Wait Until Dark (film)
Wait Until Dark | |
---|---|
![]() Theatrical release poster | |
Directed by | Terence Young |
Screenplay by |
|
Based on | Wait Until Dark by Frederick Knott |
Produced by | Mel Ferrer |
Starring | |
Cinematography | Charles Lang |
Edited by | Gene Milford |
Music by | Henry Mancini |
Production company | |
Distributed by | Warner Bros.-Seven Arts |
Release date |
|
Running time | 108 minutes |
Country | United States |
Language | English |
Budget | $3 million[1] |
Box office | $17.5 million[2] |
Wait Until Dark is a 1967 American psychological thriller film directed by Terence Young and produced by Mel Ferrer,[3] from a screenplay by Robert Carrington and Jane-Howard Carrington, based on the 1966 play of the same name by Frederick Knott.[4] The film stars Audrey Hepburn as a blind woman, Alan Arkin as a violent criminal searching for drugs, and Richard Crenna as another criminal, supported by Jack Weston, Julie Herrod, and Efrem Zimbalist Jr.[5]
Audrey Hepburn was nominated for the Academy Award for Best Actress in 1967, and Zimbalist was nominated for the Golden Globe Award for Best Supporting Actor – Motion Picture. The film is ranked #55 on AFI's 2001 100 Years...100 Thrills list, and its climax is ranked tenth on Bravo's 100 Scariest Movie Moments.[6]
Plot
[edit]A woman named Lisa takes a flight from Montreal to New York City, smuggling bags of heroin sewn inside an old-fashioned doll. When she disembarks, Lisa becomes worried upon seeing a man watching her at the airport and gives the doll to a fellow passenger, professional photographer Sam Hendrix, for safekeeping. She is roughly escorted away by the other man.
A few days later, con artists Mike Talman and Carlino arrive at the apartment of Sam and his blind wife, Susy, believing it to be Lisa's. Harry Roat, the man who met Lisa at the airport, arrives to persuade Talman and Carlino to help him find the doll. After the con men discover Lisa's body in Susy's apartment, Roat blackmails them into helping him dispose of it and convinces them to help him find the doll. While Sam is on a photography assignment, the criminals begin an elaborate con game, using Susy's blindness against her and posing as different people to win her trust. Implying that Lisa has been murdered and that Sam will be suspected, the men persuade Susy to help them find the doll. Mike, posing as Sam's old army buddy, gives her the number for the phone booth across the street as his own after falsely warning her of a police car outside the residence.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Roxy_Theatre%2C_Redwood_Drive-in_Ad_-_22_December_1967%2C_CA.jpg/160px-Roxy_Theatre%2C_Redwood_Drive-in_Ad_-_22_December_1967%2C_CA.jpg)
Gloria, a girl who lives upstairs and who had borrowed the doll earlier, sneaks in to return it. She reveals to Susy that there is no police car outside. After calling Mike and realizing it is the phone booth's number, Susy realizes that the three men are criminals and hides the doll. She tells them that the doll is at Sam's studio and the three leave after Roat cuts the telephone cord. Carlino stays behind to stand guard outside the building. Susy sends Gloria to the bus station to wait for Sam. When she discovers that the telephone cord has been cut, she prepares to defend herself by breaking all the lightbulbs in the apartment except for the safelight. When Mike returns, he realizes that she knows the truth and demands the doll, but she refuses to cooperate. He tells her that he has sent Carlino to kill Roat. However, having anticipated their plan, Roat has killed Carlino instead, and he then kills Mike on the doorstep of Susy's apartment.
Intent on acquiring the doll, Roat threatens to set the apartment on fire. Susy throws a chemical at Roat's face and unplugs the safelight as the apartment is plunged into darkness. Roat uses matches to see, but Susy douses him with gasoline, forcing him to put out the match. Roat finally produces light by opening the refrigerator. Susy, realizing that she has lost the battle, pulls the doll out from its hiding place and hands it to him. While Roat is distracted with it, Susy arms herself with a kitchen knife, stabs him, and flees. She is unable to escape the chained front door and decides to escape through the kitchen window. But while she is fleeing to the kitchen window, Roat suddenly lunges at her and grabs her ankle. She wrenches free and conceals herself behind the refrigerator door. Just as Roat stands to stab her, she unplugs the refrigerator, leading to darkness again. The police arrive with Sam and Gloria. Susy is found, unharmed, behind the refrigerator door, while the dead Roat rests nearby, disabled by a toppled shelf.
Cast
[edit]Credited:
- Audrey Hepburn as Susy Hendrix
- Alan Arkin as Roat / Harry Roat Jr. / Harry Roat Sr.
- Richard Crenna as Mike Talman
- Efrem Zimbalist Jr. as Sam Hendrix
- Jack Weston as Carlino
- Samantha Jones as Lisa
- Julie Herrod as Gloria
Uncredited:
- Robby Benson as Boy Tossing Ball
- Jean Del Val as Old Man
- Mel Ferrer as French-Canadian Radio Speaker
- Packy McFarland as Passerby
- Gary Morgan as Teenage Boy on Street
- Frank O'Brien as Shatner
- Bill Walters as BG with Dog
Soundtrack
[edit]The score for the film was composed by Henry Mancini, who had scored other Audrey Hepburn films such as Breakfast at Tiffany's and Two for the Road.[7] The Wait Until Dark score is notable for Mancini's use of two pianos, tuned a quarter-tone apart, with the "wrong" notes echoing the "right" ones to add to the eerie effect.[8]
No. | Title | Length |
---|---|---|
1. | "Come On Louie/The Doll" | 1:49 |
2. | "Main Title" | 4:11 |
3. | "Don't Make Waves/Big Drag for Lisa" | 3:26 |
4. | "Light Relief" | 1:09 |
5. | "Radio Source/He's Got Time" | 3:04 |
6. | "World's Champion Blind Lady" | 1:24 |
7. | "Phono Source I" | 3:02 |
8. | "Phono Source II" | 1:43 |
9. | "Pick Up Sticks" | 2:24 |
10. | "The Doll Again" | 3:19 |
11. | "Watch the Booth/It's for You" | 1:25 |
12. | "Chair Kicker" | 4:42 |
13. | "Bulbus Terror" | 3:53 |
14. | "Gassy!/Strum Along/The Doll" | 3:37 |
15. | "Cutting Roat a New One" | 1:50 |
16. | "You're Doing Fine" | 1:15 |
17. | "Wait Until Dark" | 2:15 |
18. | "Bonus Track: Alternate Main Title" | 2:06 |
19. | "Bonus Track: He's Got Time (alternate)" | 0:39 |
20. | "Bonus Track: Piano Tests" | 2:30 |
Release
[edit]Exhibition
[edit]To immerse viewers in the suspense of the climactic scene, movie theater owners dimmed their lights to the legal limits, and then turned them off, one by one until the audiences were in complete darkness.[10][11]
Reception
[edit]The film was one of the more popular of its year, earning North American rentals of $7,350,000.[12]
Bosley Crowther called it a "barefaced melodrama, without character revelation of any sort, outside of the demonstration of a person with the fortitude to overcome an infirmity;" he liked Hepburn's performance, saying "the sweetness with which Miss Hepburn plays the poignant role, the quickness with which she changes and the skill with which she manifests terror attract sympathy and anxiety to her and give her genuine solidity in the final scenes."[4]
Time magazine said the film had a "better scenario, set and cast" than the play's Broadway production that preceded it, and while "the story is as full of holes as a kitchen colander," "Hepburn's honest, posture-free performance helps to suspend the audience's disbelief" and she is "immensely aided by the heavies: Jack Weston, Richard Crenna, and Alan Arkin....With virtuosity, Hepburn and Arkin collaborate to revive an old theme—The-Helpless-Girl-Against-the-Odds—that has been out of fashion since Dorothy McGuire and Barbara Stanwyck screamed for help in The Spiral Staircase and Sorry, Wrong Number."[13]
Roger Ebert gave the movie three and a half stars and wrote "Miss Hepburn is perhaps too simple and trusting, and Alan Arkin (as a sadistic killer) is not particularly convincing in an exaggerated performance. But there are some nice, juicy passages of terror (including that famous moment when every adolescent girl in the theater screams), and after a slow start the plot does seduce you."[14]
Rotten Tomatoes reported that 96% of critics have given the film a positive review based on 25 reviews, with an average rating of 8.10/10. The critical consensus reads: "Nail-bitingly tense and brilliantly acted, Wait Until Dark is a compact thriller that makes the most of its fiendishly clever premise."[15] At Metacritic, the film has a weighted average score of 81 out of 100 based on 9 critics, indicating "universal acclaim".[16] The film was ranked tenth on Bravo's 100 Scariest Movie Moments for its riveting climax.[6]
Despite the film's acclaim and receiving an Oscar nomination, Hepburn stepped away from film acting after Wait Until Dark's release and would not appear on film again until Robin and Marian in 1976.[17]
Accolades
[edit]Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|
Academy Awards | Best Actress | Audrey Hepburn | Nominated | [18] |
Golden Globe Awards | Best Actress in a Motion Picture – Drama | Nominated | [19] | |
Best Supporting Actor – Motion Picture | Efrem Zimbalist, Jr. | Nominated | ||
Laurel Awards | Top Drama | 5th Place | ||
Top Female Dramatic Performance | Audrey Hepburn | 3rd Place |
American Film Institute recognition
- 2001 – AFI's 100 Years... 100 Thrills – #55[20]
- 2003 – AFI's 100 Years...100 Heroes & Villains
- Harry Roat, Jr. - Nominated Villain[21]
See also
[edit]References
[edit]- ^ Hannan, Brian (2016). Coming Back to a Theater Near You: A History of Hollywood Reissues, 1914–2014. Jefferson, North Carolina: McFarland & Company. p. 178. ISBN 978-1-4766-2389-4.
- ^ "Wait Until Dark, Box Office Information". The Numbers. Retrieved March 8, 2012.
- ^ "Wait Until Dark". Turner Classic Movies. Retrieved March 3, 2016.
- ^ a b Crowther, Bosley (October 27, 1967). "The Screen:Audrey Hepburn Stars in 'Wait Until Dark'". The New York Times. ISSN 0362-4331. Retrieved May 16, 2022.
- ^ "'Wait Until Dark': Terence Young's Terrifyingly Effective Suspense Thriller with Brilliant Audrey Hepburn and Alan Arkin". Cinephilia & Beyond. June 3, 2017. Retrieved May 16, 2022.
- ^ a b "The 100 Scariest Movie Moments: 100 Scariest Moments in Movie History - Official Bravo TV Site". Bravo. Archived from the original on July 13, 2006.
- ^ Comerford, Jason. "Wait Until Dark". Howlin Wolf Records. Retrieved November 23, 2023.
- ^ "Wait Until Dark". Film Score Monthly. Retrieved November 23, 2023.
- ^ "Wait Until Dark". Film Score Monthly. Retrieved October 20, 2012.
- ^ "Viewer Guide: Wait Until Dark and Safety Not Guaranteed with Richard Peña". WNET. July 20, 2018. Retrieved November 23, 2023.
- ^ Stafford, Matthew (July 13, 2017). "Film: 'Wait Until Dark'". Sonoma Index-Tribune. Retrieved November 23, 2023.
- ^ "Big Rental Films of 1968". Variety. January 8, 1969. p. 15. Please note this figure is a rental accruing to distributors.
- ^ "The Return of the Helpless Girl". Time. November 3, 1967. Archived from the original on September 14, 2012. Retrieved September 4, 2010.
- ^ Ebert, Roger (February 26, 1968). "Wait Until Dark". Chicago Sun-Times. Retrieved September 4, 2010.
- ^ "Wait Until Dark (1967)". Rotten Tomatoes. Fandango. Retrieved April 19, 2024.
- ^ "Wait Until Dark Reviews". Metacritic. CBS Interactive. Retrieved September 10, 2019.
- ^ Johnson, Deborah L. (October 17, 2002). "Wait Until Dark". Turner Classic Movies. Retrieved November 23, 2023.
- ^ "The 40th Academy Awards (1968) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved November 23, 2023.
- ^ "Wait Until Dark". Golden Globe Awards. Retrieved November 23, 2023.
- ^ "AFI's 100 Years...100 Thrills". American Film Institute. Retrieved November 23, 2023.
- ^ "List of the 400 nominated screen characters" (PDF). American Film Institute. Retrieved November 23, 2023.
External links
[edit]- 1967 films
- 1960s American films
- 1960s English-language films
- 1960s psychological thriller films
- American films based on plays
- American psychological thriller films
- Films about blind people in the United States
- Films about the illegal drug trade
- Films directed by Terence Young
- Films scored by Henry Mancini
- Films set in apartment buildings
- Films set in Montreal
- Films set in New York City
- Films shot in Los Angeles County, California
- Films shot in Montreal
- Films shot in New York City
- Films about home invasion
- Warner Bros. films