The Sum of All Fears (film)

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The Sum of All Fears
SOAF movie.JPG
Theatrical release poster
Directed byPhil Alden Robinson
Screenplay by
Based onThe Sum of All Fears
by Tom Clancy
Produced byMace Neufeld
CinematographyJohn Lindley
Edited by
Music byJerry Goldsmith
Distributed byParamount Pictures
Release date
  • May 29, 2002 (2002-05-29) (Los Angeles premiere)
  • May 31, 2002 (2002-05-31) (United States)
Running time
124 minutes[1]
CountryUnited States
Budget$68 million
Box office$193.9 million[2]

The Sum of All Fears is a 2002 American spy thriller film directed by Phil Alden Robinson, based on Tom Clancy's 1991 novel of the same name. The film, which is set in the Jack Ryan film series, is a reboot taking place in 2002. Jack Ryan is portrayed as a younger character by Ben Affleck, in comparison with The Hunt for Red October (1990) starring Alec Baldwin. The film's sequels, Patriot Games (1992) and Clear and Present Danger (1994), both starred Harrison Ford in the role.

An Austrian Neo-Nazi plans to trigger a nuclear war between the United States and Russia, so that he can establish a fascist superstate in Europe. After the Neo-Nazi's scientists build a secret nuclear weapon that destroys Baltimore, and a rogue Russian officer paid off by the Neo-Nazi attacks a U.S. aircraft carrier, the world's superpowers are pushed close to the brink of war. CIA analyst Jack Ryan (Affleck) is the only person who realizes that the Baltimore bomb was a black market weapon, not a Russian one. With the clock ticking, Ryan has to find a way to stop the impending nuclear war.

The film was a co-production between the motion picture studios of Paramount Pictures, Mace Neufeld Productions, MFP Munich Film Partners, and S.O.A.F. Productions. On June 4, 2002, the original motion picture soundtrack was released by the Elektra Records music label. The soundtrack was composed and orchestrated by musician Jerry Goldsmith. It premiered in theaters in the United States on May 31, 2002.

The Sum of All Fears received generally mixed reviews from critics. It is considered a major financial success, having a worldwide theatrical run of $193.9 million compared to its production budget of $68 million and related marketing costs.


In 1973, during the Yom Kippur War, an Israeli warplane carrying a nuclear bomb is shot down. In 2002, a Syrian scrap collector uncovers a large unexploded bomb buried in a field in the Golan Heights. He sells it to a South African black market arms trafficker named Olson, who recognizes it as the nuclear bomb that was lost during that war. He then sells it to a neo-fascist group led by Austrian billionaire Richard Dressler, whose aim is to start a war between the United States and Russia that will devastate them both, and leave a united fascist Europe to rule the world.

In the United States, President Robert Fowler and his national security team, including CIA Director William Cabot, stage a war game scenario where Russian President Zorkin is overthrown in a coup and rogue generals launch a nuclear attack on the Americans. Shortly after the drill, Zorkin dies of a heart attack and is rapidly replaced by a seeming hardliner supported by the military, Alexander Nemerov.

CIA analyst Jack Ryan, who has studied Nemerov and believes him to be a reformer who merely talks like a hardliner to gain their support, is summoned by Cabot to accompany him to Moscow to inspect the top Russian nuclear weapons facility, in compliance with the START treaty. At the Kremlin, they meet Nemerov and his personal aide, former KGB agent Anatoly Grushkov. He requests they deliver a personal message to Fowler, asking him and the US to remain out of Russia's war in Chechnya and letting Nemerov stabilize Russia in his own way without outside interference. During their investigation of the weapons facility, Ryan notices the absence of three scientists listed on the facility's roster. After receiving reliable intelligence from a confidential secure informant inside the Kremlin, codenamed "Spinnaker", Cabot sends operative John Clark to Russia to investigate.

Tensions between the United States and Russia increase when a chemical attack on Grozny, the capital of Chechnya, is reported during the White House Correspondents' Dinner. Ryan tries to defend Nemerov by indicating that rogue military commanders could have ordered the attack instead, but his theory is disproved when Nemerov delivers a speech to the State Duma taking responsibility for the attack. In response, Fowler deploys peacekeepers to Chechnya. In Russia, Grushkov informs Nemerov that disgruntled Communist officers ordered the attack on Grozny, and Nemerov orders them removed from command, choosing to take the blame for Grozny rather than risk alienating more figures of his military.

Clark tracks the missing scientists to a former Soviet military facility in Ukraine, where Cabot suspects they are building a secret nuclear weapon that Russia could use without any method to trace it back to them. Ryan and his colleagues discern that a crate from the facility in Ukraine was flown to the Canary Islands, then sent to Baltimore on a cargo ship. Ryan warns Cabot, who is attending a football game in the city with Fowler, about a bomb threat. Thanks to Ryan's warning, Cabot evacuates the president fast enough to get him out of the stadium before the detonation, but not fast enough for the motorcade to escape the bomb's shock wave. The stadium is destroyed and, while Fowler is evacuated by Marines, Cabot is mortally wounded. Gathering his national security team aboard a Boeing E-4, they conduct a real-life situation similar to the film's beginning but with far more confusion and heightened emotions from all those involved. In Russia, President Nemerov desperately tries to defuse the situation over the hotline, but must face American assurance of Russian culpability and his own generals' desire to attack the US.

Further worsening matters, a corrupt Russian Air Force general who has been paid by Dressler (unbeknownst to the U.S.) sends warplanes to attack a U.S. aircraft carrier, heavily damaging it and worsening the already tense atmosphere between Russia and the United States.

On the scene of the blast in Baltimore, Ryan learns from a radiation assessment team that the isotopic signature from the nuclear blast indicates it was manufactured in the U.S.; evidence which seems to exonerate Russia. Using Cabot's phone which he had recovered from him before he died, Ryan contacts Spinnaker, his source in the Russian government, who tells him that the uranium was from an American facility, but was stolen by the CIA and secretly given to Israel, until they lost it during the Yom Kippur War. In Syria, Clark tracks down Ghazi, one of the men who found the bomb, now dying of radiation exposure. He tells Clark that he sold the bomb to Olson, who lives in Damascus. Ryan's colleagues at Langley infiltrate Olson's computer and download files that implicate Dressler as the person who bought the plutonium and who is behind the nuclear attack.

Ryan is able to reach the National Military Command Center in the Pentagon and get a message to Nemerov, using the personal rapport they had developed when they had met in Moscow and saying that he knows that Russia was not behind the attack. He asks Nemerov to stand down his forces as a show of good faith. Nemerov agrees to do so and Fowler follows suit. As Nemerov and Fowler sign an agreement to counter nuclear proliferation at the Kremlin, the participants in the conspiracy are tracked and assassinated: Olson is killed by Clark in his home in Damascus, the corrupt Russian general is gunned down by Russian agents, and Dressler is blown up in his car by Grushkov. Later, Fowler and Nemerov deliver joint speeches about their new initiatives and honouring the dead at the White House, as Ryan and his fiancée Dr. Catherine Muller listen in. Grushkov, revealing himself to be Spinnaker, arrives and offers to continue the arrangement he had with Cabot with Ryan, to ensure the back channels between Russia and the United States always remain open. He also gives Catherine a present for their engagement, which they notably had not yet announced to anyone. When Ryan asks him how he could have known, Grushkov merely shrugs, smiles and walks away.


Ben Affleck, the third actor in the film series to portray the character of Jack Ryan



In 1991, Paramount Pictures negotiated with Tom Clancy for the rights to adapt The Sum of All Fears, but the talks stalled after he became reluctant to concede film rights to further works due to his dissatisfaction with the adaptation of Patriot Games.[3] Clancy ultimately agreed after he reached a large cash settlement with the studio president Brandon Tartikoff. However, producer Mace Neufeld was not enthusiastic to adapt the book after the release of Clear and Present Danger in 1994 due to its similarities with the story of Black Sunday and concerns over depicting controversial subjects such as terrorism and the Israeli–Palestinian conflict.[4] A year was spent developing Tom Clancy's The Cardinal of the Kremlin before the material was deemed too difficult to adapt.[5] An adaptation of Debt of Honor or a new screenplay unrelated to any of Clancy's books was also considered.[4]

In October 1999, Harrison Ford announced that the next Jack Ryan novel being scripted into a film would indeed be The Sum of All Fears and that "hopefully we'll get that to a place where we can make a movie."[6] During this time, writer Akiva Goldsman wrote multiple drafts of the script.[7] However, on June 8, 2000, it was announced that Ford had dropped out of the film after he and director Phillip Noyce were unable to work out script problems.[8] It was later announced that Ben Affleck would take on the role in a $10 million deal that would see the series rebooted with Jack Ryan portrayed at an earlier stage in life. "The day I received the offer to play Jack Ryan, I was filming a Pearl Harbor scene with Alec Baldwin. He was very sweet and said I should do it," said Affleck. "I wouldn't have done the movie without talking to Harrison Ford first. He gave me his blessing. That's what I needed to hear."[9] Months after Affleck became attached to the project, director Phil Alden Robinson was brought on to lead the project.[10]

While the basic plot is the same in the movie as in the book, there were significant changes. Noting these substantial changes, in the commentary track on the DVD release, Tom Clancy jokingly introduced himself as "the author of the book that he [director Phil Alden Robinson, who is present with Clancy] ignored" and spending most of the commentary poking fun at the film's factual inaccuracies and differences from the source material.[11] Perhaps the largest change were the original terrorists. In the novel, they were Arab nationalists, but in the film, they were changed to neo-fascists. A common misconception is that this was done as a reaction to the September 11, 2001, attacks, but the movie finished filming in June 2001.

On the "making-of" DVD extra, director Alden Robinson said that the change was purely for elements relating to the plot, because Arab terrorists would not be able to plausibly accomplish all that was necessary for the story to work. In addition, the terrorists in the book received significant aid from elements in East Germany, a country which had ceased to exist before the novel was even published. The group Council on American-Islamic Relations (CAIR) did mount a two-year lobbying campaign that ended on January 26, 2001, against using "Muslim villains", as the original book version did.[12]

Olympic Stadium in Montreal, where the football game scenes were filmed

Screenwriter Dan Pyne claimed that the decision to not use Arab terrorists was "possibly because that has become a cliché. At the time that I started writing The Sum of All Fears, Jörg Haider was just starting to come into play in Austria. And simultaneous with that, I think, there was some neo-nationalist activity in Holland, and there was stuff going on in Spain and in Italy. So it seemed like a logical and lasting idea that would be universal."[13] It has also been noted that a larger percent of profits stems from international audiences, and American filmmakers work to avoid alienating large segments of this customer base.[13]


Principal photography for The Sum of All Fears began on February 12, 2001, in Montreal, Quebec.[14] A majority of the film was shot in Montreal, including the sequences at the football game that were shot in the city's Olympic Stadium.[15] Additional filming was done at the Diefenbunker in Ottawa, Ontario.[16] Production finished in June 2001.[5] The interior scene of the aircraft carrier USS John C. Stennis was filmed on a set used in the television series JAG.[17]


The musical score to The Sum of All Fears is composed by Jerry Goldsmith. A soundtrack album was released on June 4, 2002, by Elektra Records.[18] In addition to Goldsmith's score, the soundtrack also includes source music such as "If We Get Through This" by Tabitha Fair and "Nessun dorma" by Giacomo Puccini. There are also two tracks from the album ("If We Could Remember" and "The Mission") that are vocal interpretations of Goldsmith's primary theme co-written by singer-songwriter Paul Williams.[19] On March 12, 2014, an expanded edition was released by La-La Land Records.[20]

The Sum of All Fears (Music from the Motion Picture)
Film score by
ReleasedJune 4, 2002 (original), March 12, 2014 (expanded)
Length49:30 (original), 78:48 (expanded)
LabelElektra (original), La-La Land (expanded)
Jack Ryan soundtrack chronology
Clear and Present Danger
The Sum of All Fears (Music from the Motion Picture)
Jack Ryan: Shadow Recruit
The Sum of All Fears (Music from the Motion Picture): Elektra
1."If We Could Remember"3:30
2."The Mission"5:57
3."The Bomb"2:55
4."That Went Well"2:45
5."Clear the Stadium"1:33
6."If We Get Through This"3:36
7."The Deal"2:34
9."Snap Count"2:12
10."His Name Is Olson"1:51
11."Nessun Dorma from Turandot"2:58
12."Deserted Lab"1:52
13."Real Time"2:51
14."How Close?"6:05
15."The Same Air"2:01
16."If We Could Remember (Reprise)"3:34
Total length:49:30
The Sum of All Fears (Music from the Motion Picture): La-La Land: added material in bold
1."The Mission"5:56
2."Do It!/I'll Go/The Bomb"4:35
3."14 Months/The Deal"4:05
4."Thanks a Lot/That Went Well"3:22
5."The Shipment/Moscow Time"1:16
6."Nice Going/The Docks"3:36
7."Mrs. Spassky/The Lab"2:10
8."The Reservoir/Night Landing/Deserted Lab"3:34
9."Shoot Him/Changes"3:16
10."Clear the Stadium (film version)/Not the Russians/Man Your Aircraft"4:24
11."Further Aggressions/State of War"2:53
12."Supplies/To the Docks"2:02
13."Real Time"2:50
14."Cabot Is Dead/His Name Is Olson"2:50
15."Snap Count"2:11
16."Maximum Readiness/Get a Doctor"1:57
17."How Close?"6:08
18."The Same Air"3:16
19."If We Could Remember"3:36
20."Star-Spangled Banner"1:55
21."Nessun Dorma from Turandot"2:57
22."The Mission (synth choir)"4:31
23."Clear the Stadium (album version)"1:31
24."His Name Is Olson (alt. with synth choir)"1:50
25."Theme from The Sum of All Fears (synth demo)"2:13
Total length:78:48


While the film was speculated to be released in late 2001, The Sum of All Fears was theatrically released on May 31, 2002. Many media outlets characterized this apparent change in release date to be a delay due to the September 11 attacks. Addressing the release date, director Phil Alden Robinson said, "When I came on board in August of 2000, they said, 'This is a Summer-of-2002 picture.'"[10] As the first film released since September 11 to deal so vividly with terrorism, critics believed it to be too alarming to be released nine months after the attacks.[21][22]


Critical response[edit]

The Sum of All Fears received mixed reviews. Rotten Tomatoes reported that 60% of critics gave the film positive reviews and that the average rating was 5.95/10 based on a total of 176 reviews counted. The consensus was that the film was "A slick and well-made thriller that takes on new weight due to the current political climate."[23] At Metacritic, which assigns a weighted average out of 100 to critics' reviews, The Sum of All Fears received a score of 45 based on 35 reviews.[24]

Peter Travers criticized Affleck's performance, saying it "merely creates an outline for a role he still needs to grow into, a role that Harrison Ford effortlessly filled with authority."[25] Richard Roeper felt the film "is almost impossible to follow – and there's something cringe-inducing about seeing an American football stadium nuked as pop entertainment." Michael Wilmington of the Chicago Tribune called it "an implausible apocalypse without depth or resonance",[26] while Peter Rainer of New York magazine felt the "movie has been upstaged by the sum of our fears."[27]

"There are some frightening special effects in the movie, which I will not describe, because their unexpected appearance has such an effect."

—Roger Ebert, writing for the Chicago Sun-Times[28]

A few positive reviews came from The Argus, who praised Freeman for giving "the William Cabot character such validity."[29] Roger Ebert awarded the film 3.5 out of 4, stars and felt that "the use of the neo-Nazis is politically correct: Best to invent villains who won't offend any audiences." He also said that "Jack Ryan's one-man actions in post-bomb Baltimore are unlikely and way too well-timed."[28] Ebert was not alone in disparaging the recasting of the novel's Arab terrorist villains as Neo-Nazis.[30][31]

In Reel Power: Hollywood Cinema and American Supremacy, author Matthew Alford observed that the American political characters in the film act benevolently; declaring, "When the President and his advisers do apply force it is with heavy hearts and purely as a way of demonstrating 'deterrence' in the hope that this will encourage the Russians to back down. They never apply excessive violence and are ultimately successful – with Ryan’s help – in avoiding nuclear warfare." Furthermore, he argued that "the film celebrates and makes light of the enormous covert powers of a globally operating US national security state and its allies."[32]

Ed Gonzalez of Slant magazine took issue with the film's violent content, especially as it was released not long after the September 11 terrorist attacks in the US.[33]

Box office[edit]

According to Box Office Mojo, the film made U.S. $118,907,036 and $75,014,336 in foreign totals, easily recovering its $68 million production costs.[2]


The film won a Visual Effects Society Award for "Best Supporting Visual Effects in a Motion Picture." The recipients were Glenn Neufeld, Derek Spears, Dan Malvin, and Al DiSarro.[34]

See also[edit]


  1. ^ "The Sum of All Fears (12)". British Board of Film Classification. May 31, 2002. Retrieved September 4, 2016.
  2. ^ a b The Sum of All Fears, Box Office Mojo.
  3. ^ "Why Tom Clancy's Name Isn't on the Patriot Games Poster". Den of Geek. June 5, 2019. Retrieved March 16, 2020.
  4. ^ a b "Harrison Ford takes on Tom Clancy...again". Retrieved March 17, 2020.
  5. ^ a b Neumer, Chris. "Mace Neufeld Interview". Stumped Magazine. Retrieved September 5, 2013.
  6. ^ Rea, Steven (October 6, 1999). "Playing with perception". Toledo Blade. Retrieved September 4, 2013.
  7. ^ "Akiva Goldsman talks about THE SUM OF ALL FEARS..." Video Trader. Ain't It Cool News. February 1, 2000. Retrieved September 5, 2013.
  8. ^ "Ford Won't Give in to Sum of All Fears". IGN. June 8, 2000. Retrieved September 4, 2013.
  9. ^ Hobson, Louis B. (May 21, 2001). "Affleck attack". Jam!. Retrieved September 4, 2013.
  10. ^ a b Lybarger, Dan (May 31, 2002). "The Sum of All Fears: A Conversation with Phil Alden Robinson". Nitrate Online Feature. Retrieved September 5, 2013.
  11. ^ The Sum of All Fears – IGN, retrieved March 16, 2020
  12. ^ Armstrong, Mark (January 26, 2001). "Wolf Howls As NBC Yanks "Law & Order" Episode". E! News. Retrieved September 4, 2013.
  13. ^ a b producer: Lauren F. Cardillo (2003). "Casting Calls". Running Down Dreams Productions & The Discovery Times Channel.
  14. ^ "Ben Affleck and Morgan Freeman to Star in 'The Sum of All Fears'; Paramount Presents Fourth Film in Hit Jack Ryan Series". PR Newswire. The Free Library. March 7, 2001. Retrieved September 5, 2013.
  15. ^ "Sum of All Fears – Production Notes". Retrieved September 5, 2013.
  16. ^ Emma Jones (June 4, 2012). "On-location vacations: Movies shot in Canada". MSN. Archived from the original on January 15, 2014. Retrieved June 16, 2012.
  17. ^ Blu-ray commentary with Phil Alden Robinson and John Lindley
  18. ^ "The Sum of All Fears [Music from the Motion Picture]". AllMusic. Retrieved September 5, 2013.
  19. ^ "Filmtracks: The Sum of All Fears (Jerry Goldsmith)". February 15, 2009. Retrieved September 5, 2013.
  20. ^ "The Sum of All Fears album page". Archived from the original on September 22, 2017. Retrieved September 22, 2017.
  21. ^ Brassfield, Mike (June 1, 2002). "'Sum of All Fears' tests our post-9/11 threshold for plots". St. Petersburg Times. Retrieved September 4, 2013.
  22. ^ Van Susteren, Greta (June 3, 2002). "The Sum of All Fears Controversy". Fox News Channel. Retrieved September 4, 2013.
  23. ^ "The Sum Of All Fears". Rotten Tomatoes. Retrieved January 14, 2014.
  24. ^ "The Sum of All Fears". Metacritic. Retrieved January 17, 2014.
  25. ^ "The Sum of All Fears". Rolling Stone. Archived from the original on December 4, 2007. Retrieved May 7, 2010.
  26. ^ "529 Reviews by Michael Wilmington of the Chicago Tribune". Archived from the original on April 27, 2012. Retrieved May 26, 2013.
  27. ^ Peter Rainer. "Review of Sum of all fears". NY Magazine (NYMag). Retrieved May 26, 2013.
  28. ^ a b Ebert, Roger (May 31, 2002). "The Sum of All Fears". Chicago Sun-Times. Archived from the original on May 20, 2017. Retrieved April 20, 2020.
  29. ^ Lana K. Wilson-Combs, "wHEW! Freeman won't give up acting anytime soon", The Argus (May 31, 2002).
  30. ^ "'The Sum of All Fears': Politically correct with Jack Ryan". The Post-Star. Retrieved December 26, 2020.
  31. ^ "No. 101: "The Sum of All Fears" Falls Victim to Political Correctness". Carolina Journal. Retrieved December 26, 2020.
  32. ^ Alford, Reel Power, p 91.
  33. ^ Gonzalez, Ed (May 22, 2002). "Review: The Sum of All Fears". Archived from the original on July 26, 2020. Retrieved July 26, 2020.
  34. ^ "1st Annual VES Awards". visual effects society.

External links[edit]