The Good Bad-Man
|The Good Bad-Man|
|Directed by||Allan Dwan|
|Produced by||Douglas Fairbanks|
|Written by||Douglas Fairbanks|
|50 minutes; 5 reels|
|Language||Silent (English intertitles)|
The Good Bad-Man[a] is a 1916 American silent Western film directed by Allan Dwan. The film was written by Douglas Fairbanks, and produced by Fairbanks and the Fine Arts Film Company. It stars Fairbanks and Bessie Love.
"Passin' Through" (Fairbanks) is a benevolent outlaw who holds up trains so that he can provide for fatherless children in the Old West. He knows little of his personal history, but he is pursued by a US marshal (Cannon) who does. Along the way, he encounters Amy (Love), and falls in love with her. A rival bandit, "The Wolf" (De Grasse), is also a rival for Amy, but Passin' and Amy eventually marry.
- Douglas Fairbanks as "Passin' Through"
- Sam De Grasse as Bud Frazer / The Wolf
- Pomeroy Cannon as Bob Evans the Marshal
- Joseph Singleton as Weazel
- Bessie Love as Amy
- Mary Alden as Jane Stuart
- George Beranger as Thomas Stuart
- Fred Burns as Sheriff
- Charles Stevens as a Bandit (uncredited)
- Jim Mason as a Bandit (uncredited)
On May 31, 2014, a restored print of the 1923 version was shown at the San Francisco Silent Film Festival at the Castro Theatre. This print has an original title at the beginning: "Supervised by D. W. Griffith".
Release and reception
Fairbanks biographer Jeffrey Vance finds The Good Bad-Man fascinating for what it reveals about Fairbanks the man. Vance writes:
Passin' Through's unresolved relationship with an absent father and concerns of illegitimacy were also central to the identity of the offscreen Fairbanks, born Douglas Ulman. His mother, Ella Fairbanks (née Marsh), had been twice married before meeting attorney H. Charles Ulman, the son of German-Jewish immigrants. An alcoholic and bigamist, Ulman abandoned his new family when Douglas was five years old. At that time, Douglas's mother changed the family's surname to that of her deceased first husband, "Fairbanks." H. Charles Ulman died in 1915 and was undoubtedly in Fairbanks's thoughts in early 1916 when he developed the story of The Good Bad Man. The personal concerns and anxieties Fairbanks felt toward his identity were deeply concealed, which makes their exploration with his film's restless hero fascinating to watch.
- The title correctly has a hyphen between Bad and Man, which appears on posters for the film and in contemporaneous reviews.
- A still photo from the film published in the November 1916 issue of Overland Monthly was used to illustrate the short story "Coyote o' the Rio Grande". Coyote o' of the Rio Grande is not an alternate title for the film.
- Cooper, Oscar (April 22, 1916). "Screen Examinations". Motion Picture News. Vol. 13 no. 16. p. 2381.
- "The Good Bad Man (1916)". MoviePosterDB.com. Archived from the original on October 22, 2012.
- Kennedy, Thomas C. (April 22, 1916). "Current Releases Reviewed". Motography. Vol. 15 no. 17.
- "Progressive Silent Film List: The Good Bad Man". Silent Era.
- Vance, Jeffrey. "The Good Bad Man". San Francisco Silent Film Festival program book, May 29 – June 1, 2014.
- De Ryee, William (November 1916). "Coyote o' the Rio Grande". Overland Monthly. p. 384.
- Lombardi 2013, p. 60
- Lombardi 2013, p. 62
- Works cited
- Lombardi, Frederic (2013). "Part One: The Lusty Child". Allan Dwan and the Rise and Decline of the Hollywood Studios. McFarland. ISBN 978-0-7864-3485-5.
- Vance, Jeffrey. Douglas Fairbanks. Berkeley, CA: University of California Press, 2008. ISBN 978-0-520-25667-5.
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