Kim Fowley

Kim Fowley

Kim Vincent Fowley (born July 21, 1939) is an American record producer, impresario, songwriter, musician, film maker, and radio actor. He is best known for his role behind a string of novelty and cult rock pop singles in the 1960s, and for managing The Runaways in the 1970s. He has been described as "one of the most colorful characters in the annals of rock & roll" and as "a shadowy cult figure well outside the margins of the mainstream."

Life and career

Fowley is the son of the character actor Douglas Fowley and model Timara Pace. Various locations have been cited as his birthplace, including Red Bank, New Jersey and Manila, Philippines. He was, in reality born in Los Angeles, California where he attended University High School at the same time as singers Jan Berry, Dean Torrence, Nancy Sinatra and Bruce Johnston, and actors Ryan O'Neal, James Brolin and Sandra Dee. In 1957 he was hospitalized with polio, but on his release became manager and publicist for a local band, The Sleepwalkers, who included Johnston, drummer Sandy Nelson, and, occasionally, Phil Spector. He spent some time in the armed forces, and by his own account also worked in the sex industry in Los Angeles in the late 1950s. In 1959 he began working in the music industry in various capacities for both Alan Freed and Berry Gordy. His first record as producer was "Charge" by The Renegades, a group comprising Johnston, Nelson, Nik Venet and Richard Podolor. He also promoted records for Skip & Flip - Clyde Battin and Gary Paxton - including the # 11 hit "Cherry Pie".

During the early 1960s Fowley was involved, as Co-Producer/Co-Publisher, with a string of successful records produced in Los Angeles. With Gary Paxton, he recorded the novelty song "Alley Oop", which reached # 1 on the charts in 1960, credited to the non-existent group The Hollywood Argyles. In 1961 he co-produced the instrumental "Like, Long Hair", arranged by Paxton, which became a # 38 hit for Paul Revere and the Raiders. He also wrote "Nut Rocker", for B. Bumble and the Stingers, which became a # 1 hit in the UK in 1962; and talent scouted "Papa-Oom-Mow-Mow", a # 48 hit for The Rivingtons. The following year, he produced "Popsicles and Icicles" by The Murmaids, which reached # 3 in the charts in 1963 and which was written by a pre-Bread David Gates, then a session musician and songwriter who had met Fowley while Kim was hitchhiking in Los Angeles.

During the mid-1960s Fowley publicized/consulted singer P.J. Proby and relocated for a time to London, England. Fowley wrote the lyrics for the song "Portobello Road", the B-side of Cat Stevens' first single, "I Love My Dog". He also produced an early incarnation of Slade known as the N'Betweens; Soft Machine (he produced their first single); and the Lancasters, an instrumental rock group featuring a young Ritchie Blackmore.

Fowley also worked on occasion as a recording artist in the 1960s, issuing albums such as Love Is Alive and Well. In 1965, he wrote and produced a song about the psychedelic experience, "The Trip". He appeared on hypephone on Frank Zappa's first album Freak Out!. Other singles by Fowley as a recording artist included "Animal Man" (1968). All of his efforts as a solo artist since 1970 have become cult items, both in re-issue and bootleg formats.

In 1969 Fowley produced the album I'm Back and I'm Proud for Gene Vincent. He co-wrote for Warren Zevon's first solo album, Wanted Dead or Alive Fowley collaborated with his friend Skip Battin, during Battin's membership as bassist with The Byrds on a number of songs. Several appeared on the group's 1970 album, Untitled; and one from the 1971 LP, Byrdmaniax, Farther Along, was released as a single: "America's Great National Pastime".

In 1973, Fowley produced three recordings by Flash Cadillac & the Continental Kids, for the film American Graffiti (1973). These songs were "At the Hop", "Louie Louie" and "She's So Fine". He also co-wrote songs for KISS, Helen Reddy, Alice Cooper, Leon Russell and Kris Kristofferson. He also made recordings with Jonathan Richman and The Modern Lovers, which were eventually released in 1981 as The Original Modern Lovers; Fowley's tracks were not included on the original versions of The Modern Lovers album, but some were included on later CD reissues.

In 1974, Fowley placed an advertisement in local fanzine, Who Put the Bomp looking for female performers. He hoped to form an all girl group that he could produce and would perform his songs, but no one responded to the advert. In 1975, he met the teenage guitarist Joan Jett who expressed interest in forming an all-girl band. Less than two weeks later, he met 15 year old drummer Sandy West who introduced herself outside of the Rainbow Bar and Grill in Hollywood, California. West told Fowley of her aspirations to form an all-girl band after playing in all male groups. This meeting led to Fowley giving West Jett's phone number. The two met and began playing together at West's home the following week. A short time later, Fowley recruited Lita Ford, Cherie Currie and Jackie Fox. They eventually became The Runaways. While he did produce some of their albums and contributed lyrics to songs, the band was primarily responsible for creating their own music. The group severed their ties with Fowley in 1977.

The 1980s saw Fowley travel to Australia where he announced that he was "looking for the new Beatles or ABBA". His search turned up power pop band 'Beathoven' who were still under a recording contract with EMI. Changing their name to The Innocents, he secured a new record deal with Trafalgar Records and produced several songs for the group. They too became a cult band in later bootlegs/re-issues. Fowley also produced the first demos for the iconic power pop band, Candy, which featured Gilby Clarke and Kyle Vincent. Vincent was Fowley's personal assistant.

In 1984, still owning rights to the name The Runaways, Fowley re-built the image around Gayle Welch, an unknown teenager from New Zealand. Adding Denise Prior, Missy Bonilla (then a typist for Denny Diante at what was CBS Records) and Cathy DiAmber (Catherine Dombrowski) with David Carr on keyboards, a Chicago guitarist Bill Millay and numerous session musicians. Fowley, assisted by New Zealander Glenn Holland, sought to cash in on the fame of the former Runaways members who had gone on to significant success in their individual solo careers. In 1985 he returned to the United States and recorded further songs with The Innocents' David Minchin.

Fowley is featured in Mayor of the Sunset Strip, a 2003 documentary about the disc jockey Rodney Bingenheimer.

Kim became an experimental film maker after the DVD release of Mayor of the Sunset Strip. His written and directed works include: Black Room Doom, Dollboy: The Movie, Satan Of Silverlake, The Golden Road To Nowhere, Frankenstein Goes Surfing, Trailer Park's On Fire and Jukebox California. Video clips/scenes from these movies can be seen on YouTube and Myspace.

In 2008, Fowley was reunited with Cherie Currie at Houdini's mansion in Los Angeles. He also played a dozen gigs between June and December 2008 as the act Crazy White Man, a duo featuring him on vocals and Richard Rogers on guitar.

Capitol re-released several of his titles, and director Guy Ritchie used his song "The Trip" in the 2008 film RocknRolla. Although the movie was #1 in its first week of release in the UK, it dropped off quickly and grossed $25 million during its worldwide theatrical run. Fowley is currently to be heard on Sirius Satellite Radio with a four hour show on Saturdays and Sundays.

Currie wrote a memoir of her time in the Runaways, and it was turned into a film, The Runaways, which was released on March 19, 2010. It featured Kristen Stewart playing Jett, and Dakota Fanning portraying Currie. Michael Shannon played the part of Fowley.

Selective discography (as producer and/or writer)

• 1959 The Renegades: "Charge b/w Geronimo"
• 1960 The Hollywood Argyles: "Alley Oop"
• 1961 Paul Revere and the Raiders: "Like Long Hair"
• 1962 B. Bumble and the Stingers: "Nut Rocker"
• 1963 The Murmaids: "Popsicles and Icicles"
• 1964 The Hellions (featuring Dave Mason & Jim Capaldi)
• 1965 Kim Fowley - The Trip
• 1966 Kim Fowley: "They're Coming to Take Me Away Ha-Haaa!"
• 1967 Elf Stone: "Louisiana Teardrops"
• 1968 The Seeds: "Falling Off The Edge of My Mind" b/w Wild Blood
• 1969 Gene Vincent: I'm Back and I'm Proud!
• 1970 Wigwam: Tombstone Valentine
• 1971 Scorpion (Swedish Band) - Album
• 1972 The Modern Lovers: Some tracks included on 1981 album The Original Modern Lovers and on later CD reissues of The Modern Lovers
• 1973 American Graffiti Soundtrack - At the Hop, Louie Louie, & She's So Fine
• 1974 Wide World of Entertainment (ABC) - Music for Desi Arnaz, Jr. Special
• 1975 Blue Cheer: "America Nights" and "Fighting Star"
• 1976 The Runaways: The Runaways
• 1977 The Runaways: Queens of Noise
• 1977 The Runaways: Waitin' for the Night
• 1977 Helen Reddy: Ear Candy
• 1977 Vicky Leandros: Vicky Leandros
• 1978 Dyan Diamond: In The Dark
• 1979 Vampires From Album Space: Album
• 1981 Hollywood Confidential: Compilation (LP) and I-Tunes
• 2003 Various artists: Impossible But True - The Kim Fowley Story (Ace Records)
• 2011 - Next Year Fails : "Timaras Bitchn"

External links

• Fowley's MySpace page