Joe D'Amato: Difference between revisions
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[[Image:Joe D'Amato 1.png|thumb|right|Joe D'Amato in the documentary ''Joe D'Amato Totally Uncut 2: The Horror Experience'' ([[1999]]).]] |
[[Image:Joe D'Amato 1.png|thumb|right|Joe D'Amato in the documentary ''Joe D'Amato Totally Uncut 2: The Horror Experience'' ([[1999]]).]] |
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Revision as of 18:00, 4 March 2008
Joe D'Amato, (birth name: Aristide Massaccesi) (December 15, 1936 in Rome - January 23, 1999 in Rome) was an Italian director. He is considered to be one of the most creative directors of all time, many claim that he is the greatest director of all. His films consisted of numerous horror and hardcore pornography titles. He is regarded as a master of Italian exploitation film. D'Amato's films are considerably dark, revolving around nihilistic and misanthropic tones and generally possessing what one reviewer referred to as "a contempt for all mankind." Although many of his films were praised around the world, and even today nine years after his death, his influence over cinema is still regarded as being phenomonal.
Biography
D'Amato was familiar to the environment of cinema through his father who worked as an electrician at Cinecittà. He began his career as an operator, often working for Demofilo Fidani. His technical ability made him valuable on low-budget movies. He directed his first movie, a spaghetti western called Scansati... a Trinità arriva Eldorado, in 1972. He used a variety of aliases before settling in 1975 for Joe D'Amato, proposed by producer Ermanno Donati to resemble Italian American director names like Martin Scorsese and Brian De Palma, which became his better-known pseudonym. His earlier films included westerns, thrillers, and softcore erotic movies.
D'Amato's somewhat unscrupulous methods (he often stole stock shots from other films and inserted them into his own as part of the narrative), the shocking content of some of his movies (One of his acclaimed earlier films, Emanuelle e Françoise le sorelline was an erotic thriller fantastique with a cannibalistic dinner scene) and his own penchant for creating publicity around himself (Antropophagus, features a monstrous cannibal eating a - fake - human fetus, Emanuelle in America contains scenes from fake snuff films that were made to look authentic) resulted in D'Amato's fame as an exploitative director. He worked under innumerable aliases during his lifetime, sometimes even selling scripts using a female name. Because of his aliases, it is believed that there are still "undiscovered" D'Amato films, that is, films in circulation that he wrote or directed under an unrecognized pseudonym. It is widely believed that only a portion of his pornographic films have been identified as being his work.
Those who knew D'Amato have said in interviews that, though he enjoyed directing, he was more concerned with making money than any kind of merit his films might have had. His entire career can perhaps best be summed up in a line from his film Emanuelle's Revenge, spoken by a film producer playing a facsimile of D'Amato: "We're not making artsy-farty crap for intellectual faggots. We're out to make money!" This is particularly evidenced by the many "knockoff" films he made:
- One of his earliest projects was a Western about a vengeful cowboy called Per mille dollari al giorno (For One Thousand Dollars per Day) in 1966, went into production a few months after the success of fellow Italian Sergio Leone's film, Per qualche dollaro in più (For a Few Dollars More).
- The idea of shooting a Black Emanuelle film with cannibalism came with the success of Ultimo mondo cannibale (Jungle Holocaust aka Last Cannibal World) of Ruggero Deodato. Emanuelle e gli ultimi cannibali (Emanuelle and the Last Cannibals) was released in 1977, the same year with Deodato's film. The setting for Deodato's film was the Philippines, while D'Amato's film was set in the Amazon Rainforest. (Actually in the Pontine Marshes.) The setting for Deodato's 1980 film Cannibal Holocaust is Amazon, implying the reciprocity of "inspiration".
- Immagini di un convento (Images in a Convent) (1979) followed Walerian Borowczyk's Interno di un convento (Behind Convent Walls) (1977).
- In 1981, D'Amato released Caligula 2, which he marketed as the sequel to 1979's Caligula, even using similar poster art.
- Only months after the release of Conan the Barbarian in 1982, D'Amato wrote, directed, and released Ator the Invincible, about a Scandinavian barbarian who goes on an epic quest against fantasy monsters to save his beloved; two years later, when Conan the Destroyer was released, D'Amato quickly filmed and released Ator the Blademaster, which, while closely resembling Conan, also contained several clips of other movies which D'Amato had stolen and inserted, among them Where Eagles Dare. When it was announced shortly thereafter that there would be no more Conan films, d'Amato announced there would be no more Ator films.
- Undici giorni, undici notti (Eleven Days, Eleven Nights) was released in 1986, just a few months after Adrian Lyne's 9½ Weeks.
- Following the success of Sex and Zen, D'Amato directed a series of films in the Philippines, disguised as Hong Kong productions in the period of 1993-1994. The film named China and Sex, D'Amato credited as "Robert Yip" is particularly significant. He later displayed the expertise he gained in shooting "Chinese films", with Marco Polo: La storia mai raccontata (1995), a pornographic film starring Rocco Siffredi and Tabatha Cash.
D'Amato had one son, Daniele Massaccesi. Daniele moved to the United States, where he entered into a lucrative career as a cameraman, working on such films as Cold Mountain, Hannibal, and Kingdom of Heaven.
Joe D'Amato wrote and directed three of the four Ator movies. One of the movies, Cave Dwellers, was featured on an episode of Mystery Science Theater 3000.
Selected filmography
- Emanuelle e Françoise le sorelline (Blood Vengeance) (1975)
- Emanuelle in America (1977)
- Emanuelle - perchè violenza alle donne? (Emanuelle Around the World) (1977)
- Emanuelle e gli ultimi cannibali (Emanuelle and the Last Cannibals) (1977) (as Aristide Massaccesi)
- Immagini di un convento (Dreams in a Convent) (1979)
- Buio Omega (Beyond The Darkness) (1979)
- Le Notti erotiche dei morti viventi (Erotic Nights of the Living Dead) (1979)
- Orgasmo nero (Voodoo Baby) (1980)
- Antropophagus (1980)
- Holocausto porno (Porno Holocaust) (1980)
- Caligola: La Storia mai raccontata (Emperor Caligula: The Untold Story) (1981) (as David Hills)
- Absurd (1981) (as Peter Newton)
- Anno 2020 - I gladiatori del futuro (2020 Texas Gladiators) (1982)
- Ator l'invincibile II/Ator the Blademaster (Released in a director's cut as Cave Dwellers) (1984)
- Troll 3 (1990)
The aliases of Aristide Massaccesi
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