]]|date=May 18, 2016|accessdate=May 18, 2016}}</ref><!--Author of article can be seen here: http://www.digitalspy.com/author/13097/lewis-corner/ -->
| rev4 = ''[[Entertainment Weekly]]''
| rev4 = ''[[Entertainment Weekly]]''
| rev4Score = B+<ref name=EntertainmentWeekly>{{cite web|last1=Feeney|first1=Nolan|title=Ariana Grande's 'Dangerous Woman' Review|url=http://www.ew.com/article/2016/05/18/ariana-grande-dangerous-woman-review-ew |work=[[Entertainment Weekly]]|date=May 18, 2016|accessdate=May 18, 2016}}</ref>
| rev4Score = B+<ref name=EntertainmentWeekly>{{cite web|last1=Feeney|first1=Nolan|title=Ariana Grande's 'Dangerous Woman' Review|url=http://www.ew.com/article/2016/05/18/ariana-grande-dangerous-woman-review-ew |work=[[Entertainment Weekly]]|date=May 18, 2016|accessdate=May 18, 2016}}</ref>
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| rev7 = ''[[The Observer]]''
| rev7 = ''[[The Observer]]''
| rev7Score = {{Rating|4|5}}<ref name=TheObserver>{{cite web|last1=Cragg|first1=Michael|title=Ariana Grande: Dangerous Woman review – a refinement of her sound|url=http://www.theguardian.com/music/2016/may/22/ariana-grande-dangerous-woman-review|website=[[The Observer]]|date=May 22, 2016}}</ref>
| rev7Score = {{Rating|4|5}}<ref name=TheObserver>{{cite web|last1=Cragg|first1=Michael|title=Ariana Grande: Dangerous Woman review – a refinement of her sound|url=http://www.theguardian.com/music/2016/may/22/ariana-grande-dangerous-woman-review|website=[[The Observer]]|date=May 22, 2016}}</ref>
| rev8 = [[Pitchfork Media]]
| rev8 = [[Pitchfork Media|Pitchfork]]
| rev8Score = 7.6/10<ref name=Pitchfork>{{cite web|url=http://pitchfork.com/reviews/albums/19765-ariana-grande-my-everything/|title=Ariana Grande: Dangerous Woman &#124; Album Reviews|last=Moreland|first=Quinn|work=[[Pitchfork Media|Pitchfork]]|date=May 25, 2016|accessdate=May 25, 2016}}</ref>
| rev8Score = 7.6/10<ref name=Pitchfork>{{cite web|url=http://pitchfork.com/reviews/albums/19765-ariana-grande-my-everything/|title=Ariana Grande: Dangerous Woman &#124; Album Reviews|last=Moreland|first=Quinn|work=[[Pitchfork Media|Pitchfork]]|date=May 25, 2016|accessdate=May 25, 2016}}</ref>
| rev9 = ''[[Rolling Stone]]''
| rev9 = ''[[Rolling Stone]]''
| rev9Score = {{rating|3|5}}<ref name=RollingStone>{{cite web|url=http://www.rollingstone.com/music/albumreviews/ariana-grande-dangerous-woman-20160520|title=Dangerous Woman|last=Weingarten|first=Christopher|work=[[Rolling Stone]]|date=May 20, 2016|accessdate=May 20, 2016}}</ref>
| rev9Score = {{rating|3|5}}<ref name=RollingStone>{{cite web|url=http://www.rollingstone.com/music/albumreviews/ariana-grande-dangerous-woman-20160520|title=Dangerous Woman|last=Weingarten|first=Christopher|work=[[Rolling Stone]]|date=May 20, 2016|accessdate=May 20, 2016}}</ref>
| rev10 = ''[[Slant Magazine]]''
| rev10 = [[Slant Magazine]]
| rev10Score = {{rating|3.5|5}}<ref name=SlantMagazine>{{cite web|url=http://www.slantmagazine.com/music/review/ariana-grande-dangerous-woman|title=Ariana Grande: Dangerous Woman &#124; Album Review|last=Cinquemani|first=Sal|publisher=[[Slant Magazine]]|date=May 19, 2016|accessdate=May 20, 2016}}</ref>
| rev10Score = {{rating|3.5|5}}<ref name=SlantMagazine>{{cite web|url=http://www.slantmagazine.com/music/review/ariana-grande-dangerous-woman|title=Ariana Grande: Dangerous Woman &#124; Album Review|last=Cinquemani|first=Sal|publisher=[[Slant Magazine]]|date=May 19, 2016|accessdate=May 20, 2016}}</ref>
}}
}}


According to [[Metacritic]], which assigns a [[weighted mean|weighted average]] score out of 100 to ratings and reviews from mainstream critics, gave ''Dangerous Woman'' a score of 77, based on 12 reviews, indicating "generally favorable reviews".<ref name="Metacritic"/> Nolan Feeney, in ''[[Entertainment Weekly]]'', commented that while Grande's previous album, ''[[My Everything (Ariana Grande album)|My Everything]]'' "suffered for trying to be everything", on ''Dangerous Woman'', "[w]ith a streamlined team of hitmakers such as [[Max Martin]], she pulls off pop, R&B, reggae, and house—all without overextending herself or pandering to trends".<ref name=EntertainmentWeekly/> Lewis Corner from ''[[Digital Spy]]'' noted some "missteps during [the Album's] early stages", but commented: "Ariana has ultimately pulled together a consistent collection that impressively manages to keep your attention over 15 tracks", and that Grande "has made effective use of her triple threat ability by bringing together her knack for seductive balladry, dancefloor-filling pop anthems and some '90s R&B throwback for one almighty third album."<ref name="DigitalSpy"/> Mikael Wood, writing for the ''[[Los Angeles Times]]'', found it "impressive how fully she [Grande] inhabits the emotional environment of each song" on the album. He further writes that Grande was also "deft [at] adapting to different styles" of music, "be it reggae ("Side to Side"), 1990s dance-pop ("[[Be Alright (Ariana Grande song)|Be Alright]]") or the weird fusion of campfire guitar and trap percussion in "Sometimes"".<ref name=LosAngelesTimes>{{cite web|last1=Wood|first1=Mikael|title=Review: Ariana Grande leaves the princess image behind with 'Dangerous Woman' |url=http://www.latimes.com/entertainment/music/la-et-ms-ariana-grande-dangerous-woman-review-20160517-snap-story.html|work=[[Los Angeles Times]]|date=May 18, 2016|accessdate=May 18, 2016}}</ref>
According to [[Metacritic]], which assigns a [[weighted mean|weighted average]] score out of 100 to ratings and reviews from mainstream critics, gave ''Dangerous Woman'' a score of 77, based on 12 reviews, indicating "generally favorable reviews".<ref name="Metacritic"/> Nolan Feeney, in ''[[Entertainment Weekly]]'', commented that while Grande's previous album, ''[[My Everything (Ariana Grande album)|My Everything]]'' "suffered for trying to be everything", on ''Dangerous Woman'', "[w]ith a streamlined team of hitmakers such as [[Max Martin]], she pulls off pop, R&B, reggae, and house—all without overextending herself or pandering to trends".<ref name=EntertainmentWeekly/> Lewis Corner from ''[[Digital Spy]]'' noted some "missteps during [the Album's] early stages", but commented: "Ariana has ultimately pulled together a consistent collection that impressively manages to keep your attention over 15 tracks", and that Grande "has made effective use of her triple threat ability by bringing together her knack for seductive balladry, dancefloor-filling pop anthems and some '90s R&B throwback for one almighty third album."<ref name="DigitalSpy">{{cite web|last1=Corner|first1=Lewis|url=http://www.digitalspy.com/music/album-reviews/review/a794550/ariana-grandes-new-album-dangerous-woman-our-track-by-track-first-listen-review/|title=Ariana Grande's new album Dangerous Woman – our track-by-track first-listen review|work=[[Digital Spy]]|date=May 18, 2016|accessdate=May 18, 2016}}</ref><!--Author of article can be seen here: http://www.digitalspy.com/author/13097/lewis-corner/ --> Mikael Wood, writing for the ''[[Los Angeles Times]]'', found it "impressive how fully she [Grande] inhabits the emotional environment of each song" on the album. He further writes that Grande was also "deft [at] adapting to different styles" of music, "be it reggae ("Side to Side"), 1990s dance-pop ("[[Be Alright (Ariana Grande song)|Be Alright]]") or the weird fusion of campfire guitar and trap percussion in "Sometimes"".<ref name=LosAngelesTimes>{{cite web|last1=Wood|first1=Mikael|title=Review: Ariana Grande leaves the princess image behind with 'Dangerous Woman' |url=http://www.latimes.com/entertainment/music/la-et-ms-ariana-grande-dangerous-woman-review-20160517-snap-story.html|work=[[Los Angeles Times]]|date=May 18, 2016|accessdate=May 18, 2016}}</ref>


Maeve McDermott from ''[[USA Today]]'' summarized that ''Dangerous Woman'', "like its title suggests", is "a mature portrait of an artist blessed with one of pop's strongest voices, brimming with potential hits."<ref name=USAToday>{{cite web|last1= McDermott |first1= Maeve |title=Ranked: Every song on Ariana Grande's 'Dangerous Woman'|url=http://www.usatoday.com/story/life/entertainthis/2016/05/19/ranked-every-song-ariana-grandes-dangerous-woman/84544694/|newspaper=[[USA Today]]|date=May 19, 2016|accessdate=May 19, 2016}}</ref> Erik Ernst, indicating in a review from ''[[Milwaukee Journal Sentinel]]'', opines, "Like much of the disc, it's an unexpected, but remarkable, choice from a confident pop star ready to set her own path to the top."<ref name="MilwaukeeJournalSentinel">{{cite web|first=Erik|last=Ernst |url=http://www.jsonline.com/entertainment/musicandnightlife/album-reviews-bob-dylan-ariana-grande-eric-clapton-blake-shelton-b99726840z1-380251031.html|title=Album Reviews: Bob Dylan, Ariana Grande, Eric Clapton, Blake Shelton |work=[[Milwaukee Journal Sentinel]]|date=May 20, 2016|accessdate=May 20, 2016}}</ref> ''[[The A.V. Club]]''<nowiki>'</nowiki>s Annie Zaleski states that the album "possesses more personality than ''My Everything''", and writes in conclusion that "''Dangerous Woman'' is an effortless leap forward on which Grande comes into her own as a vocalist and performer."<ref name=TheAVClub/> ''[[NME]]'''s Larry Bartleet wrote that apart from the "consistent songwriting clout that elevates this album from recent efforts by Grande’s teen-star peers, [[Demi Lovato]] and [[Selena Gomez]]", the "modish message of empowerment feels honest coming from Grande, especially after an essay she shared last year that railed against the media's description of her as [[Big Sean]]'s ex: "I do not belong to anyone but myself," she wrote." He further writes that he found it "genuinely satisfying" that the song "I Don't Care" directly reflected this message, where Grande sings "I used to let some people tell me how to live and what to be ... But if I can't be me, the fuck’s the point?"<ref name=NME/>
Maeve McDermott from ''[[USA Today]]'' summarized that ''Dangerous Woman'', "like its title suggests", is "a mature portrait of an artist blessed with one of pop's strongest voices, brimming with potential hits."<ref name=USAToday>{{cite web|last1= McDermott |first1= Maeve |title=Ranked: Every song on Ariana Grande's 'Dangerous Woman'|url=http://www.usatoday.com/story/life/entertainthis/2016/05/19/ranked-every-song-ariana-grandes-dangerous-woman/84544694/|newspaper=[[USA Today]]|date=May 19, 2016|accessdate=May 19, 2016}}</ref> Erik Ernst, indicating in a review from ''[[Milwaukee Journal Sentinel]]'', opines, "Like much of the disc, it's an unexpected, but remarkable, choice from a confident pop star ready to set her own path to the top."<ref name="MilwaukeeJournalSentinel">{{cite web|first=Erik|last=Ernst |url=http://www.jsonline.com/entertainment/musicandnightlife/album-reviews-bob-dylan-ariana-grande-eric-clapton-blake-shelton-b99726840z1-380251031.html|title=Album Reviews: Bob Dylan, Ariana Grande, Eric Clapton, Blake Shelton |work=[[Milwaukee Journal Sentinel]]|date=May 20, 2016|accessdate=May 20, 2016}}</ref> ''[[The A.V. Club]]''<nowiki>'</nowiki>s Annie Zaleski states that the album "possesses more personality than ''My Everything''", and writes in conclusion that "''Dangerous Woman'' is an effortless leap forward on which Grande comes into her own as a vocalist and performer."<ref name=TheAVClub/> ''[[NME]]'''s Larry Bartleet wrote that apart from the "consistent songwriting clout that elevates this album from recent efforts by Grande’s teen-star peers, [[Demi Lovato]] and [[Selena Gomez]]", the "modish message of empowerment feels honest coming from Grande, especially after an essay she shared last year that railed against the media's description of her as [[Big Sean]]'s ex: "I do not belong to anyone but myself," she wrote." He further writes that he found it "genuinely satisfying" that the song "I Don't Care" directly reflected this message, where Grande sings "I used to let some people tell me how to live and what to be ... But if I can't be me, the fuck’s the point?"<ref name=NME/>

Revision as of 17:08, 26 May 2016

Untitled

Dangerous Woman is the third studio album by American singer Ariana Grande and was released on May 20, 2016, by Republic Records. The album is the follow-up to her second studio album My Everything (2014), and features guest appearances from Nicki Minaj, Lil Wayne, Macy Gray, and Future. The album's lead single "Dangerous Woman" was released on March 11, 2016. The second single, "Into You", was released on May 6, 2016.[4]

Background

Grande began recording songs for the album soon after the completion of her sophomore album, My Everything (2014), and continued throughout the summer and fall of 2015, between stops on her Honeymoon Tour, with her friends Tommy Brown and Victoria Monet.[5][6] "Focus", which was originally intended to be the lead single from the album,[7] was released digitally on October 30, 2015. The song debuted and peaked at number seven on the Billboard Hot 100,[8] selling 113,000 copies in its first week in the United States. On January 26, 2016, the song was certified Platinum by the Recording Industry Association of America, for combined sales and streaming units of 1 million equivalent units.[9] Grande finished work on the album on January 22, 2016.[10]

The album was originally titled Moonlight.[11] On Jimmy Kimmel Live! in January 2016, however, Grande revealed that she was no longer sure of the name, and that she might re-title the album after another song on the album.[12] She announced the new title of the album, Dangerous Woman, on February 22, 2016, through her Snapchat and Twitter accounts.[13] The following day, she posted a photo on Instagram with a caption quoting Egyptian feminist writer Nawal El Saadawi's 1975 novel, Woman at Point Zero as follows: "They said, 'You are a savage and dangerous woman.' I am speaking the truth. And the truth is savage and dangerous".[14] As to why the album name was changed, Grande stated that it had to do with portraying herself as a stronger person and to empower fans, saying: "'Moonlight' is a lovely song, and it's a lovely title. It's really romantic, and it definitely ties together the old music and the new music, but 'Dangerous Woman' is a lot stronger. … To me, a dangerous woman is someone who’s not afraid to take a stand, be herself and to be honest."[15]

Release and promotion

Grande announced the final title of the album on February 22, 2016, via her Snapchat.[16] Two days later, Grande launched a website to promote her album (now merged with her original website), which features a "Tea" section in which the singer shares new information regarding the album, as well as a "Shop" section, in which album-related merchandise is sold.[17] The official album cover was released on March 10 via Grande's social media accounts and on her official website. On March 12, 2016, Grande was both the host and musical guest on NBC's Saturday Night Live, where she performed "Dangerous Woman" and "Be Alright".[18] Grande debuted "Leave Me Lonely" live at the grand opening of the Las Vegas T-Mobile Arena on April 7, 2016.[19] On May 13, 2016, Grande announced via her Instagram account that a new song off her album will be premiered exclusively on Apple Music everyday until the official release of the album.[20] On May 25, Grande sang "Into You" and duetted with Christina Aguilera on "Dangerous Woman" on The Voice season 10 finale.[21]

Singles

The former lead single, "Focus", was released on October 30, 2015.[22] Although originally intended to be the lead single, it was not included on the standard or US editions of Dangerous Woman.[23][24] However, it was included as a bonus track on the Japanese edition of the album.[25][26]

The album's lead single and title track, "Dangerous Woman", was released on March 11, 2016, along with the pre-order of the album on the iTunes Store.[23][24] It was teased by Grande on March 1, 2016.[27] A snippet of the song was released as background music to the Victoria's Secret Swim Special on March 9, 2016.[28] It was sent to rhythmic radio on March 15, 2016.[29] The song became Grande's seventh top 10 on the Billboard Hot 100 as well as her fifth to debut in the top 10.[23]

The second single, "Into You", was released on May 6, 2016.[4]

Promotional singles

The first promotional single, "Be Alright", was released on March 18, 2016.[30] The second promotional single, "Let Me Love You", featuring Lil Wayne, was released on April 18, 2016.

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic77/100[31]
Review scores
SourceRating
AllMusic[32]
The A.V. ClubB[33]
Consequence of SoundC[34]
Entertainment WeeklyB+[1]
Idolator[35]
NME4/5[36]
The Observer[37]
Pitchfork7.6/10[38]
Rolling Stone[39]
Slant Magazine[40]

According to Metacritic, which assigns a weighted average score out of 100 to ratings and reviews from mainstream critics, gave Dangerous Woman a score of 77, based on 12 reviews, indicating "generally favorable reviews".[31] Nolan Feeney, in Entertainment Weekly, commented that while Grande's previous album, My Everything "suffered for trying to be everything", on Dangerous Woman, "[w]ith a streamlined team of hitmakers such as Max Martin, she pulls off pop, R&B, reggae, and house—all without overextending herself or pandering to trends".[1] Lewis Corner from Digital Spy noted some "missteps during [the Album's] early stages", but commented: "Ariana has ultimately pulled together a consistent collection that impressively manages to keep your attention over 15 tracks", and that Grande "has made effective use of her triple threat ability by bringing together her knack for seductive balladry, dancefloor-filling pop anthems and some '90s R&B throwback for one almighty third album."[41] Mikael Wood, writing for the Los Angeles Times, found it "impressive how fully she [Grande] inhabits the emotional environment of each song" on the album. He further writes that Grande was also "deft [at] adapting to different styles" of music, "be it reggae ("Side to Side"), 1990s dance-pop ("Be Alright") or the weird fusion of campfire guitar and trap percussion in "Sometimes"".[42]

Maeve McDermott from USA Today summarized that Dangerous Woman, "like its title suggests", is "a mature portrait of an artist blessed with one of pop's strongest voices, brimming with potential hits."[43] Erik Ernst, indicating in a review from Milwaukee Journal Sentinel, opines, "Like much of the disc, it's an unexpected, but remarkable, choice from a confident pop star ready to set her own path to the top."[44] The A.V. Club's Annie Zaleski states that the album "possesses more personality than My Everything", and writes in conclusion that "Dangerous Woman is an effortless leap forward on which Grande comes into her own as a vocalist and performer."[33] NME's Larry Bartleet wrote that apart from the "consistent songwriting clout that elevates this album from recent efforts by Grande’s teen-star peers, Demi Lovato and Selena Gomez", the "modish message of empowerment feels honest coming from Grande, especially after an essay she shared last year that railed against the media's description of her as Big Sean's ex: "I do not belong to anyone but myself," she wrote." He further writes that he found it "genuinely satisfying" that the song "I Don't Care" directly reflected this message, where Grande sings "I used to let some people tell me how to live and what to be ... But if I can't be me, the fuck’s the point?"[36]

Michael Cragg from The Observer notes that although her previous album "was a commercial success", she had also unfortunately "lost her identity" in the process. In comparison, Cragg says that Dangerous Woman is a "refinement of her sound", and concludes that "[h]eld together by Grande's skyscraping voice, Dangerous Woman throws a lot at the wall and, brilliantly, most of it sticks."[37] In The Plain Dealer's Cleveland, Troy L. Smith wrote that the album "plays it safe and smart", explaining it "functions as "My Everything 2.0 – a collection of pitch-perfect hooks and slick production built in the mold of Mariah Carey."[2] In a mixed review, Christopher R. Weingarten from Rolling Stone opined the album tracks are "highlighting a singles artist who's capable of practically anything. But as an album artist, she's prone to a schizophrenic sound and unfortunate sequencing," adding "we're still no closer to figuring out who she wants to be." He concluded "her talents are wasted on meaningful-sounding but ultimately trite lyrics. However, her phrasing remains unique and powerful and pyrotechnic."[39] Tom Barnes from Mic sums up his review by saying that "[w]ith every listen, it gets harder and harder to view Grande's Dangerous Woman persona as an act, and it's [even] harder to find a label that can trivialize her talent."[45] Stephen Thomas Erlewine says for AllMusic that "[t]rack by track, Dangerous Woman has sly, subtle distinctions - a little bit of torch gives way to some heavy hip only to have frothy pop surface again", and that "while some of these cuts work better than others, the range is impressive, as is Grande's measured, assured performance."[32]

Commercial performance

In Japan, Dangerous Woman debuted at No. 2 on Oricon Albums Chart, selling 20,811 copies in its opening week, and becoming Grande's highest album ranking by far in that region.[46]

Track listing

Dangerous Woman  – Standard edition[47]
No.TitleWriter(s)Producer(s)Length
1."Moonlight"
3:22
2."Dangerous Woman"
  • Martin
  • Carlsson
3:56
3."Be Alright"
2:57
4."Into You"
  • Martin
  • Ilya
4:04
5."Side to Side" (featuring Nicki Minaj)
  • Martin
  • Ilya
3:46
6."Let Me Love You" (featuring Lil Wayne)
  • TB Hits
  • Mr. Franks
3:43
7."Greedy"
  • Martin
  • Kotecha
  • Kronlund
  • Salmanzadeh
  • Martin
  • Ilya
3:34
8."Leave Me Lonely" (featuring Macy Gray)
  • Brown
  • Franks
  • Thomas Parker Lumpkins
  • McCants
  • TB Hits
  • Mr. Franks
  • Lumpkins
3:49
9."Everyday" (featuring Future)
  • Ilya
3:14
10."Bad Decisions"
  • Grande
  • Martin
  • Kotecha
  • Salmanzadeh
  • Martin
  • Ilya
3:46
11."Thinking Bout You"
  • Svensson
  • Billboard
3:20
Total length:39:31
Dangerous Woman  – Deluxe and North American edition[47]
No.TitleWriter(s)Producer(s)Length
10."Sometimes"
  • Martin
  • Kotecha
  • Salmanzadeh
  • Svensson
  • Martin
  • Ilya
3:46
11."I Don't Care"
  • Grande
  • Travis Sayles
  • Franks
  • Brown
  • Michael Foster
  • McCants
  • TB Hits
  • Mr. Franks
  • Travesty
2:58
12."Bad Decisions"
  • Grande
  • Martin
  • Kotecha
  • Salmanzadeh
  • Martin
  • Ilya
3:46
13."Touch It"
  • Martin
  • Kotecha
  • Svensson
  • Ali Payami
  • Martin
  • Payami
4:20
14."Knew Better / Forever Boy"
  • TB Hits
  • Mr. Franks
  • Tedder
4:59
15."Thinking Bout You"
  • Svensson
  • Angelides
  • Hindlin
  • Lépine
  • Svensson
  • Billboard
3:20
Total length:55:34
Dangerous Woman  – Japanese edition (bonus track)[47]
No.TitleWriter(s)Producer(s)Length
16."Focus"
  • Grande
  • Kotecha
  • Svensson
  • Ilya
  • Ilya
  • Martin
3:31
Total length:59:05
Dangerous Woman  – Target edition (bonus tracks)[48]
No.TitleWriter(s)Producer(s)Length
16."Step On Up"
  • Brown
  • McCants
  • Audino
  • Shane Stevens
  • Ryan Vojtesak
  • Hughes
  • Jamil Chammas
  • Vojtesak
  • Twice as Nice
  • Brown
3:01
17."Jason's Song (Gave It Away)"
  • Grande
  • Jason Robert Brown
  • Jason Robert Brown
  • Jeffrey Lesser
4:25
Total length:63:00
Dangerous Woman  – Japanese Special Price edition (bonus tracks)[49]
No.TitleWriter(s)Producer(s)Length
18."Focus"
  • Grande
  • Kotecha
  • Svensson
  • Ilya
  • Ilya
  • Martin
3:31
Total length:66:31
Dangerous Woman  – Japanese deluxe edition (bonus DVD)[50]
No.TitleLength
1."Dangerous Woman" (Visual 1) 
2."Dangerous Woman" (a cappella) 
3."Focus" (music video) 
4."Focus" (lyric video) 

Credits and personnel

Adapted from album liner notes.[51]

Vocal credits
  • Ariana Grande – lead vocals, background vocals
  • Macy Gray – featured artist, background vocals
  • Future – featured artist, background vocals
  • Lil Wayne – featured artist
  • Nicki Minaj – featured artist
  • Max Martin – background vocals
  • Ilya Salmanzadeh – background vocals, background vocals (additional)
  • Savan Kotecha – background vocals, background vocals (additional)
  • Johan Carlsson – background vocals
  • Victoria McCants – background vocals
  • Chloe Angelides – background vocals
  • Ross Golan – background vocals
  • Alexander Kronlund – background vocals
  • Joi Gilliam – background vocals
  • Taura Stinson – background vocals
  • Chonita Gillespie – background vocals
  • Tommy Parker – background vocals
  • Daye Jack – background vocals
  • Sam Holland – background vocals (additional)
  • Jenny Schwartz – background vocals (additional)
  • Noah "Mailbox" Passovoy – background vocals (additional)
  • Alexander Kronlund – background vocals (additional)
  • Silke Lorenzen – background vocals (additional)
  • Jeremy Lertola – background vocals (additional)
  • Patrick Donovan – background vocals (additional)
Technical credits
  • Ariana Grande – songwriter, executive producer
  • Victoria McCants – songwriter, vocal producer
  • Tommy Brown – songwriter, producer, programmer, engineer, keyboard, percussion, bass, drums, vocal producer
  • Serban Ghenea – mixing
  • Tom Coyne – mastering
  • Aya Merrill – mastering
  • Peter Lee Johnson – songwriter, strings
  • Christopher Truio – engineer
  • Nicholas Audino – engineer, songwriter, programmer, keyboard, bass, percussion, drums
  • John Hanes – mixing engineer
  • Steven Franks – guitar, songwriter, programmer, percussion, drums, producer, keyboard
  • Dernst Emile II – bass
  • Johan Carlsson – songwriter, producer, vocal producer, guitar, acoustic guitar, piano, synths, tambourine, programmer
  • Ross Golan – songwriter
  • Max Martin – songwriter, producer, vocal producer, programmer, keyboard, guitar, bass, percussion, programmer (additional), keyboard (additional)
  • Peter Karlsson – engineer, vocal engineer, vocal recorder, vocal producer
  • Sam Holland – engineer
  • Cory Brice – engineer
  • Khaled Rohaim – songwriter, programmer, keyboard, bass, percussion
  • Lewis Hughes – songwriter
  • Willie Tafa – songwriter
  • Twice As Nice – producer
  • Savan Kotecha – songwriter, vocal recorder
  • Alexander Kronlund – songwriter
  • Ilya Salmanzadeh – songwriter, producer, programmer, keyboard, guitar, bass, percussion, vocal producer, programmer (additional), keyboard (additional)
  • Onika Maraj – songwriter
  • Aubry "Big Juice" Delaine – recorder
  • Joel Metzler – engineer
  • Jordon Silva – engineer
  • Dwayne Carter – songwriter
  • Mattias Bylund – string arranger, strings, recorder
  • Mattias Johansson – violin
  • David Bukovinszky – cello
  • Jonas Thander – horns arranger, recorder, saxophone
  • Staffan Findin – trombone
  • Karl Olandersson – trumpet
  • Stefan Persson – trumpet
  • Thomas Parker Lumpkins – songwriter, producer, programmer
  • "Mr. McClendon" – producer
  • Christopher Trujillo – engineer
  • Nayvadius Demun Wilburn – songwriter
  • Jeremy Lertola – guitar
  • Richard Madenfort – songwriter, programming, keyboard, guitar
  • Peter Svensson – songwriter, programming, keyboard, guitar, bass, percussion
  • Travis Sayles – songwriter, producer, programmer, keyboard, bass
  • Michael Foster – songwriter, programmer, percussion
  • Ryan Tedder – songwriter, programmer, keyboard, bass
  • The Magi – producer
  • Loren Mann II – drums (additional)
  • Josh Connelly – guitar
  • Ali Payami – songwriter, producer, programmer, keyboard, guitar, bass, percussion
  • Mike Foster – songwriter
  • Mathieu Jomphe-Lépine – songwriter
  • Jacob Kasher Hindlin – songwriter
  • Chloe Angelides – songwriter
  • Billboard – producer, programmer, keyboard, bass, percussion
Managerial and creative credits
  • Wendy Goldstein – A&R
  • Scott "Scooter" Braun – A&R
  • Maya Drexler – A&R coordinator
  • Ariana Grande – executive producer
  • Max Martin – executive producer
  • Savan Kotecha – executive producer
  • Rick Marty – talent liason
  • Jen Merlino – management
  • Stephanie Simon – management
  • Ken Hertz - legal representation
  • Donna Gryn – marketing manager
  • Jim Roppo – marketing manager
  • Matt Barnes – photographer
  • The Young Astronauts – photographer, art direction

Charts

Chart (2016) Peak
position
Japanese Albums (Oricon)[52] 2
South Korean Albums (Gaon)[53] 21

Release history

List of release dates, formats, label and reference
Region Date Version Format(s) Label Ref.
Various May 20, 2016
  • Standard edition
  • Deluxe edition
[47]

References

  1. ^ a b c Feeney, Nolan (May 18, 2016). "Ariana Grande's 'Dangerous Woman' Review". Entertainment Weekly. Retrieved May 18, 2016.
  2. ^ a b Smith, Troy (May 19, 2016). "Ariana Grande's 'Dangerous Woman' plays it safe and smart (Review)". cleveland.com. Retrieved May 19, 2016.
  3. ^ Billboard Staff (10 March 2016). "Ariana Grande Drops New Single 'Dangerous Woman'". Billboard. Billboard. Archived from the original on 11 March 2016. Retrieved 11 March 2016.
  4. ^ a b "Hear Ariana Grande's Brazen New Track 'Into You' | Rolling Stone". rollingstone.com. Retrieved May 6, 2016.
  5. ^ Hodge, Kyle. "Ariana Grande Reveals Title and Details to on Next Album to Lucky Fan on Twitter". VH1. VH1. Archived from the original on 30 May 2015. Retrieved May 30, 2015.
  6. ^ "Ariana Grande on Twitter: "made a really cool song w two of my best friends last night at 4am and i'm on a high today / in love w it & w u both @victoriamonet_ @tbhits"". Twitter. April 10, 2015. {{cite web}}: templatestyles stripmarker in |website= at position 1 (help)
  7. ^ Reed, Ryan. "Hear Ariana Grande's Brash, Brassy New Song 'Focus'", Rolling Stone magazine, October 30, 2015
  8. ^ Trust, Gary. "Adele's 'Hello' Tops Hot 100 for Second Week; Ariana Grande, Meghan Trainor Hit Top 10", Billboard, November 9, 2015
  9. ^ "'Focus' - Gold & Platinum - RIAA". Recording Industry Association of America. Retrieved March 11, 2016.
  10. ^ Darnaud, Agnès. Ariana Grande fait péter le champagne pour une raison bien spéciale [Ariana Grande celebrated the special occasion with champagne!]. fan2.fr (in French). Retrieved February 24, 2016. {{cite web}}: Invalid |script-title=: missing prefix (help)
  11. ^ Roth, Madeline (May 30, 2015). "Ariana Grande Revealed Her New Album Title – And It's Literally Out of This World". MTV.com. MTV. Archived from the original on May 30, 2015.
  12. ^ Fisher, Kendall. "Ariana Grande Just Changed the Title of Her Upcoming Album and Revealed a Partial Track List", E! Online, February 23, 2016
  13. ^ Brown, Eric (February 23, 2016). "Entertainment Weekly - Ariana Grande announces Dangerous Woman". Entertainment Weekly.
  14. ^ Wright, Hayden. "Ariana Grande Reveals Feminist Origin of Dangerous Woman Album Title", Radio.com, February 24, 2016
  15. ^ Greenwald, Morgan (2 March 2016). "Why Ariana Grande Changed Her Album Name to 'Dangerous Woman'". Billboard. Billboard. Archived from the original on 11 March 2016. Retrieved 11 March 2016. 'Moonlight' is a lovely song, and it's a lovely title. It's really romantic, and it definitely ties together the old music and the new music, but 'Dangerous Woman' is a lot stronger. … To me, a dangerous woman is someone who's not afraid to take a stand, be herself and to be honest.
  16. ^ "Ariana Grande Announces New Album 'Dangerous Woman'". Rap-Up. February 23, 2016.
  17. ^ "Dangerous Woman". dangerouswoman.com. Ariana Grande. Archived from the original on February 25, 2015. Retrieved February 25, 2016. {{cite web}}: |archive-date= / |archive-url= timestamp mismatch; February 25, 2016 suggested (help)
  18. ^ Hilliday, B. S. "Ariana Grande Crushes 'Dangerous Woman' & 'Be Alright' Performances On SNL", Hollywood Life, March 13, 2016
  19. ^ "Nicki Minaj and Ariana Grande Perform at T-Mobile Arena Opening Concert", Rap-up.com, April 8, 2016
  20. ^ "Ariana Grande on Instagram: "#7daystilDangerousWoman so....... I'm very excited to announce that for the final 6-7 days of the DW countdown, a new song will be premiered for streaming only on @applemusic every day..."". Instagram. May 13, 2016. {{cite web}}: templatestyles stripmarker in |website= at position 1 (help)
  21. ^ Lanquist, Lindsey. "Watch Christina Aguilera and Ariana Grande Stun in This 'Dangerous Woman' Duet", Self magazine, May 25, 2016
  22. ^ Lipshutz, Jason (August 6, 2015). "Ariana Grande to Release 'Focus on Me' Single from 'Moonlight' Album: Report". Billboard. Retrieved September 18, 2015.
  23. ^ a b c Trust, Gary (March 21, 2016). "Rihanna Rules Hot 100 for Fifth Week, Ariana Grande Debuts at No. 10". Billboard. Retrieved May 16, 2016.
  24. ^ a b Benjamin, Jeff (May 16, 2016). "The Complete Guide to Ariana Grande's 'Dangerous Woman' Album". Fuse. Retrieved May 16, 2016.
  25. ^ 奇跡のコラボレーションが実現！！「アリアナ・グランデ × リカちゃん」ヒット・シングル「フォーカス」の日本版ＭＶ完成！リカちゃんが海外アーティストのＭＶに出演するのは初！！ [Miracle collaboration is seen! ! Japanese version MV of the hit single "Focus!" with "Ariana Grande × Rika-chan" This is the first time Rika-chan appeared in the MV of an overseas artists! !] (in Japanese). Universal Music Japan. Retrieved May 10, 2016. {{cite web}}: Invalid |script-title=: missing prefix (help)
  26. ^ アリアナ・グランデ×リカちゃん「フォーカス」ミュージック・ビデオ ["Ariana Grande × Rika-chan" "Focus" music video] (in Japanese). Universal Music Japan. Retrieved May 10, 2016. {{cite web}}: Invalid |script-title=: missing prefix (help)
  27. ^ Stutz, Colin. "Ariana Grande Shares 'Dangerous Woman' Live Preview", Billboard, March 1, 2016
  28. ^ Strecker, Erin. "Hear 1 Minute of Ariana Grande's Sultry 'Dangerous Woman'", Billboard, March 10, 2016
  29. ^ "Rhythm | Ariana Grande "Dangerous Woman" | Republic Playbook". Republic Records. Archived from the original on March 22, 2016. Retrieved March 20, 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  30. ^ Inocencio, Marc (March 11, 2016). "Ariana Grande Talks New Songs, 'Mature' Album & 'SNL'". On Air with Ryan. iHeartMedia, Inc. Retrieved March 11, 2016.
  31. ^ a b Metacritic. "Critic Reviews for Dangerous Woman". CBS Interactive. Retrieved May 20, 2016.
  32. ^ a b Erlewine, Stephen Thomas (May 20, 2016). "Ariana Grande - 'Dangerous Woman'". AllMusic. Retrieved May 21, 2016.
  33. ^ a b Zaleski, Annie (May 20, 2016). "Ariana Grande finds her pop star footing on Dangerous Woman". The A.V. Club. Retrieved May 20, 2016.
  34. ^ http://consequenceofsound.net/2016/05/album-review-ariana-grande-dangerous-woman/
  35. ^ Iandoli, Kathy (May 20, 2016). ""Dangerous Woman": Review". Idolator. Retrieved May 20, 2016.
  36. ^ a b Bartleet, Larry (May 23, 2016). "Ariana Grande – 'Dangerous Woman'". NME.
  37. ^ a b Cragg, Michael (May 22, 2016). "Ariana Grande: Dangerous Woman review – a refinement of her sound". The Observer.
  38. ^ Moreland, Quinn (May 25, 2016). "Ariana Grande: Dangerous Woman | Album Reviews". Pitchfork. Retrieved May 25, 2016.
  39. ^ a b Weingarten, Christopher (May 20, 2016). "Dangerous Woman". Rolling Stone. Retrieved May 20, 2016.
  40. ^ Cinquemani, Sal (May 19, 2016). "Ariana Grande: Dangerous Woman | Album Review". Slant Magazine. Retrieved May 20, 2016.
  41. ^ Corner, Lewis (May 18, 2016). "Ariana Grande's new album Dangerous Woman – our track-by-track first-listen review". Digital Spy. Retrieved May 18, 2016.
  42. ^ Wood, Mikael (May 18, 2016). "Review: Ariana Grande leaves the princess image behind with 'Dangerous Woman'". Los Angeles Times. Retrieved May 18, 2016.
  43. ^ McDermott, Maeve (May 19, 2016). "Ranked: Every song on Ariana Grande's 'Dangerous Woman'". USA Today. Retrieved May 19, 2016.
  44. ^ Ernst, Erik (May 20, 2016). "Album Reviews: Bob Dylan, Ariana Grande, Eric Clapton, Blake Shelton". Milwaukee Journal Sentinel. Retrieved May 20, 2016.
  45. ^ Barnes, Tom (May 20, 2016). "Review: Ariana Grande Doesn't Care If You Understand Her 'Dangerous' New Self or Not". Mic. Retrieved May 21, 2016.
  46. ^ "週間 CDアルバムランキング: 2016年05月16日～2016年05月22". Oricon. Archived from the original on May 24, 2016. {{cite web}}: |archive-date= / |archive-url= timestamp mismatch; May 25, 2016 suggested (help)
  47. ^ a b c d Various citations concerning the May 20, 2016, release date of Dangerous Woman:
  48. ^ "Ariana Grande - Dangerous Woman (Target Exclusive)". Target Corporation. Retrieved April 18, 2016.
  49. ^ "Dangerous Woman - Special Price Edition". Universal Music Japan. March 27, 2016. Retrieved March 27, 2016.
  50. ^ "Dangerous Woman - Deluxe Version [+DVD]". Universal Music Japan. March 27, 2016. Retrieved March 27, 2016.
  51. ^ Ariana Grande – Dangerous Woman. Album booklet. Republic Records (Universal Music Group).
  52. ^ "Oricon Top 50 Albums: 2016-05-30" (in Japanese). Oricon. Retrieved May 24, 2016.
  53. ^ "2016년 20주차 Album Chart" (in Korean). Gaon Music Chart. Retrieved May 25, 2016.
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