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An artist-run space is a gallery space run by artists, thus circumventing the structures of public and private galleries. Artist-run spaces have become realised as an important factor in urban regeneration, for example Glasgow, UK.
The two main artist-run spaces from Buenos Aires were Belleza y Felicidad and APPETITE, both set the standards for emerging art in Argentina. APPETITE was a gallery was the first argentinian gallery to be accepted at Frieze, London, and encouraged a lot of galleries to its San Telmo barrio.
Many artist-run spaces exist in Australia. These spaces are often provided with funding assistance by government and state funding bodies. Notable examples of current or recent artist-run projects and spaces include Boomalli Aboriginal Artists Collective in Sydney, Platform artists group in Melbourne and freerange in Perth.
Artist-run centre is the common term of use for artist-initiated and managed organizations in Canada. Centres follow the not-for-profit arts organization model, do not charge admission fees, are non-commercial and de-emphasize the selling of work. The centres were created originally in response to a lack of opportunity to present contemporary work in Canada and a desire to network with other artists nationally and internationally. In the 1990s there were over 100 artist-run centres across Canada. There are currently at least 60 artist-run centres with continuous operating funding.
The primary source of funding for artist-run centres is the Canada Council which has a specific program of two-year operating support for artist-run centres. Most centres also receive funding from the Provincial governments, most of which have an arts council to financially assist individual artists and arts organizations. Centres may also receive funding from their local municipal or city governments. Centres sometimes will secure funding for specific projects from corporations that manage lottery earnings or public and private foundations. Centres have tended not to pursue individual sponsors or patrons, neither corporations nor individuals, in part because they are in a critical relationship with the traditional and established art system of museums which have the resources to pursue that type of support.
Immanence is an artist-run space located in Paris Montparnasse. It was founded in 1998 by two artists, Cannelle Tanc and Frédéric Vincent. Since the opening in January 25, 2000, this very active artist-run space have organize more of 100 exhibitions. In particular the first Edouard Levé's Exhibition, "Rêves Reconstitué" in 2000, a carte blanche to Jean-Marc Bustamante a solo show of Eric Corne, "Le plus plus grand piano du monde " Goran Vejvoda, "readonlymemories" Grégory Chatonsky, "men crying" Gulsun Karamustafa, "Au-tour de Robert Filliou, Cover record. In 2008, The center of research and documentation around artist book, Archive Station open with a big exhibition of artists books since this opening, Immanence have made lot of exhibition with artists book in particular something else press and around in 2010.
Artist-run spaces had a particularly strong effect on urban regeneration in Glasgow, where the city won the accolade 'European Capital of Culture' in 1990 largely due to the large number of artist-run exhibition spaces and galleries. Curator Hans Ulrich Obrist coined the term "The Glasgow Miracle" to describe this.
FIVE YEARS was founded by a group of artist in 1998, based in 40 Underwood St,Shoreditch. London. It was a neighbour to BANK's space, Poo Poo Gallery and 30 Underwood St . In 2002, Five Years, Mellow Birds ( who was using the space of BANK after their disbanding and 30 Underwood St) had to leave the old Victorian Industrial premises to give way to gentrification new Loft Style housing. After a few years of only virtual and site specific existence, FIVE YEARS members found a space in Hackney from which they continue to work since 2007 with an expanded membership.
The Transition Gallery was founded in October 2002 in a converted garage close to Victoria Park, Hackney, London, and is run by artists Cathy Lomax and Alex Michon to show work by established and new contemporary artists.
studio1.1 was founded as a co-operative in 2003 and is run by artists Michael Keenan and Keran James. The gallery is an artist-run, not-for-profit space, located in a former sex shop in Redchurch Street, Shoreditch, East London.
hARTslane  experimental art project space, in New Cross Gate, South East London, was founded in 2012 by Cristiana Bottigella, Sigrun Sverrisdottir and Tisna Westerhof. It is based in a derelict garage which was an eyesore and a wasted resource owned by Lewisham Council and occupied by People Before Profit as part of their struggle for affordable housing in Lewisham.
Los Angeles, California
Los Angeles has a tradition of artist run spaces dating back to at least the 1950s. Chris Burden's Shoot piece took place in a space run by artist Barbara T. Smith. Los Angeles Contemporary Exhibitions was founded by several individuals including two artists. Machine Project is still directed by artist Mark Allen.
In 2010, ART2102 of Los Angeles published the book and an online directory, Dispatches and Directions: On Artist-Run Organizations in Los Angeles, which documents these initiatives from 2005–present.
New York City During the 1950s in Manhattan, artist-run co-ops became the alternative to the uptown Madison Avenue galleries that catered mostly to wealthy blue-chip and European art-oriented collectors. From the early 1950s to the early 1960s the Tenth Street galleries located mostly in the East Village in lower Manhattan became the proving ground for much of the contemporary art that achieved popularity and commercial success in the decades that followed. During the 1960s the Park Place Gallery became the first important contemporary gallery in SoHo. Park Place gallery was an artist-run cooperative that featured cutting-edge Geometric abstraction. Eventually by the 1970s SoHo became the new center for the New York art world as hundreds of commercial galleries opened in a sudden wave of artistic prosperity.
Pierogi 2000, in Williamsburg, Brooklyn, is run by artist Joe Amrhein. The gallery puts on traditional exhibitions and also presents works on paper in an extensive system of flat files. Viewers can look through hundreds of individual artists’ portfolios of works on paper contained within the flat file drawers. These files travel for exhibition at other venues in the United States and abroad.
Momenta Art is an artist-run nonprofit institution also in Williamsburg. Momenta Art shows work by emerging artists that are not well represented in commercial galleries. It has an annual fundraiser which is a benefit group exhibition and raffle. The fundraiser has been hosted regularly by White Columns, another non-profit organization dedicated to supporting emerging artists.
MINUS SPACE is an artist-run curatorial project devoted to reductive art. Minus Space maintains an exhibition space in Brooklyn and curates exhibitions at other venues nationally and internationally. Minus Space also has a location on the Internet enabling it to collaborate with other institutions. The website has a running log of related exhibitions and a chronology documenting the development of reductive and concept-based art.
Manhattan Graphics Center (MGC), located in the West Village, is run by artist volunteers and offers artists printmaking studios and classes. In a cooperative system artists can also use the facility in exchange for administrative work. Manhattan Graphics Center also exhibits the work of artists who have used the facility.
The Kitsch Gallery is an artist-run space located in San Francisco's Mission District. It was founded in 2009 by three students, Nikki Mirsaeid, Taj Robinson, and Myrina Tunberg at the San Francisco Art Institute and University of San Francisco. Kitsch was voted Best New Warehouse Space of 2010 by SF Weekly. Artists who have been presented or exhibited at Kitsch include Tania De Rozario.
Savernack Street is an artist-run micro-gallery located in San Francisco's Mission District created and curated by artist Carrie Sinclair Katz. The gallery interior is inaccessible to visitors and artwork can only be viewed by looking through a reverse peephole located on the storefront. The exhibitions usually feature a single piece of miniature artwork that appears larger or life sized when viewed through the peephole.
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