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Load (album)

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Untitled

Load is the sixth studio album by American heavy metal band Metallica, released on June 4, 1996, by Elektra Records. It sold 680,000 units in its first week, making it the biggest opening week for Metallica and the biggest debut of 1996.[7] Load debuted and spent four consecutive weeks at number one on the Billboard 200 chart. It was certified 5× platinum by the Recording Industry Association of America (RIAA) for shipping five million copies in the United States. Four singles; "Until It Sleeps", "Hero of the Day", "Mama Said", and "King Nothing", were released as part of the marketing campaign for the album.

The album showed more of a hard rock side of Metallica than the band's typical thrash metal, which upset their fans.[8][9][10] It also featured influences from genres such as Southern rock, blues rock, country rock[2] and alternative rock.[11] Drummer Lars Ulrich said about Load's more exploratory nature, "This album and what we're doing with it – that, to me, is what Metallica are all about: exploring different things. The minute you stop exploring, then just sit down and fucking die."[12]

Musical style

Load, released approximately five years after the commercially successful album Metallica, saw the band shifting toward hard rock and away from their thrash metal roots. As on previous releases, the album's fourteen songs began as rough demos created by principal songwriters James Hetfield and Lars Ulrich in Ulrich's basement recording studio, "The Dungeon". In early 1995, the band took over thirty demos into The Plant Studios, where they would work for approximately one year. Metallica worked with producer Bob Rock, who had been at the helm during the recording process for Metallica.

The songwriting dispenses almost entirely with the thrash metal style that characterized the band's sound in the 1980s. In place of staccato riffs, Hetfield and lead guitarist Kirk Hammett experimented with blues rock-based tones and styles. Additionally, Ulrich adopted a minimalist approach to his drum recording, abandoning the speed and complex double bass drumming patterns of previous albums, and using simpler techniques and playing styles. Hetfield displayed a lyrical evolution, writing what many said were his most personal and introspective lyrics. "Until It Sleeps", the album's lead single, addressed his mother's unsuccessful battle with cancer, and "Mama Said" also explores his relationship with her. All of this marked a departure from the political and social overtones of ...And Justice for All and Master of Puppets.

At 78:59 minutes, Load is Metallica's longest studio album. Initial pressings of the album were affixed with stickers boasting of its long playtime, simply reading "78:59". "The Outlaw Torn" had to be shortened by about one minute to fit on the album; the full version of the track was released on the single "The Memory Remains" as "The Outlaw Torn (Unencumbered by Manufacturing Restrictions Version)", with a running time of 10:48. An explanation on the single's back cover stated:

When we were doing the final sequencing of the 'LOAD' album, the record company told us that we couldn't go a second past 78:59, or your CD's wouldn't play without potentially skipping. With our 14 songs, we were running about 30 seconds over, and something had to give, so the cool-ass jam at the end of 'Outlaw' got chopped.[13]

Load was Metallica's first album on which all tracks were down-tuned to E♭ tuning. The band had recorded songs on earlier albums in tunings lower than E; "The God That Failed" on Metallica which was in E♭, and the same album's "Sad but True" and "The Thing That Should Not Be" from Master of Puppets were in D tuning. The Australian CD release of Load includes a bonus interview CD that is unavailable elsewhere.[14]

Album art

The cover of Load is an original artwork titled "Semen and Blood III". It is one of three photographic studies Andres Serrano created in 1990 by mingling bovine blood and his own semen between two sheets of Plexiglas.[15] The liner notes simply state "cover art by Andres Serrano" rather than listing the title of the work. In a 2009 interview with Classic Rock, Hetfield expressed his dislike of the album cover and its inspiration:

Lars and Kirk were very into abstract art, pretending they were gay. I think they knew it bugged me. It was a statement around all that. I love art, but not for the sake of shocking others. I think the cover of Load was just a piss-take around all that. I just went along with the make-up and all of this crazy, stupid crap that they felt they needed to do.[16]

In an interview, Hammett told the interviewer he saw the video for Godflesh's song "Crush My Soul," which Serrano had directed. Hammett thought that was the origin of the idea, though the band did not give any credit to Godflesh.[citation needed] Justin Broadrick, the frontman of Godflesh, said, "There's no copyright on Serrano. We'll be the first to admit that. But we planted the seed, and unfortunately we're not getting the credit, obviously".[citation needed] Hammett once gave Broadrick a custom Fender Stratocaster after his was stolen on a tour, and has commended the band by stating that they are the "heaviest band in existence".[citation needed]

Load also marked the first appearance of a new Metallica logo that rounded off the stabbing edges of the band's earlier logo, greatly simplifying its appearance. The M from the original logo was used to make a shuriken-like symbol known as the "ninja star", which was used as an alternate logo on this and future albums, and on related artwork. The album featured an expansive booklet containing photographs by Anton Corbijn, best known for his work with U2 and Depeche Mode.[citation needed] These photographs depict the band in various dress, including white A-shirts with suspenders, Cuban suits, and gothic. In the aforementioned 2009 interview, James Hetfield said:

Lars and Kirk drove on those records. The whole 'We need to reinvent ourselves' topic was up. Image is not an evil thing for me, but if the image is not you, then it doesn't make much sense. I think they were really after a U2 kind of vibe, Bono doing his alter ego. I couldn't get into it. The whole, 'Okay, now in this photoshoot we're going to be '70s glam rockers.' Like, what? I would say half – at least half — the pictures that were to be in the booklet, I yanked out. The whole cover thing, it went against what I was feeling.[16]

The booklet contained only selected lyrics from each song in contrast to Metallica's previous studio albums, which included complete song lyrics. The interior artwork revolved around images of inkblots, a theme that was also used on Reload and the covers of the singles released from the two albums.[citation needed]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[2]
Robert ChristgauC+[17]
Drowned in Sound9/10[18]
Encyclopedia of Popular Music[19]
Entertainment WeeklyB[11]
Los Angeles Times[20]
NME7/10[21]
Q[21]
Rolling Stone[22]
The Rolling Stone Album Guide[23]

Load was well received by music critics. Rolling Stone said " ... with Load, the foursome dams the bombast and chugs half-speed ahead, settling into a wholly magnetizing groove that bridges old-school biker rock and the doomier side of post-grunge '90s rock".[citation needed] Q said, "these boys set up their tents in the darkest place of all, in the naked horror of their own heads ... Metallica make existential metal and they've never needed the props ... Metallica are still awesome .... What is new is streamlined attack, the focus and, yes, the tunes".[citation needed]

Melody Maker had reservations about the heaviness compared to prior Metallica albums; it said, "A Metallica album is traditionally an exhausting event. It should rock you to exhaustion, leave you brutalised and drained. This one is no exception. It is, however, the first Metallica album to make me wonder at any point, 'What the fuck was that?' It's as if the jackboot grinding the human face were to take occasional breaks for a pedicure."[citation needed] AllMusic considered Load to be an unsurprisingly repetitive, uninteresting, and poorly executed album.[2]

Track listing

All lyrics are written by James Hetfield

No.TitleMusicLength
1."Ain't My Bitch"James Hetfield, Lars Ulrich5:04
2."2 X 4"Hetfield, Ulrich, Kirk Hammett5:28
3."The House Jack Built"Hetfield, Ulrich, Hammett6:38
4."Until It Sleeps"Hetfield, Ulrich4:28
5."King Nothing"Hetfield, Ulrich, Hammett5:29
6."Hero of the Day"Hetfield, Ulrich, Hammett4:21
7."Bleeding Me"Hetfield, Ulrich, Hammett8:18
8."Cure"Hetfield, Ulrich4:54
9."Poor Twisted Me"Hetfield, Ulrich4:00
10."Wasting My Hate"Hetfield, Ulrich, Hammett3:57
11."Mama Said"Hetfield, Ulrich5:20
12."Thorn Within"Hetfield, Ulrich, Hammett5:51
13."Ronnie"Hetfield, Ulrich5:17
14."The Outlaw Torn"Hetfield, Ulrich9:48
Total length:78:59

Personnel

Credits are adapted from the album's liner notes.[24]

Metallica

Production

Charts

Chart (1996) Peak
position
Australian Albums Chart[25] 1
Austrian Albums Chart[25] 1
Belgian Albums Chart[25] 1
Dutch Albums Chart[25] 1
Finnish Albums Chart[25] 1
French Albums Chart[25] 1
German Albums Chart[25] 1
New Zealand Albums Chart[25] 1
Norwegian Albums Chart[25] 1
Swedish Albums Chart[25] 1
Swiss Albums Chart[25] 1
UK Album Charts 1
US Billboard 200 1

End of decade charts

Chart (1990–1999) Position
US Billboard 200[26] 81
Preceded by Billboard 200 number-one album
June 22, 1996 – July 19, 1996 		Succeeded by
Preceded by UK number one album
June 16, 1996 – June 22, 1996 		Succeeded by
Preceded by Australian ARIA Albums Chart number-one album
June 16, 1996 – June 29, 1996 		Succeeded by

Certifications

Region Certification Certified units/sales
Brazil (Pro-Música Brasil)[27] Gold 100,000*
Canada (Music Canada)[28] 4× Platinum 400,000^
Finland (Musiikkituottajat)[29] Platinum 94,384[29]
Germany (BVMI)[30] Platinum 500,000^
Norway (IFPI Norway)[31] Platinum 50,000*
Poland (ZPAV)[32] Platinum 100,000*
Sweden (GLF)[33] Platinum 40,000^
United Kingdom (BPI)[34] Gold 100,000^
United States (RIAA)[35] 5× Platinum 5,000,000^
Uruguay (CUD)[36] Gold 3,000^
Summaries
Europe (IFPI)[37] 2× Platinum 2,000,000*

^ Shipments figures based on certification alone.

References

  1. ^ Prown, Pete; Newquist, Harvey P. (1997). Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists. Hal Leonard Corporation. p. 226. ISBN 0-7935-4042-9. The band re-emerged with Load, a less metalish and more hard-rock album that downplayed the group's previous headbanging.
  2. ^ a b c d Erlewine, Stephen Thomas. "Metallica: Load". AllMusic. Retrieved June 17, 2013.
  3. ^ "Until it Sleeps". Metallica.com. Retrieved June 17, 2013.
  4. ^ "Hero of the Day". Metallica.com. Retrieved June 17, 2013.
  5. ^ "Mama Said". Metallica.com. Retrieved June 17, 2013.
  6. ^ "King Nothing". Metallica.com. Retrieved June 17, 2013.
  7. ^ Snow, Shauna (November 21, 1996). "Arts and entertainment reports from The Times, national and international news services and the nation's press". Los Angeles Times.
  8. ^ Pete Prown, Harvey P. Newquist. Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists. p. 226.
  9. ^ "Metallica revives old sound, 'Death Magnetic' shows band's desire to reclaim its thrash metal throne". report. Ohio.com.
  10. ^ Moore, Doug (October 14, 2013). "Metallica Albums From Worst To Best". Stereogum. Spinmedia. Retrieved August 23, 2015.
  11. ^ a b Browne, David. "Metallica; Load". Entertainment Weekly. Retrieved June 17, 2013.
  12. ^ Fricke, David (June 27, 1998). "Metallica: Pretty Hate Machine". Rolling Stone.
  13. ^ Metallica - The Outlaw Torn (lyrics in video) youtube.com Retrieved on 19-Jan-2016.
  14. ^ "Encyclopedia Metallica - Load, 2CD". Encycmet.com. Retrieved 2010-11-13.
  15. ^ "Semen & Blood II". Artnet.com. Retrieved 2010-11-13.
  16. ^ a b Metallica's James Hetfield Said He Was Very Uncomfortable With The Band' Image For "Load" EddieTrunk.com (June 3, 2009). Retrieved on 3-05-10.
  17. ^ Christgau, Robert. "Metallica: Load". Robert Christgau. Retrieved June 17, 2013.
  18. ^ Lancaster, Nick. "Metallica: Load". Drowned in Sound. Retrieved June 17, 2013.
  19. ^ Larkin, Colin (2006). Encyclopedia of Popular Music. Vol. 5 (4th ed.). Oxford University Press. p. 725. ISBN 0-19-531373-9.
  20. ^ Masuo, Sandy (June 2, 1996). "Album Review: Metallica: Load". Los Angeles Times. Retrieved January 27, 2014.
  21. ^ a b "Metallica - Load CD Album". Q. CD Universe. Retrieved June 17, 2013.
  22. ^ Fricke, David (December 4, 1996). "Metallica: Load". Rolling Stone. Retrieved June 16, 2013.
  23. ^ Brackett, Nathan; Hoard, Christian David (2004). The New Rolling Stone Album Guide. Simon and Schuster. p. 538. ISBN 0-7432-0169-8.
  24. ^ Load liner notes. Vertigo Records. 1996.
  25. ^ a b c d e f g h i j k "Metallica – Load" (in German). Hung Medien. Retrieved June 27, 2015.
  26. ^ Mayfield, Geoff (December 25, 1999). 1999 The Year in Music Totally '90s: Diary of a Decade - The listing of Top Pop Albums of the '90s & Hot 100 Singles of the '90s. Retrieved October 15, 2010. {{cite book}}: |work= ignored (help)
  27. ^ "Brazilian album certifications – Metallica – Load" (in Portuguese). Pro-Música Brasil.
  28. ^ "Canadian album certifications – Metallica – Load". Music Canada.
  29. ^ a b "Metallica" (in Finnish). Musiikkituottajat – IFPI Finland.
  30. ^ "Gold-/Platin-Datenbank (Metallica; 'Load')" (in German). Bundesverband Musikindustrie.
  31. ^ "Norwegian album certifications – Metallica – Load" (in Norwegian). IFPI Norway.
  32. ^ "Wyróżnienia – Platynowe płyty CD - Archiwum - Przyznane w 1996 roku" (in Polish). Polish Society of the Phonographic Industry.
  33. ^ "Guld- och Platinacertifikat − År 1987−1998" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 2011-05-17.
  34. ^ "British album certifications – Metallica – Load". British Phonographic Industry. Select albums in the Format field. Select Gold in the Certification field. Type Load in the "Search BPI Awards" field and then press Enter.
  35. ^ "American album certifications – Metallica – Load". Recording Industry Association of America.
  36. ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
  37. ^ "IFPI Platinum Europe Awards – 1996". International Federation of the Phonographic Industry.
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