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| Studio = [[Abbey Road Studios|EMI Studios]] and [[De Lane Lea Studios]], [[London]]
| Studio = [[Abbey Road Studios|EMI Studios]] and [[De Lane Lea Studios]], [[London]]
| Genre = {{flat list|
| Genre = {{flat list|
*[[Psychedelic rock]]<ref>{{cite book|last=Edmondson Ph.D.|first=Jacqueline|authorlink=Jacqueline Edmondson Ph.D.|page=147|url=https://books.google.com.pe/books?isbn=0313393486|isbn=978-1-4299-6589-7 |title=Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and ... |deadurl=no |quote=...Although Pink Floyd found its own origins in the psychedelic rock of the late 1960s—most notably in The Piper at the Gates of Dawn(1967) and A Saucerful Of Secrets(1968)...|accessdate=3 April 2017}}</ref>
*[[Psychedelic rock]]<ref>{{cite book|last=DeRogatis|first=Jim|authorlink=Jim DeRogatis|page=130|url=https://books.google.com/books?id=U7cQmRsLgN8C&pg=PA79#v=onepage&q&f=false|isbn=978-1-4299-6589-7 |title=Turn on Your Mind: Four Decades of Great Psychedelic Rock |deadurl=no |accessdate=6 March 2017}}</ref>
*[[avant-rock]]<ref>{{cite book |author=Paul Stump|title=Digital Gothic: A Critical Discography of Tangerine Dream|url=https://books.google.com.pe/books?id=J7rDjqVu0qUC&pg=PA46&dq=pink+floyd+a+saucerful+of+secrets+avant-garde&hl=es-419&sa=X&ved=0ahUKEwjascXGp8LSAhUY9GMKHY6yAHQQ6AEILjAD#v=onepage&q=pink%20floyd%20a%20saucerful%20of%20secrets%20avant-garde&f=false|isbn=978-1-4299-6589-7|pages=46–}}</ref>
*[[space rock]]<ref>{{cite book |author= Bill Martin|title=Listening to the Future: The Time of Progressive Rock, 1968-1978|url=https://books.google.com.pe/books?id=UoT6CgAAQBAJ&pg=PA165&dq=a+saucerful+of+secrets+space+rock&hl=es-419&sa=X&ved=0ahUKEwjW_4uaqsLSAhVL4WMKHaTDD-sQ6AEIUDAH#v=onepage&q=a%20saucerful%20of%20secrets%20space%20rock&f=false|isbn=978-1-4299-6589-7|pages=165–}}</ref>}}
*[[space rock]]<ref>{{cite book |author= Bill Martin|title=Listening to the Future: The Time of Progressive Rock, 1968-1978|url=https://books.google.com.pe/books?id=UoT6CgAAQBAJ&pg=PA165&dq=a+saucerful+of+secrets+space+rock&hl=es-419&sa=X&ved=0ahUKEwjW_4uaqsLSAhVL4WMKHaTDD-sQ6AEIUDAH#v=onepage&q=a%20saucerful%20of%20secrets%20space%20rock&f=false|isbn=978-1-4299-6589-7|pages=165–}}</ref>}}
| Length = 39:25
| Length = 39:25

Revision as of 11:38, 4 May 2017

Untitled

A Saucerful of Secrets is the second studio album by the English rock band Pink Floyd, released on 29 June 1968 by EMI Columbia in the United Kingdom and released on 27 July 1968 in the United States by Tower Records. The album was recorded before and after Syd Barrett's departure from the group. With Barrett's behaviour becoming increasingly unpredictable, he was forced to leave the band and David Gilmour was recruited in January 1968.[4][5]

As a result, A Saucerful of Secrets became the only non-compilation Pink Floyd album on which all five band members appeared, the first for Gilmour, with him appearing on five songs ("Let There Be More Light", "Set the Controls for the Heart of the Sun", "Corporal Clegg", "A Saucerful of Secrets" and "See-Saw"), and the last for Barrett, with him on three ("Remember a Day", "Jugband Blues" and "Set the Controls for the Heart of the Sun").[6] "Set the Controls for the Heart of the Sun" was the only song all five members appeared on together. The band's drummer Nick Mason has declared A Saucerful of Secrets to be his favourite Pink Floyd album.

Background

From mid to late 1967, Syd Barrett's erratic behaviour became more apparent,[7] and at one performance of the band's first US tour, he slowly detuned his guitar while on stage. The audience, used to the band's experimental performances, seemed to enjoy such antics, and were unaware of the rest of the band's increasing consternation. Interviewed on Pat Boone's show during this tour, Barrett's reply to Boone's questions was a "blank and totally mute stare", and kept his lips closed during the mimed performance.[8][9] Barrett exhibited behaviour in a similar style during the band's first appearance on Dick Clark's popular TV show American Bandstand.[8] Barrett mimed fairly well for the performance of "Apples and Oranges", but responded to Clark's questions with no interest or enthusiasm.[10]

Recording

with Syd Barrett

The album was recorded at EMI Studios in London.[11] The first songs recorded for the album were Roger Waters' "Set the Controls for the Heart of the Sun" and an unreleased Barrett track, "Scream Thy Last Scream";[nb 1] both recorded on 7–8 August 1967.[13][14][15] The two tracks were arranged to be released as a single on 8 September, before it was vetoed by the band's record company, EMI.[16] The band recorded "Vegetable Man"[nb 2] at De Lane Lea Studios on 9–11 October,[17] and returned later in the month, on 19 October, to record "Jugband Blues",[18] with producer Norman Smith booking a Salvation Army band, at Barrett's request.[nb 3][18] Overdubbing "Remember a Day" at the sessions; the song, which was an outtake from The Piper at the Gates of Dawn sessions,[17] features Barrett on slide guitar,[19][21] the band took a break from the album sessions to record what became their third single, "Apples and Oranges",[18] on 26 and 27 October.[22] A few days later, the band recorded the B-side, "Paint Box",[18] before leaving for a US tour.[18]

In November, "Apples and Oranges" was released as a single but failed to chart at all.[23] The band eventually went back to De Lane Lea and recorded the unreleased track "Vegetable Man".[23] Sometime around Christmas, David Gilmour (Barrett's old school friend) was asked to join the band as a second lead guitarist to cover for Barrett when his erratic behaviour prevented him from performing.[24] As Barrett had, up until then, written (or co-written) most of the songs on the band's debut album, The Piper at the Gates of Dawn, as well as the band's three singles up to this point,[9] the initial plan was to keep him in the group as a non-touring member – in similar style to Brian Wilson's recent status in The Beach Boys – but this meant that Barrett and the group were essentially separated.[10][25][26] For two days from 10 January 1968, Pink Floyd reconvened at EMI Studios, attempting to work on older tracks: Waters' vocals and Wright's organ were overdubbed onto "Set the Controls for the Heart of the Sun",[18] while Mason added vocals to "Scream Thy Last Scream".[5] Upon leaving Pink Floyd, Barrett said to Melody Maker: "I suppose it was really just a matter of being a little offhand about things".[27]

with David Gilmour

When Gilmour joined the band, Pink Floyd performed briefly as a five-man piece, from 12 January till the 20th.[24] For a handful of shows Gilmour played and sang while Barrett wandered around on stage, occasionally joining in with the playing. In between these five-piece gigs, the group rehearsed a few Waters-penned songs on 15 and 16 January. During the next session on 18 January, the band, joined by Smith, jammed on rhythm tracks;[nb 4][28] Barrett didn't attend this session. On 24 and 25 January, the band recorded a song, logged as "The Most Boring Song I've Ever Heard Bar 2" at Abbey Road.[nb 5][29] The band recorded "Let There Be More Light", "Corporal Clegg" (which features lead vocals by Nick Mason)[30] and "See-Saw" all without Barrett, despite manager Andrew King claiming Barrett performed the slide solo at the end of "Let There Be More Light".[10] The other band members soon grew tired of Barrett's antics and, on 26 January 1968, when Waters was driving on the way to a show at Southampton University, picking the members up on the way, one person in the car said, "Shall we pick Syd up?" and another said, "Let's not bother."[24][31] Barrett was finally ousted from the band in late January 1968, leaving the new incarnation of Pink Floyd to finish the album; "Set the Controls for the Heart of the Sun" is the only song on which all five band members appeared.[32]

The four-piece band struggled to come up with new material for an album,[6][24] but in February 1968 recorded Wright's "It Would Be So Nice" and Waters' "Julia Dream".[nb 6][10] In early February it was announced that the Waters-penned track, "Corporal Clegg" would be the band's next single,[10] however, due to pressure from the label, the song[33] was earmarked for the album, and "It Would Be So Nice" was released in April as a single,[nb 7] with "Julia Dream" on the B-side.[34] Throughout April, the band was taking stock of the songs recorded up to that point.[34] Waters blocked the release of the two tracks, "Vegetable Man"[nb 8] and "Scream Thy Last Scream", on the album, though the band retained "Jugband Blues", and the Waters-written "Set the Controls for the Heart of the Sun" on which Barrett played.[34] With not enough material to fill the album's last 12 minutes, the band started piecing together several pieces of material that was to become the title track of the album, "A Saucerful of Secrets".[nb 9][34] Mason and Waters planned the track out as if it were an architectural design, including peaks and troughs.[34] Producer Smith didn't like the song, stating to them that they "just can't do this, it's too long. You have to write three-minute songs."[34] On 25 June, the band recorded another session for BBC Radio's Top Gear; the session featured two tracks from Saucerful: "Let There Be More Light" and a shortened retitled version of the title track, titled here as "The Massed Gadgets of Hercules".[39]

Songs

Like The Piper at the Gates of Dawn before it, the album contains space rock and psychedelic rock songs.[failed verification] However, unlike Piper, which was dominated by Barrett's compositions, A Saucerful of Secrets contains only one Barrett original: "Jugband Blues". AllMusic described that with A Saucerful of Secrets, "the band begin to map out the dark and repetitive pulses that would characterize their next few records."[40] Wright sings or shares lead vocals on four of the album's seven songs, and contributes vocals on the eleven-and-a-half-minute instrumental opus "A Saucerful of Secrets", making this the only Pink Floyd album where his vocal contributions outnumber those of the rest of the band.

With Barrett seemingly detached from proceedings, it came down to Waters and Wright to provide adequate material. The opening, "Let There Be More Light", penned by Waters, continues the space rock approach established by Barrett. "Let There Be More Light" evolved from a bass riff that was part of "Interstellar Overdrive".[28] Both "Remember a Day" and "See-Saw" use the childlike approach[41][42] that was established on their debut.[43] Wright remained critical of his early contributions to the band.[43] "Set the Controls for the Heart of the Sun" was first performed with Barrett in 1967.[44] The success of the track was such that it remained in their live setlist until 1973 where it appeared in a greatly extended form.[45] Waters later performed the track during solo concerts from 1984 and later.[46] Waters borrowed the lyrics from a book of Chinese poetry from the Tang Dynasty, like Barrett had used in "Chapter 24".[47] "Corporal Clegg", is the first Pink Floyd song to address issues of war, a theme which would endure throughout the career of Waters as a songwriter for the band, culminating on the 1983 album The Final Cut.[45] "A Saucerful of Secrets" was originally written as a new version of "Nick's Boogie".[48] The track is titled as four parts,[49] on Ummagumma.[50] A staple in the band's live set until summer 1972,[50] a live version of the song was recorded on 27 April 1969 at the Mothers Club in Birmingham for inclusion on Ummagumma.[51][52] "Jugband Blues" refers to Barrett's departure from the group ("It's awfully considerate of you to think of me here / And I'm most obliged to you for making it clear that I'm not here").[53][54] A promotional video was recorded for the track.[19] The band's management wanted to release the song as a single, before being vetoed by both the band and producer Norman Smith.[18]

Unreleased songs

Main article: List of unreleased Pink Floyd material

As well as "Jugband Blues", the album was to include "Vegetable Man", another Barrett composition.[9] The song was to appear on a single as the B-side to "Scream Thy Last Scream".[12][14] The band performed "Jugband Blues", "Vegetable Man" and "Scream Thy Last Scream" for a Top Gear session, recorded on 20 December, and broadcast on 31st.[55] Two additional Barrett songs, "In the Beechwoods",[56] and "No Title" (frequently referred to on bootlegs as "Sunshine"),[nb 10] were recorded early in the album sessions.[57] At least one other song, "John Latham", was recorded during these sessions, and remains unreleased.[57]

Release and reception

Professional ratings
Review scores
SourceRating
AllMusic[40]
The Daily Telegraph[58]
The Great Rock Discography8/10[59]
MusicHound2/5[60]
Paste8.3/10[61]
The Rolling Stone Album Guide[62]
Sputnikmusic4.5/5[63]
Virgin Encyclopedia of Popular Music[59]

This is the first of several Pink Floyd album covers that were designed by Hipgnosis,[64] and was only the second time that an EMI group (The Beatles were the first) was permitted to hire outside designers for an album jacket.[65] The album was released in the UK on 29 June 1968 on EMI's Columbia label as both mono[nb 11] and stereo[nb 12] LPs, reaching number 9 in the UK charts.[68] It was released in the US by the Tower Records[nb 13] division of Capitol, where it remains the only Pink Floyd album not to chart.[70] However, when reissued as A Nice Pair[nb 14][nb 15] with the original version of The Piper at the Gates of Dawn after the success of The Dark Side of the Moon, the album did chart at number 36 on the Billboard 200.[73] "Let There Be More Light" was released as a single, backed with "Remember a Day", in the US on 19 August 1969.[74]

The CD stereo mix of the album was first released in 1988,[nb 16] and in 1992 was digitally remastered and reissued as part of the Shine On box set.[nb 17] The remastered stereo CD was released on its own in 1994 in the UK[nb 18] and the US.[nb 19] The mono mix version of the album has never been officially released on CD. This album was re-issued on the Pink Floyd Records label on 6 January 2016.

Upon its release, Rolling Stone magazine's review was unfavourable, writing that it is "not as interesting as their first" and "rather mediocre", highlighting the near-departure of Syd Barrett as one of its detractions.[79]

In a retrospective review for AllMusic, Richie Unterberger draws attention to the album's "gentle, fairy-tale ambience", with songs that move from "concise and vivid" to "spacy, ethereal material with lengthy instrumental passages".[40] In a review for BBC Music, Daryl Easlea said Saucerful was "not without filler", adding that "Jugband Blues" was "the most chilling" song on the album.[80]

While promoting 2014's The Endless River, Nick Mason named A Saucerful of Secrets as his favourite of Pink Floyd's studio albums. “I think there are ideas contained there that we have continued to use all the way through our career,” he says. “I think [it] was a quite good way of marking Syd [Barrett]’s departure and Dave [Gilmour]’s arrival. It’s rather nice to have it on one record, where you get both things. It’s a cross-fade rather than a cut.”[81]

Track listing

Side one
No.TitleWriter(s)Lead vocalsLength
1."Let There Be More Light"Roger WatersRichard Wright, Waters, David Gilmour5:38
2."Remember a Day"WrightWright4:33
3."Set the Controls for the Heart of the Sun"WatersWaters5:28
4."Corporal Clegg"WatersGilmour, Nick Mason, Wright4:13
Total length:19:52
Side two
No.TitleWriter(s)Lead vocalsLength
1."A Saucerful of Secrets"
  • I. "Something Else" (3:57)
  • II. "Syncopated Pandemonium" (3:07)
  • III. "Storm Signal" (1:34)
  • IV. "Celestial Voices" (3:19)"
Waters, Wright, Gilmour, MasonInstrumental, wordless vocals by Gilmour, Wright11:57
2."See-Saw"WrightWright4:36
3."Jugband Blues"Syd BarrettBarrett3:00
Total length:19:33

Personnel

Pink Floyd

(all personnel uncredited)

Additional personnel

Charts and certifications

References

Footnotes

  1. ^ Despite having only two complete takes of the song,[12] "Scream Thy Last Scream" was viewed as a potential single.[13]
  2. ^ "Scream Thy Last Scream" was again scheduled for release, this time with "Vegetable Man" as the B-side, but cancelled and both tracks remain unreleased.[12][14]
  3. ^ When the Salvation Army were brought in to play on the track,[19] Barrett told them to "play whatever they want", Smith insisted on recorded parts.[20]
  4. ^ This jamming later formed the intro to "Let There Be More Light".[28]
  5. ^ This song later became "See-Saw".[14]
  6. ^ Originally titled "Doreen's Dream".[10]
  7. ^ The single was released on 12 April 1968, almost a week after Barrett's departure from the band was announced.[34]
  8. ^ Peter Jenner, one of the band's managers, said Waters blocked "Vegetable Man" because "it was too dark".[17]
  9. ^ It was David Gilmour's first professional songwriting credit. His name is incorrectly spelled "Gilmore",[35][36][37] an error that would persist on all pressings until finally being corrected with the 1994 remastered version.[38]
  10. ^ Not to be confused with the early title of "Remember a Day", as written on the recorded sheet, "Sunshine".[14][18]
  11. ^ UK EMI Columbia SX 6258[66]
  12. ^ UK EMI Columbia SCX 6258[67]
  13. ^ US Capitol Tower ST 5131[69]
  14. ^ UK EMI Harvest SHDW 403[71]
  15. ^ US Capitol Harvest SABB-11257[72]
  16. ^ UK EMI CDP 7 46383 2[75]
  17. ^ UK EMI 7243 8 29751 2 0 / CDEMD 1063[76]
  18. ^ UK EMI CDS 7 80557 2[77]
  19. ^ US Columbia CXK 53180[78]

Citations

  1. ^ DeRogatis, Jim. Turn on Your Mind: Four Decades of Great Psychedelic Rock. p. 130. ISBN 978-1-4299-6589-7. Retrieved 6 March 2017. {{cite book}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  2. ^ Paul Stump. Digital Gothic: A Critical Discography of Tangerine Dream. pp. 46–. ISBN 978-1-4299-6589-7.
  3. ^ Bill Martin. Listening to the Future: The Time of Progressive Rock, 1968-1978. pp. 165–. ISBN 978-1-4299-6589-7.
  4. ^ Povey, Glenn (2006). Echoes: The Complete History of Pink Floyd (New ed.). Mind Head Publishing. p. 90. ISBN 978-0-9554624-0-5.
  5. ^ a b Palacios, Julian (2010). Syd Barrett & Pink Floyd: Dark Globe (Rev. ed.). London: Plexus. p. 318. ISBN 0-85965-431-1.
  6. ^ a b Gulla, Bob (2009). Guitar Gods: The 25 Players Who Made Rock History. Westport, Conn.: Greenwood Press. p. 92. ISBN 0-313-35806-0.
  7. ^ Palacios, Julian (1998). Lost in the Woods: Syd Barrett and the Pink Floyd. London: Boxtree. p. 183. ISBN 0-7522-2328-3.
  8. ^ a b Schaffner, Nicholas (2005). Saucerful of Secrets: The Pink Floyd Odyssey (New ed.). London: Helter Skelter. p. 13. ISBN 1-905139-09-8.
  9. ^ a b c Reisch, George A., ed. (2007). Pink Floyd and Philosophy: Careful With That Axiom, Eugene! (1st ed.). Chicago: Open Court. p. 230. ISBN 0-8126-9636-0.
  10. ^ a b c d e f Manning, Toby (2006). The Rough Guide to Pink Floyd (1st ed.). London: Rough Guides. p. 45. ISBN 1-84353-575-0.
  11. ^ Jones, Malcolm (2003), The Making of The Madcap Laughs (21st Anniversary ed.), Brain Damage, pp. 23–25
  12. ^ a b c Chapman, Rob (2010). Syd Barrett: A Very Irregular Head (Paperback ed.). London: Faber. p. 187. ISBN 978-0-571-23855-2.
  13. ^ a b c Palacios 2010, p. 262
  14. ^ a b c d e Jones 2003, p. 23
  15. ^ a b Chapman 2010, p. 186
  16. ^ Palacios 1998, p. 180
  17. ^ a b c Palacios 1998, p. 194
  18. ^ a b c d e f g h i Manning 2006, p. 41
  19. ^ a b c d Palacios 2010, p. 286
  20. ^ Chapman 2010, p. 191
  21. ^ a b c Everett, Walter (2009). The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes". Oxford: Oxford University Press. p. 90. ISBN 0-19-531023-3.
  22. ^ Chapman 2010, p. 189
  23. ^ a b Manning 2006, p. 43
  24. ^ a b c d Carruthers, Bob. Pink Floyd – Uncensored on Record. Coda Books Ltd. ISBN 1-908538-27-9. Retrieved 29 October 2012.
  25. ^ Schaffner 2005, p. 265
  26. ^ Schaffner 2005, p. 14
  27. ^ The Madcap Laughs (booklet). Syd Barrett. Harvest, EMI. 2010. p. 1. {{cite AV media notes}}: Unknown parameter |titlelink= ignored (|title-link= suggested) (help)CS1 maint: others in cite AV media (notes) (link)
  28. ^ a b c Palacios 2010, p. 319
  29. ^ Povey 2006, p. 90
  30. ^ a b Schaffner 2005, p. 132
  31. ^ Blake, Mark (2008). Comfortably Numb: The Inside Story of Pink Floyd. Cambridge, MA: Da Capo. p. 112. ISBN 0-306-81752-7.
  32. ^ 1993 Guitar World interview with David Gilmour
  33. ^ Manning 2006, pp. 46–47
  34. ^ a b c d e f g Manning 2006, p. 47
  35. ^ "Images for Pink Floyd – A Saucerful of Secrets". Discogs.com. Retrieved 30 October 2012.
  36. ^ "Images for Pink Floyd – A Saucerful of Secrets". Discogs.com. Retrieved 30 October 2012.
  37. ^ "Images for Pink Floyd – A Saucerful of Secrets". Discogs.com. Retrieved 30 October 2012.
  38. ^ "Images for Pink Floyd – A Saucerful of Secrets". Discogs.com. Retrieved 30 October 2012.
  39. ^ Manning 2006, p. 48
  40. ^ a b c Unterberger, Richie. "A Saucerful of Secrets – Pink Floyd : Songs, Reviews, Credits, Awards : AllMusic". AllMusic. Retrieved 9 October 2012.
  41. ^ Palacios 2010, p. 285
  42. ^ Reisch 2007, p. 272
  43. ^ a b Schaffner 2005, pp. 132–133
  44. ^ Palacios 2010, p. 271
  45. ^ a b Mabbett, Andy (1995). The Complete Guide to the Music of Pink Floyd. London: Omnibus. ISBN 0-7119-4301-X.
  46. ^ Sweeting, Adam (20 May 2008). "Roger Waters: set the controls for the heart of the Floyd". Telegraph. Retrieved 9 December 2012.
  47. ^ Palacios 2010, p. 265
  48. ^ Palacios 2010, p. 322
  49. ^ "Echoes FAQ Ver, 4.0 – 4/10". Pink-floyd.org. Retrieved 30 October 2012.
  50. ^ a b Manning 2006, p. 188
  51. ^ Schaffner 2005, p. 156
  52. ^ Mabbett, Andy (2010). Pink Floyd – The Music and the Mystery. London: Omnibus. p. 160. ISBN 978-1-84938-370-7.
  53. ^ Reisch 2007, p. 236
  54. ^ Chapman 2010, p. 190
  55. ^ Manning 2006, p. 44
  56. ^ Chapman 2010, p. 193
  57. ^ a b Jones 2003, p. 25
  58. ^ McCormick, Neil (20 May 2014). "Pink Floyd's 14 studio albums rated". The Daily Telegraph. London. Retrieved 27 December 2014.
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  61. ^ Deusner, Stephen (16 October 2011). "Assessing a Legacy: Why Pink Floyd? Reissue Series". Paste. Retrieved 26 August 2015.
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  63. ^ Campbell, Hernan. "Pink Floyd A Saucerful of Secrets". Sputnikmusic. Retrieved 26 August 2015.
  64. ^ Palacios 2010, p. 330
  65. ^ Roberts, James. "Hipgnotic Suggestion". Frieze (37). Retrieved 15 December 2011.
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  69. ^ "Pink Floyd – A Saucerful of Secrets (Vinyl, LP, Album) at Discogs". Discogs.com. Retrieved 30 October 2012.
  70. ^ "A Saucerful of Secrets – Pink Floyd | Billboard". billboard.com. Retrieved 9 October 2012.
  71. ^ "Pink Floyd – A Nice Pair (Vinyl, LP) at Discogs". Discogs.com. Retrieved 30 October 2012.
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  73. ^ "A Nice Pair – Pink Floyd : Awards : AllMusic". AllMusic. Retrieved 9 October 2012.
  74. ^ Fitch, Vernon. "Pink Floyd Archives-Tower Records Discography". Pinkfloydarchives.com. Retrieved 31 October 2012.
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  76. ^ "Pink Floyd – Shine On (Box Set, Album, Album, Album, Album, Album, Album, Album) at Discogs". Discogs.com. Retrieved 30 October 2012.
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  78. ^ "Pink Floyd – Shine On (Box Set, Album, Album, Album, Album, Album, Album, Album) at Discogs". Discogs.com. Retrieved 30 October 2012.
  79. ^ Miller, Jim (26 October 1968). "A Saucerful of Secrets". Rolling Stone. San Francisco: Straight Arrow Publishers, Inc. Retrieved 30 May 2014.
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  81. ^ Schonfeld, Zach (7 November 2014). "Pink Floyd's Longest-Serving Officer". Newsweek. Retrieved 7 November 2014.
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  85. ^ A Saucerful of Secrets (Back cover). Pink Floyd. EMI Columbia.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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