|Studio album by Fripp & Eno|
|Recorded||8 September 1972 & 4–5 August 1973|
|Producer||Robert Fripp, Brian Eno|
|Fripp & Eno chronology|
|Robert Fripp chronology|
|Brian Eno chronology|
An audio sample from "Swastika Girls"
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(No Pussyfooting) is a 1973 ambient music album by the British musicians Robert Fripp and Brian Eno. (No Pussyfooting) was the first of three major collaborations between the musicians, growing out of Eno's early tape recording loop experiments and Fripp's electric guitar playing.
(No Pussyfooting) was recorded in three days over the course of a year. Its release was close to that of Eno's own debut solo album Here Come the Warm Jets (1974), and it constitutes one of his early experiments in ambient music.
Brian Eno invited Robert Fripp to his London home studio in September 1972. Eno had developed a tape system using two tape recorders set up so when a sound was played, it would be heard at a lower volume level seconds later, and seconds later again at an even lower level. With this method, new sounds could be laid upon each other without overwriting them. Fripp played further material over the top with Eno selectively enabling or disabling the recording. This allowed Eno to remove portions of the loop, or add further new layers on top of the existing material. The result is a dense, multi-layered piece of ambient music. This technique later came to be known as "Frippertronics".
(No Pussyfooting) 's first track, which fills one side, is a near 21-minute piece titled "The Heavenly Music Corporation". Fripp originally wanted the track titled "The Transcendental Music Corporation", which Eno didn't allow as he feared it would make people "think they were serious". Recorded in two takes – first the background looping track, then adding an extended guitar solo over the backing track – the track features the sole sound source as Fripp's electric guitar, played through a tape loop system devised by Eno determining the amount of the time in which each piece of audio would be layered.
The second track "Swastika Girls", which fills the other side, was recorded almost a year after "The Heavenly Music Corporation" in August 1973 at Command Studios in London. The track employed the same technique as "The Heavenly Music Corporation". Fripp and Eno took the tapes of "Swastika Girls" to British record producer George Martin's Air Studios at Oxford Circus to continue mixing and assembling the track there. The track's title refers to an image, of nude women performing a nazi salute, that was ripped from a discarded pornographic film magazine found by Eno at Air studios. Eno stuck the image on the recording console while recording the track with Fripp and it became the title of the track.
Release and reception
(No Pussyfooting) was released in November 1973 and failed to chart on either the American or British charts. It was met with negative reaction from the record label itself, Island Records, who were actively opposed to it. The album was released in the same year as Eno's more rock-based solo album Here Come the Warm Jets. Eno was attempting to launch a solo career, having just left Roxy Music, and his management bemoaned the confusion caused by the release of two albums with such different styles. Robert Fripp's bandmates in King Crimson also disliked the album. The mainstream rock press also did not pay the album much attention compared to Fripp's work with King Crimson and to Eno's solo album. In the UK, the album was released at a large discount compared to normal album prices and was regarded as something of a musical novelty. In 1975, Robert Christgau the music critic for The Village Voice gave the album a B+ rating calling the album "the most enjoyable pop electronics since Terry Riley's A Rainbow in Curved Air" and that it was "...more visionary and more romantic than James Taylor could dream of being."
In 1982 the album was re-released on vinyl, and in 1987 on compact disc by EG Records. Modern reception has been mostly positive. Ted Mills of the music database Allmusic gave the album four and a half stars out of five, praising the track "Heavenly Music Corporation," noting "the beauty" of their tape deck setup, yet giving a negative view of "Swastika Girls" suggesting that the loop system was abused with "too many disconnected sounds sharing the space, some discordant, some melodic... the resulting work lacks form and structure". Eric Tamm, the author of the Eno biography Brian Eno: His Music and the Vertical Color of Sound (1995) reacted similarly to Mills, stating that "The Heavenly Music Corporation" "anticipated Eno's own ambient style." About "Swastika Girls" Tamm said, "if it is less successful than the earlier piece, it is because of the much greater overall saturation of the acoustical space. There seems to be a perceptual rule that possibilities for appreciation of timbral subtleties decrease in proportion to the rate of actual notes being played. 'Swastika Girls' shows that Eno and Fripp had not yet understood the full weight of this principle".
In modern reviews of Fripp & Eno's album The Equatorial Stars (2004), (No Pussyfooting) has been seen in a positive light. Peter Marsh for the BBC's experimental music review referred to the album as "now one of those albums that's spoken about in hushed, reverential tones as a proto-ambient classic". Dominique Leone of the music webzine Pitchfork Media noted that "to [Fripp's] and Eno's credit, it didn't really sound like anything that had come before it".
|1.||"The Heavenly Music Corporation"||20:55|
Remastered edition (2008)
The double CD remastered edition adds variations to the track list:
|3.||"The Heavenly Music Corporation (reversed)"||20:52|
|4.||"The Heavenly Music Corporation (half speed)"||41:49|
|5.||"Swastika Girls (reversed)"||18:54|
- Brian Eno – synthesizer, keyboards, treatments, VCS 3 synthesizer
- Robert Fripp – electric and acoustic guitars
- Technical personnel
- Tony Arnold – remastering
- Arun Chakraverty – engineer, mastering
- Willie Christie – design, photography, cover design, cover art
- Brian Eno – producer
- Robert Fripp – producer, remastering
- Ray Hendriksen – engineer
|United Kingdom||November 1973||Island Records||LP||HELP 16|
|United States||Antilles Records||7001|
|United Kingdom||23 February 1987||EG Records||CD||EGCD 2|
|United States||31 August 1990|
|United Kingdom||29 September 2008||Discipline Global Mobile||2CD||DGM5007|
- Mills, Ted. "allmusic ((( No Pussyfooting > Review )))". Allmusic. Retrieved 8 June 2008.
- Tamm, 1995. pp.151
- Tamm, 1995. pp.152
- "Fripp and Eno No Pussyfooting Around". Hit Parader. Retrieved 8 June 2008.
- Tamm, 1995. pg.154
- "Robert Fripp's Diary for Tuesday, 25 September 2007". Robert Fripp. Retrieved 8 June 2008.
- Pitchfork: Album Reviews: Fripp & Eno: No Pussyfooting / Evening Star
- Robert Christgau: CG: Artist 1904
- Scaruffi, Piero (1999). "King Crimson". pieroscaruffi.com. Retrieved 16 August 2013.
- Weisbard & Marks, 1995. p.129
- Marsh, Peter (5 July 2004). "BBC – Experimental Review – Fripp & Eno, The Equatorial Stars". BBC. Retrieved 8 June 2008.
- Tamm, 1995. pp.156
- Sheppard, David, On Some Faraway Beach: The Life and Times of Brian Eno, Orion (1 May 2008) ISBN 978-0-7528-7570-5
- Christgau, Robert. "Brian Eno/David Byrne [extended]". Village Voice. Retrieved 8 June 2008.
- Leone, Domonique (6 August 2004). "Fripp & Eno: The Equatorial Stars: Pitchfork Record Review". Pitchfork Media. Archived from the original on 27 May 2008. Retrieved 8 June 2008.
- Booth , Gene. "No Pussyfooting". Amazon.co.uk. Retrieved 5 August 2008.
- Booth , Gene. "Amazon.com: No Pussyfooting". Amazon.com. Retrieved 5 August 2008.
- Tamm, Eric (1995). Brian Eno: His Music and the Vertical Color of Sound. Da Capo Press. ISBN 0-306-80649-5.
- Weisbard, Eric; Craig Marks (1995). Spin Alternative Record Guide. Vintage Books. ISBN 0-679-75574-8.