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Kitsune

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A real kitsune, a Japanese subspecies of the red fox, in Hokkaido, Japan.

Kitsune ()(Pronunciation)) is the Japanese word for fox. Japan is home to two subspecies of foxes: the Japanese Red Fox (Hondo kitsune living in Honshū; Vulpes vulpes japonica) and Hokkaido Fox (Kita kitsune living in Hokkaido; Vulpes vulpes schrencki).

Foxes are prominent in Japanese folklore, where they are considered sapient beings. Folk tales hold that they possess great magical powers, the scope of which increases with their age and wisdom, including the ability to assume human form. While some stories speak of kitsune employing this ability to trick others, as foxes in folklore often do, others portray them in a more favorable light as faithful guardians, friends, lovers, and wives.

Many kitsune are said to possess multiple tails, numbering as high as nine. A larger number of tails usually indicates an older, wiser, and more powerful kitsune. Their potential power and influence is such that offerings are sometimes made to kitsune as they might be to a kami who is a personified deity.

Kitsune are closely associated with the Shinto kami Inari, serving as his messengers.[1]

Folklore

Statue of kitsune at Inari shrine adjacent to Todaiji Buddhist temple Nara, Japan.

In folklore, kitsune are a type of yōkai. In this context, the word kitsune is often translated as "fox spirit." However, this does not mean that a kitsune is not a living creature, nor that a kitsune is a different creature than a fox. Because the word spirit is used in its Eastern sense, reflecting a state of knowledge or enlightenment, any fox who lives for a sufficient amount of time can be a fox spirit.[2]

Kitsune are believed to possess great intelligence, long life, and magical powers. Foremost among these is the ability to take on human form; a fox learns to do so once it attains a certain age (usually a hundred years, though some tales say fifty).[3] The placement of reeds, a broad leaf, or a skull over the fox's head is a common prerequisite of this transformation.[4] Kitsune typically appear in the shape of a beautiful woman, a young girl, or an elderly man. The shape a fox assumes is not limited by its actual age or gender; male foxes have been known to take female form, and old foxes to appear young.[2]

There are two major types of kitsune; the myobu, or celestial fox — those associated with Inari, who are presented as benevolent — and the nogitsune, or wild fox (literally "field fox"), who are often presented as malicious.[5] According to some beliefs, kitsune can be further classified by type; such beliefs vary according to location and tradition.[5]

Physical characteristics

The physical attribute kitsune are most noted for is their tails — a fox may possess as many as nine of them.[6] Generally, an older and more powerful fox will possess a greater number of tails, and some sources say that a fox will only grow additional tails after it has lived for a thousand years.[3] The foxes that appear in folk stories almost always possess one, five, or nine tails, rather than any other intermediate number.

When a kitsune gains its ninth tail, its fur becomes white or gold.[6] These kyūbi no kitsune ("nine-tailed foxes") gain the power of infinite vision — they can see (and hear) anything happening anywhere in the world. Occasionally, they are attributed "infinite wisdom," essentially omniscience.[7]

In some stories, kitsune have difficulty hiding their tail when they take human form.[8] The observant protagonist sees through the fox's disguise when the drunken or careless fox allows its tail to show.

Looking for the fox's tail is one common method of attempting to discern the true nature of the kitsune, but some sources speak of other methods to reveal its true shape. Variants of this theme feature the kitsune retaining other foxlike traits, such as a coating of fine hair over much of its body. A shapeshifted kitsune may cast the shadow of a fox rather than of a human, or its reflection might be that of a fox.[9] Kitsune have a great fear and hatred of dogs, even while in human form, and some become so rattled by the presence of a dog that they will revert to the shape of a fox and flee. Finally, a particularly devout individual may be able to see through the fox's disguise.[10]

Powers

Prince Hanzoku terrorized by a nine-tailed fox. Print by Utagawa Kuniyoshi

Supernatural powers commonly attributed to the kitsune include, in addition to shapeshifting, possession (see kitsunetsuki below), the ability to generate fire or lightning from their tails or to breathe fire (known as kitsune-bi, literally "foxfire"), the power to manifest in dreams, the ability to become invisible, the power to fly, and the ability to create illusions so elaborate as to be almost indistinguishable from reality.[9][4]

Some tales go further still, speaking of kitsune with the ability to bend time and space, to drive people mad, or to take such nonhuman and fantastic shapes as a tree of incredible height or a second moon in the sky.[11][12] Occasionally kitsune are ascribed a characteristic reminiscent of vampires or succubi — these kitsune feed on the life or spirit of humans, generally through sexual contact.[13]

"Star balls"

Kitsune or their possessed victims may be depicted carrying a round or onion-shaped white ball, known as a hoshi no tama ("star ball"). These balls are described as glowing with kitsune-bi, fox-fire.[14] Those who obtain the ball may be able to extract the kitsune's promise to help them in exchange for its return. One belief states that the ball holds a portion of the kitsune's magical power when it changes shape.

These balls are sometimes identified as enchanted "jewels" or pearls.[15] When not in human form or possessing a human, kitsune keep these jewels in their mouths or carry them on their tails.[3]

A jewel is a common symbol of Inari, and representations of a sacred Inari fox that do not include one are rare.[16]

Portrayal

Servants of Inari

Blacksmith Munechika (end of the 10th century), helped by Inari and her fox spirits, forging the blade ko-kitsune-maru ("Little fox"). This legend is the subject of a noh drama.

Kitsune are associated with the deity of rice known as Inari.[17] Originally kitsune were the messengers of Inari, but the line between the two has now become blurred to the point that Inari is sometimes depicted as a fox, and that there exist shrines dedicated to the kitsune.[5] There is speculation as to whether, historically, another Shinto deity who is a fox exists; foxes have, however, been worshipped as kami.[18]

Inari's kitsune are white in color, and white foxes are accordingly considered a good omen.[5] They possess the power to ward off evil and sometimes serve as guardian spirits. In addition to protecting Inari shrines, they are sometimes petitioned to intervene on behalf of the locals, and particularly to aid against troublesome nogitsune. Black foxes and nine-tailed foxes are likewise considered good omens.[8]

The fox's power over evil is such that, according to beliefs derived from feng shui (fusui in Japanese), a statue of a fox serves to ward off evil kimon that flows from the northeast. Many Inari shrines feature such statues, sometimes in great numbers, such as the famous Fushimi Inari shrine in Kyoto, Japan.

Kitsune are connected to the Buddhist religion through the Dakiniten, goddesses conflated with Inari's female aspect. Dakiniten is depicted as a female boddhisattva wielding a sword and riding a flying white fox.[19]

Tricksters

In Japanese folklore, the kitsune are often presented as tricksters — sometimes very malevolent ones. The trickster kitsune employ their magical powers to play tricks on people; those portrayed in a favorable light choose as targets overly-proud samurai, greedy merchants, and boastful commoners, while the more cruel kitsune abuse poor tradesmen and farmers or devout Buddhist monks. For example, kitsune were thought to employ their foxfire to lead travelers astray, in the manner of a will o' the wisp.[20] Other common goals of trickster kitsune include seduction, theft of food, humiliation of the prideful, or vengeance for a perceived slight.

Despite their role as tricksters, however, kitsune will keep any promise given and will strive to repay any favor owed. Occasionally a kitsune will attach itself to a person or household. As long as it is treated with respect, it will use its powers for the benefit of its companion or hosts. As yōkai, however, kitsune do not share human morality, and a kitsune who has "adopted" a house in this manner might, for example, bring its host "gifts" of money or items that are in fact stolen from the host's neighbors. Any household thought to harbor kitsune is therefore treated with suspicion.[21]

A distinction is drawn in folklore between kitsune gifts and payments made by kitsune. A payment, or any reward offered by a kitsune that includes money or material wealth, will be partially illusory. Some or all of such a payment will be composed of old paper, leaves, twigs, stones, or similar valueless items.[22][23] True kitsune gifts usually are intangibles, such as protection, knowledge, or long life.[23]

Wives and lovers

Kitsune are commonly portrayed as lovers.[24] These love stories usually involve a young human male and a kitsune who takes the form of a woman. Sometimes the kitsune is assigned the role of seductress, but often these stories are romantic in nature.[25] Such a story usually involves the young man unknowingly marrying the fox, and emphasizes the devotion of the fox-wife. Many of these stories also possess a tragic element — they usually end with the discovery of the fox, who then must leave her husband. In some cases, the husband wakes, as if from a dream, to find himself far from home, filthy, and disoriented, and must often return to confront his abandoned human family in shame.

Many stories tell of fox-wives bearing children. Such progeny of human-kitsune marriages are human, but they are held to possess special physical or supernatural qualities or both, and these are often passed to their children in turn.[8] The specific nature of these qualities varies widely from one source to another. Among those who are said to have inherited such extraordinary power is the famous onmyoji Abe no Seimei.[26]

False etymologies of the word "kitsune"

The oldest known story of a fox-wife, dating to about 545 A.D., provides a folk etymology of the word kitsune.[27] This story is an exception to the norm in that it does not end tragically.[28]

In the story, a fox takes the shape of a woman and marries a human man. They spend many happy years together and have several children. The wife is ultimately revealed as a fox when, terrified by a dog, she reverts to her fox shape in the presence of witnesses. She flees, intent on returning to the wild, but her husband follows, protesting that he loves her regardless of her nature. Saying that he cannot forget her, he asks her to return. The fox agrees, and from then on returns to her husband each night in the shape of a woman, leaving again each morning in the shape of a fox. She comes to be called Kitsune because, in classical Japanese, "kitsu-ne" means "come and sleep," while "ki-tsune" means "always comes."[29]

Some have suggested that the origins of the word "kitsune" may be an onomotopoeia. "Kitsu" was said to be the sound produced by foxes in Japan, much in the way that "woof" is said to be the noise dogs make in the West. "-ne" can be translated to mean "noise," and so the word "kitsune" could literally refer to the sound produced by a fox. However, "kitsu" has not been used as representative of the sound foxes produce for some time; in modern Japanese the sound of a fox is transcribed as "kon kon" or "gon gon."

Origins

There is debate as to whether the kitsune is originally from China or is an indigenously Japanese concept, dating perhaps as far back as the fifth century B.C.E. Some fox-related myths in Japan can be traced to China, Korea, or (indirectly) India. Many of the earliest surviving kitsune stories are recorded in the Konjaku Monogatari, an 11th century collection of Chinese, Indian, and Japanese narratives.[30]

Chinese folklore contains fox spirits with similarities to kitsune, including the possibility of nine tails. Similarly, in Korea, a kumiho (literally "nine-tail fox") is a mythical fox that has lived for a thousand years. However, the Korean fox is always depicted as evil, unlike the Japanese fox, which can be benevolent.

Some scholars have suggested that fox-related myths spread from Indian sources such as the Hitopadesa to China and Korea, and ultimately to Japan. Nozaki, in contrast, indicates that kitsune were regarded in a positive light as early as the 4th century, and suggests that only their less favorable aspects stem from fox myths later imported from China and Korea.[31] Smyers has noted that sexuality and the notion of the fox as seductress were introduced into Japanese folklore through similar Chinese stories, as was the connection of the fox myths to Buddhism.[32]

Kitsunetsuki

Kitsunetsuki (狐憑き or 狐付き; also written as kitsune-tsuki) literally means the state of being possessed by a fox. The fox was believed to enter the body of its victim, typically a young woman, beneath her fingernails or through her breasts.[33] In some cases, the victim's facial expressions were said to change in such a way that they resembled foxes. Japanese tradition holds that the possession can cause illiterate victims to temporarily gain literacy.[34]

Lafcadio Hearn describes the condition in the first volume of his Glimpses of Unfamiliar Japan:

Strange is the madness of those into whom demon foxes enter. Sometimes they run naked shouting through the streets. Sometimes they lie down and froth at the mouth, and yelp as a fox yelps. And on some part of the body of the possessed a moving lump appears under the skin, which seems to have a life of its own. Prick it with a needle, and it glides instantly to another place. By no grasp can it be so tightly compressed by a strong hand that it will not slip from under the fingers. Possessed folk are also said to speak and write languages of which they were totally ignorant prior to possession. They eat only what foxes are believed to like — tofu, aburage, azukimeshi, etc. — and they eat a great deal, alleging that not they, but the possessing foxes, are hungry.[35]

He goes on to note that, once freed from the possession, the victim will never again be able to eat tofu, azukimeshi, or other foods favored by foxes.

Exorcism, often performed at an Inari shrine, induced a fox to leave its possessed host.[36] When such gentle measures failed, or a priest was not available, victims of kitsunetsuki were often treated cruelly — beaten or badly burned — in hopes of forcing the fox to leave. On some occasions, entire families were ostracized by their communities after a member of the family was thought to be possessed.[35]

In Japan, kitsunetsuki was noted as a disease as early as the Heian period and remained a common diagnosis for insanity as recently as the early 20th century.[37][38] Possession was the explanation for the abnormal behavior displayed by the afflicted individuals. One doctor in the late 19th century noted that physical diseases whose symptoms included a fever were also often considered kitsunetsuki.[39]

Stories of fox possession are still known to appear in the tabloid press and popular media; one notable occasion involved allegations that members of the Aum Shinrikyo cult had been possessed.[40]

Kitsunetsuki is also an ethnic psychosis unique to Japanese culture, which causes its victims to believe they are being possessed by a fox. Some of the symptoms of kitsunetsuki are cravings for rice or sweet red beans, listlessness, restlessness, and an aversion to eye contact. It is similar to, but distinct from, clinical lycanthropy.

In fiction

The kitsune Kuzunoha, a popular figure in folklore, is the subject of some kabuki plays. Note the shadow of a fox cast on the screen. Print by Kuniyoshi Ichiyusai.

Embedded in popular folklore as they are, kitsune have made numerous appearances in Japanese works. They are featured in noh, kyogen, bunraku, and kabuki plays derived from folk tales,[41][42] as well as in such contemporary works as manga and video games. Western authors of fantasy have also begun to make use of the kitsune legends. While these portrayals vary considerably, kitsune are generally depicted, in accordance with the folk stories, as wise, cunning, and powerful.

Among the most well-known kitsune characters in traditional Japanese theatrical works are Kuzunoha, mother of Abe no Seimei, and the evil Tamamo-no-Mae.[43]

Other meanings

  • There are Japanese dishes called kitsune udon and kitsune soba, so named because kitsune are said to have a particular fondness for the fried sliced tofu (aburaage or usuage) it contains. Similarly, Inari-zushi is a type of sushi containing fried tofu, named for the kami associated with kitsune.[44]
  • In Japan, rain falling from a clear sky — a sun shower — is sometimes called kitsune no yomeiri or "the kitsune's wedding," in reference to a folktale describing a wedding ceremony between the creatures being held during such conditions.[45] The event is considered to be a good omen, but folklore states that the kitsune do not take kindly to uninvited guests and will seek revenge. Oddly enough, in parts of Scotland, rain on a sunny day is also called a fox's wedding. A fox's wedding is depicted in a scene from Akira Kurosawa's film Dreams (Yume).
  • Kitsune-gao or "fox-faced" refers to females who have a narrow face with close-set eyes, thin eyebrows, and high cheekbones. Traditionally, this facial structure is considered attractive.[46]
  • Kitsune-ken ("fox-fist") is a traditional game similar to rock, paper, scissors. Three hand positions signify a fox, a hunter, and a village headman. The headman beats the hunter, who he outranks; the hunter beats the fox, who he shoots; the fox beats the headman, who he bewitches.[47][48]
  • Kitsuné is also the name of a French record label, specializing in house, disco, and electro, among other pop styles. The label has expanded into fashion and other events.

Notes

  1. ^ Hearn, Lafcadio. Glimpses of Unfamiliar Japan.Project Gutenberg e-text edition, 2005. 153
  2. ^ a b Smyers, Karen Ann. The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship. Honolulu: University of Hawaii Press, 1999. 127-128
  3. ^ a b c Hamel, Frank. Human Animals: Werewolves & Other Transformations. New Hyde Park, N.Y.: University Books, 1969. 91
  4. ^ a b Nozaki, Kiyoshi. Kitsune — Japan's Fox of Mystery, Romance, and Humor. Tokyo: The Hokuseidô Press, 1961. 25-26
  5. ^ a b c d Hearn. Glimpses. 154
  6. ^ a b Smyers. The Fox and the Jewel. 129
  7. ^ Hearn. Glimpses. 159
  8. ^ a b c Ashkenazy, Michael. Handbook of Japanese Mythology. Santa Barbara, California: ABC-Clio, 2003. 148
  9. ^ a b Hearn. Glimpses. 155
  10. ^ Heine, Steven. Shifting Shape, Shaping Text: Philosophy and Folklore in the Fox Koan. Honolulu: University of Hawai'i Press, 1999. 153
  11. ^ Hearn. Glimpses. 156-157
  12. ^ Nozaki. Kitsune. 36-37
  13. ^ Nozaki. Kitsune. 26, 221
  14. ^ Nozaki. Kitsune. 183
  15. ^ Nozaki. Kitsune. 169-170
  16. ^ Smyers. The Fox and the Jewel. 112-114
  17. ^ Smyers. The Fox and the Jewel. 76
  18. ^ Smyers. The Fox and the Jewel. 77, 81
  19. ^ Smyers. The Fox and the Jewel. 82-85
  20. ^ Addiss, Stephen. Japanese Ghosts & Demons: Art of the Supernatural. New York: G. Braziller, 1985. 137
  21. ^ Hearn. Glimpses. 159-161
  22. ^ Nozaki. Kitsune. 195
  23. ^ a b Smyers. The Fox and the Jewel. 103-105
  24. ^ Hamel, Frank. Human Animals: Werewolves & Other Transformations. New Hyde Park, N.Y.: University Books, 1969. 90
  25. ^ Hearn. Glimpses. 157
  26. ^ Ashkenazy. Handbook. 150
  27. ^ Hamel. Human Animals. 89
  28. ^ Goff, Janet. "Foxes in Japanese culture: beautiful or beastly?" Japan Quarterly 44:2 (April-June 1997).
  29. ^ Smyers. The Fox and the Jewel. 72
  30. ^ Goff. "Foxes". Japan Quarterly 44:2.
  31. ^ Nozaki, Kiyoshi. Kitsune — Japan's Fox of Mystery, Romance, and Humor. Tokyo: The Hokuseido Press, 1961. 5
  32. ^ Smyers. The Fox and the Jewel. 127-128
  33. ^ Nozaki. Kitsune. 59
  34. ^ Nozaki. Kitsune. 216
  35. ^ a b Hearn. Glimpses. 158
  36. ^ Smyers. The Fox and the Jewel. 90
  37. ^ Nozaki. Kitsune. 211
  38. ^ Hearn. Glimpses. 165
  39. ^ Nozaki. Kitsune. 214-215
  40. ^ Downey, Jean Miyake. "Ten Thousand Things." Kyoto Journal 63. [1]
  41. ^ Hearn. Glimpses. 162-163
  42. ^ Nozaki. Kitsune. 109-124
  43. ^ Nozaki. Kitsune. 110-113, 122-123
  44. ^ Smyers. The Fox and the Jewel. 96
  45. ^ Addiss. Ghosts & Demons. 132
  46. ^ Nozaki. Kitsune. 95, 206
  47. ^ Nozaki. Kitsune. 230
  48. ^ Smyers. The Fox and the Jewel. 98

References

  • Addiss, Stephen. Japanese Ghosts & Demons: Art of the Supernatural. New York: G. Braziller, 1985. (pp. 132-137) ISBN 0-8076-1126-3
  • Ashkenazy, Michael. Handbook of Japanese Mythology. Santa Barbara, California: ABC-Clio, 2003. ISBN 1-57607-467-6
  • Bathgate, Michael. The Fox's Craft in Japanese Religion and Folklore: Shapeshifters, Transformations, and Duplicities. New York: Routledge, 2004. ISBN 0-415-96821-6
  • Hall, Jamie. Half Human, Half Animal: Tales of Werewolves and Related Creatures. Bloomington, Indiana: Authorhouse, 2003. (pp. 121-152) ISBN 1-4107-5809-5
  • Hamel, Frank. Human Animals: Werewolves & Other Transformations. New Hyde Park, N.Y.: University Books, 1969. (pp. 88-102) ISBN 0-7661-6700-3
  • Hearn, Lafcadio. Glimpses of Unfamiliar Japan. Project Gutenberg e-text edition, 2005.
  • Heine, Steven. Shifting Shape, Shaping Text: Philosophy and Folklore in the Fox Koan. Honolulu: University of Hawai'i Press, 1999.
  • Nozaki, Kiyoshi. Kitsuné — Japan's Fox of Mystery, Romance, and Humor. Tokyo: The Hokuseidô Press. 1961.
  • Mark Schumacher, Oinari. (2003)
  • Smyers, Karen Ann. The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship. Honolulu: University of Hawaii Press, 1999. ISBN 0-8248-2102-5

External links