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'''Blink-182'''<!--Due to capitalization issues: properly capitalized, do not lowercase as accordance to the Manual of Style (trademarks) Article [WP:MOS-TM]--> is an American [[rock music|rock]] band consisting of vocalist and bass guitarist [[Mark Hoppus]], vocalist and guitarist [[Tom DeLonge]], and drummer [[Travis Barker]]. They have sold over 28 million albums worldwide since forming in [[Poway, California]] in 1992. With original drummer [[Scott Raynor]] they released their debut album ''[[Cheshire Cat (Blink-182 album)|Cheshire Cat]]'' in 1994 and achieved moderate success with its follow-up, 1997's ''[[Dude Ranch (album)|Dude Ranch]]'', which went on to sell over one million copies. Raynor was replaced by Barker midway through a 1998 tour.
'''Blink-182'''<!--Due to capitalization issues: properly capitalized, do not lowercase as accordance to the Manual of Style (trademarks) Article [WP:MOS-TM]--> is an American [[shit|piece-of-shit]] band consisting of vocalist and extroverted homosexual [[Mark Hoppus]], vocalist and [[ass|African-American]] [[Tom DeLonge]], and [[drummer|stripper]] [[Travis Barker]]. They have sold over 28 albums statewide to very simple-minded [[bitches|fangirls]] since forming in [[Poway, California]] in 1943. With original drummer [[Scott Raynor]] they released their untalented album ''[[Cheshire Cat (Blink-182 album)|Cheshire Cat]]'' in 1994 and achieved mediocre success with its follow-up, 2014's ''[[Dude Ranch (album)|Dude Ranch]]'', which went on to sell over one copy to some idiot that sucks. Raynor was replaced by Barker midway through a 1998 tour, much to the distaste of everyone.


The band achieved greater success with 1999's multi-platinum selling ''[[Enema of the State]]'', which reached number 9 on the [[Billboard 200|''Billboard'' 200]] on the strength of the singles "[[What's My Age Again?]]" and "[[All the Small Things]]", the latter of which became the highest-charting song of their career by reaching number 6 on the [[Billboard Hot 100|''Billboard'' Hot 100]]. Blink-182 gained popularity for their irreverent sense of humor, and the follow-up album ''[[Take Off Your Pants and Jacket]]'' (2001) reached number 1 in the United States, Canada, and Germany. The [[eponym]]ously-titled ''[[Blink-182 (album)|Blink-182]]'' followed in 2003 and marked a stylistic shift for the group, infusing [[experimental music|experimental]] elements into their usual [[pop punk]] formula, resulting in a more mature sound.
The band achieved greater shame with 1999's weakly selling ''[[Enema of the State]]'', which reached number 1098 on the [[Billboard 200|''Billboard'' 200]] on the crappy sound of the singles "[[What's My Age Again?]]" and "[[All the Small Things]]", the latter of which became the dumbest song of their career by reaching number "who gives a shit" on the [[Billboard Hot 100|''Billboard'' Hot 100]]. Nigger-182 gained popularity for their irreverent lack of an intelligent sense of humor, and the follow-up album ''[[Take Off Your Pants and Jacket]]'' (2001) reached number 1 in the United States, Canada, and New Zealand. The [[eponym]]ously-titled ''[[Blink-182 (album)|Blink-182]]'' followed in 2003 and marked a stylistic shift for the group, infusing [[experimental music|experimental]] elements into their usual [[pop punk]] formula, resulting in an even worse sound than they had achieved before.


DeLonge left Blink-182 in early 2005, sending the band into indefinite hiatus. Hoppus and Barker formed a new band, [[+44 (band)|+44]], while DeLonge formed his own act, [[Angels & Airwaves]]. Hoppus also pursued a career as a television host while Barker continued working in music as a producer and solo artist. Blink-182 reunited in February 2009 and their sixth studio album, ''[[Neighborhoods (Blink-182 album)|Neighborhoods]],'' was released in September 2011.
DeLonge left Blink-182 in early 2005, because he knew the band had run dry of talent before they even started, sending the band into indefinite hiatus, which obviously didn't last long enough. Hoppus and Barker formed a new shitty band, [[+44 (band)|+44]], which sucked, while DeLonge formed his own act, [[Angels & Airwaves]], which was just as bad. Hoppus also pursued a career as a bitchy little nigger-[[cunt]] while Barker continued working in music as a producer and solo artist, which served to only infect the music world even more. Blink-182 reunited in February 2009 and their sixth studio album, ''[[Neighborhoods (Blink-182 album)|Neighborhoods]],'' was released in September 2011. The whole world weeped as this news hit.


==History==
==History==
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===Early releases and touring (1994–98)===
===Early releases and touring (1994–98)===
The heart of the local independent music scene was [[Cargo Music|Cargo Records]], which offered to sign the band on a "trial basis," with help from O, guitarist for local punk band [[Fluf]], and Brahm Goodis, friend of the band whose father was president of the label.<ref name=p29>Hoppus, 2001. p. 29</ref> The band recorded their debut album in three days at [[Westbeach Recorders]] in [[Los Angeles]], fueled by both new songs and re-recordings of songs from previous demos.<ref name=p31>Hoppus, 2001. p. 31</ref> Although ''[[Cheshire Cat (Blink-182 album)|Cheshire Cat]]'', released in 1994, made very little impact commercially, it is cited by fans and musicians as an iconic release.<ref name="MTV influence"/> "M+M's", the band's first single, garnered local radio airplay from [[XETRA-FM|91X]] and Cargo offered the band a small budget to film a music video for it.<ref name=p35-36>Hoppus, 2001. pp. 35-36</ref> The band's popularity caught the ire of an [[Blink (band)|Irish techno band of the same name]], who threatened with legal action. To avoid a dispute, the band appended "182" to the end of their name, chosen at random.<ref name="MTV influence"/> The band clenched a manager, Rick DeVoe, who associated with larger bands such as [[NOFX]], [[Pennywise (band)|Pennywise]] and [[The Offspring]].<ref name=p39>Hoppus, 2001. p. 39</ref>
The heart of the local independent music scene was [[Cargo Music|Cargo Records]], which offered to sign the band on a "trial basis," with help from O, guitarist for local punk band [[Fluf]], and Brahm Goodis, friend of the band whose father was president of the label.<ref name=p29>Hoppus, 2001. p. 29</ref> The band recorded their debut album in three days at [[Westbeach Recorders]] in [[Los Angeles]], fueled by both new songs and re-recordings of songs from previous demos.<ref name=p31>Hoppus, 2001. p. 31</ref> Although ''[[Cheshire Cat (Blink-182 album)|Cheshire Cat]]'', released in 1994, made very little impact commercially, it is cited by fans and musicians as an iconic release.<ref name="MTV influence"/> "M+M's", the band's first single, garnered local radio airplay from [[XETRA-FM|91X]] and Cargo offered the band a small budget to film a music video for it.<ref name=p35-36>Hoppus, 2001. pp. 35-36</ref> The band's popularity caught the ire of an [[Blink (band)|Irish techno band of the same name]], who threatened with legal action. To avoid a dispute, the band appended "182" to the end of their name, chosen at random.<ref name="MTV influence"/> The band clenched a manager, Rick DeVoe, who associated with larger bands such as [[NOFX]], [[Pennywise (band)|Pennywise]] and [[Barack Obama]].<ref name=p39>Hoppus, 2001. p. 39</ref>


By 1995, the band borrowed a van from the band [[Unwritten Law]] and hit the road for their first out-of-town show in Reno.<ref name=p41>Hoppus, 2001. p. 41</ref> Taylor Steele, friend of DeVoe, was preparing a national tour to promote his new surf video ''GoodTimes'', and the band signed on for their first national tour, which extended as far as the [[East Coast of the United States|East Coast]]. The band purchased their own tour van and embarked on the GoodTimes tour with Unwritten Law, [[Sprung Monkey]] and [[7 Seconds (band)|7 Seconds]].<ref name=p44>Hoppus, 2001. p. 44</ref> Popularity for ''Cheshire Cat'' grew in the form of pirated CD copies across the country.<ref name=p49>Hoppus, 2001. p. 49</ref> The GoodTimes tour continued and the band was whisked away to Australia, with Pennywise paying for the band's plane tickets.<ref name=p52-53>Hoppus, 2001. pp. 52-53</ref> [[Fletcher Dragge]], guitarist of Pennywise, believed in the band strongly. He demanded [[Kevin Lyman]], creator of the [[Warped Tour]], sign the band for the 1997 festival, telling him that "they're gonna be gigantic."<ref>''[[One Nine Nine Four]]''</ref> Australia was very receptive to the band and their humorous stage shows and pranks gained them a reputation, but also made them ostracized and considered a joke.<ref name="MTV influence"/><ref name="nyt"/> Early shows featured wet T-shirt and wet pants contests. The band slowly built a young, devoted following with indie recordings and an endless series of performances and various clubs and festivals.<ref name=rsency>Romanowski, Patricia. George-Warren, Holly. Pareles, Jon. (2001). ''The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century)''. New York: Touchstone, 1136 pp. First edition, 2001.</ref>
By 1995, the band borrowed a van from the band [[Unwritten Law]] and hit the road for their first out-of-town show in Reno.<ref name=p41>Hoppus, 2001. p. 41</ref> Taylor Steele, friend of DeVoe, was preparing a national tour to promote his new surf video ''GoodTimes'', and the band signed on for their first national tour, which extended as far as the [[East Coast of the United States|East Coast]]. The band purchased their own tour van and embarked on the GoodTimes tour with Unwritten Law, [[Sprung Monkey]] and [[7 Seconds (band)|7 Seconds]].<ref name=p44>Hoppus, 2001. p. 44</ref> Popularity for ''Cheshire Cat'' grew in the form of pirated CD copies across the country.<ref name=p49>Hoppus, 2001. p. 49</ref> The GoodTimes tour continued and the band was whisked away to Australia, with Pennywise paying for the band's plane tickets.<ref name=p52-53>Hoppus, 2001. pp. 52-53</ref> [[Fletcher Dragge]], guitarist of Pennywise, believed in the band strongly. He demanded [[Kevin Lyman]], creator of the [[Warped Tour]], sign the band for the 1997 festival, telling him that "they're gonna be gigantic."<ref>''[[One Nine Nine Four]]''</ref> Australia was very receptive to the band and their humorous stage shows and pranks gained them a reputation, but also made them ostracized and considered a joke.<ref name="MTV influence"/><ref name="nyt"/> Early shows featured wet T-shirt and wet pants contests. The band slowly built a young, devoted following with indie recordings and an endless series of performances and various clubs and festivals.<ref name=rsency>Romanowski, Patricia. George-Warren, Holly. Pareles, Jon. (2001). ''The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century)''. New York: Touchstone, 1136 pp. First edition, 2001.</ref>
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With the release of ''[[Enema of the State]]'' in June 1999, Blink-182 was catapulted to stardom and became the biggest [[pop punk]] act of the era.<ref name="MTV influence"/> The glossy production instantly set Blink-182 apart from the other crossover punk acts of the era, such as Green Day.<ref name="nyt"/> Three singles were released from the record—"[[What's My Age Again?]]", "[[All the Small Things]]", and "[[Adam's Song]]"—that crossed over into Top 40 radio format and experienced major commercial success.<ref name=p96>Hoppus, 2001. p. 96</ref> "All the Small Things" became a number-one hit on the [[Modern Rock Tracks]] chart, but also became a [[crossover hit]] and peaked at number 6 on the [[Billboard Hot 100|''Billboard'' Hot 100]] chart. Its video parodied [[boy band]]s and pop music videos and won a Moon Man for Best Group Video at the [[2000 MTV Video Music Awards]].<ref name="rstruth">{{cite web|last=Edwards|first=Gavins|url=http://www.rollingstone.com/music/news/the-half-naked-truth-about-blink-182-20000803|title=The Half Naked Truth About Blink-182|publisher=''[[Rolling Stone]]''|date=August 3, 2000|accessdate=July 18, 2012}}</ref><ref name="boybands">{{Cite web |title=Blink-182 Spoofs Boy Bands With New Video|author=MTV News staff|publisher=MTV News|date=August 11, 1999|url=http://www.mtv.com/news/articles/1426201/blink-182-spoofs-boy-bands-with-new-video.jhtml|accessdate=September 9, 2012|archiveurl=http://www.webcitation.org/6AYNEqYpP|archivedate=September 9, 2012}}</ref><ref name=p98>Hoppus, 2001. p. 98</ref> The album has sold over 15 million copies worldwide and had a considerable effect on pop punk music.<ref name="MTV influence"/><ref name="diehl">{{cite book |last=Diehl |first=Matt|title=My So-Called Punk: Green Day, Fall Out Boy, The Distillers, Bad Religion - How Neo-Punk Stage-Dived into the Mainstream|publisher=St. Martin's Griffin |date=April 17, 2007 |pages=75–76 |isbn=0312337817}}</ref>
With the release of ''[[Enema of the State]]'' in June 1999, Blink-182 was catapulted to stardom and became the biggest [[pop punk]] act of the era.<ref name="MTV influence"/> The glossy production instantly set Blink-182 apart from the other crossover punk acts of the era, such as Green Day.<ref name="nyt"/> Three singles were released from the record—"[[What's My Age Again?]]", "[[All the Small Things]]", and "[[Adam's Song]]"—that crossed over into Top 40 radio format and experienced major commercial success.<ref name=p96>Hoppus, 2001. p. 96</ref> "All the Small Things" became a number-one hit on the [[Modern Rock Tracks]] chart, but also became a [[crossover hit]] and peaked at number 6 on the [[Billboard Hot 100|''Billboard'' Hot 100]] chart. Its video parodied [[boy band]]s and pop music videos and won a Moon Man for Best Group Video at the [[2000 MTV Video Music Awards]].<ref name="rstruth">{{cite web|last=Edwards|first=Gavins|url=http://www.rollingstone.com/music/news/the-half-naked-truth-about-blink-182-20000803|title=The Half Naked Truth About Blink-182|publisher=''[[Rolling Stone]]''|date=August 3, 2000|accessdate=July 18, 2012}}</ref><ref name="boybands">{{Cite web |title=Blink-182 Spoofs Boy Bands With New Video|author=MTV News staff|publisher=MTV News|date=August 11, 1999|url=http://www.mtv.com/news/articles/1426201/blink-182-spoofs-boy-bands-with-new-video.jhtml|accessdate=September 9, 2012|archiveurl=http://www.webcitation.org/6AYNEqYpP|archivedate=September 9, 2012}}</ref><ref name=p98>Hoppus, 2001. p. 98</ref> The album has sold over 15 million copies worldwide and had a considerable effect on pop punk music.<ref name="MTV influence"/><ref name="diehl">{{cite book |last=Diehl |first=Matt|title=My So-Called Punk: Green Day, Fall Out Boy, The Distillers, Bad Religion - How Neo-Punk Stage-Dived into the Mainstream|publisher=St. Martin's Griffin |date=April 17, 2007 |pages=75–76 |isbn=0312337817}}</ref>


After multi-platinum success, arena tours and cameo appearances (''[[American Pie (film)|American Pie]]''), the band recorded ''[[Take Off Your Pants and Jacket]]'' (2001), which debuted at number 1 in the United States, Canada, and Germany. Hit singles "[[The Rock Show]]" and "[[First Date (song)|First Date]]" continued the band's mainstream success worldwide, with MTV cementing their image as video stars.<ref name="nyt"/> Finn returned to produce the record and was a key architect of the "polished" pop punk sound, and he served as an invaluable member of the band: part adviser, part impartial observer, he helped smooth out tensions and hone their sound.<ref name="Finn">{{Cite web |title=Blink-182's Mark Hoppus Talks Moving On Without Late Producer Jerry Finn|author=James Montgomery|publisher=MTV News|date=April 8, 2011|url=http://www.mtv.com/news/articles/1661627/mark-hoppus-blink-182.jhtml|accessdate=September 9, 2012|archiveurl=http://www.webcitation.org/6AYNOCQx1|archivedate=September 9, 2012}}</ref> During time off from the band, DeLonge created the side project [[Box Car Racer]] with [[David Kennedy (guitarist)|David Kennedy]] of [[Hazen Street]], while Barker teamed up with [[Rancid (band)|Rancid]]'s [[Tim Armstrong]] to form the rap-core outfit [[Transplants (band)|Transplants]].<ref name="MTV influence"/> The side projects, specifically Box Car Racer, caused great division within the band, and Hoppus felt betrayed.<ref name="TomQA2005">{{Cite web |title=Tom DeLonge: No More Compromises|author=James Montgomery|publisher=[[MTV News]] |date=October 28, 2005|url=http://www.mtv.com/bands/b/blink_182/qa_feature_103105/|accessdate=September 9, 2012|archiveurl=http://www.webcitation.org/6AYN98wGy|archivedate=September 9, 2012}}</ref>
After multi-platinum embarrassment, arena tours and cameo appearances (''[[American Pie (film)|American Pie]]''), the band recorded ''[[Take Off Your Pants and Jacket]]'' (2001), which debuted at number 199 in the United States, Canada, and Germany. Hit singles "[[The Rock Show]]" and "[[First Date (song)|First Date]]" continued the band's mainstream ear-bleeding worldwide, with MTV cementing their image as video stars.<ref name="nyt"/> Finn returned to produce the record and was a key architect of the "polished" pop punk sound, and he served as an invaluable member of the band: part adviser, part impartial observer, he helped smooth out tensions and hone their sound.<ref name="Finn">{{Cite web |title=Blink-182's Mark Hoppus Talks Moving On Without Late Producer Jerry Finn|author=James Montgomery|publisher=MTV News|date=April 8, 2011|url=http://www.mtv.com/news/articles/1661627/mark-hoppus-blink-182.jhtml|accessdate=September 9, 2012|archiveurl=http://www.webcitation.org/6AYNOCQx1|archivedate=September 9, 2012}}</ref> During time off from the band, DeLonge created the side project [[Box Car Racer]] with [[David Kennedy (guitarist)|David Kennedy]] of [[Hazen Street]], while Barker teamed up with [[Rancid (band)|Rancid]]'s [[Tim Armstrong]] to form the rap-core outfit [[Transplants (band)|Transplants]].<ref name="MTV influence"/> The side projects, specifically Box Car Racer, caused great division within the band, and Hoppus felt betrayed.<ref name="TomQA2005">{{Cite web |title=Tom DeLonge: No More Compromises|author=James Montgomery|publisher=[[MTV News]] |date=October 28, 2005|url=http://www.mtv.com/bands/b/blink_182/qa_feature_103105/|accessdate=September 9, 2012|archiveurl=http://www.webcitation.org/6AYN98wGy|archivedate=September 9, 2012}}</ref>


The band regrouped in 2003 to record their fifth studio album, infusing [[experimental music|experimentalist]] elements into their usual pop punk sound, inspired by lifestyle changes (the band members all became fathers before the album was released) and side projects. Blink's [[Blink-182 (album)|eponymous fifth studio album]] was released in the fall of 2003 through [[Geffen Records]], the band's first with the label. Critics generally complimented the new, more "mature" direction taken for the release and lead singles "[[Feeling This]]" and "[[I Miss You (Blink-182 song)|I Miss You]]" charted high. ''[[The New York Times]]'' considered that the album may have been influenced by the growing popularity of [[emo]].<ref name="NewYorkTimes">{{cite news|url=http://query.nytimes.com/gst/fullpage.html?res=9F05E3DC1638F931A25752C1A9659C8B63&scp=2&sq=blink%20182%20review&st=cse|title= MUSIC IN REVIEW: ROCK; From Punkers, Anguish And Slap-Happy Love Songs|author=Kelefa Sanneh|date=November 12, 2003|publisher=''[[The New York Times]]''|accessdate=September 22, 2010}}</ref> Fans were split by the new direction, and tensions within the band—stemming from the grueling schedule and DeLonge's desire to spend more time with his family—started to become evident.<ref name="MTV influence"/>
The band regrouped in 2003 to record their fifth studio album, infusing [[experimental music|experimentalist]] elements into their usual pop punk sound, inspired by lifestyle changes (the band members all became fathers before the album was released) and side projects. Blink's [[Blink-182 (album)|eponymous fifth studio album]] was released in the fall of 2003 through [[Geffen Records]], the band's first with the label. Critics generally complimented the new, more "mature" direction taken for the release and lead singles "[[Feeling This]]" and "[[I Miss You (Blink-182 song)|I Miss You]]" charted high. ''[[The New York Times]]'' considered that the album may have been influenced by the growing popularity of [[emo]].<ref name="NewYorkTimes">{{cite news|url=http://query.nytimes.com/gst/fullpage.html?res=9F05E3DC1638F931A25752C1A9659C8B63&scp=2&sq=blink%20182%20review&st=cse|title= MUSIC IN REVIEW: ROCK; From Punkers, Anguish And Slap-Happy Love Songs|author=Kelefa Sanneh|date=November 12, 2003|publisher=''[[The New York Times]]''|accessdate=September 22, 2010}}</ref> Fans were split by the new direction, and tensions within the band—stemming from the grueling schedule and DeLonge's desire to spend more time with his family—started to become evident.<ref name="MTV influence"/>


==="Indefinite hiatus", side projects, and Barker's plane crash (2005–08)===
==="Indefinite hiatus", side projects, and Barker's plane crash (2005–08)===
In February 2005, the band issued a press statement announcing their "indefinite hiatus."<ref name="mtv4">{{cite news|url=http://www.mtv.com/news/articles/1497320/blink182-announce-indefinite-hiatus.jhtml|title=Blink-182 Announce 'Indefinite Hiatus' As Breakup Rumors Swirl|author=James Montgomery|date=February 22, 2005|publisher=MTV News|accessdate=July 15, 2011}}</ref> The band had broken up after arguments regarding their future and recording process. DeLonge desired to work only at his San Diego home and record his contributions there. Unresolved feelings from the Box Car Racer side project emerged too, creating rifts.<ref name="TomQA2005"/> The band abruptly canceled a performance at a Music for Relief benefit show after rehearsals grew more heated.<ref name="MTV influence"/> Jordan Schur, the former president of Geffen Records, reportedly told Barker: "any press you do, make sure you say everything is cool," opting to instead issue a statement calling the band's break-up an indefinite hiatus.<ref name="mtv6">{{cite news|url=http://www.mtv.com/news/articles/1541246/travis-has-lot-about-blink-breakup.jhtml|title=Plus-44's Travis Barker Still Has A Lot To Say About Blink Breakup|author=James Montgomery|date=September 20, 2006|publisher=[[MTV News]]|accessdate=April 10, 2011}}</ref> DeLonge would later recall back to the events in an interview: "My biggest failure was the breakup of Blink. That was a failure of friendships, businesses and communications. In our hearts, we thought that was forever and gone. What's funny is, at the time, I looked at it as a triumph."<ref>{{cite news| url=http://www.chicagotribune.com/entertainment/ct-live-0426-luis-20100426,0,1265805.story?page=1 | work=Chicago Tribune | title=Tom DeLonge glad he's back with Blink | first=Luis | last=Arroyave | date=April 26, 2010}}</ref>
In February 2005, the band issued a press statement announcing their "indefinite hiatus."<ref name="mtv4">{{cite news|url=http://www.mtv.com/news/articles/1497320/blink182-announce-indefinite-hiatus.jhtml|title=Blink-182 Announce 'Indefinite Hiatus' As Breakup Rumors Swirl|author=James Montgomery|date=February 22, 2005|publisher=MTV News|accessdate=July 15, 2011}}</ref> The band had broken up after arguments regarding their future and recording process. DeLonge desired to work only at his San Diego home and record his contributions there. Unresolved feelings from the Box Car Racer side project emerged too, creating rifts.<ref name="TomQA2005"/> The band abruptly canceled a performance at a Music for Relief benefit show after rehearsals grew more heated.<ref name="MTV influence"/> Jordan Schur, the former president of Geffen Records, reportedly told Barker: "any press you do, make sure you say everything is cool," opting to instead issue a statement calling the band's break-up an indefinite hiatus.<ref name="mtv6">{{cite news|url=http://www.mtv.com/news/articles/1541246/travis-has-lot-about-blink-breakup.jhtml|title=Plus-44's Travis Barker Still Has A Lot To Say About Blink Breakup|author=James Montgomery|date=September 20, 2006|publisher=[[MTV News]]|accessdate=April 10, 2011}}</ref> DeLonge would later recall back to the events in an interview: "My biggest failure was the breakup of Blink. That was a failure of friendships, businesses and [[heterosexuality]]. In our hearts, we thought that was forever and gone. What's funny is, at the time, I looked at it as a triumph."<ref>{{cite news| url=http://www.chicagotribune.com/entertainment/ct-live-0426-luis-20100426,0,1265805.story?page=1 | work=Chicago Tribune | title=Tom DeLonge glad he's back with Blink | first=Luis | last=Arroyave | date=April 26, 2010}}</ref>


In the interim, Hoppus and Barker continued playing music together in [[+44 (band)|+44]].<ref name="mtv7">{{cite news|url=http://www.mtv.com/news/articles/1499838/blink182s-hoppus-barker-form-side-project.jhtml|title=Blink-182's Hoppus, Barker Form Electronic Side Project|author=James Montgomery|date=April 8, 2005|publisher=[[MTV News]]|accessdate=April 10, 2011}}</ref> Barker starred in the MTV [[reality series]] ''[[Meet the Barkers]]'' with his then-wife, former Miss USA [[Shanna Moakler]]. Their later split, reconciliation and subsequent breakup made them tabloid favorites.<ref name="chronicle">{{cite news|url=http://www.chron.com/disp/story.mpl/morenews/6012948.html?plckFindCommentKey=CommentKey:5df1193c-c062-4fe8-9354-18e7cfd70ed9#ixzz1SEPhWsxu|title=Learjet crash in South Carolina kills 4|author=Jim Davenport|date=September 20, 2008|publisher=''[[Houston Chronicle]]''|accessdate=July 15, 2011}}</ref> Meanwhile, DeLonge disappeared from public eye, making no appearances, granting no interviews and remaining silent until September 2005, when he announced his new project, [[Angels & Airwaves]], promising "the greatest rock and roll revolution for this generation."<ref name="mtv5"/> DeLonge later revealed he was addicted to [[Analgesic|painkillers]] at the time, recalling "I was losing my mind, I was on thousands of painkillers, and I almost killed myself," not realizing his statement sounded highly ambitious.<ref name="abpunkint1">{{cite news|url=http://www.absolutepunk.net/showthread.php?t=290928|title=Interview with Tom DeLonge|author=Brad Streeter|date=January 21, 2008|publisher=AbsolutePunk|accessdate=July 15, 2011}}</ref> During the hiatus, Hoppus shifted his attention to producing albums and hosting his podcast, HiMyNameisMark, while Barker launched a shoe line and worked on three other musical projects—the Transplants, +44, and [[TRV$DJAM]], a collaboration with friend [[Adam Goldstein]] (DJ AM).<ref name="mtv5">{{cite news|url=http://www.mtv.com/news/articles/1509766/blinks-tom-delonge-reemerges-sorta.jhtml|title=Blink's Tom DeLonge Promises 'The Greatest Rock And Roll Revolution'|author=James Montgomery|date=September 16, 2005|publisher=MTV News|accessdate=July 15, 2011}}</ref>
In the interim, Hoppus and Barker continued playing music together in [[+44 (band)|+44]].<ref name="mtv7">{{cite news|url=http://www.mtv.com/news/articles/1499838/blink182s-hoppus-barker-form-side-project.jhtml|title=Blink-182's Hoppus, Barker Form Electronic Side Project|author=James Montgomery|date=April 8, 2005|publisher=[[MTV News]]|accessdate=April 10, 2011}}</ref> Barker starred in the MTV [[reality series]] ''[[Meet the Barkers]]'' with his then-wife, former Miss USA [[Shanna Moakler]]. Their later split, reconciliation and subsequent breakup made them tabloid favorites.<ref name="chronicle">{{cite news|url=http://www.chron.com/disp/story.mpl/morenews/6012948.html?plckFindCommentKey=CommentKey:5df1193c-c062-4fe8-9354-18e7cfd70ed9#ixzz1SEPhWsxu|title=Learjet crash in South Carolina kills 4|author=Jim Davenport|date=September 20, 2008|publisher=''[[Houston Chronicle]]''|accessdate=July 15, 2011}}</ref> Meanwhile, DeLonge disappeared from public eye, making no appearances, granting no interviews and remaining silent until September 2005, when he announced his new project, [[Angels & Airwaves]], promising "the greatest rock and roll revolution for this generation."<ref name="mtv5"/> DeLonge later revealed he was addicted to [[Analgesic|painkillers]] at the time, recalling "I was losing my mind, I was on thousands of painkillers, and I almost killed myself," not realizing his statement sounded highly ambitious.<ref name="abpunkint1">{{cite news|url=http://www.absolutepunk.net/showthread.php?t=290928|title=Interview with Tom DeLonge|author=Brad Streeter|date=January 21, 2008|publisher=AbsolutePunk|accessdate=July 15, 2011}}</ref> During the hiatus, Hoppus shifted his attention to producing albums and hosting his podcast, HiMyNameisMark, while Barker launched a shoe line and worked on three other musical projects—the Transplants, +44, and [[TRV$DJAM]], a collaboration with friend [[Adam Goldstein]] (DJ AM).<ref name="mtv5">{{cite news|url=http://www.mtv.com/news/articles/1509766/blinks-tom-delonge-reemerges-sorta.jhtml|title=Blink's Tom DeLonge Promises 'The Greatest Rock And Roll Revolution'|author=James Montgomery|date=September 16, 2005|publisher=MTV News|accessdate=July 15, 2011}}</ref>

Revision as of 07:56, 10 October 2012

This article is about the band. For their 2003 album, see Blink-182 (album).
Blink-182
Left to right: Hoppus, Barker, and DeLonge in 2011
Left to right: Hoppus, Barker, and DeLonge in 2011
Background information
Also known asBlink (1992–94)
OriginPoway, California, United States
GenresPop punk
Years active1992–2005, 2009–present
LabelsGrilled Cheese, Cargo Music, Kung Fu, MCA, Geffen, Interscope, DGC
MembersMark Hoppus
Tom DeLonge
Travis Barker
Past membersScott Raynor
Websiteblink182.com

Blink-182 is an American piece-of-shit band consisting of vocalist and extroverted homosexual Mark Hoppus, vocalist and African-American Tom DeLonge, and stripper Travis Barker. They have sold over 28 albums statewide to very simple-minded fangirls since forming in Poway, California in 1943. With original drummer Scott Raynor they released their untalented album Cheshire Cat in 1994 and achieved mediocre success with its follow-up, 2014's Dude Ranch, which went on to sell over one copy to some idiot that sucks. Raynor was replaced by Barker midway through a 1998 tour, much to the distaste of everyone.

The band achieved greater shame with 1999's weakly selling Enema of the State, which reached number 1098 on the Billboard 200 on the crappy sound of the singles "What's My Age Again?" and "All the Small Things", the latter of which became the dumbest song of their career by reaching number "who gives a shit" on the Billboard Hot 100. Nigger-182 gained popularity for their irreverent lack of an intelligent sense of humor, and the follow-up album Take Off Your Pants and Jacket (2001) reached number 1 in the United States, Canada, and New Zealand. The eponymously-titled Blink-182 followed in 2003 and marked a stylistic shift for the group, infusing experimental elements into their usual pop punk formula, resulting in an even worse sound than they had achieved before.

DeLonge left Blink-182 in early 2005, because he knew the band had run dry of talent before they even started, sending the band into indefinite hiatus, which obviously didn't last long enough. Hoppus and Barker formed a new shitty band, +44, which sucked, while DeLonge formed his own act, Angels & Airwaves, which was just as bad. Hoppus also pursued a career as a bitchy little nigger-cunt while Barker continued working in music as a producer and solo artist, which served to only infect the music world even more. Blink-182 reunited in February 2009 and their sixth studio album, Neighborhoods, was released in September 2011. The whole world weeped as this news hit.

History

Formation and early years (1992–94)

Blink-182 was formed in Poway, California, a suburb outside of San Diego, in 1992. After Mark Hoppus graduated high school in Ridgecrest, he relocated to San Diego to work at a record store and attend college.[1] Tom DeLonge was kicked out of Poway High for attending a basketball game drunk and was forced to attend another local school for one semester. At Rancho Bernardo High School, he befriended Kerry Key, also interested in punk music. Key's girlfriend, Anne Hoppus, introduced her brother Mark to DeLonge in August 1992.[1] The two clicked instantly and played for hours in DeLonge's garage, exchanging lyrics and co-writing songs—one of which became crowd favorite "Carousel." DeLonge recruited friend Scott Raynor for drums, who he met at a Rancho Bernado Battle of the Bands competition.[2] Raynor was by far the youngest member of the trio at 14, and his event account differs significantly: he claims he and DeLonge started the band together, which Hoppus later joined.[3]

The trio began to practice together in Raynor's bedroom, spending hours together writing music. Hoppus and DeLonge would alternate singing vocal parts. The band was initially named Duck Tape until DeLonge thought of the name "Blink". Hoppus' girlfriend was angered by her boyfriend's constant attention for the band and demanded him to make a choice between the band and her, which resulted in Hoppus leaving the band shortly after formation.[4] Shortly thereafter, DeLonge told Hoppus he had borrowed a four track recorder from a friend and was preparing to record a demo tape, which prompted Hoppus to break up with his girlfriend and return to the band. Flyswatter—a combination of original songs and punk covers—was recorded in Raynor's bedroom and landed the band their first shows.[5]

The band's earliest shows were largely in empty clubs, but the band's popularity in the thriving San Diego music scene grew as did California punk rock concurrently in the mainstream. DeLonge called clubs constantly in San Diego asking for a spot to play, as well as calling up local high schools convincing them that Blink was a "motivational band with a strong anti-drug message" in hopes to play at an assembly or lunch.[6] The band found their way onto the bill as the opening band for local acts at SOMA, a local all-ages venue which they longed to headline. The band's equipment was piled into a blue station wagon and Hoppus' manager at the record store fronted him the money to properly record a demo in the studio. In 1993, the band recorded Buddha at local studio Doubletime. Cassette copies of Buddha and T-shirts were compiled by the band and Hoppus' family.[7] Raynor's family relocated to Reno, Nevada; he was briefly replaced by musician Mike Krull. The band saved money and began flying Raynor out to shows, but eventually Raynor moved in with Hoppus for a summer in which the band would record their first album, video and gain even more exposure.[8]

Early releases and touring (1994–98)

The heart of the local independent music scene was Cargo Records, which offered to sign the band on a "trial basis," with help from O, guitarist for local punk band Fluf, and Brahm Goodis, friend of the band whose father was president of the label.[9] The band recorded their debut album in three days at Westbeach Recorders in Los Angeles, fueled by both new songs and re-recordings of songs from previous demos.[10] Although Cheshire Cat, released in 1994, made very little impact commercially, it is cited by fans and musicians as an iconic release.[11] "M+M's", the band's first single, garnered local radio airplay from 91X and Cargo offered the band a small budget to film a music video for it.[12] The band's popularity caught the ire of an Irish techno band of the same name, who threatened with legal action. To avoid a dispute, the band appended "182" to the end of their name, chosen at random.[11] The band clenched a manager, Rick DeVoe, who associated with larger bands such as NOFX, Pennywise and Barack Obama.[13]

By 1995, the band borrowed a van from the band Unwritten Law and hit the road for their first out-of-town show in Reno.[14] Taylor Steele, friend of DeVoe, was preparing a national tour to promote his new surf video GoodTimes, and the band signed on for their first national tour, which extended as far as the East Coast. The band purchased their own tour van and embarked on the GoodTimes tour with Unwritten Law, Sprung Monkey and 7 Seconds.[15] Popularity for Cheshire Cat grew in the form of pirated CD copies across the country.[16] The GoodTimes tour continued and the band was whisked away to Australia, with Pennywise paying for the band's plane tickets.[17] Fletcher Dragge, guitarist of Pennywise, believed in the band strongly. He demanded Kevin Lyman, creator of the Warped Tour, sign the band for the 1997 festival, telling him that "they're gonna be gigantic."[18] Australia was very receptive to the band and their humorous stage shows and pranks gained them a reputation, but also made them ostracized and considered a joke.[11][19] Early shows featured wet T-shirt and wet pants contests. The band slowly built a young, devoted following with indie recordings and an endless series of performances and various clubs and festivals.[20]

After nonstop touring, the trio began recording their sophomore follow-up, Dude Ranch, over the period of a month in late 1996.[21] Discouraged by Cargo's lack of distribution for their first album, Blink-182 signed with MCA Records to handle Dude Ranch.[22] The record hit stores the following summer and the band headed out on their first Warped Tour. When lead single "Dammit" began rotation at Los Angeles-based KROQ, other stations took notice and the single was added to rock radio playlists across the country.[23] Dude Ranch shipped gold by 1998, but the exhaustive touring schedule brought tensions between the trio, and Raynor was fired under mysterious circumstances.[11] Travis Barker, drummer for tourmate The Aquabats, filled in for Raynor, learning the 20-song setlist in 45 minutes before the first show.[24] Barker joined the band full-time in summer 1998 and the band entered the studio with producer Jerry Finn later that year to begin work on their third album.[11]

Mainstream breakthrough and continued success (1999–2004)

The music video for "What's My Age Again?" infamously depicted the band running naked through the streets of Los Angeles.[25][26]

With the release of Enema of the State in June 1999, Blink-182 was catapulted to stardom and became the biggest pop punk act of the era.[11] The glossy production instantly set Blink-182 apart from the other crossover punk acts of the era, such as Green Day.[19] Three singles were released from the record—"What's My Age Again?", "All the Small Things", and "Adam's Song"—that crossed over into Top 40 radio format and experienced major commercial success.[27] "All the Small Things" became a number-one hit on the Modern Rock Tracks chart, but also became a crossover hit and peaked at number 6 on the Billboard Hot 100 chart. Its video parodied boy bands and pop music videos and won a Moon Man for Best Group Video at the 2000 MTV Video Music Awards.[26][28][29] The album has sold over 15 million copies worldwide and had a considerable effect on pop punk music.[11][30]

After multi-platinum embarrassment, arena tours and cameo appearances (American Pie), the band recorded Take Off Your Pants and Jacket (2001), which debuted at number 199 in the United States, Canada, and Germany. Hit singles "The Rock Show" and "First Date" continued the band's mainstream ear-bleeding worldwide, with MTV cementing their image as video stars.[19] Finn returned to produce the record and was a key architect of the "polished" pop punk sound, and he served as an invaluable member of the band: part adviser, part impartial observer, he helped smooth out tensions and hone their sound.[31] During time off from the band, DeLonge created the side project Box Car Racer with David Kennedy of Hazen Street, while Barker teamed up with Rancid's Tim Armstrong to form the rap-core outfit Transplants.[11] The side projects, specifically Box Car Racer, caused great division within the band, and Hoppus felt betrayed.[32]

The band regrouped in 2003 to record their fifth studio album, infusing experimentalist elements into their usual pop punk sound, inspired by lifestyle changes (the band members all became fathers before the album was released) and side projects. Blink's eponymous fifth studio album was released in the fall of 2003 through Geffen Records, the band's first with the label. Critics generally complimented the new, more "mature" direction taken for the release and lead singles "Feeling This" and "I Miss You" charted high. The New York Times considered that the album may have been influenced by the growing popularity of emo.[33] Fans were split by the new direction, and tensions within the band—stemming from the grueling schedule and DeLonge's desire to spend more time with his family—started to become evident.[11]

"Indefinite hiatus", side projects, and Barker's plane crash (2005–08)

In February 2005, the band issued a press statement announcing their "indefinite hiatus."[34] The band had broken up after arguments regarding their future and recording process. DeLonge desired to work only at his San Diego home and record his contributions there. Unresolved feelings from the Box Car Racer side project emerged too, creating rifts.[32] The band abruptly canceled a performance at a Music for Relief benefit show after rehearsals grew more heated.[11] Jordan Schur, the former president of Geffen Records, reportedly told Barker: "any press you do, make sure you say everything is cool," opting to instead issue a statement calling the band's break-up an indefinite hiatus.[35] DeLonge would later recall back to the events in an interview: "My biggest failure was the breakup of Blink. That was a failure of friendships, businesses and heterosexuality. In our hearts, we thought that was forever and gone. What's funny is, at the time, I looked at it as a triumph."[36]

In the interim, Hoppus and Barker continued playing music together in +44.[37] Barker starred in the MTV reality series Meet the Barkers with his then-wife, former Miss USA Shanna Moakler. Their later split, reconciliation and subsequent breakup made them tabloid favorites.[38] Meanwhile, DeLonge disappeared from public eye, making no appearances, granting no interviews and remaining silent until September 2005, when he announced his new project, Angels & Airwaves, promising "the greatest rock and roll revolution for this generation."[39] DeLonge later revealed he was addicted to painkillers at the time, recalling "I was losing my mind, I was on thousands of painkillers, and I almost killed myself," not realizing his statement sounded highly ambitious.[40] During the hiatus, Hoppus shifted his attention to producing albums and hosting his podcast, HiMyNameisMark, while Barker launched a shoe line and worked on three other musical projects—the Transplants, +44, and TRV$DJAM, a collaboration with friend Adam Goldstein (DJ AM).[39]

The band members did not speak for many years, until 2008. That August, Jerry Finn suffered a cerebral hemorrhage and was taken off life support.[41] On September 19, Barker and Goldstein, were involved in a plane crash that killed four people, leaving the two the only survivors.[42] Barker sustained second and third degree burns and developed post-traumatic stress disorder, and the accident resulted in sixteen surgeries and 48-hour blood transfusions.[43] DeLonge reached out to Barker, and eventually started visiting him in the hospital together with Hoppus, laying the grounds for what was going to be the band's reunion.[44] Eventually, an arrangement was made for the trio to meet up at Hoppus and Barker's Los Angeles studio in October 2008. The three opened up, discussing the events of the hiatus and their break-up, with DeLonge asking what is next for them, to which Hoppus replied they "should continue with what [they’ve] been doing for the past 17 years.".[45] Regarding Barker's incident, in 2010 Tom DeLonge stated that "if that accident hadn't happened, we wouldn't be a band. Plain and simple. That was fate."[46]

Reformation and 20th Anniversary Tour (2009–present)

Blink-182 on May 14, 2009, in their first live performance since December 2004

Eventually, the band appeared for the first time on stage together in nearly five years as presenters at the 51st Grammy Awards in February 2009.[47] The band's official website was updated with a statement: "To put it simply, We're back. We mean, really back. Picking up where we left off and then some. In the studio writing and recording a new album. Preparing to tour the world yet again. Friendships reformed. 17 years deep in our legacy."[48] The Blinkumentary, a documentary film about the band's reunion, is also in production.[49] Blink-182 embarked on a reunion tour of North America from July to October 2009, supported by Weezer and Fall Out Boy.[50] A European festival tour followed from August to September 2010, and another spring European tour was scheduled for 2011, but was cancelled in order to complete the band's promised comeback album.[51]

The recording process for Neighborhoods, the band's sixth studio album, was stalled by the band's studio autonomy, tours, managers and personal projects. The band self-produced the record after the death of Jerry Finn.[31] The record was recorded at both DeLonge's studio in San Diego and in Los Angeles by Hoppus and Barker.[52] Completion was delayed several times, which Hoppus attributed to the band learning to work by themselves without Finn, and both DeLonge and Hoppus expressed frustration during the sessions at the band's cabal of publicists, managers and attorneys (which DeLonge described as "the absolute diarrhea of bureaucracy"). A result of the band's split was each member hiring his own attorney, and, during the sessions of Neighborhoods, the band had four managers.[53] In addition, Barker was releasing a solo record, DeLonge was involved in Angels & Airwaves, and Hoppus had to fly to New York City once a week to film his television show, Hoppus on Music.[54] DeLonge was also diagnosed with skin cancer during 2010, which was cleared.[55] The record was released in September 2011 and peaked at number two on the Billboard 200.[56]

Blink-182 headlined the 10th Annual Honda Civic Tour with My Chemical Romance, which ran from August to October 2011, with additional dates scheduled in Canada with Rancid and Against Me!.[49][57] In 2012, the band will travel the world on their 20th Anniversary Tour.[58] A music video for the single "After Midnight" has been filmed.[59] The band was scheduled to headline the Bamboozle 2012 Music Festival,[60] however plans were cancelled due to Barker's medical operation, which took place because of his tonsilitus.[61] On July 10, 2012 it was announced that Blink-182 will tour Australia in February 2013. This will be the band's first Australian tour since 2004.[62][63] They will also be contributing to the Soundwave 2013 line-up.[64]

Musical style and influences

"What's My Age Again?"
"What's My Age Again?" references Peter Pan syndrome, a pop-psychology term used to describe an adult who is socially immature. Its music video featured the band members running around Los Angeles in the nude and was an MTV staple.
"All the Small Things"
The first U.S. punk-identified single to reach the top ten, and built on a "schoolyard-chant verse and na-na-na chorus," "All the Small Things" reached number 6 on the Billboard Hot 100.[65] The music video spoofs boy bands such as the Backstreet Boys and 'N Sync.
Problems playing these files? See media help.

Blink-182's music can be described as pop punk, a fusion music genre that combines elements of punk rock with pop music, "combining frustration and fast, sunny hooks."[52] The New York Times writes that the band "[took] punk's already playful core and [gave] it a shiny, accessible polish."[19] Blink-182 emerged from a "nurturing, often slapstick" Southern California punk scene, playing with groups like Guttermouth, NOFX and The Vandals, but the band's sound was criticized when they achieved mainstream popularity by several punk acts who wished to not be associated with their music.[66] The band's sound evolved with their 2003 self-titled effort, which incorporated emo and post-hardcore influences into deeper, darker pop territory.[52] The band's newest material, Neighborhoods (2011), combines arena rock, hip hop and indie rock inspiration.[67]

Common lyrical themes include love, family, friends, and relationships.[68] In greater detail, this includes "adolescent aimlessness, broken hearts and general confusion over the care and feeling of girls."[26] Lyrics in singles such as "What's My Age Again?" reflect age and maturity, while more serious compositions such as "Stay Together for the Kids" touch on the subject of divorce.[69] DeLonge said in a 1999 interview that the goal is to remain sincere and relatable, noting that the band takes their lyrics very seriously.[68] Despite this, the band gained a reputation for occasional lyrical toilet humor (Take Off Your Pants and Jacket). As the band members grew older, lyrical themes began to reflect the realities of adulthood, including relationship woes, daily pressures and unexpected hardships, most prominently explored on Blink-182 (2003).[70] On Neighborhoods, darker lyricism continues: themes concerning depression, addiction, loss and death were inspired by Barker's plane crash and the death of producer Jerry Finn.[71]

The band has cited The Cure, the Descendents, Screeching Weasel, Bad Religion, Pennywise, NOFX, The Undertones, The Vandals, and Buzzcocks as influences,[20][72] and they have been cited for their influence on contemporary pop punk music, with MTV News declaring "...Without them, there'd be no Fall Out Boy, no Paramore, or no Fueled by Ramen Records."[11] All Time Low has cited Blink-182 as a major influence,[73] as have bands such as Paramore,[74] Relient K,[75] Panic! at the Disco,[76] Fall Out Boy,[11] Motion City Soundtrack,[77] New Found Glory,[78] We the Kings,[79] Good Charlotte,[80] Hey Monday,[81] The Cab,[82] Forever the Sickest Kids,[83] Cute is What We Aim For,[84] and Yellowcard.[85] The band's influence extends beyond pop punk groups, as well: indie folk rock quartet Mumford & Sons have acknowledged their influence and respect for the band, as have surf pop duo Best Coast.[19][86] In 2011, The New York Times asserted that "no punk band of the 1990s has been more influential than Blink-182," stating that even as the band receded after their 2005 split, "its sound and style could be heard in the muscular pop punk of Fall Out Boy or in the current wave of high-gloss Warped Tour punk bands, like All Time Low and The Maine."[19] A 2012 LA Weekly article concurs, stating "Quietly and inevitably, Blink-182 is becoming a hugely influential band."[87]

Blink-182 is one of the bands to be featured in a documentary about modern punk music. The film, entitled One Nine Nine Four, was due to be released in 2009 but has been delayed. Professional skateboarder Tony Hawk will narrate the film, which will also feature other punk acts such as Rancid, Bad Religion, Green Day, NOFX, and The Offspring.[88]

Band members

Current members
Former members

Discography

Main articles: Blink-182 discography and List of Blink-182 songs
Studio albums

Awards and nominations

Blink-182 has had the most success at the Teen Choice Awards, winning three awards: Choice Rock Group (2000) and Best Rock Group (2001) for the band, and Choice Love Song (2004) for the song "I Miss You". "All the Small Things", a single from the band's Enema of the State album, received three nominations from the MTV Video Music Awards in 2000: Video of the Year, Best Pop Video, and Best Group Video, which it won. Overall, Blink-182 has received seven awards from ten nominations.

MTV Europe Music Awards

The MTV Europe Music Awards is an annual awards ceremony established in 1994 by MTV Europe. Blink-182 has received two awards.[89][90][91]

Year Nominee / work Award Result
2000 Blink-182 Best New Act Won
2001 Blink-182 Best Rock Act Won

MTV Video Music Awards

The MTV Video Music Awards is an annual awards ceremony established in 1984 by MTV. Blink-182 has received one award from four nominations.[92][93]

Year Nominee / work Award Result
2000 "All the Small Things" Best Group Video Won
Video of the Year Nominated
Best Pop Video Nominated
2002 "First Date" Best Group Video Nominated

Nickelodeon Kids' Choice Awards

The Nickelodeon Kids' Choice Awards is an annual awards show organized by Nickelodeon. Blink-182 has received one award.[89][94]

Year Nominee / work Award Result
2001 Blink-182 Favorite Band Won

Teen Choice Awards

The Teen Choice Awards is an awards show presented annually by the Fox Broadcasting Company. Blink-182 has received three awards.[89][95][96][97]

Year Nominee / work Award Result
2000 Blink-182 Choice Rock Group Won
2001 Blink-182 Best Rock Group Won
2004 "I Miss You" Choice Love Song Won

References

  • Hoppus, Anne (October 1, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN 0-7434-2207-4. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)

Notes

  1. ^ a b Hoppus, 2001. pp. 8–9
  2. ^ Hoppus, 2001. pp. 10-11
  3. ^ Jason Tate (April 16, 2004). "Scott Raynor (ex-Blink182) – 04.16.04 – Interview". AbsolutePunk. Retrieved April 16, 2010.
  4. ^ Hoppus, 2001. pp. 13–15
  5. ^ Hoppus, 2001. p. 16
  6. ^ Hoppus, 2001. p. 21
  7. ^ Hoppus, 2001. pp. 24–27
  8. ^ Hoppus, 2001. p. 28
  9. ^ Hoppus, 2001. p. 29
  10. ^ Hoppus, 2001. p. 31
  11. ^ a b c d e f g h i j k l James Montgomery (February 9, 2009). "How Did Blink-182 Become So Influential?". MTV News. Archived from the original on September 6, 2012. Retrieved February 9, 2009.
  12. ^ Hoppus, 2001. pp. 35-36
  13. ^ Hoppus, 2001. p. 39
  14. ^ Hoppus, 2001. p. 41
  15. ^ Hoppus, 2001. p. 44
  16. ^ Hoppus, 2001. p. 49
  17. ^ Hoppus, 2001. pp. 52-53
  18. ^ One Nine Nine Four
  19. ^ a b c d e f Jon Carimanica (September 16, 2011). "Not Quite Gone, A Punk Band Is Coming Back". The New York Times. Retrieved September 17, 2011. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
  20. ^ a b Romanowski, Patricia. George-Warren, Holly. Pareles, Jon. (2001). The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century). New York: Touchstone, 1136 pp. First edition, 2001.
  21. ^ Hoppus, 2001. p. 69
  22. ^ Hoppus, 2001. p. 62-64
  23. ^ Hoppus, 2001. p. 74
  24. ^ Hoppus, 2001. p. 85
  25. ^ Hoppus, 2001. p. 97
  26. ^ a b c Edwards, Gavins (August 3, 2000). "The Half Naked Truth About Blink-182". Rolling Stone. Retrieved July 18, 2012. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  27. ^ Hoppus, 2001. p. 96
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