One-sheet film poster
|Directed by||Anatoly Ivanov|
|Produced by||Yury Rysev
|Written by||Anatoly Ivanov|
|Music by||various artists|
|Edited by||Anatoly Ivanov|
|Budget||EUR 100 000|
Kvadrat is a 2013 documentary feature film written, co-produced, and directed by Anatoly Ivanov. The film explores the realities of techno DJing, using the example of Russian DJ Andrey Pushkarev. Filmed as a hybrid between a road-movie and a music video, Kvadrat not only illustrates the festive atmosphere of techno night clubs, but also reveals the lesser known side of this profession. Shot in Switzerland, France, Hungary, Romania and Russia, the film omits the typical documentary elements: no interviews, no explanatory voice-over, no facts, no figures. It gives priority to abundantly sounding techno music, leaving the detailed interpretation to the viewer.
DJ Andrey Pushkarev wakes up in his Moscow apartment, packs his vinyl records into a rolling bag and leaves for Domodedovo airport, to fly to Zurich. Upon arriving, he is greeted by the promoter of the Supermaket club. After falling asleep in the hotel, he is rudely awaken by the alarm, dresses up and leaves for the job in the middle of the night. After finishing his DJ set, he leaves the club to take the train to Geneva. While en route, instead of admiring the Alpine scenery, he sleeps.
After a short visit to a friend in Geneva (whether male or female is not shown), he takes the plane back to Moscow. He thus completes the first "story loop", repeated with slight variations throughout the entire film, a metaphor on techno music loops.
In his flat in Moscow, after quickly replying to booking requests on Skype, he goes through his huge collection of vinyl techno records to prepare his next performances. A quick shave and he leaves to take a taxi for the railway station, where he boards a train for Saint Petersburg.
Once in Saint Petersburg, he waits at a friend’s flat, while listening to tracks on Beatport. After nightfall, he is driven to Barakobamabar, where he plays a set. At dawn, his friends accompany him to the metro, one of them barely walking from too much drink. Pushkarev then takes the metro back to the train station, using a short-cut through Saint Petersburg down-town.
Back in Moscow, and back to the beginning of the story loop, he visits his friends and while drinking tea, debates his dream of playing techno during the day and bringing the techno club industry more in line with a healthy lifestyle.
After a short metro trip, he plays in a Moscow club Mir, after which he flies out to Geneva, again. There, he takes the same train as previously, looping in the other direction, to Olten via Bern. Greeted by the club promoter, he goes directly to the local club Terminus, where technical problems hamper his performance. The Technics SL-1210 turntable refuses to switch the playback speed from 45 rpm to 33 rpm. Later, a club technician bumps his elbow into the tonearm. Tired, Pushkarev takes a cab to the hotel, where he checks his in-coming booking requests on the notebook computer.
In the morning, he takes the train to Lausanne where he changes for a TGV to Paris. After a performance at the 4 Éléments bar, he continues his trip to the SWISS hub in Zurich, where he boards a flight to Budapest.
The local crew transport him from Budapest to Kecel, where he plays at the club Korona to a massive audience. Asleep in the car back to Budapest, he misses the decorated down-town and gets only a couple of hours to repack at the hotel, before leaving again for the airport, restarting the loop.
He flies back to the Zurich hub, where he changes for a flight to Bucharest.
Picked-up at the airport, he is driven to Craiova, where he plays at club Krypton without any rest.
The next day, he sleeps in the car during a huge snowstorm of 2012, one of the deadliest in Romania’s history, to arrive in Cluj-Napoca’s club Midi. He plays to an ecstatic crowd, only to wake up in the same battered BMW driving again through winter.
Finally, he arrives at the seaside, stares at the waves and the sunset and silently walks away, leaving his bag of vinyls on the beach.
Because of budget restrictions, Anatoly Ivanov acted as writer, co-producer, director, cinematographer, editor, and sound engineer.
Anatoly Ivanov formed an idea for Kvadrat after completing an impromptu 30-minute short in Cantonese in February 2011 about a private Hong Kong martial arts event. He suggested to shoot a realistic DJing documentary to Andrey Pushkarev, when the two met in the director’s Paris flat shortly afterwards.
Anatoly Ivanov teamed up with Yury Rysev to privately finance the project, initially mis-calculating the total required by a factor of 5. A drastic cost-cutting approach to production allowed to film the feature in 5 countries, despite the tiny budget, thanks in part for everyone on the project volunteering without any financial compensation.
Kvadrat was filmed exclusively on location in:
Anatoly Ivanov was the only crew to shoot video and record sound for the film, carrying all the cinema equipment on himself. He eschewed the use of dollies, cranes, jibs, steadicams, tripods, sliders and car mounts and shot Kvadrat exclusively with a handheld rig. No additional lighting was used either.
Editing and post-production
Editing in Final Cut Pro X, post-production started immediately after the wrap of principal photography. It took 1 year in Geneva and was plagued by technical problems, such as removal of hot pixels on the footage from the cameras and inadequate computer hardware (a 2011 MacBook Pro and a pair of Sony MDR7506 headphones).
- “Abyss” by Manoo – Deeply Rooted House, 2008
- “Direct” by Kris Wadsworth – NRK Sound Division, 2009
- “La Grippe (Helly Larson Remix)” by George Soliis – Wasabi, 2011
- “Air” by Havantepe – Styrax Leaves, 2007
- “Mauna Loa” by Mick Rubin – Musik Gewinnt Freunde, 2009
- “Soul Sounds (Freestyle Man Original Dope Remix)” by Sasse – Moodmusic, 2005
- “Tammer (David Duriez Remix From Da Vault)” by Phonogenic – 20:20 Vision, 2000
- “Track B1” by Slowhouse Two – Slowhouse Recordings, 2008
- “Post” by Claro Intelecto – Modern Love, 2011
- “Acid Face” by Scott Findley – Iron Box Music, 2003
- “Warriors” by Two Armadillos – Secretsundaze Music, 2007
- “Grand Theft Vinyl (JV Mix)” by Green Thumb vs JV – So Sound Recordings, 2004
- “Tobacco (Alveol Mix)” by Kiano Below Bangkok – Only Good Shit Records, 2011
- “When The Dark Calls” by Pop Out and Play – Alola, 2001
- “Circular Motion (Vivid)” by Christian Linder – Phono Elements, 2002
- “Blacktro (Demo 1)” by Jerome Sydenham and Joe Claussell – UK Promotions, 2007
- “Green Man” by Mr. Bizz – Deepindub.org, 2008
- “Tahiti” by Ben Rourke – Stuga Musik, 2011
- “Willpower” by Joshua Collins – Prolekult, 2002
- “Lullaby For Rastko (Herb LF Remix)” by Petkovski – Farside, 2011
- “Agape Dub” by Luke Hess – Modelisme Records, 2009
- “Glacial Valley” by Makam – Pariter, 2011
- “The Time” by Vizar – Jato Unit Analog, 2011
- “Libido” by Sean Palm and Charlie Mo – Railyard Recordings, 2008
- “Ahck (Jichael Mackson Remix)” by Minilogue – Wir, 2007
- “Altered State (Artificial Remix)” by Jason Vasilas – Tangent Beats, 2004
- “Modern Times (Dub Mix)” by Hatikvah – Baalsaal, 2009
- “That Day (Loudeast Black Label Remix)” by DJ Grobas – Thrasher Home Recordings, 2004
- “The Hills (John Selway Dub)” by Filippo Mancinelli and Allen May – Darkroom Dubs, 2011
- “Running Man” by Petar Dundov – Music Man Records, 2007
- “Ice” by Monolake – Imbalance Computer Music, 2000
- “Lucky Punch” by Peter Dildo – Trackdown Records, 2006
- “Live Jam 1” by Rhauder – Polymorph, 2011
- “Can U Hear Shapes?” by Pop Out and Play – Alola, 2001
- “Be No-One” by Charles Webster – Statra Recordings, 2001
Besides the obvious facade of DJ work seen in a night club, Kvadrat explores the lesser-known themes of DJ travel, fatigue, sleep deprivation, self-destruction, absurdity, loneliness, purpose of art and stereotypes of the artist.
Anatoly Ivanov combined the genres of a road movie and a music video, creating a modern-day techno musical without much dialogue. He deliberately applied the aesthetics of fiction films to non-fiction footage and removed documentary clichés in order to achieve a third category, a result between fiction and documentary genres. In other words, a documentary using fiction techniques such as exhibition, metaphors and symbolism to express ideas, provoke emotions and ask questions implicitly, instead of exposition, staged interviews and explanatory voice-over to communicate the answers explicitly.
The film was quietly released in 720p quality on Vimeo on October 17, 2013, with English, French and Russian subtitles, accumulating 53 000 plays (as of September 2014, not to be confused with loads). It premiered in cinema as 2K DCP during the Kommt Zusammen festival in Rostock, Germany, on April 18, 2014.
The public and press were surprised by a stealthy release without any marketing campaign.
The reviewers praised the aesthetic, atmospheric, musical and meditative qualities of the film, its realistic nature. As well as the decision to forego traditional interviews and adopt innovative editing.
- Speaking in Code — an American documentary film about techno artists Modeselektor, Wighnomy Brothers, Philip Sherburne, Monolake and David Day
- Berlin Calling — a German fiction film about DJ and composer Ickarus (Paul Kalkbrenner) struggling with drug abuse
- Dub techno
- Director Anatoly Ivanov’s article about the production details of Kvadrat February 17, 2014
- FilmStarts.de Kvadrat
- Pulse Radio Kvadrat Documentary Shows The Realities Of Techno DJing, January 31, 2014
- Kvadrat original synopsis from February 2011 June 23, 2014
- Kvadrat director’s thoughts about his film 8 July 2014
- Le Monde Blogs Un Interview d’Anatoly IVANOV | Artiste Autodidacte et Radical, par Peter Gabor, October 15, 2014
- Музыка в «Квадрате» – Маргарита Лысенко, October 30, 2013
- MEOKO Press Exclusive Interview with Andrey Pushkarev and Anatoly Ivanov - Silence in Music & the Kvadrat Movie, November 6, 2014
- Kvadrat (en) - end-titles
- Shot on What? – Kvadrat (2013)
- Visual Imaging News Issue 2014-01, page 16
- The DJ’s Journey Digital Media World, March 13, 2014
- Kvadrat Gear – a feature documentary about the filming of Kvadrat, by Anatoly Ivanov
- Kvadrat official track list
- Berlin Mitte Institut Kvadrat – Film über das Jetsetting von Techno-DJs, April 8, 2014
- Mixing.dj Kvadrat: Russian road-movie by the side of Andrey Pushkarev, October 29, 2013
- Diffus Mag Reingeschaut, May 12, 2014
- Kvadrat director tweet about the film October 17, 2013
- Kvadrat (en) on Vimeo
- Kvadrat (fr) on Vimeo
- Kvadrat (ru) on Vimeo
- Kommt Zusammen festival program
- Lichtspieltheater Wundervoll cinema programming
- StepCamera.de Die Dokumentation ‘Kvadrat’ wurde zum ‘Kommt Zusammen’-Festival in Rostock gezeigt, June 19, 2014
- 0381 Magazin Mitternachtskino - Kvadrat
- kinoprogramm.com Kinos aus Rostock
- Nightparty.ru - Вышел фильм о «реалиях техно диджейства», October 17, 2013
- Das Schöne Leben Kvadrat, russisches Road-Movie & Musik-Dokumentation über den Alltag von DJs, October 20, 2013
- Synthtopia New Documentary Looks At The Reality Of Techno DJing, April 30, 2014
- Mixmag «Квадрат». Фильм с участием Андрея Пушкарева, October 22, 2013
- ALAAF and KICKIN’ review