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Frisky & Mannish
Frisky & Mannish on the South Bank
Frisky & Mannish on the South Bank
Background information
OriginEngland
GenresCabaret, Comedy,
Pop music,
MTV Generation
Years active2008-present
MembersLaura Corcoran, Frisky
Matthew Floyd Jones, Mannish
Websitefriskyandmannish.co.uk

Frisky & Mannish is a British musical comedy cabaret double act, formed in London in March 2008 by Laura Corcoran and Matthew Floyd Jones.[1][2]

Well-known for a style of parody that consists of "shrewdly crafted, expertly delivered and rapturously received observations"[3] on pop music, Corcoran and Jones portray themselves as "pop educators." They have been called "the mad scientists of pop, mixing unlikely solutions from incompatible artists and distilling entire genres into their separate elements."[4]

In 2009, Corcoran and Jones’s highly-acclaimed début, Frisky and Mannish’s School of Pop, met with significant critical and commercial success,[5] and was described as the “undisputed hit of the Edinburgh Fringe.”[6] Their subsequent work has been performed at the Sydney Opera House, the Melbourne Comedy Festival, the Adelaide Cabaret Festival, the New Zealand International Arts Festival, the Fringe World in Perth, and venues in Berlin, New York and Singapore, as well as across the United Kingdom. They reached the final of the Hackney Empire New Act of the Year competition in 2010, and have also been nominated for a Chortle Award and a Loaded LAFTA Award.

The act has been identified in The Guardian as a rare example of a successful mixed-gender comedy duo: “from Flight of the Conchords to French and Saunders, single-sex double acts are everywhere – but Frisky and Mannish show that more should cross the gender divide.”[7]

Origin of the name

Frisky & Mannish are named after two characters who appear in one line of Byron's Don Juan:

Lady Fitz-Frisky, and Miss Maevia Mannish,
Both longed extremely to be sung in Spanish.

—Byron, Don Juan, Canto the Eleventh, LIII.[8]

Background and early career

Corcoran was born in March 1985 in Manchester, and grew up in Altrincham where she attended Loreto Grammar School. Her father is musical theatre actor Christopher Corcoran, and her great-grandmother was one of the original Tiller Girls.[9] Jones was born in March 1985 in Kingston-upon-Thames, and grew up in Mole Valley, attending Howard of Effingham School. He is a former member of the National Youth Music Theatre.[10]

The pair met as undergraduate students at Oxford University,[11] where Corcoran studied English literature[12] and Jones read Classics and English.[11] They collaborated on theatrical productions, including Guys and Dolls and Godspell, and wrote comic songs for the Oxford Revue.[10] They have identified The Simpsons and Tenacious D as particular inspirations.[10] Corcoran subsequently trained on the postgraduate musical theatre course at the Royal Academy of Music, graduating in 2007.[10] Jones auditioned successfully for the American Academy of Dramatic Arts in 2008, but deferred the place for a year to pursue his work with Corcoran, eventually turning the offer down.[13]

Frisky & Mannish in New York City, January 2009

In March 2008, having been asked to perform a short set of music hall numbers at a fundraiser on the Battersea Barge, Corcoran and Jones decided instead to "mess around with a few songs."[12] Surprised by the positive reception, they began to develop the concept more fully, and mounted two solo showcases, the first at the Royal Academy of Dramatic Art in April, and the second at the Canal Café Theatre in July.[14]

They went on to establish themselves on the cabaret scene with guest performances at the Edinburgh Festival Fringe 2008 and the Brighton Festival Fringe 2009,[15] appearances in Berlin and New York,[16] music festival gigs at Lovebox and Camp Bestival,[17] a comedy debate at the Oxford Union,[18] and guest appearances with the Olivier Award-winning variety show La Clique at the London Hippodrome.[18]

They reached the final of the Hackney Empire New Act of the Year competition in January 2010, and eventually achieved third place.[19]

Major productions

Frisky and Mannish's School of Pop (2009)

Frisky & Mannish with Kate Nash at the Edinburgh Festival Fringe 2009

From February 2009, Corcoran and Jones began a monthly residency at the Leicester Square Theatre with a full-length show entitled Frisky and Mannish's School of Pop. The school concept emphasized the "educational" aspect of their song parodies, touching upon subjects as varied as British history (TLC's 'No Scrubs' as an example of Tudor foreign policy), English literature (Wuthering Heights from the perspective of Kate Nash), and existentialism in the work of Chesney Hawkes.

In August 2009, the School of Pop was performed at the Underbelly as part of the Edinburgh Festival Fringe.[20] The sell-out show received thirteen five-star reviews, from publications such as Time Out,[21] Chortle,[22] The Herald,[6] Edinburgh Evening News and The Mail on Sunday, and was described as "the undisputed hit of the Edinburgh Fringe."[6] One performance was attended by Kate Nash, who was herself the subject of one of their parodies.[23] The School of Pop transferred to Soho Theatre in London for a sell-out limited run in January 2010,[24] and the following month, Corcoran and Jones began an international tour of the show, performing at the Sydney Opera House during the Mardi Gras festival in February,[25] the New Zealand International Arts Festival in Wellington in March,[26] the Melbourne International Comedy Festival in April,[27] and the Adelaide Cabaret Festival in June.[28] Back in the United Kingdom, the pair embarked upon their first national tour, performing at such venues as the Komedia in Brighton[29] and the Lowry in Salford.[30] As a result of the wide-ranging success of the School of Pop, Corcoran and Jones were nominated for a Chortle Award in the category of 'Best Music or Variety Act',[31] and featured as 'talents to watch' in both The Independent and The Sun.[9][32]

Frisky and Mannish: The College Years (2010)

Frisky & Mannish performing at Latitude, July 2010

Corcoran and Jones wrote a sequel to the School of Pop, entitled Frisky and Mannish: The College Years. Their new parodies, largely based on a central theme of "collision theory", included an in-depth analysis of the vocal duet, an exposé of Florence and the Machine's musical inspirations, and an up-tempo club dance remix of Radiohead's 'Creep'.[33] The new show was premièred to a "packed out Cabaret tent" at Latitude Festival in Suffolk,[34] followed by official previews at Riverside Studios in Hammersmith in July 2010.[35]

At the Edinburgh Festival Fringe 2010, Corcoran and Jones enjoyed further success with The College Years, and received a number of five-star reviews from various publications, including Chortle, The List, Edinburgh Spotlight and Fringe Review.[33][36][37][38][39][40][41] The Edinburgh Festival Guide published a list of 'Top-rated shows' at the end of the 2010 festival, in which Frisky and Mannish: The College Years was placed second out of nearly 2500 productions.[42][43] Corcoran and Jones were singled out by comedian Shappi Khorsandi in The Telegraph as one of her favourite acts at the festival.[44] The show then toured the United Kingdom during the autumn, culminating in a performance at the Bloomsbury Theatre,[45] before travelling to Perth, Western Australia, to take part in the inaugural Fringe World festival.[46]

Frisky and Mannish: Pop Centre Plus (2011)

Corcoran and Jones's third full-length show, entitled Frisky and Mannish: Pop Centre Plus, was structured as a careers advisory service. Among other subjects, the show dealt with the genre of grime, analysed Madonna's gift for trend application, and revealed that the Bee Gees have been writing songs for Rihanna.[23][47] The duo described this show as the final instalment in their "pop-parody trilogy."[48]

After a season of previews on the South Bank, Pop Centre Plus was presented at the Udderbelly during the Edinburgh Festival Fringe in August 2011.[49] Amid considerable media interest, including being featured on the cover of The List’s Edinburgh Festival Guide,[50] and a mention in The Independent as Ruby Wax’s must-see show,[51] Corcoran and Jones again enjoyed a sell-out success, despite a somewhat mixed critical reception.[5][52][53] The show toured to the Absolut Fringe Festival Dublin in September 2011, and across the United Kingdom once more during the autumn, culminating in their highest-profile London engagement to date, O2 Shepherd's Bush Empire, on 7 December 2011.[54] In February 2012, they returned to perform in The Famous Spiegeltent at the Fringe World festival in Perth, receiving critical acclaim[55] and a nomination for the Best Cabaret award.

Frisky and Mannish: Extra-Curricular Activities (2012)

Having completed their trilogy, Corcoran and Jones created a fourth show entitled Frisky and Mannish: Extra-Curricular Activities, featuring updates of their most successful earlier work, alongside new parodies of Kelly Clarkson, Lana Del Rey and Made in Chelsea.[56] Described in The Sun as a "no-holds-barred, full-throttle, take-no-prisoners hit of pure F&M,"[56] Extra-Curricular Activities previewed at the Udderbelly on the South Bank before a limited run at the Assembly Hall during the Edinburgh Festival Fringe 2012.[57] The show was critically well-received,[58][59][60] with one reviewer stating that "every bit of positive praise that they've got, every ticket they've sold and every standing ovation they've received is absolutely, 100% justified."[61]

Other shows

Corcoran and Jones have enjoyed a fruitful association with the Underbelly, and have taken part in three consecutive E4 udderBELLY seasons in association with the Southbank Centre.[62][63][64] They have also headlined two West End variety nights at the Lyric Theatre on Shaftesbury Avenue. The first, entitled A Frisky and Mannish Christmas in December 2009, featured The Puppini Sisters and Angelos Epithemiou,[65] and the second, entitled Frisky and Mannish's Christmas Mess...age in December 2010, featured Miles Jupp and Abandoman.[66]

Critical reception

Corcoran and Jones have received numerous rave reviews for their work; among the plaudits, they have been described as "wildly talented," (The Independent[67]) "fully blown superstars," (Time Out[21]) "extraordinary," (New Zealand Herald[68]) "unbelievable," (The Sun[15]) "a constantly evolving force of musical nature," (Metro[52]) and a "global phenomenon." (The Times[69]) Their material has been termed "clever, inventive, polished, prodigiously talented and extremely funny," (Time Out Sydney[70]) "skilfully layered and musically surprising," (The Guardian[16]) "one of the most upbeat hours of comedy I've seen this year," (The Observer[71]) "a gold-star masterclass," (The Mail on Sunday[72]), "devastatingly clever," (Arts Hub[55]) and "pure exhilarating brilliance from start to finish." (Chortle[22]) They have been called the "King and Queen of the Fringe Festival,"[58] where their act was once described as "the most fun you can have without chemicals."[33] The Evening Standard asserted that "Simon Cowell would struggle to fault Frisky and Mannish."[53] Negative criticism of Frisky and Mannish has tended to focus upon a perceived lack of depth, identifying their work as "hardly groundbreaking stuff,"[73] "a sing along without having to work your brain,"[74] and "a bit of a one note samba."[75]

Erotic Review wrote of the duo: "Despite the widely heralded post-Meow Meow, post-La Clique phenomenon of cabaret’s big-time explosion, large venue engagements are still few and far between in London’s perennially underground variety scene. Frisky and Mannish’s brash in-your-face irreverence makes a bold crossover statement, shamelessly seizing the mainstream spotlight with an unmistakable brand of humour both popular and defiant."[76]

Many reviewers have found Frisky and Mannish difficult to accurately describe.[77][78][79] Dominic Cavendish in The Daily Telegraph wrote that "on paper, it’s next to impossible to do justice to what happens during a Frisky and Mannish gig - and gig feels the operative word... the atmosphere is more redolent of a flashy turn by Lady Gaga than your average comedy club night."[11]

Television, radio and online

In January 2011, Frisky & Mannish appeared in the third episode of BBC Two's children's comedy programme, Dick and Dom's Funny Business, performing a Strictly Come Dancing skit featuring Vincent Simone partnered with Lady Gaga.[80] During the 2011 Edinburgh Fringe, they appeared on BBC Three's Live at the Fringe programme, and BBC2's The Culture Show, for which they wrote a new piece looking at the art of the comic song.

In March 2011, a number of Frisky & Mannish songs were featured on The Scott Mills Breakfast Show on BBC Radio 1.[81] The songs proved so popular that the duo were invited to appear in person on the show; they were interviewed by Scott Mills and performed live.[81] The video edit of their live performances on the show made the Most Popular list on the BBC Radio 1 website that week.[82] They have also been featured on BBC Radio 2's The Arts Show with Claudia Winkleman,[83] BBC Radio 4 with Ali McGregor,[84] BBC 6 Music with Lauren Laverne,[85] BBC Radio 7, BBC Radio Scotland,[86] and STV.[87]

In October 2011, to coincide with the eighth series of The X Factor in the United Kingdom, Corcoran and Jones began filming and uploading a series of "VidBlogs" to their YouTube channel, presenting their humorous thoughts on each live final. After a positive response to the first video, the magazine Heat started to sponsor and host the duo's weekly blog, which appeared on the Heatworld website.[88]

Controversies

Britain's Got Talent

On Saturday 23 April 2011, Scottish drama teacher Edward Reid performed a version of Leona Lewis's cover of 'Run' on the fifth series of the television programme Britain's Got Talent, replacing the original lyrics with 'Old McDonald Had a Farm' and other nursery rhymes. Reid received a standing ovation from the studio audience, unanimous praise from the judging panel, and was soon installed as favourite to win the competition.[89]

"We'd like to make the point that we by no means believe we 'own' the idea of performing twisted versions of pop songs. We were not the first, and won't be the last. But the strong links and similarities in this instance have been slightly disconcerting."

Corcoran and Jones's statement in The Sun

[90]

Immediately afterwards, Twitter users began accusing Reid of plagiarising the Frisky & Mannish song 'Wheels on the Bus', a version of Girls Aloud's 'Sound of the Underground' which also features a nursery rhyme medley and begins with 'Old McDonald Had a Farm'.[91] Corcoran and Jones, initially unavailable for comment, then released a statement to The Sun on 25 April 2011,[90] revealing that they had performed alongside Reid at the Glasgow Cabaret Festival in 2009, at which time his work was "very different" from theirs, and that he had seen their version of 'Wheels on the Bus'.[90]

Following the statement, Corcoran and Jones were reported to have "played down" the situation on their social networking sites, posting a tongue-in-cheek claim that they were "now being counter-sued by Old McDonald."[91] On their official website, the duo made the following observation: "We do not believe we are the first people to do pop parodies. Nor is the irony of the event lost on us, considering our repeated pilfering of the back-catalogues of Britney, Bieber and Busted. Only certain interpersonal exchanges made this an unusual event."[92]

The Scott Mills Show

"Sorry about the Dannii Minogue/Gotye incident. I am a fool."

Scott Mills on Twitter [93]

In January 2012, prior to their fourth Australian tour, Frisky & Mannish wrote a parody of Gotye's 'Somebody That I Used to Know', re-imagining the song in the style of Dannii Minogue. The track was sent to Scott Mills, who subsequently played it on BBC Radio 1 and mistakenly claimed that the recording was proof that Gotye's was a cover version of Dannii's original song.[93] Mills caused a small internet furore, with Twitter users and various online blogs either taking the claim to be truth, or vehemently denying it.[93] Comments ranged from "i hope all the people quoting gotye lyrics on here [Twitter] realize they're actually quoting dannii minogue lyrics as its a cover," to "Feel as disappointed as the time I realised 'Hounds of Love' was a Kate Bush original." Eventually, Mills discovered that the song was a Frisky & Mannish recording, and apologised for the confusion.[93]

Awards and nominations

References

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