References to Ophelia
Jump to navigation Jump to search
- Russian novelist Fyodor Dostoevsky, in the first chapter of his 1880 novel The Brothers Karamazov, described a capricious young woman who committed suicide by throwing herself off a steep cliff into a river, simply to imitate Shakespeare's Ophelia. Dostoevsky concludes that "Even then, if the cliff, chosen and cherished from long ago, had not been so picturesque, if it had been merely a flat, prosaic bank, the suicide might not have taken place at all." Dostoevksy also depicts the heroine Grushenka as Ophelia, binding the two through the words "Woe is me!" in the chapter titled "The First Torment".
- Ophelia's Revenge (2003), a young adult novel by Rebecca Reisert, is a retelling of Hamlet from Ophelia's point of view.
- Dating Hamlet (2002), by Lisa Fiedler, tells a version of Ophelia's story.
- Agatha Christie's characters refers to Ophelia in the novels After the Funeral (1953), Third Girl (1966) and Nemesis (1971)
- In Jasper Fforde's novel Something Rotten (2004) Ophelia tries to take over the play during Hamlet's excursion to the real world.
- Ophelia by Lisa Klein tells the story of Hamlet from Ophelia's point of view.
- Mary Pipher alluded to Ophelia in the title of her nonfiction book Reviving Ophelia: Saving the Selves of Adolescent Girls. The book puts forth the thesis that modern American teenage girls are victimized, lost, and unsure of themselves, like Ophelia.
- In 2011 the Department of Theatre and Performance at the Victoria and Albert Museum invited director Katie Mitchell and Leo Warner of 59 Productions to conceive and produce a video installation exploring the nature of 'truth in performance'. Taking as its inspiration 5 of the most influential European theatre directors of the last century, the project examines how each of the practitioners would direct the actress playing Ophelia in the famous 'mad' scenes in the play. This multiscreen video installation, launched at the Chantiers Europe festival at the Theatre de la Ville in Paris on 4 June, and opened at the museum on 12 July 2011.
In film and television
- In the Simpsons episode "Tales from the Public Domain", the story of Hamlet is retold using Simpsons characters. The role of Ophelia is taken by Lisa who, upon seeing Hamlet (Bart) talking to a picture of his deceased father (Homer), claims "Nobody out-crazies Ophelia!" She then backs up her claim by jumping on a table, stepping in people's food and kicking over flowers before finally cartwheeling out a nearby window and into the moat, presumably to her death.
- In the opening montage of the 2011 film Melancholia, Kirsten Dunst's character is shown in her wedding dress, floating face up in a stream, similar to John Everett Millais' painting of Ophelia.
- In the 2005 film The Libertine, Samantha Morton portrays aspirant actress Elizabeth Barry, who portrays Ophelia, and brings the house down.
- In The Addams Family, Morticia's sister is named Ophelia: both sisters are played by Carolyn Jones. Ophelia is depicted with flowers in her hair, and often carrying flowers, alluding to the play.
- In the second episode of the television series Desperate Romantics, Elizabeth Siddal poses for John Everett Millais' Ophelia painting.
- In the 1986 film Fire with Fire, Virginia Madsen plays a Catholic schoolgirl enthralled with John Everett Millais' depiction of Ophelia which she saw in school. She later recreated the scene for a photography project and took pictures of herself immersed in a pond.
- In the 2012 film Savages it is mentioned that the character "O" goes by "O" because she is named after Ophelia, "the bipolar chick who killed herself in Hamlet."
- In the 2006 film Pan's Labyrinth, Ofelia, the main character, alludes to the play.
- The 2013 anime Blast of Tempest has many Shakespearean elements, including references to Ophelia.
- In Queen and Country (2014) the protagonist nick-names his mentally unstable girl-friend Ophelia.
- In the 2019 Jordan Peele film Us, Ophelia is the name of a speech-recognition virtual assistant. This may be a reference to the play.
- French poet Arthur Rimbaud wrote a poem called Ophélie in 1870, inspired by Hamlet.
- In T. S. Eliot's poem The Waste Land, several allusions are made to Ophelia's death: for example, one section is titled "Death by Water".
- Hector Berlioz made Hamlet the subject of his composition: Tristia, and titled one movement "The Death of Ophelia".
- Frank Bridge wrote a symphonic poem for orchestra titled There is a willow grows aslant a brook, taken from the first line of Gertrude's monologue recounting Ophelia's death.
- Dmitri Shostakovich's Incidental Music to Hamlet features a movement titled "Ophelia's Song", which depicts her descent into madness.
- In The Grateful Dead song "Althea" lyricist Robert Hunter references Hamlet in a near-quote from the famous soliloquy: "To be or not to be...To sleep, perchance to dream," The line in the song reads, "Yours may be the fate of Ophelia, sleeping and perchance to dream."
- Natalie Merchant recorded a song and an album called Ophelia, inspired by the play.
- Emilie Autumn has a song and album titled Opheliac in which the singer compares herself to Ophelia, connecting to her own experiences with bipolar disorder.
- Jewel has a song titled "Innocence Maintained" from her album Spirit (1998) with the lyrics "Ophelia drowned in the water, crushed by her own weight".
- Indigo Girls recorded an album called Swamp Ophelia, placing Ophelia in the Deep South.
- British pop singer Toyah Willcox released an album and song titled Ophelia's Shadow, focussing on Ophelia's isolation.
- Melora Creager of Rasputina recorded a song titled "Dig Ophelia" for the album Thanks for the Ether. The song "speaks for and with her".
- Tori Amos recorded a song titled "Ophelia" for the album Abnormally Attracted to Sin, perhaps inspired by Shakespeare's Ophelia.
- British band Wild Beasts' song "Bed of Nails", the second track of Smother, combine Ophelia and Hamlet with the work of Mary Shelley.
- Italian singer-songwriter Francesco Guccini recorded a song titled "Ophelia" for the album Due anni dopo.
- American singer-songwriter Bob Dylan includes Ophelia as one of the characters residing on Desolation Row in the song of the same title from the album Highway 61, recorded in 1965.
- The steampunk band Abney Park recorded a song called "Dear Ophelia" that is sung from the point of Hamlet, writing letters to Ophelia expressing that he does, in fact, love her.
- Singer-songwriter Justin Vernon recorded a song titled "Hanna, My Ophelia" for his album Hazeltons.
- The Band recorded a song titled "Ophelia" for the album Northern Lights – Southern Cross that was a minor hit in the U.S., peaking at #62 on the Billboard Hot 100.
- Leaves' Eyes on their album Symphonies of the Night had a track labeled "Ophelia".
- French singer-songwriter Nolwenn Leroy recorded a song titled "Ophélia" for her 2012 album Ô Filles de l'eau.
- American singer-songwriter Zella Day recorded a song titled "Sweet Ophelia" for her 2014 album Zella Day – EP.
- British avant-garde black/gothic metal band Ebonylake has a song entitled "The Wanderings of Ophelia Through the Untamed Countryside", present in their 1999 debut On the Eve of the Grimly Inventive.
- The single titled "Ophelia" was released by The Lumineers on February 4, 2016 ahead of the release of their second album Cleopatra which was released on April 8, 2016.
- The song "Who Are You" from artist Tom Waits on his album "Bone Machine" contains the lyric "Now Ophelia wants to know, Where she should turn".
- Belarusian metal band Nebulae Come Sweet released an EP titled Ophelia in 2016. The title song of the same name was inspired by tragic events in the frontman's life.
- The video to the song "Where the Wild Roses Grow" by Kylie Minogue and Nick Cave is based on the painting by Millais.
In video games
- In Brütal Legend, Ophelia is a main character who drowns herself due to grief.
- In Onimusha Dawn of Dreams, one of the main antagonists is named Ophelia, which is a Genma priestess that disguises herself as the concubine of Toyotomi Hideyoshi, Yodo.
- In The Sims 2, there is a sim called Ophelia Nigmos who lives with her aunt in a neighborhood called Strangetown. Both her parents died by drowning.
- In Puella Magi Madoka Magica Portable, the character Kyouko Sakura has a witch form known as Ophelia. Kyoko's arc as a character in the franchise is strongly affected by insanity, the deaths of her father and a person she feels strongly for, and her own suicide in certain timelines.
- In Mermaid Swamp, there are multiple paintings of Ophelia's death throughout the mansion, and one painting in the old mansion. Also, depending on the actions the player makes in the game, Seitaro, and possibly Rin, drown themselves in the swamp.
- In Don't Starve, a character named Wendy calls for Ophelia when examining a pond. ("Ophelia? Are you down there?" —Wendy)
- In Deus Ex: Invisible War, the orbital science platform operated by the Illuminati to monitor global communications is named Ophelia.
- In Axiom Verge, one of the Rusalka (large war machines) is named Ophelia.
- Uranus's secondmost inner moon was named after Ophelia after being discovered by Voyager 2 in 1986, and is one of the smallest moons in the Solar System (with a diameter of only 16 km).
- 171 Ophelia is an asteroid in the asteroid belt.
|Wikimedia Commons has media related to Ophelia.|
John William Waterhouse
- Harris, Jonathan Gil (2010). Shakespeare and Literary Theory. Oxford University Press. p. 118. ISBN 9780199573387. Retrieved 12 July 2019.
- Jackson, Robert Louis; Allen, Elizabeth Cheresh; Morson, Gary Saul (1995). Freedom and Responsibility in Russian Literature: Essays in Honor of Robert Louis Jackson. Northwestern University Press. pp. 105–109. ISBN 9780810111462. Retrieved 12 June 2019.
- Rokison-Woodall, Abigail (2015). Shakespeare for Young People: Productions, Versions and Adaptations. Bloomsbury Publishing. p. 148. ISBN 9781441175298. Retrieved 12 June 2019.
- Shaughnessy, Robert (2007). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge University Press. p. 125. ISBN 9780521844291.
- Bunson, Matthew (2000). The Complete Christie: An Agatha Christie Encyclopedia. Simon and Schuster. p. 185. ISBN 9780671028312. Retrieved 12 June 2019.
- Hopkins, Lisa (2016). Shakespearean Allusion in Crime Fiction: DCI Shakespeare. Springer. p. 44. ISBN 9781137538758. Retrieved 12 June 2019.
- Funk, Wolfgang (2015). The Literature of Reconstruction: Authentic Fiction in the New Millennium. Bloomsbury Publishing USA. p. 157. ISBN 9781501306181. Retrieved 12 June 2019.
- Loftis, Sonya Freeman; Kellar, Allison; Ulevich, Lisa (2017). SHAKESPEARE’S HAMLET IN AN ERA OF TEXTUAL EXHAUSTION. Routledge. ISBN 9781351967457. Retrieved 12 June 2019.
- Code, Lorraine (2002). Encyclopedia of Feminist Theories. Routledge. p. 3. ISBN 9781134787265. Retrieved 12 June 2019.
- "Why 'Women Rowing North' May Be the Next Boomer Bible". Next Avenue. 14 March 2019. Retrieved 12 June 2019.
- "Five Truths - 59 Productions".
- "Five Truths - Victoria and Albert Museum". Archived from the original on 1 August 2011.
- Purcell, Stephen (2013). Shakespeare and Audience in Practice. Macmillan International Higher Education. ISBN 9781137194244. Retrieved 12 June 2019.
- Hulbert, J.; Jr, K. Wetmore; York, R.; Jr, Kevin J. Wetmore (2009). Shakespeare and Youth Culture. Springer. p. 31. ISBN 9780230105249. Retrieved 12 June 2019.
- Jeong, Seung-hoon; Szaniawski, Jeremi (2016). The Global Auteur: The Politics of Authorship in 21st Century Cinema. Bloomsbury Publishing USA. p. 104. ISBN 9781501312649.
- Honig, Bonnie; Marso, Lori J. (2016). Politics, Theory, and Film: Critical Encounters with Lars von Trier. Oxford University Press. ISBN 9780190600204.
- "The Libertine **". The Globe and Mail. Retrieved 12 June 2019.
- "Ophelia Through the Kaleidoscope • Pre-Raphaelite Sisterhood". Pre-Raphaelite Sisterhood. 5 June 2018. Retrieved 12 June 2019.
- Grant, Olly (15 July 2009). "Rafe Spall and Sam Barnett on Desperate Romantics: interview". Retrieved 12 June 2019.
- Steinmetz, Johanna. "TEEN LOVE BURNS IN `FIRE` WITH AID OF SHAKESPEARE". chicagotribune.com. Retrieved 12 June 2019.
- Robey, Tim (20 September 2012). "Savages, review". Retrieved 13 June 2019.
- Desmet, Christy; Loper, Natalie; Casey, Jim (2017). Shakespeare / Not Shakespeare. Springer. p. 280. ISBN 9783319633008.
- "Blast of Tempest". Anime News Network. Retrieved 13 June 2019.
- Bell, Nicholas (24 February 2015). "Queen and Country | Review". IONCINEMA.com. Retrieved 13 June 2019.
- "6 Hidden Details In 'Us' That Help Explain So Much About What Was Going On". Elite Daily. Retrieved 13 June 2019.
- Bailey, Helen Phelps (1964). Hamlet in France: From Voltaire to Laforgue ; (with an Epilogue). Librairie Droz. p. 150. ISBN 9782600034708.
- Bloom, Harold (2007). T.S. Eliot's The Waste Land. Infobase Publishing. p. 186. ISBN 9780791093078. Retrieved 13 June 2019.
- Cairns, David (2003). Berlioz: Servitude and Greatness, 1832-1869. University of California Press. p. 711. ISBN 9780520240582.
- Huss, Fabian (2015). The Music of Frank Bridge. Boydell & Brewer. pp. 166–167. ISBN 9781783270590.
- Moore, Robin (1968). Fiedler, the colorful Mr. Pops: the man and his music. Little, Brown. p. 353.
- Barnes, Barry; Trudeau, Bob (2018). The Grateful Dead's 100 Essential Songs: The Music Never Stops. Rowman & Littlefield. p. 13. ISBN 9781538110584.
- Bosch, Lindsay J.; Mancoff, Debra N. (2009). Icons of Beauty: Art, Culture, and the Image of Women [2 volumes]. ABC-CLIO. p. 473. ISBN 9780313081569.
- Shaughnessy, Robert (2007). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge University Press. p. 169. ISBN 9780521844291.
- Loftis, Sonya Freeman; Kellar, Allison; Ulevich, Lisa (2017). SHAKESPEARE’S HAMLET IN AN ERA OF TEXTUAL EXHAUSTION. Routledge. ISBN 9781351967457.
- Sanders, Julie (2007). Shakespeare and Music: Afterlives and Borrowings. Polity. p. 188. ISBN 9780745632971. Retrieved 12 July 2019.
- Hansen, Adam (2010). Shakespeare and Popular Music. Bloomsbury Publishing. p. 37. ISBN 9781441134257. Retrieved 12 July 2019.
- Shaughnessy, Robert (2007). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge University Press. p. 169. ISBN 9780521844291. Retrieved 12 July 2019.
- Shaughnessy, Robert (2007). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge University Press. p. 168. ISBN 9781107495029. Retrieved 12 July 2019.
- Trier-Bieniek, Adrienne (2013). Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos. Scarecrow Press. p. 109. ISBN 9780810885516. Retrieved 12 July 2019.
- Barker, Emily (5 August 2014). "From Lana Del Rey To Led Zeppelin, 30 Awesome Songs Inspired By Books". NME. Retrieved 12 July 2019.
- Sidonio, Daniele (2016). Mi si scusi il paragone: Canzone d'autore e letteratura da Guccini a Caparezza (in Italian). musicaos:ed. p. 67. ISBN 9788899315566. Retrieved 12 July 2019.
- West, Summar; Wagner, Patricia (2016). A Midsummer Night's Dream. Cavendish Square Publishing, LLC. p. 76. ISBN 9781502623355.
- Bosch, Lindsay J.; Mancoff, Debra N. (2009). Icons of Beauty: Art, Culture, and the Image of Women [2 volumes]. ABC-CLIO. p. 473. ISBN 9780313081569. Retrieved 12 July 2019.
- "Tom Waits". www.tomwaits.com.