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The Thing (2011 film)

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The Thing
Teaser poster
Directed byMatthijs van Heijningen Jr.
Written byEric Heisserer
Produced byMarc Abraham
Eric Newman
StarringMary Elizabeth Winstead
Joel Edgerton
Ulrich Thomsen
Adewale Akinnuoye-Agbaje
Eric Christian Olsen
CinematographyMichel Abramowicz
Edited byJono Griffith
Julian Clarke
Music byMarco Beltrami[2]
Production
companies
Distributed byUniversal Pictures
Release dates
  • October 12, 2011 (2011-10-12) (France)
[1]
  • October 14, 2011 (2011-10-14) (United States)
Running time
102 minutes[4]
CountryTemplate:Film US
LanguagesEnglish
Norwegian
Budget$38 million[5]
Box office$27,428,670[6]

The Thing is a 2011 science fiction horror film directed by Matthijs van Heijningen Jr. and written by Eric Heisserer based on the novella Who Goes There? by John W. Campbell. It is a prequel to the 1982 film of the same name by John Carpenter, the plot ending immediately before the start of the plot for that film. The film stars Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Adewale Akinnuoye-Agbaje and Eric Christian Olsen. They are part of a team of Norwegian and American scientists who discover an alien buried deep in the ice of Antarctica, realizing too late that it is still alive, consuming and replicating the team members.

Plot

In 1982, a flying saucer is discovered beneath the Antarctic ice by a Norwegian research team: Edvard (Trond Espen Seim), Jonas (Kristofer Hivju), Olav (Jan Gunnar Røise), Karl (Carsten Bjørnlund), Juliette (Kim Bubbs), Lars (Jørgen Langhelle), Henrik (Jo Adrian Haavind), Colin (Jonathan Lloyd Walker), and Peder (Stig Henrik Hoff). Paleontologist Kate Lloyd (Mary Elizabeth Winstead) is recruited by Dr. Sander Halvorson (Ulrich Thomsen) and his assistant Adam Finch (Eric Christian Olsen) to investigate the team's discovery. They travel to the base in a helicopter manned by Carter (Joel Edgerton), Derek (Adewale Akinnuoye-Agbaje), and Griggs (Paul Braunstein). After viewing the spacecraft, Kate, Sander, and Adam are informed that the group also has discovered an alien from the crash buried in the ice.

The alien is transported to the Norwegian base in a block of ice. Sander orders the retrieval of a tissue sample from the creature against Kate's warnings. That evening, while the team celebrates their find, Derek observes the alien burst free from the ice and escape from the building. The alerted team searches for the creature and discovers that it has killed Lars' dog. Olav and Henrik find the alien which then kills Henrik. The rest of the group arrive and set fire to the creature. An autopsy of the scorched alien corpse reveals that its cells are still alive and are consuming and imitating Henrik's own.

Derek, Carter, Griggs and Olav prepare to leave by helicopter to seek help. Kate discovers bloody metal, tooth fillings near a blood-soaked shower. Kate runs outside to flag down the helicopter. When it attempts to land, Griggs transforms into the Thing to attack Olav, and the vehicle crashes in the mountains. When Kate returns to the shower, she finds the blood has been removed. The base team agrees to leave and try to find help, but Kate confronts them with her theory that the "Thing" is capable of imitating them and has likely already done so. The team dismisses her claims, but Juliette says she had just seen Colin leaving the shower area. Juliette takes Kate to secure the vehicle keys to prevent the others leaving. While Kate searches, Juliette transforms into the Thing and attacks Kate. Kate flees, running past Karl whom the creature consumes instead. Lars arrives with a flamethrower and burns the Thing.

Carter and Derek return to the base, but the team refuses to believe that they could have survived the crash. Kate has Carter and Derek isolated until a test can be prepared to check if they are still human. Adam and Sander develop a test, but their lab is destroyed in an apparent act of sabotage when both men momentarily leave. Kate proposes another test; believing that the Thing cannot imitate inorganic material she inspects the team and singles out those without metal fillings: Sander, Edvard, Adam, and Colin. Lars and Jonas go to retrieve Carter and Derek, and discover they have broken out of isolation. As Lars leans inside a building in search of the pair, he is grabbed and pulled inside. Jonas returns to Kate and Peder, begging for help. The group hears Carter and Derek breaking into the building and rushes to intercept them. Edvard pressures Peder to burn both of them. Peder takes aim, but Derek now has a gun and shoots him multiple times, killing Peder and rupturing his flamethrower's fuel tank. The fuel ignites causing an explosion that knocks Edvard unconscious. While he is being carried for treatment, Edvard transforms into the Thing, infecting Jonas and killing Derek before assimilating Adam. Kate torches the infected Jonas and Derek before she and Carter pursue the Thing. While the pair searches, Sander is found and infected by the Thing. After the pair separates, the Thing corners Carter in the kitchen, but Kate arrives and burns it before it can attack him. Kate and Carter see Sander drive off into the blizzard and give pursuit in the remaining snowcat vehicle.

They arrive at the now-active spaceship. Kate falls into the ship and is separated from Carter. Confronted by the Thing, Kate destroys it with an explosive grenade and the ensuing damage deactivates the ship. As Kate and Carter return to their vehicle, Kate realizes that Carter is a Thing as he is no longer wearing an earring and when prompted on the issue, Carter indicates the incorrect ear on which it was worn. Kate burns Carter and then retreats to a snowcat; she stares blankly out of the window.

The following morning helicopter pilot Matias arrives at the base. Colin is shown to have committed suicide in the radio room. Lars appears and orders Matias at gunpoint to show his teeth-fillings to prove he is human. The Thing, in the form of Lars' deceased dog, escapes from a building and runs away while Lars and Matias give chase in the helicopter.

Cast

Production

Development

“It’s a really fascinating way to construct a story because we're doing it by autopsy, by examining very, very closely everything we know about the Norwegian camp and about the events that happened there from photos and video footage that’s recovered, from a visit to the base, the director, producer and I have gone through it countless times marking, you know, there’s a fire axe in the door, we have to account for that…we're having to reverse engineer it, so those details all matter to us ‘cause it all has to make sense.”
 — Eric Heisserer describing the process of creating a script that is consistent with the first film.[19]

After creating the Dawn of the Dead remake, producers Marc Abraham and Eric Newman began to look through the Universal Studios library to find new properties to work on. Upon finding John Carpenter's 1982 film The Thing, the two convinced Universal to create a prequel instead of a remake, as they felt that remaking Carpenter's film would be like "paint(ing) a moustache on the Mona Lisa".[20] Eric Newman explained; "I'd be the first to say no one should ever try to do Jaws again and I certainly wouldn't want to see anyone remake The Exorcist... And we really felt the same way about The Thing. It's a great film. But once we realized there was a new story to tell, with the same characters and the same world, but from a very different point of view, we took it as a challenge. It's the story about the guys who are just ghosts in Carpenter's movie - they're already dead. But having Universal give us a chance to tell their story was irresistible."[21]

In early 2009, Variety reported the launch of a project to film a prequel—possibly following MacReady's brother during the events leading up to the opening moments of the 1982 film—with Matthijs van Heijningen Jr. as director and Ronald D. Moore as writer.[22][23] Matthijs van Heijningen Jr. became involved in the project when his first planned feature film, a sequel to the Dawn of the Dead remake, a zombie film taking place in Las Vegas written and produced by Zack Snyder, who directed the Dawn of the Dead remake, and co-produced by Abraham and Newman, called Army of the Dead, was cancelled by the studio three months before production began. Needing to start all over again, he asked his agent to see if there was a The Thing project in development, since Alien and The Thing are his favorite films.[24] As a fan of Carpenter's film, he was interested in the project because, being European himself, he had always wondered what happened at the Norwegian camp.[25] In March 2009, Moore described his script as a "companion piece" to Carpenter's film and "not a remake."[26] "We're telling the story of the Norwegian camp that found the Thing before the Kurt Russell group did," he said.[26] Eric Heisserer was later hired to do a complete rewrite of Moore's script.[27] Heisserer explained that in writing the script, it was necessary for him to research all the information that was revealed about the Norwegian camp from the first film, down to the smallest details, so that it could be incorporated into the prequel in order to create a consistent backstory.[19] The decision was made to name the film the same title as the first film, because the producers felt adding a "colon title" such as Exorcist II: The Heretic had felt less reverential.[25]

Matthijs van Heijningen Jr. explained that he created the film not to simply be a horror film, but to also focus largely on the human drama with the interaction between characters, as the first film had.[28] The director felt that horror films worked better when time was spent to explore the characters' emotional journeys, allowing the audience to care about them.[29] Mary Elizabeth Winstead insisted that the film would not feature any romantic or sexual elements with her character, as it would be inappropriate considering the tone of the film.[30] Adewale Akinnuoye-Agbaje said that the film would try to recreate the feeling of paranoia and distrust that the first film had, where the characters can't tell who has been infected by the alien.[31] The filmmakers drew additional inspiration for the film from the original novel Who Goes There?, in making the characters in the film educated scientists as opposed to "blue collar" workers.[25] However, the filmmakers drew no influence from the events of the The Thing video game.[25] The director also drew additional inspiration from the film Alien in creating the film, particularly in regard to casting a female lead,[28] and in the way the alien creatures are filmed by not showing too much of them.[24] Matthijs van Heijningen also cited the films of director Roman Polanski as influence, such as his work on Rosemary's Baby.[29] Actual Norwegian actors were cast in the film to play the Norwegian characters,[25] and the director allowed the actors to improvise elements different to what was scripted when they felt it was appropriate, such as a scene where the characters sing a Norwegian folk song called Sámiid Ædnan ("Lapland").[29][30][32] Many scenes involving characters speaking Norwegian were subtitled,[33] and the language barrier between them and the English speaking characters is exploited to add to the film's feeling of paranoia.[34] Director Matthijs van Heijningen said that the film would show the alien creature in its “pure form”, as it was discovered in its ship by the Norwegians; however, it is not revealed whether this is the creature's original form or the form of another creature it had assimilated.[8] John Carpenter wished to have a cameo appearance in the film, but scheduling conflicts prevented this.[25]

Filming and post-production

The film was shot in the anamorphic format on 35 mm film, as the director dislikes the look of films shot digitally.[29] The director chose not to fast cut the film, instead opting for a slower pace, hoping to build a sense of pending dread.[29] The prequel was filmed in Pinewood Toronto Studios, Port Lands on March 22, 2010 and ended on June 28, 2010.[35] On set, the director had a laptop computer which contained "a million" screen captures of the Carpenter film, which he used as a point of reference to keep the Norwegian camp visually consistent with the first film.[36] Alec Gillis and Tom Woodruff, Jr. created the practical creature effects for the film, in the studios of Amalgamated Dynamics.[37] In addition to creating the effects for the human-Thing transformations, Gillis, Woodruff and their team had the challenge of coming up with the look of the alien in the ice block unearthed by the Norwegians. While it was initially only intended to be shown as a silhouette, the director liked their designs and encouraged them to fully create the creature, which was realised by creating a monster suit that Tom Woodruff wore.[34] The effects team opted to use cable-operated animatronics over more complex hydraulic controls, as they felt they gave a more "organic feel".[34] In order to emulate the creature effects of the first film, Heisserer revealed that traditional practical effects would be used on the creatures whenever possible.[38] The film's computer-generated imagery was created by Image Engine, the effects house who worked on Neil Blomkamp's 2009 film District 9.[28] Computer Graphics were used to digitally create extensions on some of the practical animatronic effects, as well as for digital matte paintings and set extensions.[28] Alec Gillis stated that the advancement of animatronic technology since 1982 combined with digital effects allowed the effects team to expand upon the possible creature conceptions.[36] Matthijs van Heijningen preferred to use practical effects over computer imagery, as he believed actors give better performances when they have something physical to react to.[25] Stunt men covered in fire-retardant gel were used in scenes when characters are set on fire.[34] The original Ennio Morricone score was reflected in the film's score, but it was initially reported that Morricone did not score the film, nor was his music from the 1982 version used.[33] However, his theme "Humanity (Part II)" from the 1982 film soundtrack appears in a bonus scene during the prequel's ending credits.

The interior of the crashed alien spacecraft was created by production designer Sean Haworth.[34] To design the ship, Haworth had to recreate what little was shown of the spacecraft in the Carpenter film, then "fill the gaps" for what was not originally shown. Haworth and a team of approximately twelve others then created the inside of the ship as a several story-high interior set constructed mostly out of a combination of foam, plaster, fiberglass, and plywood.[34] The ship was designed specifically to look as if it were not made to accommodate humans, but rather alien creatures of different size and shape who could walk on any surface.[34] A section of the craft called the "pod room" was designed to imply the alien creatures manning it had collected specimens of different alien species from around the universe for a zoological expedition.[34][39]

While the film was originally set for release in April, Universal Pictures changed the date to October 14, 2011,[40] to allow time for reshoots. The intention of the reshoots was to "enhance existing sequences or to make crystal clear a few story beats or to add punctuation marks to the film's feeling of dread."[41] On his Facebook page, Matthijs van Heijningen Jr. claimed that the reshoots of the film included making an entirely different ending, referring to the original cut as the "Pilot Version" and the new cut as the "Tetris Version". In the original ending, Kate was to discover the original pilots of the spaceship which had all been killed by The Thing, which was an escaped specimen they had collected from another planet, implying that the ship was crashed in an attempt to kill the monster. "I liked that idea because it would be the Norwegian camp in space. Kate sees the pod room and one pod being broken, giving her the clues what happened. What didn't work was that she wanted to find Sander and stop the ship from taking off and still solve the mystery in the ship. These two energies were in conflict."[42]

Release

Box office

The Thing grossed $8,493,665 over the opening weekend and ended up third on the box office chart. It was distributed to 2,996 theaters and spent a total of one week on the top 10 chart, before dropping down to the 16th position in its second week. It concluded its domestic run with a total of $16,928,670.[43] Its box office collections was called "an outright disappointment" by Box Office Mojo, who goes on to say "[the film] was naturally at a disadvantage: a vague "thing" doesn't give prospective audiences much to latch on to. It was therefore left up to fans of the original, who are already familiar with the concept, to turn out in strong numbers."[44] The film grossed $9,530,415 in foreign countries,[45] bringing the total worldwide box office gross so far to $27,428,670.[43]

Critical reception

The Thing received mixed reviews. It currently holds a 36% "rotten" rating on Rotten Tomatoes, based on 149 critic reviews, with an average rating of 5.1 out of 10, with the site's consensus: "It serves the bare serviceable minimum for a horror flick, but The Thing is all boo-scares and a slave to the far superior John Carpenter version."[46] Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 49 based on 31 reviews.[47] In CinemaScore polls users gave the film a "B-" on an A+ to F scale.[48] Michael Phillips of the Chicago Tribune gave the film a rating of 75 out of 100, saying "While I wish van Heijningen's Thing weren't quite so in lust with the '82 model, it works because it respects that basic premise; and it exhibits a little patience, doling out its ickiest, nastiest moments in ways that make them stick".[49] Andrew O'Hehir of Salon.com called it a "Loving prequel to a horror classic", saying "It's full of chills and thrills and isolated Antarctic atmosphere and terrific Hieronymus Bosch creature effects, and if it winks genially at the plot twists of Carpenter's film, it never feels even a little like some kind of inside joke."[50] James Berardinelli gave it three stars out of four, saying that it "offers a similar overall experience" to the 1982 film, but "without replicating styles and situations".[51] Christopher Orr of The Atlantic wrote that the narrative choices open to a prequel "exist on a spectrum from the unsurprising to the unfaithful," but Heijningen "has managed this balancing act about as well as could be hoped" and although the line between homage and apery is a fine one, "in our age of steady knockoffs, retreads, and loosely branded money grabs, The Thing stands out as a competent entertainment, capably executed if not particularly inspired."[52]

Other critics singled out Mary Elizabeth Winstead for praise in her performance as the lead, Dr. Kate Lloyd. "[Winstead] stands out with her portrayal of a paleontologist. She keeps a cool, logical head whilst others around her start to panic. It's a refreshing change from your traditional horror film where the lead characters do moronic things as if to prolong the story," Matthew Toomey of The Film Pie wrote.[53] Josh Bell of Las Vegas Weekly rated the film three out of five stars and wrote, "Winstead makes for an appealing protagonist, and Kate is portrayed as competent without being thrust into some unlikely action-hero role."[54]

Kathleen Murphy of MSN Movies rated it two-and-a-half out of five stars, calling it "a subpar slasher movie tricked out with tired 'Ten Little Indians' tropes and rip-offs from both Carpenter and the Christian Nyby-Howard Hawks' 1951 version of the chilling tale that started it all, John W. Campbell Jr.'s Who Goes There?".[55] Jim Vejvoda of IGN Movies also rated the film two-and-a-half out of five, saying, "This incarnation of The Thing is much like the creature it depicts: An insidious, defective mimic of the real, er, thing. It's not an entirely lost cause, but it is a needless one."[56] Roger Ebert gave the film two and a half stars out of four, the same rating he gave the 1982 film.[57] In Patrick Sauriol of Coming Attractions' review, he states, "Stack it up against John Carpenter’s version and it looks less shiny, but let’s face it, if you’re that kind of Thing fan you’re going to go see the new movie anyway. Try and judge today’s Thing on its own merits."[58]

Accolades

Year Award Category Recipient Result Ref.
2012 Saturn Awards Best Horror/Thriller Film The Thing Pending [59]
Best Make-Up Tom Woodruff Jr. and Alec Gillis Pending

Soundtrack

Untitled

The music composed for the film by Marco Beltrami was released in October 11, 2011. The soundtrack was released under the label Varese Sarabande.[60]

Track listing

  1. "God's Country Music" – 1:27
  2. "Road to Antarctica" – 2:41
  3. "Into the Cave" – 0:39
  4. "Eye of the Survivor" – 2:25
  5. "Meet and Greet" – 2:55
  6. "Autopsy" – 3:08
  7. "Cellular Activity" – 1:38
  8. "Finding Filling" – 3:25
  9. "Well Done" – 1:32
  10. "Female Persuasion" – 4:51
  11. "Survivors" – 3:28
  12. "Open Your Mouth" – 4:20
  13. "Antarctic Standoff" – 3:28
  14. "Meating of the Minds" – 4:28
  15. "Sander Sucks at Hiding" – 2:22
  16. "Can't Stand the Heat" – 2:10
  17. "Following Sander's Lead" – 2:39
  18. "In the Ship" – 2:39
  19. "Sander Bucks" – 0:45
  20. "The End" – 2:33
  21. "How Did You Know?" – 2:29

Reception

Allmusic rated the album 3.5/5 saying, "Composer Marco Beltrami's appropriately tense and brooding score for director Matthijs van Heijningen Jr.'s 2011 [prequel to] The Thing dutifully echoes Ennio Morricone's stark score for the original version, which in its own way echoed the soundtrack work of that film’s director, John Carpenter."[61]

Home media

The Thing was released on Blu-ray and DVD on January 31, 2012 in the US.[62]

References

  1. ^ "The Thing - released". AlloCiné. Retrieved January 13, 2012.
  2. ^ "Interviews With 'The Thing' Prequel Director and Producers - Screen Rant". Screen Rant.
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  4. ^ "The Thing (15)". British Board of Film Classification. 2011-08-25. Retrieved 2011-08-28.
  5. ^ "Can 'The Thing' remake help stop Universal's losing streak?". Los Angeles Times. Tribune Company. March 15, 2010. Retrieved April 20, 2010.
  6. ^ "Box Office Mojo: The Thing (2011)". Box Office Mojo. 2011-11-01. Retrieved November 1, 2011. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
  7. ^ Fischer, Russ (April 7, 2010). "First Set Image for Universal's Prequel to The Thing". /Film. Retrieved April 20, 2010.
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  39. ^ http://www.coronacomingattractions.com/news/exclusive-script-review-thing-prequel
  40. ^ "Universal Pulls 'The Thing' From 2011 Release Slate". Bloody Disgusting. November 12, 2010. Retrieved July 26, 2011.
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  43. ^ a b The Thing (2011) (2011) - Box Office Mojo
  44. ^ Weekend Report: Remakes Can't Retire 'Real Steel' - Box Office Mojo
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  48. ^ Pamela McClintock (2011-10-14). "'Box Office Report: 'Footloose' Grosses $5.57 Million, On Course To Dance Away With The Weekend - The Hollywood Reporter:". The Hollywood Reporter. Retrieved 2011-10-14.
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  50. ^ O'Hehir, Andrew (2011-10-13). ""The Thing": Loving prequel to a horror classic - Salon.com:". Salon.com. Retrieved 2011-10-14. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
  51. ^ THE THING (2011) - Reelviews Movie Reviews
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  54. ^ Bell, Josh (2011-10-12). "Las Vegas Weekly : - Meet the new "Thing" same as the old "Thing"". Las Vegas Weekly. Retrieved 2011-10-13. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
  55. ^ Murphy, Kathleen (2011-10-12). "The Thing (2011)". MSN. Retrieved 2011-10-13.
  56. ^ Vejvoda, Jim (2011-10-12). "The Thing Review". IGN. Retrieved 2011-10-13.
  57. ^ The Thing :: rogerebert.com :: Reviews
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  60. ^ Marco Beltrami’s ‘The Thing’ Soundtrack announced | Film Music Reporter
  61. ^ The Thing [2011 Original Score] - Marco Beltrami | AllMusic
  62. ^ "Amazon.com: The Thing (2011)". Amazon. December 1, 2011. Retrieved December 16, 2011.
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