F-sharp minor: Difference between revisions
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==Well-known contemporary music in this key== |
==Well-known contemporary music in this key== |
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*''[[Before He Cheats]]'' - [[Carrie Underwood]] |
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*''[[Behind These Hazel Eyes]]'' - [[Kelly Clarkson]] |
*''[[Behind These Hazel Eyes]]'' - [[Kelly Clarkson]] |
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*''[[Billie Jean]]'' - [[Michael Jackson]] (halfway between this key and G minor) |
*''[[Billie Jean]]'' - [[Michael Jackson]] (halfway between this key and G minor) |
Revision as of 04:09, 20 November 2007
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Relative key | A major |
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Parallel key | F-sharp major |
Component pitches | |
F-sharp, G-sharp, A, B, C-sharp, D, E |
- Also see: F-sharp major, or F minor.
F-sharp minor is a minor scale based on F-sharp, consisting of the pitches F-sharp, G-sharp, A, B, C-sharp, D, E and F-sharp (natural minor scale). Its key signature has three sharps (see below: Scales and keys).
Its relative major is A major, and its parallel major is F sharp major.
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary.
Very few symphonies are written in this key, Haydn's Farewell Symphony being one famous example. George Frederick Bristow and Dora Pejačević also wrote symphonies in this key.
The few concerti written in this key are usually premiere concerti written for the composer himself to play, including Sergei Rachmaninoff's Piano Concerto No. 1, Alexander Scriabin's Piano Concerto No. 1, Henryk Wieniawski's Violin Concerto No. 1 and Henri Vieuxtemps's Violin Concerto No. 1.
Mozart's only composition in this key is the second movement to his Piano Concerto No. 23 in A major.
Both Reger's and Tippett's second string quartets are in this key, as is Shostakovich's seventh string quartet.
Well-known contemporary music in this key
- Before He Cheats - Carrie Underwood
- Behind These Hazel Eyes - Kelly Clarkson
- Billie Jean - Michael Jackson (halfway between this key and G minor)
- Carnival - Natalie Merchant
- Connected - Stereo MCs
- Crazy Train - Ozzy Osbourne
- The Final Countdown - Europe
- Firestarter - The Prodigy
- Forget Me Nots - Patrice Rushen
- GoldenEye - Bono and The Edge
- Immigrant Song - Led Zeppelin
- I Want It That Way - Backstreet Boys
- Little Lies - Fleetwood Mac
- May It Be - Enya
- Me Against the Music - Britney Spears
- More and More - Blood Sweat & Tears
- Numb - Linkin Park
- The Way - Fastball
- This Sweet Old World - Emmylou Harris
- Time - Pink Floyd
- You Spin Me Round (Like a Record) - Dead or Alive
- Mr. Scary - George Lynch
- Muscle Museum - Muse
- Party Like a Rockstar - Shop Boyz
- Pon de Replay - Rihanna
- "Refugee - Tom Petty
Scales and keys
Characteristics
- F sharp minor has been described as 'light red' by Harry Farjeon.
- Johann Mattheson, in 1713, wrote 'F# minor, although it leads to great distress, nevertheless is more languid and love-sick than lethal. Moreover, it has something abandoned, singular, and misanthropic about it.' On a similar theme, Harry Farjeon wrote that it is the key that Mendelssohn uses when being passionate.
- It is generally believed to be melancholy and gloomy.
- 'We cannot well accompany the Devil in any key but F# minor' - Anon. 1828
References
- A. Morris, "Symphonies, Numbers And Keys" in Bob's Poetry Magazine, III.3, 2006.