Dont Look Back
|Dont Look Back|
Theatrical release poster
|Directed by||D. A. Pennebaker|
|Produced by||John Court|
|Written by||D. A. Pennebaker|
Horace Freeland Judson
|Music by||Bob Dylan, Donovan|
|Edited by||D. A. Pennebaker|
|Distributed by||Leacock-Pennebaker, Inc.|
In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant." In a 2014 Sight & Sound poll, film critics voted Dont Look Back the joint ninth best documentary film of all time.
The opening scene of the film has Dylan displaying and discarding a series of cue cards bearing selected words and phrases from the lyrics to his song Subterranean Homesick Blues" (including intentional misspellings and puns).
The film features Joan Baez, Donovan and Alan Price (who had just left the Animals), Dylan's manager Albert Grossman and his road manager Bob Neuwirth. Marianne Faithfull, John Mayall, Ginger Baker, and Allen Ginsberg may also be glimpsed in the background. The film shows a young Dylan: confident if not arrogant, confrontational and contrary, but also charismatic and charming. Notable scenes include:
- Dylan's extended taunting of Time Magazine's London arts and science correspondent Horace Freeland Judson who was subjected to what he believes to be a contrived tirade of abuse from Dylan.
- Dylan's interrupting Alan Price's backstage performance of "Little Things" to ask Price why he left the Animals.
- Dylan and Baez singing Hank Williams songs in a hotel room, as well as Baez singing the first few verses of "Percy's Song" and "Love Is Just a Four-Letter Word" (which was still apparently unfinished at the time, as Baez later tells Dylan, "If you finish it I'll sing it on a record"; she would record it on Any Day Now in 1968).
- Dylan's pre-concert philosophical jousting with a "science student" (Terry Ellis, who later co-founded Chrysalis Records).
- Grossman negotiating with former Bebop Dance band leader and music agent Tito Burns.
- Dylan singing "Only a Pawn in Their Game" on July 6, 1963, at a Voters' Registration Rally in Greenwood, Mississippi (shot by artist and experimental filmmaker Ed Emshwiller).
- A selection of songs from Dylan's Royal Albert Hall performance.
- Dylan regaling the room with "It's All Over Now, Baby Blue" after proclaiming "Hey, that's a good song, man!" during Donovan's performance of "To Sing for You".
- Howard Alk
- Jones Alk
- Chris Ellis
- Terry Ellis
- Marianne Faithfull
- Allen Ginsberg
- Dorris Henderson
- John Mayall
- Brian Pendleton
- John Renbourn
- Tom Wilson
The original title of this film is Dont Look Back, without an apostrophe in the first word. D. A. Pennebaker, the film's writer director, decided to punctuate the title this way because "It was my attempt to simplify the language". Many sources, however, have assumed this to be a typographical error and have "corrected" the title to Don't Look Back. In the commentary track to the DVD release, Pennebaker said that the title came from the Satchel Paige quote, "Don't look back. Something might be gaining on you," and that Dylan shared this view.
Pennebaker has stated that the famous "Subterranean Homesick Blues" music video that is shown at the beginning of the film was actually shot at the very end of filming. Pennebaker decided during editing to place it at the beginning of the film as a "stage" for Dylan to begin the film.
The film was first shown publicly May 17, 1967, at the Presidio Theater in San Francisco, and opened that September at the 34th Street East Theater in New York.
A transcript of the film, with photographs, was published in 1968 by Ballantine Books.
The film has been very well received by critics. It currently has a rating of 100% on Rotten Tomatoes based on reviews. The film also received a 5 star review from allmovie. In August 1967, a Newsweek reviewer wrote:
Dont Look Back is really about fame and how it menaces art, about the press and how it categorizes, bowdlerizes, sterilizes, universalizes or conventionalizes an original like Dylan into something it can dimly understand.
Dont Look Back has been available on DVD for several years. It was digitally remastered and re-released on DVD February 27, 2007. The two-disc edition contained the remastered film, five additional audio tracks, commentary by filmmaker D. A. Pennebaker and Tour Road Manager Bob Neuwirth, an alternative version on the video for "Subterranean Homesick Blues", the original companion book edited by D. A. Pennebaker to coincide with the film's release in 1968, a flip-book for a section of the "Subterranean Homesick Blues" video, and a brand new documentary by D. A. Pennebaker and edited by Walker Lamond called 65 Revisited. The DVD packaging was also given new artwork.
- "Silent film tops documentary poll". BBC News. Retrieved August 1, 2014.
- Sounes, Howard, 2001, Down The Highway: The Life Of Bob Dylan, Doubleday, p. 171.
- Gilliland, John (1969). "Show 40 – Ballad in Plain D: Bob Dylan.  : UNT Digital Library" (audio). Pop Chronicles. Digital.library.unt.edu. Retrieved April 29, 2011.
- "Dont Look Back (1967)". Thefilmchair.com. January 16, 2007. Retrieved April 29, 2011.
- Amazon.com: Bob Dylan – Don't Look Back (1965 Tour Deluxe Edition): Bob Neuwirth, Joan Baez, Bob Dylan, Nico, Albert Grossman, Alan Price, Tito Burns, Donovan,Derroll Adams, Chris Ellis (III), Marianne Faithfull, Terry Ellis (II), Jones Alk, Allen Ginsberg, Brian Pendleton (II),Howard Alk, John Mayall, D. A. Pennebaker: Movies & TV
- "Dont Look Back (1967) – The Criterion Collection". Retrieved February 16, 2016.
- Hall, Jeanne (1998): Don´t you ever just watch? American Cinéma vérité and DONT LOOK BACK. In: Grant, Barry Keith/Sloniowski, Jeannette (eds.): Documenting the Documentary. Close Readings of Documentary Film and Video. pp. 223–236, Detroit: Wayne St. University Press, ISBN 978-0814326398
- Saunders, Dave (2007). Direct Cinema: Observational Documentary and the Politics of the Sixties. London: Wallflower Press. ISBN 1-905674-16-3. (This book contains a lengthy chapter on Dont Look Back and its cultural context and significance.)