Appeal to the Great Spirit
|Artist||Cyrus Edwin Dallin|
|Dimensions||290 cm × 250 cm × 300 cm (114 in × 100 in × 120 in)|
|Location||Boston, United States|
|Owner||Boston Museum of Fine Arts|
Appeal to the Great Spirit is a 1909 equestrian statue by Cyrus Dallin, at the Museum of Fine Arts, Boston. It was the last in his four-piece series, The Epic of the Indian. A statuette of it is in the permanent collection of the White House, and decorated President Bill Clinton's Oval Office.
Dallin, a native of Utah, had a large amount of interaction with Native American children while growing up. This provided him with unique insights that he was to call upon while creating this, and other, works.
In 1909, the sculpture was cast in Paris, and won a gold medal for its exhibition in the Paris Salon and was later installed outside the main entrance to the Boston Museum of Fine Arts. A restoration of the Boston version was reversed at Dallin's request because he preferred the light green tones that had developed on the equestrian sculpture over time rather than the typical "statuary brown" patina the conservator applied prior to consulting him.
An edition of nine 40-inch bronzes of the statue was produced about 1922. One example stands as the centerpiece of the Tower Room of Dartmouth College's Baker Tower, the college's main library and most iconic building. Another is in Muncie, Indiana, in the "Y" of the intersection of Walnut and Granville streets (, and is considered by many residents to be a symbol of Muncie. ) A plaster example in this size is at the Cyrus Dallin Museum in Arlington, Massachusetts, and another is in the Rockwell Museum of Western Art in Corning, New York. Central High School in Tulsa, Oklahoma possesses another plaster example, which was used, in 1985, as the model for a bronze version. The casting was done by American Artbronze Fine Arts Foundry under the direction of Howard R. Kirsch. The bronze is now installed in Woodward Park in Tulsa, Oklahoma, at the intersection of 21st Street and Peoria.().
Examples of the 21-inch bronze statuette are at the White House, the U.S. Department of State, and many American museums.
In popular culture
- The sculpture is used as the logo for the Beach Boys’ vanity record label Brother Records. It was first seen on their 1967 album Smiley Smile. When Beach Boy Carl Wilson was asked in 1975 why the group used this as their logo, he said the Indian was chosen because Carl’s grandfather believed that there was a spiritual Indian "guide" who watched over Brian, Dennis, and Carl from the "other side." The choice of the logo was Brian's. Carl called the logo "The Last Horizon."
- A painting of the sculpture appears on the cover of the album Lysol (1992) by rock group The Melvins.
- A painting of the sculpture appears on the cover of the album The Time Is Near (1970) by rock group Keef Hartley Band.
- In the vinyl release of Directions to See a Ghost by the American rock band The Black Angels, the poster inside features a skeleton form of this sculpture with a psychedelic background.
- A painting of the sculpture appears on the cover of the album Spirit of God (1984) by the Native American Gospel recording artist Johnny P. Curtis.
- Craven, Wayne (1968). Sculpture in America. New York: Thomas Y. Crowell Company. p. 530-531. Retrieved 2013-07-13.
- "Appeal to the Great Spirit". Boston Art Commission. Retrieved 2013-07-22.
- "Cyrus Edwin Dallin, American, 1861-1944". Hood Museum of Art. 29 April 2009. Retrieved 2013-07-22.Dartmouth was founded as an institution to educate the Native Americans of New England, and it recalls that heritage through art such as Dallin's Appeal to the Great Spirit.
- "Appeal to the Great Spirit". City of Muncie. Retrieved 2013-07-22.
- "Appeal to the Great Spirit". Rockwell Museum of Western Art. Retrieved 2013-07-22.
- "Appeal to the Great Spirit, (sculpture)". Smithsonian Institution Research Information System(SIRIS). 1996. Retrieved 2013-07-22.
- "Cyrus Edwin Dallin (1861-1944): Appeal to the Great Spirit". Christie's. 5 March 2009. Retrieved 2013-07-22.
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