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List of actors in Royal Shakespeare Company productions

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The following is a list of notable actors who have appeared in Royal Shakespeare Company productions and at Stratford.

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Y

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References

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  1. ^ "ArtsEmerson Presents Oscar Winner F. Murray Abraham In "The Merchant of Venice"". On Stage Boston. 1 March 2011. Retrieved 14 August 2019.
  2. ^ Robert Shaughnessy (13 May 2013). The Routledge Guide to William Shakespeare. Routledge. p. 152. ISBN 978-1-136-85504-7.
  3. ^ Selway, Mary (10 September 1991). "Migratory talent". The Guardian. p. 35 – via ProQuest.
  4. ^ Royal Shakespeare Company (12 October 1989). Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company. Cambridge University Press. p. 107. ISBN 978-0-521-38903-7.
  5. ^ Alycia Smith Howard (2006). Studio Shakespeare: The Royal Shakespeare Company at The Other Place. Ashgate Publishing, Ltd. p. 35. ISBN 978-0-7546-0786-1.
  6. ^ Bruce K. Hanson (10 August 2011). Peter Pan on Stage and Screen, 1904-2010, 2d ed. McFarland. p. 307. ISBN 978-0-7864-8619-9.
  7. ^ Robert Shaughnessy (13 May 2013). The Routledge Guide to William Shakespeare. Routledge. p. 152. ISBN 978-1-136-85504-7.
  8. ^ a b c d e f g h i j k l m n o p q r s t u v w x Martha W. Driver; Sid Ray (28 April 2009). Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings. McFarland. p. 177. ISBN 978-0-7864-3405-3.
  9. ^ Sarah Oliver (5 November 2012). An A-Z of JRR Tolkien's The Hobbit. John Blake Publishing. p. 1. ISBN 978-1-78219-090-5.
  10. ^ a b c Stanley Wells (2003). Shakespeare: For All Time. Oxford University Press. p. 10. ISBN 978-0-19-516093-2.
  11. ^ a b William Shakespeare (13 July 2012). As You Like It: A Broadview Internet Shakespeare Edition. Broadview Press. p. 34. ISBN 978-1-77048-347-7.
  12. ^ Nick Clark (31 October 2018). "Exclusive interview with Hayley Atwell: 'I'm proud of my self-doubt, it keeps me vulnerable and questioning'". The Stage. Retrieved 13 August 2019.
  13. ^ Ian Herbert (1981). Who's who in the Theatre: A Biographical Record of the Contemporary Stage. Gale Research Company. p. 30. ISBN 978-0-8103-0235-8.
  14. ^ a b c d e John Wyver (27 June 2019). Screening the Royal Shakespeare Company: A Critical History. Bloomsbury Publishing. pp. 294–. ISBN 978-1-350-00659-1.
  15. ^ a b c d Robert Shaughnessy (2018). As You Like it. Oxford University Press. p. 209. ISBN 978-0-7190-8693-9.
  16. ^ The Winter's Tale, Her Majesty's Theatre, Melbourne, VIC, 5 February 1970
  17. ^ a b c d Royal Shakespeare Company (28 July 1988). Players of Shakespeare 1: Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company. Cambridge University Press. p. 3. ISBN 978-0-521-36817-9.
  18. ^ Royal Shakespeare Company (8 December 2003). Players of Shakespeare 5. Cambridge University Press. p. 212. ISBN 978-0-521-81131-6.
  19. ^ Royal Shakespeare Company (12 October 1989). Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company. Cambridge University Press. p. 123. ISBN 978-0-521-38903-7.
  20. ^ a b c Peter Barnes (4 December 2013). Barnes Plays: 2: Red Noses, The Spirit of Man, Nobody Here But Us Chickens, Sunsets and Glories, Bye Bye Columbus. A&C Black. p. 4. ISBN 978-1-4081-7638-2.
  21. ^ Pascale Aebischer; Kathryn Prince (11 October 2012). Performing Early Modern Drama Today. Cambridge University Press. p. 199. ISBN 978-1-139-78853-3.
  22. ^ a b c d e f Royal Shakespeare Company (10 December 1998). Players of Shakespeare 4: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company. Cambridge University Press. pp. 6–15. ISBN 978-0-521-55420-6.
  23. ^ a b Alycia Smith Howard (2006). Studio Shakespeare: The Royal Shakespeare Company at The Other Place. Ashgate Publishing, Ltd. pp. 158–. ISBN 978-0-7546-0786-1.
  24. ^ a b c Michael D. Friedman (1 November 2015). Titus Andronicus. Manchester University Press. pp. 9–10. ISBN 978-1-5261-0190-7.
  25. ^ Jessica M. Maerz (11 May 2017). Metanarrative Functions of Film Genre in Kenneth Branagh's Shakespeare Films: Strange Bedfellows. Cambridge Scholars Publishing. p. 14. ISBN 978-1-4438-9338-1.
  26. ^ a b c d e f g Stanley Wells (28 November 2002). Shakespeare Survey. Cambridge University Press. p. 209. ISBN 978-0-521-52386-8.
  27. ^ a b William Shakespeare (11 August 2005). The Tragedy of King Lear. Cambridge University Press. p. 55. ISBN 978-0-521-84791-9.
  28. ^ a b c d e f g h Stanley Wells (2015). Great Shakespeare Actors: Burbage to Branagh. Oxford University Press. p. 13. ISBN 978-0-19-870329-7.
  29. ^ a b c "Associate artists". RSC. Retrieved 14 August 2019.
  30. ^ a b William Shakespeare (2000). The Merry Wives of Windsor: Third Series. Cengage Learning EMEA. p. 106. ISBN 1-904271-12-X.
  31. ^ William Shakespeare (2016). The New Oxford Shakespeare: The Complete Works. Oxford University Press. p. 3358. ISBN 978-0-19-959115-2.
  32. ^ a b Royal Shakespeare Company Magazine. Royal Shakespeare Company. 1997. p. 21.
  33. ^ Thomas Middleton; William Rowley (24 March 2014). The Changeling. A&C Black. p. 30. ISBN 978-1-4081-4454-1.
  34. ^ A Midsummer Night's Dream, Adelaide Festival Centre, Adelaide, SA, 1973
  35. ^ Royal Shakespeare Company Magazine. Royal Shakespeare Company. 1997. p. 3.
  36. ^ a b Miguel de Cervantes (1 August 2016). Pedro, the Great Pretender. Oberon Books. p. 7. ISBN 978-1-78319-244-1.
  37. ^ a b c d e f g Kenneth Muir (28 November 2002). Shakespeare Survey. Cambridge University Press. p. 8. ISBN 978-0-521-52370-7.
  38. ^ a b c d Roger Apfelbaum (2004). Shakespeare's Troilus and Cressida: Textual Problems and Performance Solutions. University of Delaware Press. p. 260. ISBN 978-0-87413-813-9.
  39. ^ a b New York Media, LLC (8 September 1986). New York Magazine. New York Media, LLC. p. 72.
  40. ^ Theatre Record. I. Herbert. 2004. p. 219.
  41. ^ Royal Shakespeare Company (1981). Royal Shakespeare Company: A Complete Record of the Year's Work. RSC Publications. p. 107. ISBN 978-0-9505057-2-5.
  42. ^ a b c d e Andrew James Hartley (2 April 2014). Julius Caesar. Oxford University Press. p. 246. ISBN 978-0-7190-7919-1.
  43. ^ a b c Jan Macdonald (3 March 1986). New Drama, 1900-14: Harley Granville Barker, John Galsworthy, St-John Hankin, John Masefield. Macmillan International Higher Education. p. 6. ISBN 978-1-349-18132-2.
  44. ^ a b c d Peter Nichols (8 May 2014). Nichols Plays: 2: Chez Nous; Privates on Parade; Born in the Gardens; Passion Play; Poppy. A&C Black. p. 93. ISBN 978-1-4081-6193-7.
  45. ^ Katharine Goodland (2010). A Directory of Shakespeare in Performance 1970-1990: Canada and USA. Volume 2. Springer. p. 938. ISBN 978-1-349-60041-0.
  46. ^ Ann Lloyd; Graham Fuller; Arnold Desser (1 January 1983). The Illustrated Who's Who of the Cinema. Orbis Publishing. p. 105. ISBN 978-0-85613-521-7.
  47. ^ a b c Lois Potter (7 September 2002). Othello. Manchester University Press. p. 220. ISBN 978-0-7190-2726-0.
  48. ^ a b c "A Midsummer Night's Dream (1999)". BBC. Retrieved 13 August 2019.
  49. ^ Theatre Record. I. Herbert. 2001. p. 259.
  50. ^ a b Stanley Wells (28 November 2002). Shakespeare Survey. Cambridge University Press. p. 183. ISBN 978-0-521-52379-0.
  51. ^ a b c Ian Herbert; Christine Baxter; Robert E. Finley (1981). Who's who in the Theatre. Pitman. p. 64. ISBN 9780810302365.
  52. ^ a b c d e Emily C. Bartels; Emma Smith (11 July 2013). Christopher Marlowe in Context. Cambridge University Press. pp. 24–26. ISBN 978-1-107-01625-5.
  53. ^ Ian Herbert; Christine Baxter; Robert E. Finley (1981). Who's who in the Theatre. Pitman. p. 111. ISBN 9780810302365.
  54. ^ Garry Jenkins (1994). Daniel Day-Lewis: The Fire Within. Sidgwick & Jackson. p. 119. ISBN 978-0-283-06238-4.
  55. ^ a b c "The Provoked Wife and Venice Preserved Casting Announced". RSC. Retrieved 13 August 2019.
  56. ^ a b Keith Parsons; Pamela Mason (1 October 1995). Shakespeare in performance. Salamander. p. 187. ISBN 978-0-517-14091-8.
  57. ^ a b Stewart R Craggs (8 May 2018). Lennox Berkeley: A Source Book: A Source Book. Taylor & Francis. p. 102. ISBN 978-1-351-78153-4.
  58. ^ a b c d e f g Martha W. Driver; Sid Ray (10 January 2014). Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings. McFarland. p. 191. ISBN 978-0-7864-9165-0.
  59. ^ a b c d e Stanley Wells (28 November 2002). Shakespeare Survey. Cambridge University Press. p. 10. ISBN 978-0-521-52379-0.
  60. ^ Pascale Aebischer; Kathryn Prince (11 October 2012). Performing Early Modern Drama Today. Cambridge University Press. p. 200. ISBN 978-1-139-78853-3.
  61. ^ William B. Toole (1 January 1966). Shakespeare's Problem Plays: Studies in Form and Meaning. Macmillan International Higher Education. p. 81. ISBN 978-0-230-62826-7.
  62. ^ a b c "Past Productions: Macbeth". Retrieved 14 August 2019.
  63. ^ a b Philip C. Kolin (1998). Tennessee Williams: A Guide to Research and Performance. Greenwood Publishing Group. p. 104. ISBN 978-0-313-30306-7.
  64. ^ Theatre Record. I. Herbert. 2001. p. 260.
  65. ^ Steven Adler (2001). Rough Magic: Making Theatre at the Royal Shakespeare Company. SIU Press. p. 219. ISBN 978-0-8093-2377-7.
  66. ^ Colin Chambers (24 February 2004). Inside the Royal Shakespeare Company: Creativity and the Institution. Routledge. p. 41. ISBN 978-1-134-61631-2.
  67. ^ Peter Holland (2008). Shakespeare, Sound and Screen. Cambridge University Press. p. 356. ISBN 978-0-521-80888-0.
  68. ^ Ada Ferrar in Andrea (1888) - Royal Shakespeare Company database
  69. ^ a b c Stanley Wells (28 November 2002). Shakespeare Survey. Cambridge University Press. p. 152. ISBN 978-0-521-52384-4.
  70. ^ a b c Royal Shakespeare Company (1981). Royal Shakespeare Company: A Complete Record of the Year's Work. RSC Publications. pp. 49–54. ISBN 978-0-9505057-2-5.
  71. ^ Nick Dear (13 November 2014). Nick Dear Plays 1: Art of Success; In the Ruins; Zenobia; Turn of the Screw. Faber & Faber. p. 118. ISBN 978-0-571-31843-8.
  72. ^ Robert Shaughnessy (13 May 2013). The Routledge Guide to William Shakespeare. Routledge. p. 127. ISBN 978-1-136-85503-0.
  73. ^ Royal Shakespeare Company (1981). Royal Shakespeare Company: A Complete Record of the Year's Work. RSC Publications. p. 103. ISBN 978-0-9505057-2-5.
  74. ^ Twelfth Night, Her Majesty's Theatre, Adelaide, SA, 16 March 1970
  75. ^ Keith Osborn (27 June 2012). Something Written in the State of Denmark: An Actor's Year with the Royal Shakespeare Company: An Actor's Year with the Royal Shakespeare Company. Oberon Books. p. 68. ISBN 978-1-84943-281-8.
  76. ^ John Russell Brown; Kevin Ewert (2012). The Routledge Companion to Actors' Shakespeare. Routledge. p. 74. ISBN 978-0-415-48302-5.
  77. ^ a b c Theatre Record. I. Herbert. 2007. p. 641.
  78. ^ a b Theatre Record. I. Herbert. 1999. p. 10.
  79. ^ a b c Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production. Cambridge University Press. 2005. p. 335. ISBN 978-0-521-85074-2.
  80. ^ RSC Magazine. Royal Shakespeare Company. 1995. p. 63.
  81. ^ "Past Productions: Taming of the Shrew". Retrieved 14 August 2019.
  82. ^ Miranda Seymour (29 August 2013). Noble Endeavours: The life of two countries, England and Germany, in many stories. Simon and Schuster. p. 2. ISBN 978-1-84737-826-2.
  83. ^ a b c d e Pascale Aebischer; Kathryn Prince (11 October 2012). Performing Early Modern Drama Today. Cambridge University Press. p. 186. ISBN 978-1-139-78853-3.
  84. ^ a b c d "Past Productions: Richard III". Retrieved 14 August 2019.
  85. ^ Susanna Rustin (11 February 2017). "Tamsin Greig as Malvolia is good for equality, and for raising standards in our theatre". The Guardian. Retrieved 14 August 2019.
  86. ^ a b c d e Barbara Hodgdon (14 July 2014). The End Crowns All: Closure and Contradiction in Shakespeare's History. Princeton University Press. p. 12. ISBN 978-1-4008-6176-7.
  87. ^ a b William Shakespeare (5 September 2008). A Midsummer Night's Dream. Macmillan International Higher Education. p. 174. ISBN 978-1-137-00414-7.
  88. ^ Spotlight - Issue 130, Part 1 - Page 372
  89. ^ Twelfth Night, Theatre Royal (1875-1972), Sydney, NSW, 30 March 1970
  90. ^ The Doctor Who Cuttings Archive
  91. ^ The Winter's Tale, Her Majesty's Theatre, Adelaide, SA, 9 March 1970
  92. ^ Sally Williams (2 July 2017). "Jane Horrocks: 'I've gained confidence in myself since turning 50'". The Telegraph. Retrieved 14 August 2019.
  93. ^ a b C. S. Smith (13 October 2014). The New York Times Theater Reviews 1997-1998. Routledge. p. 305. ISBN 978-1-136-75034-2.
  94. ^ Alexander Leggatt (2 September 2003). Shakespeare's Political Drama: The History Plays and the Roman Plays. Routledge. p. 254. ISBN 978-1-134-95603-6.
  95. ^ Sheridan Morley (1974). Theatre. Hutchinson. ISBN 978-0-09-122290-1.
  96. ^ Matric Writing Coach: Homepage
  97. ^ a b c William Shakespeare (19 February 2004). Twelfth Night Or What You Will. Cambridge University Press. p. 9. ISBN 978-0-521-53514-4.
  98. ^ Carol Chillington Rutter (13 November 2007). Shakespeare and Child's Play: Performing Lost Boys on Stage and Screen. Routledge. p. 128. ISBN 978-1-134-21668-0.
  99. ^ The Times, 26 November 2015, page 72
  100. ^ Martha W. Driver; Sid Ray (10 January 2014). Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings. McFarland. p. 191. ISBN 978-0-7864-9165-0.
  101. ^ a b c d Stanley Wells (16 October 2003). Shakespeare Survey. Cambridge University Press. p. 12. ISBN 978-0-521-54184-8.
  102. ^ Paterson Joseph (5 April 2018). Julius Caesar and Me: Exploring Shakespeare's African Play. Bloomsbury Publishing. ISBN 978-1-350-01120-5.
  103. ^ "Alexis Kanner". The Independent. 26 December 2003. Retrieved 13 August 2019.
  104. ^ William Shakespeare (1 February 2009). The Oxford Shakespeare: Julius Caesar. Oxford University Press, USA. p. 69. ISBN 978-0-19-953612-2.
  105. ^ Jeffrey Masten; Wendy Wall (12 July 2005). Renaissance Drama 33. Northwestern University Press. p. 142. ISBN 978-0-8101-2199-7.
  106. ^ Royal Shakespeare Company (28 July 1988). Players of Shakespeare 1: Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company. Cambridge University Press. p. 164. ISBN 978-0-521-36817-9.
  107. ^ Tristram Fane Saunders (10 May 2016). "Jude Law returns to the Barbican for production of 1943 film Obsession". The Telegraph. Retrieved 13 August 2019.
  108. ^ a b Unhae Park Langis (26 May 2011). Passion, Prudence, and Virtue in Shakespearean Drama. A&C Black. p. 50. ISBN 978-1-4411-8745-1.
  109. ^ Kathy Henderson (1985). First stage: profiles of the new American actors. Quill New York. p. 77. ISBN 978-0-688-04700-9.
  110. ^ a b c Herbert R. Coursen (1995). Reading Shakespeare on Stage. University of Delaware Press. pp. 272–3. ISBN 978-0-87413-538-1.
  111. ^ Encyclopaedia Britannica, Inc. (1 March 2011). Britannica Book of the Year 2011. Encyclopaedia Britannica, Inc. p. 96. ISBN 978-1-61535-500-6.
  112. ^ Robert Shaughnessy (13 May 2013). The Routledge Guide to William Shakespeare. Routledge. p. 152. ISBN 978-1-136-85504-7.
  113. ^ Linda S. Hubbard; Sara Steen; Owen O'Donnell (15 September 1989). Contemporary Theatre, Film and Television. Gale. p. 242. ISBN 978-0-8103-2070-3.
  114. ^ Robert Shaughnessy (2018). As You Like it. Oxford University Press. p. 8. ISBN 978-0-7190-8693-9.
  115. ^ Terry Stoller (15 August 2013). Tales of the Tricycle Theatre. A&C Black. p. 71. ISBN 978-1-4081-8380-9.
  116. ^ a b Nick Asbury (22 June 2009). Exit Pursued by a Badger: An Actor's Journey through History with Shakespeare: An Actor's Journey Through History with Shakespeare. Oberon Books. p. 143. ISBN 978-1-84943-683-0.
  117. ^ a b c d "Royal Shakespeare Company members". BBC. Retrieved 14 August 2019.
  118. ^ "From soccer to stage", Sunday Mercury, 12 May 1974 (pg.16)
  119. ^ Stanley Wells (28 November 2002). Shakespeare Survey. Cambridge University Press. p. 9. ISBN 978-0-521-52382-0.
  120. ^ Louise Jury (24 July 2002). "Leo McKern, the actor who made Rumpole a lawyer we could love, dies at 82". The Independent. Retrieved 13 August 2019.
  121. ^ Richard III, The State Theatre, Melbourne, VIC, 21 May 1986
  122. ^ Twelfth Night, Her Majesty's Theatre, Melbourne, VIC, 16 February 1970
  123. ^ Playbills|url=https://www.playbill.com/person/niall-padden-vault-0000049584
  124. ^ Ian Herbert; Christine Baxter; Robert E. Finley (1981). Who's Who in the Theatre: Playbills. Gale Research Company. p. 1. ISBN 978-0-8103-0236-5.
  125. ^ Mary Hammond (3 March 2016). Charles Dickens's Great Expectations: A Cultural Life, 1860–2012. Routledge. p. 219. ISBN 978-1-317-16825-6.
  126. ^ Royal Shakespeare Company Magazine. Royal Shakespeare Company. 1990. p. 24.
  127. ^ Playbill. Playbill, Incorporated. December 1974.
  128. ^ a b Eric Johns (1973). Theatre Review. W. H. Allen Co. p. 146. ISBN 9780491012317.
  129. ^ Sarah Hatchuel; Nathalie Vienne-Guerrin (2009). Shakespeare on Screen: The Roman Plays. Publication Univ Rouen Havre. p. 232. ISBN 978-2-87775-842-0.
  130. ^ Catherine M. S. Alexander; Stanley Wells; Professor of Shakespeare Studies and Director of the Shakespeare Institute Stanley Wells; Alexander Catherine M. S. (21 December 2000). Shakespeare and Race. Cambridge University Press. p. 11. ISBN 978-0-521-77938-8.
  131. ^ Thomas Middleton; William Rowley (24 March 2014). The Changeling. A&C Black. p. 30. ISBN 978-1-4081-4454-1.
  132. ^ John Russell Brown; Kevin Ewert (2012). The Routledge Companion to Actors' Shakespeare. Routledge. p. 187. ISBN 978-0-415-48302-5.
  133. ^ E. Nesbit; William Shakespeare (16 October 1997). The Best of Shakespeare:Retellings of 10 Classic Plays. Oxford University Press, USA. p. 109. ISBN 978-0-19-513213-7.
  134. ^ Alycia Smith Howard (2006). Studio Shakespeare: The Royal Shakespeare Company at The Other Place. Ashgate Publishing, Ltd. p. 19. ISBN 978-0-7546-0786-1.
  135. ^ Mary Zenet Maher (1992). Modern Hamlets and Their Soliloquies. University of Iowa Press. pp. 135. ISBN 978-1-58729-136-4.
  136. ^ Steven, Alasdair (2011-04-19). "Jon Cedar, actor, dies at 80". The Scotsman. Retrieved 2011-05-03.
  137. ^ Carole Zucker (1999). In the Company of Actors: Reflections on the Craft of Acting. Psychology Press. pp. 152–3. ISBN 978-0-415-92545-7.
  138. ^ James Wyllie (8 January 2019). "Obituary: Prominent sci-fi actor William Morgan Sheppard". The Press and Journal. Retrieved 14 August 2019.
  139. ^ Lionel Carson (1969). The Stage Year Book. Stage Offices. p. 219.
  140. ^ A Midsummer Night's Dream, Her Majesty's Theatre, Melbourne, VIC, 1973
  141. ^ Russell Hoban; Tamsin Oglesby (15 November 2012). The Mouse and His Child. Oberon Books. p. 7. ISBN 978-1-84943-716-5.
  142. ^ Tim Masters (27 January 2015). "Critics' Circle honours Mark Strong's stage return". BBC. Retrieved 13 August 2019.
  143. ^ Royal Shakespeare Company (1981). Royal Shakespeare Company: A Complete Record of the Year's Work. RSC Publications. p. 79. ISBN 978-0-9505057-2-5.
  144. ^ James Baldock (12 May 2018). "The very best Catherine Tate characters to celebrate her 50th birthday". Metro. Retrieved 13 August 2019.
  145. ^ WTIU. WTIU. 1998. p. 52.
  146. ^ Anthony Slide (1996). Some Joe You Don't Know: An American Biographical Guide to 100 British Television Personalities. Greenwood Publishing Group. p. 236. ISBN 978-0-313-29550-8.
  147. ^ Sally Ledger; Holly Furneaux (2 June 2011). Charles Dickens in Context. Cambridge University Press. p. 61. ISBN 978-0-521-88700-7.
  148. ^ Royal Shakespeare Company (8 December 2003). Players of Shakespeare 5. Cambridge University Press. p. 212. ISBN 978-0-521-81131-6.
  149. ^ Katharine Goodland (2010). A Directory of Shakespeare in Performance 1970-1990: Canada and USA. Volume 2. Springer. p. 3. ISBN 978-1-349-60041-0.
  150. ^ Harris M. Lentz III (20 May 2008). Obituaries in the Performing Arts, 2007: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture. McFarland. p. 399. ISBN 978-0-7864-3481-7.
  151. ^ a b Colin Chambers (24 February 2004). Inside the Royal Shakespeare Company: Creativity and the Institution. Routledge. p. 45. ISBN 978-1-134-61631-2.
  152. ^ "Ruby Wax to be awarded OBE for mental health work". BBC. 27 April 2015. Retrieved 13 August 2019.
  153. ^ Colin Chambers (24 February 2004). Inside the Royal Shakespeare Company: Creativity and the Institution. Routledge. p. 176. ISBN 978-1-134-61631-2.
  154. ^ Theatre World Annual (London): A Pictorial Review of West End Productions with a Record of Plays and Players. Rockliff. 1965. p. 69.
  155. ^ Vicki Ann Cremona; Peter Eversmann; Hans van Maanen (2004). Theatrical Events: Borders, Dynamics, Frames. Rodopi. p. 184. ISBN 90-420-1068-1.
  156. ^ Theatre Record. I. Herbert. 2007. p. 958.
  157. ^ William Demastes (22 November 2012). The Cambridge Introduction to Tom Stoppard. Cambridge University Press. p. 7. ISBN 978-1-107-02195-2.
  158. ^ Bernice W. Kliman (8 April 2004). Macbeth: Second Edition. Manchester University Press. p. 89. ISBN 978-0-7190-6229-2.
  159. ^ Jackson, Russell (1997). "Shakespeare in Stratford-upon-Avon: The Royal Shakespeare Company's". Shakespeare Quarterly. 48 (2). [Folger Shakespeare Library, The Shakespeare Association of America, Inc., Johns Hopkins University Press, George Washington University]: 208–215. ISSN 0037-3222. JSTOR 2871280. Retrieved 2024-04-28.
  160. ^ "EARLY END FOR MASS AS TOUR CLOSES", The Stage, 25 May 1989 (pg.1)
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