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Franglen moved into film music when he was introduced to the composer [[John Barry (composer)|John Barry]] late in the production of the score for ''[[Dances with Wolves]]'' and collaborated on the [[Dances with Wolves (soundtrack)|soundtrack album]]. He continued to work with Barry for a number of years, including on ''[[Chaplin (film)|Chaplin]]''. Other long-term collaborations were with the film composers [[Alan Silvestri]], [[James Horner]], and [[Howard Shore]], for whom he created the trademark dystopian electronica for ''[[Seven (1995 film)|Seven]]'' by David Fincher, ''[[Crash (1996 film)|Crash]]'' by David Cronenberg.
Franglen moved into film music when he was introduced to the composer [[John Barry (composer)|John Barry]] late in the production of the score for ''[[Dances with Wolves]]'' and collaborated on the [[Dances with Wolves (soundtrack)|soundtrack album]]. He continued to work with Barry for a number of years, including on ''[[Chaplin (film)|Chaplin]]''. Other long-term collaborations were with the film composers [[Alan Silvestri]], [[James Horner]], and [[Howard Shore]], for whom he created the trademark dystopian electronica for ''[[Seven (1995 film)|Seven]]'' by David Fincher, ''[[Crash (1996 film)|Crash]]'' by David Cronenberg.


He worked with producer [[David Foster]] on the [[The Bodyguard (soundtrack)|soundtrack]] for ''[[The Bodyguard (1992 film)|The Bodyguard]]'' and later, produced Nicole Kidman and Ewan MacGregor's [[Come What May (2001 song)|"Come What May"]] with Foster for Baz Lehrmann's ''[[Moulin Rouge!]]'', he separately acted as vocal producer for the film songs. In 1997, he worked for the first time with James Horner on the score for ''Titanic'',<ref name=":0" /> for which he won a [[Grammy Award]] as producer of "[[My Heart Will Go On]]". He reconnected with Horner for ''[[Avatar (2009 film)|Avatar]]'', spending almost 11 months working on the score; he acted as Electronic Music Arranger and also co-write and co-produced the Golden Globe and Grammy nominated theme song. Horner and Franglen continued to work closely together from 2009 on films such as ''[[The Amazing Spider-Man (2012 film)|The Amazing Spider-Man]]'', Franglen initially acting as arranger, then moving to score producer.
He worked with producer [[David Foster]] on the [[The Bodyguard (soundtrack)|soundtrack]] for ''[[The Bodyguard (1992 film)|The Bodyguard]]'' and later, produced Nicole Kidman and Ewan MacGregor's [[Come What May (2001 song)|"Come What May"]] with Foster for [[Baz Luhrmann]'s ''[[Moulin Rouge!]]'', he separately acted as vocal producer for the film songs. In 1997, he worked for the first time with James Horner on the score for ''Titanic'',<ref name=":0" /> for which he won a [[Grammy Award]] as producer of "[[My Heart Will Go On]]". He reconnected with Horner for ''[[Avatar (2009 film)|Avatar]]'', spending almost 11 months working on the score; he acted as Electronic Music Arranger and also co-write and co-produced the Golden Globe and Grammy nominated theme song. Horner and Franglen continued to work closely together from 2009 on films such as ''[[The Amazing Spider-Man (2012 film)|The Amazing Spider-Man]]'', Franglen initially acting as arranger, then moving to score producer.


===Recent work===
===Recent work===

Revision as of 13:40, 3 June 2022

Simon Franglen
OriginWestminster, London, England
GenresFilm score, soundtrack, pop, electronic, ambient, adult contemporary, soft rock
Occupation(s)Film composer, record producer, songwriter, arranger, musician
InstrumentsPiano, keyboards, synthesizer, synclavier
Years active1989–present
Websitewww.simonfranglen.com

Simon Franglen (born Westminster, London, England) is an English composer of classical and film music. He is also an award winning record producer and former musician. His credits include four of the list of top grossing films and six of the list of best-selling albums of all time.

His film work includes a number of well-known movies, including Avatar, for which he received Golden Globe[1] and Grammy nominations for the theme song, and for being the producer of "My Heart Will Go On" from Titanic, for which he won a Record of The Year Grammy Award.[2] Other film credits range from David Fincher's Seven, The Amazing Spider-Man, The Magnificent Seven, to arranging music for the James Bond films Skyfall and Spectre.[3]

Music career

Franglen has worked with Michael Jackson, Celine Dion, Whitney Houston, Madonna, Barbra Streisand, Quincy Jones, David Foster, Toni Braxton, The Corrs, Monica, Bee Gees, Luciano Pavarotti.[3] Currently there are over four hundred music credits to Franglen on AllMusic.[4]

Early career

After showing skill with synthesizers whilst working in London recording studios as a student, Franglen was hired by Trevor Horn as a Synclavier programmer, working on Yes, Frankie Goes To Hollywood, Godley and Creme. He left Sarm West Studios to become an independent producer for acts like The Associates and a composer for commercials and TV. He composed the famous Direct Line jingle.[5]

Pop work

Franglen was persuaded by engineer/producer Humberto Gatica to move to the US, where he became a top Los Angeles session musician and programmer.[3] Alongside his career on film music, Franglen has been involved in a huge number of singles and albums that have charted highly, since the early 1990s.[6] These include: "Un-Break My Heart" (Toni Braxton) "Change The World" (Eric Clapton) "For You I Will" (Monica) "I Swear" (All 4 One) "I Have Nothing" (Whitney Houston) "No Matter What" (Boyzone) and his remix of E.Y.C.'s "One More Chance" was the leading version on the single release[7] which peaked at number 25 in the UK charts.[8] He has produced a wide variety of material, from UK grime rappers such as Ironik and Chip to classical tenors including Rolando Villazon.[9]

Film score work

Franglen moved into film music when he was introduced to the composer John Barry late in the production of the score for Dances with Wolves and collaborated on the soundtrack album. He continued to work with Barry for a number of years, including on Chaplin. Other long-term collaborations were with the film composers Alan Silvestri, James Horner, and Howard Shore, for whom he created the trademark dystopian electronica for Seven by David Fincher, Crash by David Cronenberg.

He worked with producer David Foster on the soundtrack for The Bodyguard and later, produced Nicole Kidman and Ewan MacGregor's "Come What May" with Foster for [[Baz Luhrmann]'s Moulin Rouge!, he separately acted as vocal producer for the film songs. In 1997, he worked for the first time with James Horner on the score for Titanic,[3] for which he won a Grammy Award as producer of "My Heart Will Go On". He reconnected with Horner for Avatar, spending almost 11 months working on the score; he acted as Electronic Music Arranger and also co-write and co-produced the Golden Globe and Grammy nominated theme song. Horner and Franglen continued to work closely together from 2009 on films such as The Amazing Spider-Man, Franglen initially acting as arranger, then moving to score producer.

Recent work

In 2016, a year after the death of his friend and colleague, James Horner, Franglen co-composed the score to The Magnificent Seven, which Horner had commenced. He won an ASCAP award for his work. 2016 also included original music for director Terrence Malick's film Voyage of Time.

In December 2016, he premiered a new fifteen minute 3-dimensional orchestral immersive work in what CNN called 'The World's Highest Art Space'[10] - a 240 speaker immersive experience featuring four separate complete orchestral parts, Chinese Solo instruments, choir and bells on the 2000 ft high 126th floor of the Shanghai Tower, Shanghai, China.

In early 2017, he worked with Pink Floyd at Abbey Road Studios,[11] producing 3D mixes of some of their best known tracks for an immersive installation room at the Victoria and Albert Museum exhibition, Pink Floyd: Their Mortal Remains. Over 400,000 people visited the exhibition and the installation will tour around the world.[12]

Franglen was responsible for the production and further composition of the music throughout Pandora–The World of Avatar which opened at Walt Disney World in Florida in May 2017, taking over duties from James Horner in 2015.[13] In 2018, an album of selected music from the park was released by Walt Disney Music album.[14]

He scored Together - a new immersive film by director Terrence Malick which premiered at SXSW in late 2017 and at the 2018 Tribeca Film Festival .[15][16] In 2018, he composed the scores to Peppermint directed by Pierre Morel, the MGM TV series The Truth About the Harry Quebert Affair by director Jean-Jacques Annaud.

In 2019, he premiered a new large scale orchestral and choral work for live performance, the oratorio "The Birth of Skies and Earth", based on the great Chinese creation myths. A ninety-minute work, with libretto in Mandarin Chinese, it premiered in Shanghai, with 176 musicians on stage, featuring a 90 piece orchestra, 80 voice choir, and six soloist singers. Subsequently, it toured around China.[17]

In late 2019, he composed the score to Xiaolong Zheng's Turandot, The Three Bracelets, a large-budget Chinese historical action fantasy for release in 2021.

In late 2020, he composed the score to the documentary film about the saving of the Timbuktu Manuscripts from Jihadists - 'The Bad-Ass Librarians of Timbuktu' directed by Otto Bell.

In early 2021, he will be composing the score to the mythological epic, Brahmastra, directed by Ayan Mukerji. In late 2022, he will premiere a new opera.

In 2019 it was announced that he had been hired to write new songs for Avatar: The Way of Water and Avatar 3.[18]

In 2021, 20th Century Films announced that Franglen would take over as composer for the Avatar Sequels.[19]

Other work

Franglen accompanied Barbra Streisand for her first live performance in 27 years at the Inauguration of President Bill Clinton in Washington DC. He also toured with her for the subsequent come-back tour.

Family

The composer and producer Nick Franglen is his brother. The musician and writer Hans Keller was his great uncle.[3]

Film credits

Music credits

Installations and 3D

References

  1. ^ "Browse Results – Golden Globe Awards Official Website". Goldenglobes.org. Archived from the original on 12 October 2013. Retrieved 15 October 2013.
  2. ^ "Simon Franglen | Awards". AllMusic. Retrieved 15 October 2013.
  3. ^ a b c d e "Interview with Simon Franglen :: Film Music Magazine". Filmmusicmag.com. Retrieved 4 April 2018.
  4. ^ "Simon Franglen | Credits". AllMusic. Retrieved 26 July 2020.
  5. ^ "Sonic boom: Advertising is increasingly making use of tiny tunes to". The Independent. 8 March 2014. Retrieved 26 July 2020.
  6. ^ "Simon Franglen | Credits | AllMusic". AllMusic. Retrieved 4 April 2018.
  7. ^ "E.Y.C. One More Chance - Releases". Discogs. Retrieved 4 November 2021.
  8. ^ "E.Y.C. full official chart history". Official Charts Company. Retrieved 4 November 2021.
  9. ^ "Interview with THE MAGNIFICENT SEVEN composer Simon Franglen Assignment X". Assignmentx.com. Retrieved 26 July 2020.
  10. ^ Andrea Lo. "Shanghai Tower unveils world's highest art space". Cnn.com. Retrieved 26 July 2020.
  11. ^ "The Tech Behind Pink Floyd: Their Mortal Remains". Musictech.net. 19 June 2017. Retrieved 26 July 2020.
  12. ^ Becky Roberts (6 March 2017). "Home". Whathifi.com. Retrieved 26 July 2020.
  13. ^ [1] [dead link]
  14. ^ Soberman, Matthew (4 January 2019). "Pandora: The World of Avatar Theme Park Album Released". Wdwnt.com. Retrieved 26 July 2020.
  15. ^ "Together". Framestore.com. 13 March 2018. Retrieved 26 July 2020.
  16. ^ "Together | 2018 Tribeca Film Festival". Tribecafilm.com. Retrieved 26 July 2020.
  17. ^ [2] [dead link]
  18. ^ "Simon Franglen to Compose Songs for James Cameron's 'Avatar' Sequels | Film Music Reporter". Retrieved 28 July 2020.
  19. ^ "Composer Simon Franglen to Score 'Avatar' Sequels | TheDisInsider".
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