Ceili dances, or true ceili dances (fíor céili) are a popular form of folk dancing in Ireland. For the events at which Ceili dances are performed, see Céilidh. Ceili dances are based on heys ("hedges" - pairs of lines facing), round dances, long dances and quadrilles, generally revived during the Gaelic revival in the first quarter of the twentieth century  and codified by the Irish Dancing Commission . These thirty dances form the basis for examination of ceili dance teachers.
Dance Form and Style
The style of dance employed for ceili dance differs greatly from that used for set dance, and has more the appearance associated with the style of step dance. In particular, it emphasizes height and extension, with dancers generally dancing on their toes (but not "en pointe" as in ballet). A movement called "side-step" or "sevens and threes" with which dancers travel sideways to the direction they are facing is common, as are jig-step movements called the "rising step" or "grinding step". Ceili dances may be divided into figures, but a single type of tune is generally used for all the figures and the dancing does not pause between the figures.
Social Ceili Dances
Ceili dances when performed socially are often performed in a progressive style. At the end of one whole iteration of the dance (lead around and body), instead of stopping, the groups move on to the next set of partners in the line. Ceili dances that can be performed progressively are: Walls of Limerick, Siege of Ennis, Haymaker's Jig, Fairy Reel. When there is a large social gathering, there will often be a caller for the dance, though it is a very different style from square dancing caller. A ceili caller is usually the teacher or most experienced dancer of the group who has the dance memorized. They then call the movements out in a non-stylized way, intended to remind those who are non-dancers when and where to move. Social ceili dances are often the easiest dances and very easy to shuffle through as a non-dancer. A caller makes sure that everyone at a social dance can participate. Embellishments are accepted and fun in social ceili dances, women adding spins or changing the style of a swing based on the skill of a partner.
Diagram of movement in progressive ceili dance: "The Walls of Limerick"
|First position||Progressed position||Next progressed position|
|Couple 1||Couple 2|
|Couple 2||Couple 1||Couple 4|
|Couple 3||Couple 1|
|Couple 4||Couple 3||Couple 6|
|Couple 5||Couple 3|
|Couple 6||Couple 5||Couple 5|
Competitive Ceili Dance
At festival, there are also ceili dance competitions. Typically competitions are 8-hand dances, though any "book" ceili dance may be used. Ceili dances are judged by not only their skill at performing the movements, but adherence to the listed book description of the dance and uniformity of movement of all members of the team. Embellishments of ceili dances are strictly forbidden in competition. A competition dance consists of the lead around, body and one figure (performed by the first top couple). Ceili competitions are part of all step-dancing competitions as well, with many dancers performing in both. Some dancers who may not have the skill for solo step-dancing excel at the conformity and precision needed for ceili competitions.
- The Flowing Tide: More Irish Set Dancing Pat Murphy, Mercier Press, 2000, p. 16
- The Story of Irish Dance, Helen Brennan, Mount Eagle Publications, Dingle, Co. Kerry, Ireland, 1999, pp. 29-43
- Ár Rincí Fóirne-Thirty Popular Figure Dances, An Coimisiún le Rincí Gaelacha, Wellbrook Press, 1939-2003
- Folk Music and Dances of Ireland, Brendan Breathnach, Ossian Publications, 1996, p. 43
- Cullinane, John (1998). Aspects of the History of Irish Céilí Dancing. Clontarf, Dublin: The Central Remedial Clinic. ISBN 0-9527952-2-1.
- A Handbook of Irish Dances, 1. Edition (1902) O'Keeffe & O'Brien