Luiz Fernando Carvalho
Luiz Fernando Carvalho | |
---|---|
Born | Luiz Fernando Carvalho de Almeida July 28, 1960 |
Occupation(s) | Film director, screenwriter, novelist |
Years active | 1985–present |
Known for | Films and TV series based on Brazilian writers |
Notable work | To the Left of the Father (Lavoura Arcaica), Os Maias, Hoje É Dia de Maria and Dois Irmãos |
Luiz Fernando Carvalho (born July 28, 1960 in Rio de Janeiro) is a Brazilian filmmaker and television director, known for works closely linked to literature that constitute a renovation in Brazilian audiovisual aesthetics.[1] He has already brought to the screen works by Ariano Suassuna, Raduan Nassar, Machado de Assis, Eça de Queirós, Roland Barthes, Clarice Lispector, Milton Hatoum, José Lins do Rego and Graciliano Ramos, among others.
Some critics compare Luiz Fernando Carvalho's productions to the Brazilian Cinema Novo[2] and icons of film history such as Luchino Visconti and Andrei Tarkovski.[3] His work is characterized by visual and linguistic experimentation[4] and exploration of the multiplicity of Brazil's cultural identity.[5][6] The baroque style[7][8][9] of overlays and interlacing of narrative genres, the relation to the moment in Time,[10] the archetypal symbols of the Earth and the reflection on the language of social and family melodrama[11] are features of the director's poetic language.
The filmmaker's works have met with both critical and public acclaim. He directed the film To the Left of the Father (Lavoura Arcaica) (2001)[12][13], based on the homonymous novel by Raduan Nassar, cited by the critic Jean-Philippe Tessé in the French magazine Cahiers du Cinéma as a "ground-breaking promise of renovation, of an upheaval not seen in Brazilian cinema since Glauber Rocha,[14][15] which won over 50 national and international awards.[16] The telenovelas Renascer (Rebirth) (1993) and The King of the Cattle (O Rei do Gado) (1996), by screenwriter Benedito Ruy Barbosa and directed by Luiz Fernando Carvalho, are recognized as benchmarks of Brazilian television drama and achieved some of the highest audience ratings of the 1990s.[17][18]
There is a marked contrast between the director's television works: from the pop design of the 60s in the series Ladies' Mail (Correio Feminino) (2013) to the classic rigor of the mini-series The Maias (Os Maias) (2001), the urban references of the working-class suburbs in the mini-series Suburbia (2012) to the playfulness of the soap My Little Plot of Land (Meu Pedacinho de Chão) (2014), the aesthetic research of the Sertão (backcountry) in Old River (Velho Chico) (2016) to the Brazilian fairytale of the mini-series Today is Maria's Day (Hoje É Dia de Maria) (2005) and the realistic universe of family tragedy in Two Brothers (Dois Irmãos) (2017).[19][20]
The director's production process is renowned for identifying new talent from all over Brazil and for training actors,[21] revealing new stars of the dramatic arts such as Leticia Sabatella, Eliane Giardini, Bruna Linzmeyer, Johnny Massaro, Irandhir Santos, Simone Spoladore, Caco Ciocler, Marcello Antony, Marco Ricca, Isabel Fillardis, Giselle Itié, Emilio Orciollo Netto, Sheron Menezes, Jackson Antunes, Maria Luisa Mendonça, Eduardo Moscovis, Jackson Costa, Leonardo Vieira, Cacá Carvalho, Luciana Braga, Julia Dalavia, Renato Góes, Cyria Coentro, Marina Nery, Júlio Machado, Bárbara Reis, Lee Taylor, Zezita de Matos, Mariene de Castro and Lucy Alves, among others. The director's actor coaching technique has given rise to a method recounted in the book O processo de criação dos atores de Dois Irmãos (The creation process of the actors in Dois Irmãos), by the photographer Leandro Pagliaro.[22][23]
"There is a concrete promise of renovation, of a palpitation not seen in Brazilian cinema since Glauber Rocha. (...) At first, one is left with nothing but fragments torn from a visual magma. But soon the chaos resolves itself, the film unrolls in all its richness like a barbaric poem verging on hallucination, of extraordinary power. (...) Never, however, does its return to the underlying myths obscure or accelerate the predominance of the sensations. If the film is possessed of such enchanting force, it is because Luiz Fernando Carvalho knows that everything starts there, in this first way of being born into the world, of allowing oneself to be ravished by it, to savor every twist of it..."
—Les Cahiers du Cinèma, by Jean-Philippe Tessé on his critic about To the Left of the Father (Lavoura Arcaica)[14]
Early Career: 1980s
Luiz Fernando Carvalho studied architecture and literature. He started out in cinema at 18 in a number of roles: audio technician, assistant director, screenwriter, short film editor and director. His first TV work came in the early 80s, as assistant director of noteworthy mini-series, such as O Tempo e o Vento, based on the work of Érico Veríssimo, directed by Paulo José, and Grande Sertão: Veredas, from the work of João Guimarães Rosa, in which he started to direct his first scenes, still as assistant director to Walter Avancini.
The Waiting (A Espera)
He wrote and directed the short The Waiting (A Espera), based on the book A Lover's Discourse: Fragments (Fragments d'un discours amoureux) by Roland Barthes. Launched in 1986, the film collected the following awards: Best Short Film, Best Actress (Marieta Severo) and Best Cinematography (Walter Carvalho) at the 13th Festival de Gramado;[24] Best Short Film (Golden Shell) at the San Sebastián International Film Festival (Spain); and the Special Jury Award at the Ste Therèse Festival (Canada).
1990s
Sweet River (Riacho Doce)
Early in the 90s, Luiz Fernando Carvalho directed a 40-chapter mini-series written by Aguinaldo Silva, based on the work of José Lins do Rego and starring Vera Fischer, Osmar Prado, Sebastião Vasconcelos, Carlos Alberto Riccelli and Fernanda Montenegro, with costumes by Beth Filipecki. The then inhospitable island of Fernando de Noronha (PE) served as the scene for the story, which is set in a small fishing village in the Northeast of Brazil.
The Cangaceiro's Revenge (Os Homens Querem Paz)
In 1991, Luiz Fernando Carvalho directed an adaptation of a script by Brazilian TV pioneer Péricles Leal, with costumes by Beth Filipecki. The telefilm was shot in the town of Canindé, Ceará, and reached the finals of the 34th New York Television Festival. This marked the television debut of actress Leticia Sabatella. The critic Rodrigo Fonseca affirmed that his first memory of Letícia Sabatella on TV was also when he discovered the existence of the "genius of direction that is Luiz Fernando".[25]
Stone on Stone (Pedra Sobre Pedra)
In 1992, he directed the telenovela written by Aguinaldo Silva, considered to have reached the 6th largest audience in Brazilian television history.[26] Notable cast members included: Lima Duarte, Renata Sorrah, Armando Bógus, Eva Wilma, Paulo Betti, Andréa Beltrão, Pedro Paulo Rangel and Eduardo Moscovis. Certain characters are regarded as landmarks in TV drama: Sergio Cabeleira (Osmar Prado) and the photographer Jorge Tadeu (Fábio Jr.).
The Tale of Our Lady of Light (O Auto de Nossa Senhora da Luz)
While filming Pedra sobre Pedra, Luiz Fernando Carvalho came up with a significant sequence inspired by Ariano Suassuna's Armorial Movement (Movimento Armorial) . The enormous success of the sequence, confirmed by the record number of requests by viewers for a rerun, was decisive in transformation of the material into a telefilm, with additional scenes written by Braulio Tavares and interpreted by the actor and musician Antonio Nóbrega. It competed for the International Emmy Award in 1993.[27]
Rebirth (Renascer)
The 1993 soap, written by Benedito Ruy Barbosa and directed by Luiz Fernando Carvalho, met with critical and public acclaim and was the most watched in the 90s and 4th in audience ratings in the history of Brazilian television.[26] It was also shown in several other countries. As directed by Luiz Fernando Carvalho, it is regarded as among the symbols of renovation of the aesthetics of the genre in the 90s.[28] The character Buba, interpreted by Maria Luisa Mendonça, caused a national controversy, as it was the first time that the discussion of gender had been addressed in a telenovela. It received the APCA Award for Best Novela, Best Actor (Antonio Fagundes), Best Supporting Actor (Osmar Prado), Best Supporting Actress (Regina Dourado), Best Male Breakthrough Performance (Jackson Antunes).[29] Leonardo Vieira, Jackson Antunes, Cacá Carvalho, Marco Ricca, Isabel Fillardis and Maria Luisa Mendonça were among the talents revealed in this work. The television entrepreneur José Bonifácio de Oliveira, considered the plot "well structured by Benedito, with a well-crafted first part, masterfully directed by Luiz Fernando Carvalho".[30] According to Marilia Martins, few novelas had a first chapter directed with such polish and skill as Rebirth.
A Woman Clothed in Sun (Uma Mulher Vestida de Sol)
In 1994, the telefilm directed by Luiz Fernando Carvalho marked the first appearance of Ariano Suassuna's works on television.[31] Based on the writer's unpublished novel of the same name, the script was the work of Ariano himself, in partnership with the director. Director of photography Dib Lufti, costumes by Luciana Buarque and art production by Lia Renha. Scenography by the artist Fernando Velloso, from the Grupo Corpo dance group, music by Antônio Madureira, a member of the Armorial Quintet (Quinteto Armorial). With A Woman dressed in Sun (Uma Mulher Vestida de Sol), the director commenced his exploration of the limits of television language, combining elements of the popular theater of the Northeast. Luiz Carlos Vasconcelos's Grupo Piolim participated and the cast included Tereza Seiblitz, Lineu Dias, Sebastião Vasconcelos, Ana Lúcia Torre, Raul Cortez and the then novice actor Floriano Peixoto. According to the researcher of Literature Hélio Guimarães, the work gave rise to an impasse at the TV station: was Luíz Fernando Carvalho too big for the Globo screen?[32]
The Farce of Pleasant Idleness (A Farsa da Boa Preguiça)
One year after A Woman dressed in Sun (Uma Mulher Vestida de Sol), in 1995, Luiz Fernando Carvalho resumed his connection with the writer Ariano Suassuna, this time transforming the play The Farce of Pleasant Idleness (A Farsa da Boa Preguiça) into a telefilm . The director continued his search for a hybrid language for television, as a way of criticizing the naturalism of the novelas. Art production and costumes by Yurika Yamasaki and the artist Dantas Suassuna, participation of Antonio Nóbrega, Patrícia França, Ary Fontoura and Marieta Severo. According to the critic Rogério Durst, the telefilm was a major feat of TV drama.[33]
The King of the Cattle (O Rei do Gado)
The King of the Cattle (O Rei do Gado), 1996, the director's next collaboration with the author Benedito Ruy Barbosa,[34] became the novela with the 9th largest audience in Brazilian television history.[26] It was rescreened three times,[35][36] outrating other productions of the time, and was sold to over 30 countries. It marked the debut of Marcello Antony, Caco Ciocler, Mariana Lima, Emilio Orciollo Netto and Lavínia Vlasak.[37] Other significant aspects of the novela were its social criticism and sensitive approach to the Landless Workers Movement (movimento dos sem-terra).[38] The actors Jackson Antunes and Ana Beatriz Nogueira stand out in this context. The cast included Antonio Fagundes, Patricia Pillar, Leticia Spiller and Raul Cortez with guest appearances in the early stages by Tarcisio Meira, Eva Wilma and Vera Fischer. The character Tião Galinha, interpreted by Osmar Prado, is a landmark of his career. The novela received the Certificate of Merit at the San Francisco International Film Festival and the APCA Award for Best Actor (Raul Cortez), Best Supporting Actor (Leonardo Brício), Best Supporting Actress (Walderez de Barros) and Best Male Breakthrough Performance (Caco Ciocler).[39] Fernando de Barros e Silva wrote, in the Folha de S.Paulo, "The King of the Cattle (O Rei do Gado) swallows up Brazilian cinema".[40] According to critic Rogerio Durst, the novela is "a dramatic epic with first class special appearances and superb photography".
Tiao Galinha belongs to another soap opera: “Renascer”.
Giovanna and Henrico (Giovanna e Henrico)
The quality of the first seven chapters of The King of the Cattle (O Rei do Gado), showing the decline of the coffee cycle and Brazil's participation in World War II, prompted The Globo Network's International Division to transform the first part of the novela into the mini-series Giovanna and Henrico, with Letícia Spiller and Leonardo Brício playing the lead couple. The production was selected as hors-concours at the Banff World Media Festival, in Canada.[41]
May your eyes be blessed (Que Teus Olhos Sejam Atendidos)
Before the end of the 90s, Luiz Fernando Carvalho had already started on research for the feature film To the Left of The Father (Lavoura Arcaica). Together with the author of the novel, Raduan Nassar, he traveled to the Lebanon to familiarize himself with Mediterranean culture. The material collected during the trip was used to produce the documentary May your eyes be blessed (Que Teus Olhos Sejam Atendidos), screened on GNT in 1997.[42] In the opinion of critic Rodrigo Fonseca, the documentary "honed to the limit of tragic fatality its investigation of time".
2000s
To the Left of The Father (Lavoura Arcaica)
In 2001, the director made his first feature film, To the Left of the Father (Lavoura Arcaica), in which he was responsible for directing, screenplay and editing, with cinematography by Walter Carvalho, art direction by Yurika Yamazaki and costume design by Beth Filipecki.[2][3][43] The cast included Selton Mello, Raul Cortez, Simone Spoladore, Leonardo Medeiros, Caio Blat and Juliana Carneiro da Cunha. Aiming to maintain the connection with the poetic prose of Raduan Nassar's book, the director elected to film without a defined script, based entirely on the actors' improvisations on the theme.[10][8][11] This involved intensive coaching of the cast, secluded on a farm for four months.[44] The film's creation and production process was discussed in the book About To the Left of The Father ("Sobre Lavoura Arcaica"), in which the director is interviewed by José Carlos Avellar, Geraldo Sarno, Miguel Pereira, Ivana Bentes, Arnaldo Carrilho and Liliane Heynemann, launched in Portuguese, English and French by the publisher Ateliê Editorial.[45] It was success with the critics[46][47][48][49] and the public, reaching 300 thousand viewers with just two copies, one in Rio de Janeiro and the other in São Paulo. It is considered one of the 100 best Brazilian films of all times, according to the Brazilian Film Critics Association (Abraccine).[50] It had a successful career in a number of national and international festivals, receiving over 50 awards at the Montreal World Film Festival,[16][51] the Rio Film Festival, the São Paulo International Film Festival, the Grand Prix for Brazilian Film, the Brasília Film Festival,[52] the Havana Film Festival,[53] the Cartagena Film Festival,[54] the Guadalajara International Film Festival, the Buenos Aires International Festival of Independent Cinema,[55] among others. In the opinion of writer and psychoanalyst Renato Tardivo, author of Porvir que vem antes de tudo – literatura e cinema em Lavoura Arcaica, the film is one of the most important works of Brazilian cinema “of all times”.[56] The critic Carlos Alberto de Mattos described it as the first work of art of the Brazilian cinema in the 21st century.[57] The film was acclaimed by the critics of various countries and, according to the French magazine Cahiers du Cinéma, To the Left of the Father is a "barbarous poem verging on hallucination, of extraordinary power".[58][59][59][60]
The Maias (Os Maias)
A 2001 production, this mini-series based on the homonymous novel by Eça de Queirós and adapted by Maria Adelaide Amaral was another landmark in the director's career.[61] The Maias portrays the decadent Portuguese aristocracy in the second half of the 19th century, through the tragic story of a traditional Lisbon family. Costumes by Beth Filipecki and direction of photography by José Tadeu Ribeiro. In the opinion of writer Luis Fernando Veríssimo, "the extraordinarily mobile camera of Luiz Fernando Carvalho “visited”, more than portrayed, the frivolous Lisbon of the time and all the novel's atmospheres. But beneath it all, there was this majestic progression, from the first scene to the denouement, the moving camera conducting us like a slow tragic theme tune that recalls a symphony. No TV camera has ever been so complicit and seductive, never has TV been so romantic".[62][63]
Today is Maria's Day (Hoje é Dia de Maria)
Over two seasons, Today is Maria's Day (Hoje É Dia de Maria) (2005), a mini-series in which he was also responsible for creation and script, consolidated the director's linguistic research.[64] His co-writers were Luis Alberto de Abreu and Carlos Alberto Soffredini, basing themselves on a selection of stories taken from popular Brazilian oral storytelling tradition,[65] collected by the writers Câmara Cascudo, Mário de Andrade and Silvio Romero. Art direction by Lia Renha, guest artist Raimundo Rodriguez, direction of photography by José Tadeu Ribeiro and costumes by Luciana Buarque. The 60 marionettes that represented the animals were produced by the Grupo Giramundo, from Minas Gerais state. The work marked the start of the partnership between the director and psychoanalyst Carlos Byington, as advisor on the mythological dramatization of the text. The mini-series was conceived under a 360º dome, scrap from a rock show stage. The sound track, by Tim Rescala, was based on cirandas (traditional dances) by Heitor Villa-Lobos, César Guerra-Peixe and Francisco Mignone. Designer Jum Nakao was responsible for some of the costumes, with animation of the stop-motion scenes by Cesar Coelho, founder of the Anima Mundi festival. It received the 2005 APCA (Associação Paulista de Críticos de Arte) Critics' Choice Award, the ABC Best Photography Award, the Contigo Award for Best Director and Best Child Actress and the Brazil Quality Award (Prêmio Qualidade Brasil ) for Best Director, Television – Best Special Project, Best Author and Best Breakthrough Actress, and reached the finals of the 2005 International Emmy Award, in the categories Best Mini-Series and Best Actress.[66] It was nominated Hors Concours by the Banff World Media Festival, in Canada (2006), and the Input International Board Taipei (2005). Compared with To the Left of the Father on account of its innovative television language, it caught the attention of critics and public by its novel, theatrical and playful language in transporting the universe of popular culture to a sophisticated television production, without losing its authenticity.[67] The critic Nilson Xavier considers it one of the most poetic, original and beautiful productions of recent years.[68] According to Jean-Philippe Tessé, in the French magazine Cahiers du Cinéma, the mini-series was very ambitious and formally very well produced, following other noteworthy projects such as The Maias (Os Maias).
Stone of the Kingdom (A Pedra do Reino)
In 2007, the director's third production based on the works of Ariano Suassuna brought to the TV the Romance d'A Pedra do Reino e o Príncipe do Sangue do Vai-e-Volta. The mini-series is regarded as yet another aesthetic innovation by the director, as in To the Left of the Father (Lavoura Arcaica) and Today is Maria's Day (Hoje é Dia de Maria). The script was the work of Luiz Fernando Carvalho, in collaboration with Luis Alberto de Abreu and Braulio Tavares, direction of photography by Adrian Teijido, scenography by João Irenio Maia, editing by Marcio Hashimoto and costumes by Luciana Buarque. Colorist Sergio Pasqualino. Regional artists, coordinated by the artist Raimundo Rodriguez, assisted with the art production. Music by Antônio Madureira (Quinteto Armorial) and Marco Antônio Guimarães (Uakti). The cast was the fruit of the director's extensive search for talent throughout the backcountry (sertão) of the Northeast. Television debut of the actors Irandhir Santos and Mayana Neiva and the singer Renata Rosa, among many others. It was filmed in the town of Taperoá, where Ariano Suassuna spent his childhood. During the coaching process, the team and cast attended lectures, out in the sertão, by the actress Fernanda Montenegro, the psychoanalyst Carlos Byington and the writer himself. Ariano Suassuna affirmed that Luiz Fernando Carvalho's recreation of his Romance d’A Pedra do Reino resulted in an "extraordinarily beautiful work that moved him as author and individual, as a spectator".[69][70][71][72][73]
Quadrante Project (Projeto Quadrante)
Based on Stone of the Kingdom (A Pedra do Reino) (2007), the director set up the Quadrante Project with the intention of making a series of regional drama programs to rediscover the Brazilian imaginary through adaptations of literary texts of authors from each Brazilian state.[74] Similarly, local actors act out the texts. The richness of the project lay in the discovery of regional talent: authors, actors, composers, artists in general. The project recognized the human potential of each regional culture, looking beyond the simplistic image of a postcard. In addition to Stone of the Kingdom, the Quadrante is made up of the mini-series Capitu (2008), based on the book Dom Casmurro, by Machado de Assis, and Dois Irmãos (2017), by Milton Hatoum.[75]
Capitu
In 2008, Luiz Fernando Carvalho directed and finalized the script for this adaptation of the book Dom Casmurro, by Machado de Assis.[76] The mini-series was written by Euclydes Marinho in collaboration with Daniel Piza, Luis Alberto de Abreu and Edna Palatnik. Art direction by Raimundo Rodriguez, photography by Adrian Teijido and costumes by Beth Filipecki. Colorist Sergio Pasqualino. It marked the TV debut of actors Letícia Persiles and Michel Melamed, among others. The mini-series was filmed in the abandoned Automóvel Clube building, in downtown Rio de Janeiro, and the whole scenographic universe was created from newspaper and recycled material. The opening credits scene was conceived by the director and created by the designer Carlos Bêla.[77] The production is part of the Quadrante Project and was the director's tribute to Machado de Assis on the centenary of his death. It received the APCA (Associação Paulista de Críticos de Arte) Critic's Choice Award (2009), ABC Best Photography Award (from the Associação Brasileira de Cinematografia) and the Creative Review award in the Best in Book and Design and Art Director categories. In the opinion of critic Gustavo Bernardo, the mini-series deserves "to be viewed and reviewed countless times, at least because each fragment of a scene is precious for its beauty".[78] According to theatre director Gabriel Villela, Luiz Fernando Carvalho produces works of art on the screen, calls on the viewer's vivacity so that he accepts nothing masticated, but masticates along with Casmurro.[79] For Randall Johnson, director of the UCLA Latin American Institute, "Luiz Fernando Carvalho is today, without doubt, the director whose work is the most authorial of all TV and cinema production in Brazil".[80][81]
2010s
After all, what does a woman want (Afinal, O Que Querem as Mulheres?)
In 2010, Luiz Fernando Carvalho created, directed and wrote the mini-series inspired by Sigmund Freud's: famous question "What does a woman want?". João Paulo Cuenca, Cecilia Giannetti and Michel Melamed collaborated on the script. As well as acting in the production, Melamed created the opening sound track. Direction of Photography Adrian Teijido, costumes by Beth Filipecki and art direction by Raimundo Rodriguez. The director launched actress Bruna Linzmeyer’s career in this production. Osmar Prado shared the part of Freud with a model animated by Cesar Coelho, founder of the Anima Mundi festival, using the stop-motion technique. The opening vignette features the work of German artist Olaf Hajek, who also produced special illustrations for the mini-series by invitation of the director.[82] It received the ABC award (Associação Brasileira de Cinematografia) for Best Photography. According to columnist Patrícia Kogut, "it is an oneiric journey, a visual poem that blends realities, full of references to times past, to what has been experienced, to what lingers in memory".[83][84]
Suburbia
In 2012, Luiz Fernando Carvalho inaugurated in TV drama a production in which all the protagonists are of African descent.[85][86] The mini-series, created and written by the director in partnership with Paulo Lins, counted on the collaboration of Adrian Teijido (Photography), Luciana Buarque (Costumes), Marcio Hashimoto (Editing) and Sergio Pasqualino (Colorist). It also marked the start of another research cycle, in which the director focused on realist aesthetics, which influenced the language as a whole, but mainly in the choice of non-actors for the main parts. The nearly 40 actors launched in the mini-series include artists of the groups Nós do Morro and Afroreggae.[87] Érika Januza, until then secretary of a school in the interior of Minas Gerais state, was chosen to play the main character of the story. Guest appearance by Fabrício Boliveira, Rosa Marya Colin, Haroldo Costa, Maria Salvadora, Paulo Tiefenthaler and Dani Ornellas, among others. In 2012, the Globo network took the series up again for a second season in 2013 due to its satisfactory audience ratings. Later, however, the director Luiz Fernando Carvalho chose to cancel the new season. In the opinion of anthropologist Luiz Eduardo Soares, the work was a "reconstructive reading of the carioca society, producing a superb result ".[88]
Ladie’s Mail (Correio Feminino)
A mini-series in eight episodes, created and directed by Luiz Fernando Carvalho based on women's journals written by Clarice Lispector in the 1950s and 1960s, under the pseudonym Helen Palmer. The visual language and narrative were based on 60s pop art and design,[89] from the costumes to the lighting and set; all filmed in a single light box, which changed color according to the subjects addressed. Adapted by Maria Camargo, the series was shown in 2013 as part of the program Fantástico,[90] with costumes by Thanara Schönardie and Luciana Buarque, photography by Mikeas and edited by Marcio Hashimoto. The actress Maria Fernanda Cândido played Helen Palmer narrating all the episodes. In the cast, Luiza Brunet interpreted the mature woman, and Alessandra Maestrini, the young woman. The adolescent is Cintia Dicker, an international model whose acting career was launched in the mini-series. In the opinion of critic Patricia Kogut, the series is "inspired, pleasant, in good taste and unpretentious, like Clarice's texts as Helen Palmer".[91]
Alexandre and Other Heroes (Alexandre e Outros Heróis)
A 2013 telefilm, with script by Luis Alberto de Abreu and Luiz Fernando Carvalho[92] based on two stories by the Alagoan writer Graciliano Ramos. Luiz Fernando Carvalho's coaching and directing of the actors revealed a new code of interpretation to Marcelo Serrado and Ney Latorraca,[93][94] as well as a harmony in the quality of the interpretations. Direction of photography by Mickeas, art direction by Raimundo Rodriguez and costumes by Luciana Buarque. Incidental sound track by Tim Rescala. Opening theme by the Pernambucan Siba. The cast of the TV special, a finalist in the 2014 International Emmy Awards,[95] also included Flávio Bauraqui, Flávio Rocha, Marcélia Cartaxo and Luci Pereira.[96] Critic Patricia Kogut considered the telefilm a miniature work of art on television.[97][98]
My Little Plot of Land (Meu Pedacinho de Chão)
This 2014 production marked the director's return to the telenovela format after 12 years of dedicating himself to mini-series and more authorial projects.[99][100] My Little Plot of Land (Meu Pedacinho de Chão) was written by Benedito Ruy Barbosa and directed by Luiz Fernando Carvalho, with art production by Marco Cortez, art work by Raimundo Rodriguez and costumes by Thanara Schönardie. The critics praised various aspects, from the harmony of the quality of acting to the editing, direction, costumes, scenography and aesthetics, inspired by Westerns and Japanese manga (comics).[101][102][103][104][105] Luiz Fernando Carvalho's direction of the actors revealed a new code of interpretation, noted by the critics, to actors such as Juliana Paes and Rodrigo Lombardi.[106] The team's creative process and cast coaching to shape the aesthetics of My Little Plot of Land took place at TVLiê, known as Galpão, which operated from 2013 to 2017. The space brought together all the creative teams and was conceived by Luiz Fernando Carvalho, at Projac, for collaborative project creation and talent training. In addition to My Little Plot of Land (Meu Pedacinho de Chão), the works Female Messages (Correio Feminino), Alexander and Other Heroes (Alexandre e Outros Heróis), Old River (Velho Chico) and The Brothers (Dois Irmãos) were created in the Galpão. The whole process of creation and production of the novela in the Galpão is described by the journalist Melina Dalboni in the book Meu Pedacinho de Chão, which has drawings, sketches and photos by the director and the team (published by Casa da Palavra).[107] Sets and costumes were envisaged through the playful eye of childhood,[108] and according to the columnist Patrícia Kogut, contributed to a beautiful invented universe, far different from what we are used to seeing on TV.[109] The houses were faced with recycled cans, based on the work of artist Raimundo Rodriguez. The costumes, the subject of an exhibition, mixed technological fabrics and plastic material.[110] Cesar Coelho, of the Anima Mundi Festival, used stop-motion and time-lapse techniques for all the animation. The novela received the APCA (Associação Paulista de Críticos de Arte) Award for Best Actor (Irandhir Santos); Contigo Magazine Award for Best Child Actor (Tomás Sampaio) and Best Director; the Extra television award for Best Costumes and Best Makeup (Rubens Libório); and the Quem Magazine award for Best Actor (Irandhir Santos), Best Supporting Actor (Johnny Massaro) and Best Author (Benedito Ruy Barbosa). The critic Cristina Padiglione regards the novela as worthy of a standing ovation, and in the opinion of Alexandra Moraes "the images, at first sight childish, gain relevance with colors and effects of dramatic intent. Good performances and the firm hand of the director give the plot meaning".[111][112]
Old River (Velho Chico)
In 2016, Old River (Velho Chico) marked Luiz Fernando Carvalho's return to prime time,[113] directing the novela written by Benedito Ruy Barbosa and Bruno Luperi, which again carried the imprint of the new esthetic in TV drama.[114][115] The novela was divided into two phases,[116] with direction of photography by Alexandre Fructuoso and costumes by Thanara Schönardie. Highlights were the photography[117] and acclaimed performances by the actors Antonio Fagundes, Lucy Alves, Domingos Montagner, Lee Taylor, Marcos Palmeira, Chico Diaz, Renato Góes, Rodrigo Lombardi, Dira Paes, Irandhir Santos, Fabiula Nascimento, Julia Dalavia, Cyria Coentro, Barbara Reis, Julio Machado, Umberto Magnani, Camila Pitanga, Christiane Torloni, Marcelo Serrado, Gabriel Leone, Giulia Buscaccio, Mariene de Castro, Gésio Amadeu, José Dumont, Marcélia Cartaxo and others.[118] The cast was of a uniformity rarely seen in novelas, resulting in countless awards for its actors, including the APCA (Associação Paulista de Críticos de Arte) Award for Best Actress for Selma Egrei and the Critics' Choice Award for Domingos Montagner(posthumous) and the production also won Best Supporting Actress (Selma Egrei), Best Supporting Actor (Irandhir Santos), Best Breakthrough Actress (Lucy Alves) and Best Breakthrough Actor (Lee Taylor),[119][120] with Veja Rio's Carioca of the Year Award going to Luiz Fernando Carvalho for the renovated aesthetic of prime time television.[121] The team's creative process and cast coaching lasted only three months and took place at TVliê, Luiz Fernando Carvalho's collaborative creative space, which operated at Projac between 2013 and 2017 and was known as Galpão.[122][123][124][125] The first phase, applauded by the critics, marked the return of actor Rodrigo Santoro to the Globo fold[126] and revealed the hitherto undiscovered talent of Carol Castro.[127] Tarcísio Meira, in just two episodes, put in an impressive performance, as did actress Selma Egrei, who took part in both phases of the novela.[128] The cast was selected after an extensive search for actors from the Northeast and marked the debut in novelas of Lucy Alves, Renato Góes, Marina Nery, Barbara Reis, Diyo Coelho, Xangai, Veronica Cavalcanti, Lee Taylor, Zezita de Matos, Mariene de Castro, Yara Charry, Raiza Alcântara, Lucas Veloso, Sueli Bispo and the comedian Batoré.[129][130] The last chapters of the novela pay tribute to the actor Domingos Montagner (Santo), who drowned in the São Francisco river two weeks before the end of the serial. The character was maintained in the plot even after the actor's death through the language created by Luiz Fernando Carvalho, in which a single subjective camera interpreted Santo's viewpoint, so his presence was felt, engaging with all the other characters, to the end.[131][132][133] The novela came under strong pressure from the Globo network's drama department, calling for modifications to the text, storyline and esthetics. The director and the author, Benedito Ruy Barbosa, stood firm and refused to make the changes to Old River (Velho Chico). The in-house crisis made the TV columns and was described as a form of public pressure on Luiz Fernando Carvalho. According to the critic Maurício Stycer, Old River (Velho Chico) is a landmark in the recent history of Brazilian TV, on account of its esthetic ambition and cultural relevance.[134] According to Nilson Xavier, the novela “had incontestable technical and artistic quality, from the direction to the photography, sound track and the actors’ performances.[135][136][137][138] It competed for the International Emmy Award for Best Telenovela of 2017.[139][140][141][142][143][144][145]
Lavoura Arcaica, 15 years on
Tribute was paid to the film To the Left of the Father in 2017, 15 years after it was made and on account of it being hailed as one of the most important Brazilian films of all time, at the Rio International Film Festival[146][147][148] and the São Paulo International Film Festival,[149] where a 35 mm copy was shown.[150][151][152][153] As part of the tribute at the Rio International Film Festival, artist Raimundo Rodriguez created an installation that went on show for a month at the Estação Net Botafogo, with memorabilia from the film, reviews and the director's notebooks.[154] For Ismail Xavier and Ilana Feldman, Lavoura was born in 2001, emerging as a foreign body in the scenario of early 21st century Brazilian film, marked by its realism and its direct confrontation with Brazilian social and urban issues.[4]
Two Brothers (Dois Irmãos)
Screened in 2017, the mini-series written by Maria Camargo based on the homonymous novel by Milton Hatoum was regarded by critics as another quality contribution to Brazilian television on account of the poetic style applied by the director to the adaptation of the novel.[155][156][157][158][159] Direction of photography by Alexandre Fructuoso, costumes by Thanara Schönardie, scenography by Danielly Ramos, Juliana Carneiro and Mariana Villas-Bôas, art production by Marco Cortez and Myriam Mendes. The production is part of the Quandrante Project and gained kudos with writer Milton Hatoum's television debut.[160] According to the publishing house Companhia das Letras, the book sales increased by some 500% after the start of the mini-series.[161] Careers launched in Two Brothers include actors Matheus Abreu (Omar and Yaqub as an adolescent), the indigenous Zahy Guajajara (the índia Domingas) and the singer Bruna Caram (Rânia in the adult phase). The Lebanese actor Mounir Maasri made a guest appearance in the mini-series and was also responsible for the prosody (stress patterns) of the cast. The quality of the acting of the whole cast was stressed by the critics and also on social media and reached the worldwide and Brazilian Trending Topics throughout the series: Eliane Giardini and Juliana Paes as Zana; Antonio Fagundes and Antonio Calloni as Halim; and Cauã Reymond and Matheus Abreu as the twins Omar and Yaqub. It was filmed in 2015, but at the request of the Globo network, the director agreed to make the novela Old River (Velho Chico) before he finished editing Dois Irmãos, which was shown in January 2017. A number of innovative relevant points in the director's language were highlighted: the relation between literature and the transposition into images,[162] photography, framing, poetic language and sound track, which included hits from various decades to contextualize the period in which the mini-series was set. In addition, Luiz Fernando Carvalho inaugurated, on TV, the dialogue between the fictional scenes and images from the archives of Brazilian History, with the research of historical material done by Raquel Couto. According to the critic Maurício Stycer, in an article published in the Folha de S.Paulo newspaper about Netflix's investment in Brazil, the miniseries was a startling revelation to those who normally only have access to terrestrial channels in Brazil.[163] For Luiz Zanin, the miniseries was about Brazil and the thwarted ideal of a multi-ethnic, sensual and carefree nation. “An elegant delicacy served up to the public, and which will leave it wanting more".[164] Critic Carlos Alberto de Mattos wrote that what was seen in The Brothers (Dois Irmãos) “was not a realistic reflection, but an exuberant image, a mythical saga, a work of art”.[165][166][167][168][169][170][171]
In February 2017, Luiz Fernando Carvalho left the Globo Network (Rede Globo) after 30 years of working for the TV station.[172][173]
In 2017, the director received the APCA Award for Two Brothers (Dois Irmãos),[174][175] the International Emmy Award for Best Telenovela Nomination for Old River (Velho Chico) and the Bravo Award (Prêmio Bravo) for Artist of the Year, for his trajectory and esthetic renovation on television with Old River (Velho Chico) and Two Brothers (Dois Irmãos) and the 15th anniversary of the film To the Left of The Father (Lavoura Arcaica).
2020s
The Passion According to G.H. (A Paixão Segundo G.H.)
For the centennial of the birth of Clarice Lispector, in 2020, Carvalho is releasing a film adaptation based on the homonymous novel by the brazilian author.[176][177][178] Is the second feature film by the filmmaker after the award-winning To the Left of the Father (Portuguese: Lavoura Arcaica) (2001), also a cinematographic version of a classic of Brazilian literature. It was during the editing of "Lavoura Arcaica" that Luiz Fernando Carvalho had contact with G.H. - central novel of Clarice Lispector's work. The movie was entirely filmed in a penthouse of the neighbourhood of Copacabana, Rio de Janeiro, and presents Maria Fernanda Candido as the main character, G.H.[179]
Personal life
He was married to the artist Sandra Burgos, with whom he has one son, Théo Burgos Carvalho.
He was married to the actress Tereza Seiblitz, with whom he has one son, Vittório, born June 8, 2001.
He was married to the actress Letícia Persiles, with whom he has one son, Ariel.
Bibliography
The following books written by Luiz Fernando Carvalho are references for this article. For the complete list of books about the director, see Luiz Fernando Carvalho Bibliography
- Carvalho, Luiz Fernando (2002). Sobre Lavour'Arcaica – O filme. Ateliê Editorial. ISBN 9780815411833.
- Carvalho, Luiz Fernando; Abreu, Luis Alberto (2006). Hoje é dia de Maria – Roteiros da 1a e 2a jornadas. Globo. ISBN 9788525040985.
- Carvalho, Luiz Fernando (2007). Pedra do Reino - Estojo Ilustrado com 5 Cadernos de Filmagens + Diário de Elenco e Equipe. Globo. ISBN 978-8525043375.
- Carvalho, Luiz Fernando (2008). O processo de Capitu. LeYa Casa da Palavra. ISBN 978-8577341023.
- Carvalho, Luiz Fernando (2008). "Capitu c'est moi?". Livro - Quem é Capitu?. Nova Fronteira. pp. 17–20. ISBN 9788520920831.
- Carvalho, Luiz Fernando; Diniz, Julio (2008). "Capitu c'est moi?". Machado de Assis (1908-2008). Contraponto. pp. 80–83. ISBN 978-85-7866-011-6.
- Carvalho, Luiz Fernando; Cuenca, João Paulo; Gianetti, Cecília; Melamed, Michel (2010). Afinal, o que querem as mulheres?. LeYa. ISBN 9788580440300.
- Carvalho, Luiz Fernando; Lins, Paulo; Franz, Pedro (2012). Suburbia. Aeroplano. ISBN 9788578200916. Archived from the original on 2017-11-12. Retrieved 2017-05-16.
- Carvalho, Luiz Fernando (2013). Meu Pedacinho de Chão. LeYa Casa da Palavra. ISBN 978-85-7734-525-0.
Filmography
Year | Title | Credit | Notes |
---|---|---|---|
1986 | The Waiting (A Espera) | Director and Screenwriter | Short-film based on Roland Barthes´s Fragments d'un discours amoureux |
1998 | May your eyes be blessed (Que Teus Ohos Sejam Atendidos) | Director | Documentary film |
2001 | To the Left of the Father (Lavoura Arcaica) | Director and Screenwriter | Film based on the novel of Raduan Nassar |
2020 | The Passion According to G.H. | Director and Screenwriter | Film based on the novel of Clarice Lispector |
Year | Title | Credit | Notes |
---|---|---|---|
1985 | Grande Sertão: Veredas | Assistant director | Based on Guimarães Rosa´s Grande Sertão: Veredas |
1990 | Sweet River (Riacho Doce) | Director | Based on José Lins do Rego´s novel |
2001 | The Maias (Os Maias) | Director | Based on Eça de Queiroz´s Os Maias |
2005 | Today is Maria's Day (Hoje É Dia de Maria) | Novelist, Director and Screenwriter | Based on Mário de Andrade, Câmara Cascudo and Silvio Romero´s essay; Co-written with Luis Alberto de Abreu |
2005 | Today is Maria's Day: Second Journey (Hoje é Dia de Maria: Segunda Jornada) | Novelist, Director and Screenwriter | Based on Mário de Andrade, Câmara Cascudo and Silvio Romero´s essay; Co-written with Luis Alberto de Abreu |
2007 | Stone of the Kingdom (A Pedra do Reino) | Director and Screenwriter | Based on Ariano Suassuna´s novel; Co-written with Braulio Tavares and Luis Alberto de Abreu |
2008 | Capitu | Director and Screenwriter | Based on Machado de Assis´s Dom Casmurro |
2010 | After all, what does a woman want (Afinal, O Que Querem as Mulheres?) | Novelist, Director and Screenwriter | Influenced by Sigmund Freud´s theory; Co-written with J.P. Cuenca and Michel Melamed |
2012 | Suburbia | Novelist, Director and Screenwriter | Co-written with Paulo Lins |
2013 | Ladies' Mail (Correio Feminino) | Novelist e Diretor | From Clarice Lispector´s chronicles |
2017 | Two Brothers (Dois Irmãos) | Director | Based on Milton Hatoum´s novel |
Year | Title | Credit | Notes |
---|---|---|---|
1987 | Helena | Director | Based on the novel of Machado de Assis |
1987 | Carmen | Director | Written by Glória Perez |
1988 | Vida Nova | Director | Written by Benedito Ruy Barbosa |
1989 | Tieta | Director | Based on the novel of Jorge Amado |
1992 | Stone on Stone (Pedra sobre Pedra) | Director | Written by Aguinaldo Silva |
1993 | Rebirth (Renascer) | Director | Written by Benedito Ruy Barbosa |
1995 | Irmãos Coragem | Director | Remake of Janete Clair´s soap opera |
1998 | The King of Catlle (O Rei do Gado) | Director | Written by Benedito Ruy Barbosa |
2002 | Esperança | Director | Written by Benedito Ruy Barbosa |
2014 | My Little Plot of Land (Meu Pedacinho de Chão) | Director | Written by Benedito Ruy Barbosa |
2016 | Old River (Velho Chico) | Director | Written by Benedito Ruy Barbosa e Bruno Luperi |
Year | Title | Credit | Notes |
---|---|---|---|
1990 | Chitãozinho e Xororó Especial | Director | Musical Show |
1991 | The Cangaceiro's Revenge (Os Homens Querem Paz) | Director | Television film |
1994 | A Woman Clothed in Sun (Uma Mulher Vestida de Sol) | Director | Based on Ariano Suassuna´s novel |
1995 | The Farce of Pleasant Idleness (A Farsa da Boa Preguiça) | Director | Based on Ariano Suassuna´s novel |
2013 | Alexandre and Others Heroes (Alexandre e Outros Heróis) | Diretor | Based on Graciliano Ramos´s short stories |
References
- ^ Carter, Eli Lee "Luiz Fernando Carvalho: An Auteur of Brazilian Television", UCLA Electronic Theses and Dissertations, 2013. Retrieved on 05 April 2017.
- ^ a b Hugo Sukman (28 October 2001). "Um cineasta que está entrando para o clube dos poetas". OGlobo. Retrieved 17 April 2017.
Com Lavoura Arcaica, Luiz Fernando Carvalho respeita uma tradição que vai de Mario Peixoto a Ruy Guerra
- ^ a b Daniel Piza (22 August 2001). ""Lavoura Arcaica" estréia sábado no Canadá". Estado de S. Paulo. Retrieved 12 April 2017.
Um parentesco com o estilo e a espiritualidade do cinema dos russos Tarkovski e Sokurov
- ^ a b Ilana Feldman e Ismail Xavier (16 October 2016). "Quinze anos depois, filme "Lavoura Arcaica" ainda é corpo estranho". Ilustríssima/Folha de S. Paulo. Retrieved 12 April 2017.
- ^ "Luiz Fernando Carvalho, talento made in Brasil", La Nácion, 11 May 2002. Retrieved on 05 April 2017.
- ^ Maria Rita Kehl (1 October 2016). "'Velho Chico' reinaugura um desejo de utopia". OGlobo. Retrieved 12 April 2017.
O Brasil de Benedito Ruy Barbosa e Luiz Fernando Carvalho é agreste. É pobre, remediado, devastado e esperançoso
- ^ Helcio Kovaleski (15 March 2016). "'Uma Novela Shakespearana, neorrealista e barroca". Le Monde Diplomatique Brasil. Retrieved 13 April 2017.
- ^ a b Marcelo Coelho (14 November 2001). "'Lavoura' e os indícios de uma obra prima". Folha de S. Paulo. Retrieved 12 April 2017.
Lavoura Arcaica" tem todas as razões para ser excessivo, barroco, quase ostentatório em sua riqueza estilística. O filme consegue traduzir visualmente toda a beleza literária do livro de Raduan Nassar
- ^ Ilana Feldman (21 January 2017). "Dois Irmãos: arqueologia da memória, alegoria da destruição". Revista Bravo. Retrieved 12 April 2017.
Na obra de Luiz Fernando Carvalho, o barroco é um conceito norteador de uma pesquisa de linguagem: busca conceitual pela brasilidade presente nos opostos, nas contradições e nos contrastes deste país
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- ^ Tessé, Jean-Philippe "On peut aisément voir dans cette grande fresque charnelle la plus belle découverte du cinéma brésilien depuis Glauber Rocha, au moins parce que Luiz Fernando Carvalho partage avec le réalisateur de Antonio das mortes un goût pour la puissance du lyrisme", Chronicart, 6 July 2003. Retrieved on 19 April 2017.
- ^ a b "Montreal premia a ousadia de "Lavoura Arcaica"". Estadão. 5 September 2001. Retrieved 17 April 2017.
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- ^ Carter, Eli Lee (2014). "Afinal, o que Querem as Mulheres?: Luiz Fernando Carvalho's Metafictional Critique of Brazilian Television Fiction". Journal of Latin American Cultural Studies. 23 (4): 363–379. doi:10.1080/13569325.2014.958660.
- ^ Patricia Vilalba (11 November 2010). "Freu Explica". O Estado de S. Paulo. Retrieved 17 April 2017.
Freud explica: "O processo de ensaios para filmar com Luiz Fernando é um dos diferenciais do diretor, que o pôs em posição de sonho de consumo de qualquer ator comprometido com seu ofício"
- ^ Roger Lerina (12 January 2017). ""Dois Irmãos": livro registra cenas da preparação do elenco da minissérie". Folha de S.Paulo. Retrieved 12 April 2017.
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Foi quando eu tomei contato com a existência desse gênio da direção que é o Luiz Fernando
- ^ a b c "Aguinaldo Silva divulga lista das novelas com maior audiência da história". Revista Quem. 10 March 2009. Archived from the original on 2016-03-04. Retrieved 14 April 2017.
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Luiz Fernando Carvalho, um dos mais expressivos representantes contemporâneos dessa tendência autoral da direção de telenovela, fez de Renascer seu sucesso mais exemplar
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- ^ Maurício Stycer (19 February 2015). "Diretor explica por que terceira reprise de "Rei do Gado" faz tanto sucesso". UOL. Retrieved 14 April 2017.
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Rei do Gado foi a primeira novela a abordar o conflito dos sem-terra e a reforma agrária
- ^ "Prêmios de'O Rei do Gado'". Memória Globo. Archived from the original on 28 March 2017. Retrieved 14 April 2017.
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- ^ Luis Fernando Veríssimo (26 January 2001). "Os Maias". ObservatóriodaImprensa.com.br. Retrieved 12 April 2017.
Para Os Maias, Carvalho escolheu um andamento que, na música, seria chamado de 'andante majestoso', que pode impacientar a geração videoclipe, mas está perfeito, e era o ritmo preferido de Lean e Visconti.
- ^ "Hoje é Dia de Maria - segunda jornada é uma joia lapidada com meticulosidade por um artista barroco, que não tem medo de abraçar o excesso de referências universais e regionais para recriar a realidade brasileira com rigor e paixão", in "Correio Braziliense" (15 October 2005)
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"Diretor associa "Hoje É Dia de Maria" a uma busca pela identidade brasileira
- ^ "Atriz mirim de "Hoje é Dia de Maria" é indicada ao Emmy"". Folha Online. 21 October 2005. Retrieved 12 April 2017.
- ^ Marília Martins (9 October 2005). "Em Busca da nossa infância brasileira". Revista OGlobo. Retrieved 17 April 2017.
As imagens de Hoje é Dia de Maria são raras. Tudo escapa ao padrão global: é ficção que tem coragem de se revelar como ficção, é uma TV que tem a ousadia de buscar nas origens do cinema a reinvenção da linguagem
- ^ Nilson Xavier. "Hoje é Dia de Maria". Site Teledramaturgia. Retrieved 12 April 2017.
- ^ Ilana Felman. "A Pedra do Reino:A opera mundi de Luiz Fernando Carvalho". Revista Cinética. Retrieved 12 April 2017.
- ^ Ricardo Calil (6 June 2007). "Triunfo da Imaginação". iG. Retrieved 12 April 2017.
A Pedra do Reino segue mesmo a lógica dos sonhos, com delírios visuais de intenso brilho e elipses de tempo, com desorientações espaciais e suspensões de sentido
- ^ Rodrigo Fonseca (16 June 2007). "crítica da microssérie 'A Pedra do Reino". O Globo. Retrieved 12 April 2017.
"A Pedra do Reino" eleva à enésima potência um questionamento autoral onipresente nas histórias de Carvalho desde que rodou "Os homens querem paz", um especial, exibido em 1991
- ^ Andréia Rocha (24 July 2014). "Diretor de "A Pedra do Reino" adaptará "Fernando e Isaura" para a TV". UOL. Retrieved 17 April 2017.
- ^ Claudio Leal (11 November 2017). "Nova Fronteira lança dois volumes de obra póstuma de Ariano Suassuna". Folha de S.Paulo. Retrieved 20 November 2017.
Portando nomes reais ou acrescidos de sobrenomes ficcionais, amigos surgem em epígrafes e são incorporados pelo escritor como personagens dos diálogos sobre a cultura brasileira e seu projeto literário. As atrizes Inez Viana e Marieta Severo , os diretores Aderbal Freire Filho e Luiz Fernando Carvalho, os poetas José Laurenio de Melo e Adélia Prado se situam entre esses interlocutores de Dom Pantero na "Autobiografia Musical, Dançarina, Poética, Teatral e Vídeo-CinematoGráfica
- ^ Esther Hamburguer (17 December 2006). "Sertão é "semente" de "A Pedra do Reino"". Revista Cult. Retrieved 14 April 2017.
- ^ André Santana (9 January 2017). "Dois Irmãos retoma antigo projeto artístico de Luiz Fernando Carvalho e tem primeiro capítulo deslumbrante". Observatório da Televisão. Retrieved 12 April 2017.
- ^ Carter, Eli Lee (2014). Rereading Dom Casmurro - aesthetic hybridity in Capitu. University of Virginia.
- ^ Carlos Bêla. "Abertura de Capitu". Vimeo. Retrieved 17 April 2017.
- ^ Gustavo Bernardo (9 December 2009). "A Capitu de Luiz Fernando Carvalho". O Globo. Retrieved 12 April 2017.
- ^ Gabriel Villela (8 August 2009). ""Capitu" traduz para TV modo de narrar de Machado de Assis". Folha de S. Paulo. Retrieved 12 April 2017.
- ^ Marília Martins (24 May 2009). "Curso na Universidade da Califórnia debate obra de Luiz Fernando Carvalho". Revista da TV/OGlobo. Retrieved 17 April 2017.
- ^ Renato Felix (27 August 2009). "Entrevistas: Luiz Fernando Carvalho". Blog do Renato Felix. Retrieved 17 April 2017.
Trata-se um ensaio sobre a dúvida. Não absolvo Capitu e não a condeno
- ^ Alexandre Romano. "Abertura da minissérie "Afinal, o que querem as mulheres?"". Vímeo. Retrieved 17 April 2017.
- ^ Patricia Kogut (13 November 2010). "Crítica: Afinal, o que querem as mulheres?". OGlobo. Retrieved 14 April 2017.
- ^ Carter, Eli Lee (2014). "Afinal, o que Querem as Mulheres?: Luiz Fernando Carvalho's Metafictional Critique of Brazilian Television Fiction". Journal of Latin American Cultural Studies. 23 (4): 363–379. doi:10.1080/13569325.2014.958660.
- ^ Maurício Stycer (1 November 2011). "Seriado olha com realismo, mas carinho para a dura vida no subúrbio". UOL. Retrieved 14 April 2017.
- ^ Luiz Zanin (3 November 2012). "Suburbia: uma entrevista com Luiz Fernando Carvalho". Estadão. Retrieved 14 April 2017.
- ^ Patricia Kogut (3 December 2012). "Naturalidade e ausência de pose: o mundo de 'Suburbia'". O Globo. Retrieved 24 April 2017.
- ^ Luiz Eduardo Soares (15 November 2011). "Luiz Eduardo Soares escreve sobre a intensidade da forma em 'Suburbia'". O Globo. Retrieved 14 April 2017.
- ^ Rodrigo Fonseca (16 October 2013). "'Quero um novo ciclo na TV', diz Luiz Fernando Carvalho". O Globo. Retrieved 14 April 2017.
- ^ Zean Bravo (27 October 2013). "Luiz Fernando Carvalho dirige série Correio Feminino, estreia deste domingo do Fantástico". O Globo. Retrieved 14 April 2017.
- ^ Patricia Kogut (5 November 2013). "'Correio feminino' faz leitura inspirada de Clarice Lispector". O Globo. Retrieved 14 April 2017.
- ^ Luiz Fernando Carvalho (14 December 2013). "A consciência dos sonhos - Diretor de 'Alexandre e outros heróis', especial de TV baseado nas histórias infantojuvenis de Graciliano Ramos, examina dimensões mítica, utópica e humana na obra do alagoano". OGlobo. Retrieved 17 April 2017.
- ^ Roberta Pennafort (16 December 2013). "Ney Latorraca é destaque em 'Alexandre e Outros Heróis'". A Tarde. Retrieved 10 April 2017.
- ^ Gislaine Gutierre (10 December 2013). "Ney Latorraca renasce em especial na TV 'Alexandre e Outros Heróis'". Folha Online. Retrieved 17 April 2017.
Ele (Luiz Fernando Carvalho) me tirou totalmente da zona de conforto
- ^ Nilton Carauta (14 October 2014). "Alexandre e Outros Heróis é finalista do Emmy Internacional". Revista da TV. Retrieved 10 April 2017.
- ^ Raphael Scire (19 December 2013). "Direção 'seca' faz a qualidade técnica de Alexandre e Outros Heróis". Notícias da TV. Retrieved 10 April 2017.
- ^ Patrícia Kogut (20 December 2013). "'Alexandre e outros heróis': uma pequena obra-prima na Globo". O Globo. Retrieved 10 April 2017.
Trata-se de uma viagem horizontal pela cultura popular, sem o olhar estrangeiro, ou a entronização daquilo que é simples. Essa é uma das maiores virtudes do programa adaptado por Luís Alberto de Abreu e com a claríssima assinatura de Luiz Fernando Carvalho. Não vimos a alta cultura caindo na tentação popularizante e sim uma produção abertamente popular e ao mesmo tempo elegante e requintada, com ambição artística e dona de um universo estético próprio, original
- ^ Mauricio Stycer (25 December 2013). "Luiz Fernando Carvalho lembra que há lugar para Graciliano Ramos na TV". UOL. Retrieved 17 April 2017.
- ^ Sylvia Colombo (27 April 2014). "Luiz Fernando Carvalho critica novelas tradicionais e cruza conto de fadas e HQ". Serafina. Retrieved 17 April 2017.
- ^ Maurício Stycer (31 July 2014). "É preciso renovar mais e copiar menos, diz diretor de Meu Pedacinho". UOL. Retrieved 17 April 2017.
- ^ Vanessa Scalei (31 July 2014). "Meu Pedacinho de Chão: A Estética que deu certo". Zero Hora. Retrieved 17 April 2017.
- ^ Maurício Stycer (1 August 2014). "Meu Pedacinho do Chão fugiu do óbvio e surpreendeu". UOL. Retrieved 17 April 2017.
- ^ Raphael Scire (30 July 2014). "Cinco motivos para tornar Meu Pedacinho de Chão inesquecível". UOL. Retrieved 17 April 2017.
- ^ Patrícia Kogut (27 May 2014). "'Meu Pedacinho de Chão' dissolve dúvidas na estreia". OGlobo. Retrieved 17 April 2017.
Meu Pedacinho de Chão é uma das grandes produções da nossa TV. Segue linda, artesanal dentro do possível e é carregada principalmente por sua história. Dentro daquele ambiente onírico e lírico, há dramas e conflitos sérios. Eles capturam a atenção do público com força. E a beleza dos cenários e figurinos não dissimula nem diminui esses recados
- ^ Cristina Padiglione (21 July 2014). "Meu Pedacinho de Chão não se acomoda e faz nevar no Rio". Estadão. Retrieved 17 April 2017.
- ^ Patrícia Kogut (9 April 2014). "Meu Pedacinho de Chão estreia com marca do diretor". O Globo. Retrieved 17 April 2017.
Meu Pedacinho de Chão estreia com marca do diretor (...) Juliana Paes, madura, exuberante, respondeu bem à mão forte da direção. Mostrou que avançou um passo na sua trajetória de atriz
- ^ Maurício Stycer (13 February 2015). "Livro prolonga experiência dos fãs do Meu Pedacinho de Chão". UOL. Retrieved 17 April 2017.
- ^ Natália Castro (26 June 2014). "Conheça detalhes da criação de 'Meu pedacinho de chão', trama com universo onírico e ar de fábula". Revista da TV. Retrieved 17 April 2017.
- ^ Patrícia Kogut (31 July 2014). "Crítica: Meu Pedacinho de Chão deixará sua marca na história da TV". O Globo. Retrieved 17 April 2017.
- ^ "Exposição exibe figurinos de Meu Pedacinho do Chão". G1. 27 December 2014. Retrieved 17 April 2017.
- ^ Cristina Padiglione (9 April 2014). "Isso não é um 'pedacinho' de chão, é um latifúndio". Estadão. Retrieved 17 April 2017.
- ^ Alexandra Moraes (9 April 2014). "Crítica: Cores e filtros reforçam trama em 'Meu Pedacinho de Chão'". Ilustrada - Folha de S.Paulo. Retrieved 17 April 2017.
- ^ Patrícia Kogut (30 September 2016). "'Velho Chico': folhetim clássico, mas com muita renovação". OGlobo. Retrieved 17 April 2017.
"Velho Chico, como outras obras de Carvalho, provou que a indústria cultural da televisão também pode ter ares de artesanato. Não é pouco"
- ^ Rodrigo Fonseca (14 March 2016). ""Stanley Kubrick da TV brasileira", diretor Luiz Fernando Carvalho fala sobre a novela". Omelete.com.br. Retrieved 12 April 2017.
- ^ Lígia Mesquita (31 January 2016). "'A maior função da televisão é criar cidadãos', diz Luiz Fernando Carvalho". Folha de S.Paulo. Ilustrada. Retrieved 24 February 2016.
- ^ Patrícia Kogut (15 June 2016). "'Velho Chico' tem cenas para amarrar o presente e o passado". O Globo. Retrieved 12 April 2017.
- ^ Luis Carlos Merten (25 July 2016). "Diretor Luiz Fernando Carvalho fala sobre a fotografia peculiar da novela 'Velho Chico'". Estado de S. Paulo. Retrieved 12 April 2017.
Luiz Fernando Carvalho e a fotografia viscontiana da novela 'Velho Chico'
- ^ Patrícia Kogut (29 December 2016). "Quem fez a festa dos telespectadores em 2016". OGlobo. Retrieved 17 April 2017.
"Velho Chico trouxe um vento novo para a faixa das 21h (...) Entre os destaques desse elenco estiveram novatos e veteranos, numa mistura de atores que encantou o público. Domingos Montagner, tragicamente morto perto da locação, impressionou mais uma vez, como o Santo. Marcos Palmeira esteve no melhor papel da sua carreira. Antonio Fagundes, depois de ajustes no personagem, fez um coronel grandioso. Chico Diaz, Lucy Alves, Fabiula Nascimento, Zezita Matos, Christiane Torloni, Julia Dalavia, Renato Góes e tantos outros brilharam"
- ^ Cristina Padiglione (30 November 2016). "'Velho Chico', 'Justiça', Selma Egrei e Marco Ricca são premiados na APCA". Telepadi. Retrieved 17 April 2017.
- ^ "'Aquarius', 'Velho Chico', Rita Lee e Montagner levam prêmios da APCA". Folha Online. 30 November 2016. Retrieved 17 April 2017.
- ^ Sofia Cerqueira (10 December 2016). "Luiz Fernando Carvalho cria uma nova estética para o horário nobre". Veja Rio. Retrieved 17 April 2017.
- ^ Tomás Biagi Carvalho. "Amarello Visita: Luiz Fernando Carvalho". Amarello. Retrieved 14 April 2017.
Para preparar os atores de seus projetos, construiu um galpão: uma mistura de circo com escola de samba, mambembe, feito de material reciclado e resto de cenário; uma célula criativa dentro dos Estúdios Globo.
- ^ Lígia Mesquita (28 February 2016). "Atores de 'Velho Chico' fazem experiências em galpão". Serafina. Retrieved 17 April 2017.
Os personagens de todo o elenco da saga familiar escrita por Benedito Ruy Barbosa eram gestados em um espaço coletivo de experimentação idealizado pelo diretor Luiz Fernando Carvalho"
- ^ Patricia Kogut (16 March 2016). "Lindo capítulo marca a volta do Brasil rural à TV". O Globo. Retrieved 20 November 2017.
A estreia de Velho Chico teve mesmo o selo autoral do seu diretor, Luiz Fernando Carvalho.
- ^ Patricia Kogut (18 March 2016). "Velho Chico e o Brasil real e o da fantasia". O Globo. Retrieved 20 November 2017.
Velho Chico, de alguma forma, trouxe a fábula de volta ao horário nobre. (...) Mas a realização de Luiz Fernando Carvalho faz sonhar. E a história de Benedito Ruy Barbosa tem muitas chances de agradar com essa mistura de realidade árida com estetização.
- ^ Patrícia Kogut (28 October 2015). "Rodrigo Santoro volta às novelas". OGlobo. Retrieved 17 April 2017.
- ^ Marcia Pereira (16 March 2016). "Sensação de Velho Chico, Carol Castro teve de fazer teste chorando". Notícias da TV. Retrieved 12 April 2017.
- ^ Roberto Midlej (7 August 2016). "Selma Egrei se destaca em 'Velho Chico' com a sofrida e poderosa Encarnação". Correio Popular. Retrieved 17 April 2017.
- ^ Zean Bravo (28 February 2016). "Velho Chico' terá 60% do elenco composto por atores nordestinos". Revista da TV. Retrieved 17 April 2017.
- ^ Cristina Padiglione (2015). "Diretor procura atores por todo o país para a novela das 9". Estadão. Retrieved 17 April 2017.
- ^ Marcia Carolina Maia (27 September 2016). "Câmera subjetiva: solução de 'Velho Chico' para Santo é linda". Veja. Retrieved 12 April 2017.
- ^ Maurício Stycer (30 September 2016). "Crítica: Obrigado, "Velho Chico"". UOL. Retrieved 12 April 2017.
- ^ Patricia Kogut (28 September 2016). "A Presença incorpórea de Domingos Montagner em Velho Chico". O Globo. Retrieved 20 November 2017.
Nem dublê, nem truques rasteiros. Vítima de uma tragédia que entristeceu o Brasil — e mais ainda a equipe de Velho Chico —, Domingos Montagner estava na novela anteontem. Luiz Fernando Carvalho recorreu a uma câmera subjetiva para trazer a presença incorpórea do ator a quase todas as sequências. Era, claro, um recurso técnico. Porém, qualquer caráter racional foi plenamente absorvido pela dramaturgia e dissolvido pela emoção visível que dominou o elenco e alcançou o público. (...) Carvalho chegou perto de fronteiras perigosas e acertou muito mesmo.
- ^ Maurício Stycer (1 October 2016). "'Velho Chico' marcou pela ambição estética e a relevância cultural". Folha de S.Paulo. Retrieved 12 April 2017.
- ^ Nilson Xavier (30 September 2016). "O maior mérito de Velho Chico foi provocar e estimular o público". UOL. Retrieved 17 April 2017.
É de Boni (José Bonifácio de Oliveira Sobrinho) a frase: "A televisão deve andar sempre um passo à frente do público." "Velho Chico" foi um bom exemplo"
- ^ Carla Bittencourt (30 September 2016). "Crítica de Velho Chico: tintas fortes do início ao fim". Extra. Retrieved 17 April 2017.
"Velho Chico" sempre foi uma novela de atuações e cenas memoráveis (...). Tudo muito denso, pintado com tintas mais fortes do que o telespectador está acostumado a ver nesse horário. Essas características garantiram à trama seu lugar na história da teledramaturgia
- ^ André Santana (30 September 2016). "Final de Velho Chico emociona com brilhante atuação de Antonio Fagundes". Observatório de Televisão. Retrieved 17 April 2017.
- ^ Luis Fernando Verissimo (1 May 2016). "Noveleiro". O Globo. Archived from the original on 1 December 2017. Retrieved 20 November 2017.
Eu já tentava ver tudo o que Luiz Fernando Carvalho fazia, e não apenas por solidariedade de xará. O que ele está fazendo no Velho Chico ultrapassa tudo o que já fez na TV - com a possível exceção de Os Maias. Ele é incapaz de um enquadramento que não seja perfeito, e teve também o talento de escolher um elenco perfeito.
- ^ "Nominees Categories". Iemmys.tv. Retrieved 20 November 2017.
- ^ Stewart Clarke (27 September 2017). "Kenneth Branagh, Anna Friel Receive International Emmy Nominations". Variety. Retrieved 20 November 2017.
- ^ Kate Samuelson (13 July 2017). "Here Are the 2017 Emmy Nominations". Time. Retrieved 20 November 2017.
- ^ "Velho Chico e Justiça concorrem ao Emmy Internacional". Revista da TV,O Globo. 27 September 2017. Retrieved 20 November 2017.
- ^ "Justiça, Tá no ar, Velho Chico, Totalmente Demais e Alemão concorrem ao Emmy Internacional". GShow. 27 September 2017. Retrieved 20 November 2017.
- ^ "A contradição de Velho Chico: novela é finalista ao Emmy mas não cabe no catálogo de vendas internacionais". Telepadi. 27 September 2017. Retrieved 20 November 2017.
É quase uma contradição que o enredo não tenha apelo internacional e que, inscrito no Emmy Internacional, na categoria de novelas, esteja entre os cinco finalistas
- ^ Patricia Kogut (14 November 2017). "Rodrigo Santoro participará do Emmy com equipe do Velho Chico". O Globo. Retrieved 20 November 2017.
Luiz Fernando Carvalho, convidado pela Globo, não poderá ir: está filmando em São Paulo
- ^ Rodrigo Fonseca (23 September 2016). "'Lavoura Arcaica' renasce, 15 anos após sua estreia, no Festival do Rio". Estado de S. Paulo. Retrieved 12 April 2017.
Um monumento cinematográfico de nossa Retomada
- ^ Cleo Guimaraes (15 October 2016). "Exibição de Lavoura Arcaica em película faz a felicidade dos nostálgicos no Festival do Rio". Gente Boa - OGlobo. Retrieved 20 April 2017.
Para Selton Mello, que interpreta o protagonista André, "Foi uma aventura emocional radical, que me tirou o chão e me fez renascer. Esse filme me deu coragem e a verdadeira dimensão da minha profissão"
- ^ Luis Carlos Merten (12 October 2016). "'Lavoura Arcaica' é homenageado no Festival do Rio". Estadão. Retrieved 20 April 2017.
- ^ Luiz Zanin (10 November 2016). "'Lavoura Arcaica', com presença de Raduan Nassar, põe fim à Mostra". Estado de S. Paulo. Retrieved 23 February 2017.
- ^ Eric Campi e Paulo Henrique Pompermaier. "Lavoura Arcaica e a utopia por um mundo melhor". Revista Cult. Retrieved 14 April 2017.
- ^ Almir de Freitas (13 October 2016). "Lavoura Arcaica, 15 anos depois". Revista Bravo!. Retrieved 23 February 2017.
- ^ Rodrigo Fonseca (26 June 2016). "'Lavoura Arcaica' completa 15 anos… e segue arrebatador". O Estado de S. Paulo. Retrieved 23 February 2017.
- ^ Suzana Velasco (15 October 2016). "Quinze anos após a estreia, Lavoura Arcaica dialoga com discussões atuais". OGlobo. Retrieved 20 April 2017.
- ^ ""Lavoura Arcaica" ganha exibição e instalação de Raimundo Rodriguez". PoltronaPop. 23 September 2016. Retrieved 20 April 2017.
- ^ Monalisa Marques (13 March 2017). "Duas adaptações para Dois Irmãos: Entrevista com Milton Hatoum". Literasutra. Archived from the original on 21 April 2017. Retrieved 20 April 2017.
- ^ Patrícia Kogut (8 January 2017). ""Dois Irmãos" é um trabalho para ser louvado, uma grande contribuição de Carvalho para a televisão brasileira". O Globo. Retrieved 23 February 2017.
- ^ Vera Ceccarello (12 January 2017). "Luiz Fernando Carvalho conseguiu transformar a prosa de Hatoum em poesia". OperaMundi. Retrieved 20 April 2017.
- ^ Edianez Parente (13 January 2017). "A teatralidade que faz de 'Dois Irmãos' uma obra prima da televisão". The Huffington Post. Retrieved 20 April 2017.
- ^ Rodrigo Fonseca (13 January 2017). "'Dois Irmãos' é a versão amazônica de Caim e Abel". Estadão. Retrieved 20 April 2017.
Pontuada por frases quase filosóficas sobre a fala por vezes gaga do Tempo (outro muso de Carvalho), a versão de Maria Camargo para o romance de Hatoum deixa transbordante para o olhar quase teológico do aclamado diretor uma dimensão bíblica de fraternidade em fúria, cindida na ponta da faca do ressentimento
- ^ Rita Cipriano (4 November 2017). "Milton Hatoum: "O Brasil é o romance da desilusão"". Observador. Retrieved 20 November 2017.
Milton Hatoum: "O Luiz Fernando Carvalho é um dos grandes diretores brasileiros. Dirigiu a adaptação de Lavoura Arcaica, do Raduan Nassar, e novelas importantes. A linguagem dele é muito inovadora. Não é aquele pastelão, aquele soap opera previsível. Ele trabalha com uma linguagem muito criativa e pensa em tudo — nos figurinos, na luz, em cada detalhe. É impressionante."
- ^ ""Dois Irmãos": minissérie aumenta vendas do livro em mais de 500%". iG. 18 January 2017. Retrieved 23 February 2017.
- ^ Almir de Freitas (18 January 2017). "A Linguagem como Sonho". Revista Bravo!. Retrieved 23 February 2017.
- ^ Maurício Stycer (21 January 2017). ""Dois Irmãos" é de uma qualidade espantosa para quem tem acesso apenas à TV aberta no Brasil". Folha de S. Paulo. Retrieved 23 February 2017.
- ^ Luiz Zanin (21 January 2017). "O Som e a Fúria de Dois Irmãos". Estadão. Retrieved 20 April 2017.
Uma história bem contada fala de si mesma e também de outras coisas. Esta nos falou do Brasil, de sua utopia frustrada de nação multiétnica, sensual e feliz. Um fino biscoito oferecido ao público, e que vai deixar saudades
- ^ Carlos Alberto Mattos (9 January 2017). "Arquétipos e epifanias em Dois Irmãos". Rastros de Carmattos. Retrieved 20 April 2017.
- ^ Nilson Xavier (9 January 2017). "'Dois Irmãos' transmite em belas imagens um crescente clima de tragédia". UOL. Retrieved 20 April 2017.
(A minissérie) tem a assinatura de Luiz Fernando Carvalho, o que – já sabemos – significa esmero na estética, fotografia, tomadas, trilha sonora e direção de atores.(...) Quem conhece a obra de Luiz Fernando Carvalho sabe que cada produção sua é única, mesmo dentro de seu estilo característico de direção
- ^ Christiane Passafaro Guzzi (13 January 2017). "A 'lavoura amazonense' de Luiz Fernando Carvalho". Revista Caju. Retrieved 20 April 2017.
O que parece diferenciar Carvalho é o estabelecimento de um estudo aprofundado da obra, da crítica, da tradição, e, principalmente, das reverberações que a produção dos escritores selecionados produzem no cenário ficcional
[permanent dead link] - ^ Cristina Padiglione (6 January 2017). ""Dois Irmãos" em duas palavras: não perca". Retrieved 23 February 2017.
- ^ Meire Kusumoto (9 January 2017). "Carvalho volta a exibir seu estilo teatral, sensível e poético na adaptação". Veja. Retrieved 23 February 2017.
- ^ André Santana (21 January 2017). "Intensa e inquietante, Dois Irmãos fisga o público, a crítica e prova que não é preciso ritmo frenético para fazer sucesso". Observatório de Televisão. Retrieved 20 April 2017.
- ^ Juliana Domingos de Lima (12 January 2017). "'Dois irmãos' é sobre o colapso de uma família. Mas também de um projeto de país". Nexo Jornal. Retrieved 20 April 2017.
"A adaptação de "Dois irmãos", na verdade uma transposição ou transcrição para o audiovisual, (...) oferece ao espectador brasileiro a possibilidade de alguns encontros fundamentais: encontro com cinquenta anos de história do país (...); com uma enorme diversidade humana e cultural (...); com uma forma expressiva que investe na sensibilidade e inteligência do espectador (...); por fim, o encontro com um projeto de país, que se insinuava durante a Belle Époque amazônica, mas cuja promessa de futuro é posta abaixo pela ditadura civil-militar e sua ideia destrutiva de "progresso". (...) É importante perceber que, enquanto a literatura brasileira ganha relevância e contundência ao migrar para a TV, a própria TV ganha também enorme prestígio artístico ao valorizar um produto literário nacional, ainda mais sob a marca e o estilo barroco, marcado pelo acúmulo de elementos e alta intensidade, do Luiz Fernando Carvalho" (Ilana Feldman)
- ^ "Um diretor fora da curva". Telepadi. 24 February 2017. Retrieved 28 February 2017.
- ^ Maria da Paz Trefaut (24 March 2017). "Um diretor fora da curva". Valor Econômico. Retrieved 20 November 2017.
Luiz Fernando Carvalho construiu uma aura intelectual ao seu redor, uma imagem de profissional autoral que não se apega a convenções
- ^ "APCA escolhe os melhores de 2017". Folha de S. Paulo. 11 December 2017. Retrieved 3 January 2018.
- ^ "Juliana Paes e a Força do Querer ganham prêmio da Associação Paulista de Críticos de Artes (APCA); veja a lista". G1. 12 December 2017. Retrieved 3 January 2018.
- ^ Guilherme Genestreti (28 November 2018). "Após Lavoura Arcaica, Luiz Fernando Carvalho adapta obra de Clarice". Folha de S. Paulo. Retrieved 30 January 2020.
- ^ Alessandro Giannini (6 December 2017). "Luiz Fernando Carvalho retoma carreira como diretor de cinema em SP". O Globo. Retrieved 29 January 2020.
- ^ Celia Musilli (11 January 2020). "Iluminações e Assombros Literários". Folha de Londrina. Retrieved 30 January 2020.
- ^ Alessandro Giannini (6 December 2017). "Maria Fernanda Cândido estará em versão para cinema de "A Paixão Segundo G.H."". O Globo. Retrieved 29 January 2020.
"Tenho uma afinidade grande com o Luiz. Esse aprofundamento que ele propõe é fundamental para realizarmos e desenvolvermos um trabalho. Gosto de como ele leva tudo isso e como propõe o laboratório".
External links
- Luiz Fernando Carvalho - Official website (in Portuguese)
- Luiz Fernando Carvalho at IMDb*
- To The Left of The Father - Mostra de Cinema de SP
- A La Gauche du Pere - Comme au Cinema (in French)
- A La Gauche du Pere - AlloCine (in French)
- Luiz Fernando Carvalho - Enciclopedia Itaú Cultural (in Portuguese)
- Luiz Fernando Carvalho - Estadão (in Portuguese)
- Luiz Fernando Carvalho - Ateliê Editorial (in Portuguese)
- Luiz Fernando Carvalho - Mostra de Cinema de SP (in Portuguese)
- Luiz Fernando Carvalho - Filme B (in Portuguese)
- Luiz Fernando Carvalho - Adoro Cinema (in Portuguese)
- Lavoura Arcaica - Festival do Rio (in Portuguese)
- Luiz Fernando Carvalho no Twitter (in Portuguese)
- Luiz Fernando Carvalho no Facebook (in Portuguese)