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==Related styles==
==Related styles==

Revision as of 14:14, 7 April 2009

Italo-Disco
Stylistic originsDisco
Space disco
Eurodisco
Cultural originsLate 1970's, Italy
Typical instrumentsKeyboard, vocals, others
Derivative formsEurobeat
Italo house
HiNRG
Subgenres
Spacesynth
Electro

Italo-Disco is a very broad term, encompassing much of the disco music output in Europe during the 1980s. It is one of the world's first forms of completely electronic dance music that evolved during the late 1970s / early 1980s in Italy, Spain, Germany, and other parts of Europe.

Italo Disco music has a distinct, futuristic and spacey sound, which was created using synthesizers, drum machines, and vocoders. The term, "Italo-disco" was marketed only in Europe in the early 1980's by a German record label ZYX Music. In North America, UK, and Australia, Italo-Disco was mostly an underground phenomenon that could only be heard at night clubs or through homemade DJ mixes.

Terminology

The name "Italo disco" originates from the Italo Boot Mix series - a megamix featuring Italian and German produced disco music - created in 1983 by Bernhard Mikulski, the founder of German-based ZYX Music. Prior to 1983, the genre was simply referred to as 'disco music' or 'dance music' from Europe. The presenters of the Italian music show Discoring (produced by RAI), usually referred to the Italian productions of what later would became Italo Disco as "Rock Elettronico" and "Balli da Discoteca" (disco dance). This first version of Italo Disco sounded like a down tempo version of Space Disco, a short lived Eurodisco instrumental style with futuristic sound effects and lyrics heavily influenced by David Bowie's Ziggy Stardust and the Spiders from Mars band.[citation needed]

Italo disco is also referred to as "Vintage Disco" in the United States, specifically in the South Florida area where this genre of music was extremely popular in the dance clubs of greater Miami and Hialeah in the 70's and 80's. In fact, still to his day several dance clubs in South Florida still cater to the Vintage Disco aficionado by playing favorites such as Cerrone and Alec Constandinos.

Even though the music style is called "Italo Disco," it has never generated any significant popularity in Italy and is not a part of Italian pop music scene. Italo Disco has roots in Italy, but that's about it. This music genre is not place-specific, nor it is even person-specific, since this was a phase for many artists involved. It's rather a very distinct style of music performance.

Technically speaking, Italo Disco was simply the 1980's Disco. This is evident with any 70's disco band/artist that continued its work into the 1980's. For example, by 1984 70's bands/artists like Kool and the Gang, Arabesque, Boney M sounded just like the Italo Disco tracks from the ZYX Music compilations. Today, however, the term Eurodisco (or Disco, if the artists are from other continents) often refers to all disco music that was produced up until the late 1980's. This significantly complicates the search of Italo Disco styled tracks, and confuses a lot of fans. In the end, it all comes down to what a person is really looking for: If you are looking for any dance music that was produced in 1970's and 1980's, typing Disco into your search engine will give you what you want. If you are looking for a dance music that was produced only in Europe in 1970's and 1980's, typing Eurodisco will narrow your search to only European productions. But if you are looking for something that sounds like Laura Branigan's Self Control or C.C. Catch's 'Cause You are Young then typing Italo Disco into your search engine will be the best bet. Eurodisco or Disco tags will not really help in this case.

History

Origins, 1976–1985

Electronic dance music started to develop in the mid/late 1970s when traditional sounding Disco bands began to experiment with synthesizers and other electronic effects. This early form of electronic dance music had 2 flavors: The North American one (Hi-NRG disco) and the European one (Space Disco). The second one was a short lived Euro Disco variation and took that name due to its odd synthetic sounds, sci-fi costumes, the space (new age) related themes and to the overall (non sexual like Hi-NRG) dance feeling: This kind of music seems to expand the listener's surrounding to a very large space with the utilization of new music shaping technologies by the artists. This "expansive" characteristic combined with dance hall's lighting display provide a new experience to the listeners and also to the dancers. One of the main influences during this period was Italian producer Giorgio Moroder and French musician Didier Marouani, followed by a couple of hits by the French drummer Cerrone, as well as the cynical styles of such electropop acts as Telex, Devo, and Gary Numan, and the early Hi-NRG albums released by San Francisco producer Patrick Cowley with such singers as Sylvester and Paul Parker.

By 1980, Italo appeared as a fully developed form in Italy and other parts of Europe, with artists releasing completely electronic songs using drum machines and other equipment. Synthpop, New Wave genres were the foundations for Italo taking off, as these became very popular around the world at this particular time. Typical songs were simple with catchy melodies, and were often sung using vocoders and overdubs. Much of the genre featured love-song lyrics sung in English with heavy foreign accents. English was more often than not the artists' second language, creating lyrics that were often considered to be almost nonsensical. Along with love, italo disco themes deal with robots and space, sometimes combining all three in songs including "Robot is Systematic" (1982) by 'Lectric Workers and "Spacer Woman"(1983) by Charlie.

1982 and 1983 saw the releases of the irony-laden "Dirty Talk," "Wonderful," and "The M.B.O. Theme," three tracks cited as influential in the development of house, by Klein & M.B.O., a side-project developed by Davide Piatto of the Italo disco duo N.O.I.A., with vocals by Piatto and Rossana Casale.

Many see 1983 as the height of Italo, with frequent hit singles and many labels starting up around this time. Such labels included American Disco, Crash, Merak, Sensation, and X-Energy. The popular label Disco Magic released more than thirty singles within the year. It was also the year that the term italo disco was reputedly coined by Bernhard Mikulski, the founder of ZYX Music (Germany), when ZYX released their first volume of "The Best of Italo Disco" series.

Derivative styles, 1982–1989

During the late 1980s Italo began fading away and some groups moved into the late 80s Hi-NRG genre (a speeded up version of Eurodisco with Eurobeat elements) and Italo NRG (a.k.a Italo House) which combined high-paced Italo and house. The Hi-NRG style is evident in the productions of such artists as Divine, Roni Griffith, Tony Caso, and the Flirts, all of whom were produced by Bobby Orlando, as well as many Stock Aitken Waterman acts, notably those of Sinitta, Hazell Dean, Kylie Minogue, Mel and Kim, Sabrina Salerno, Samantha Fox, and Dead or Alive (see Eurobeat).

Canada, particularly Quebec, produced several remarkable Italo disco acts, including Trans X ("Living on Video"), Lime ("Angel Eyes"), Pluton & the Humanoids ("World Invaders"), and Purple Flash Orchestra ("We Can Make It"). Those productions called "Canadian Disco" during 1980-1984 in Europe and Hi-NRG disco in USA.

In Germany, a variation of Italo disco under the nickname Discofox developed, early 1984. It was characterized by an emphasis on melody, exaggerated overproduction, and a more earnest approach to the themes of love; examples may be found in the works of Modern Talking, Fancy, Bad Boys Blue, Joy, and Lian Ross.

Also during the mid-1980s spacesynth developed, mostly as a sub-genre of italo. This style is the crossover of Italo disco and Space Disco and it was mostly instrumental, with a focus on space sounds than the earlier pop-oriented songs, as exemplified by the sounds of Koto, Proxyon, Rofo, Cyber People, Hipnosis, and Laserdance.

When Italo Disco hits lost their popularity in Europe, the Japanese market forced Italian and German producers to evolve the sound to what end up under the term "Eurobeat" and later Super Eurobeat and Eurobeat Flash. Those music styles, under the term Eurobeat, are sold only in Japan due to the Para Para culture there. Italian producers are still producing songs for the Japanese (super) Eurobeat market in 2007. This evolving sound of Italo disco, involves a much higher BPM, as well as more rapid synth-lines and faster vocals. The genre itself upped the BPM in the late 80s, all the way into the 2000s. While the genre has seen many recent releases with slower BPM, the sound still remains true to what the Japanese fans call "the Eurobeat style". The two most famous labels of this genre include A-Beat-C Records and Hi-NRG Attack. Two record labels that produced Italo Disco in the past, S.A.I.F.A.M. and Time, now produce Eurobeat music for Japan.

Around 1989, the Italian scene of Italo Disco, evolved into italo house, which fused with other parts of Europe and eventually lead to euro house music, marketed in U.S.A. during the mid 90s as "Eurodance", a term that existed before and used as a short for the "European Dance Charts". The Italian Italo Disco artists began experimenting with harder beats and the "house" sound, which fans believed made Italo Disco sound dated and it was the reason the German production stopped around 1989.

This music is also labeled as Euro Disco, and Italo Disco in the USA (labelling all non American Hi-NRG dance tunes as Italo Disco).

During the mid-1980s, spacesynth developed as a sub-genre of Space Disco / Italo Disco. This style existed in Scandinavia, but grew immensely popular in the Netherlands. It was mostly instrumental and focused more on space sounds than the earlier more pop-oriented songs, as exemplified by the sounds of Koto, Proxyon, Rofo, Cyber People, Hipnosis, and Laserdance.

Revival, 1998 - present

A big comeback of German Italo Disco, began in 1998, when Modern Talking re-united. Various German italo-disco artists (C.C.Catch, Bad Boys Blue, Fancy, Sandra etc), Italian italo-disco artists (Gazebo, Savage, Ken Laszlo, etc) and countless other italo-disco artists from all over Europe, remixed all their biggest italo-disco hits in a late-90s-eurohouse style, giving new life to them and a new fan base, especially in Eastern and Southern Europe. Rete 4 channel in Italy and Prosieben channel in Germany, start airing from their archives 80s recording of those hits, followed by Spanish TVE's "Nostalgia" channel and the late MTV Classic in Poland (now replaced by VH1 Polska). German music channels like "hits 24" and "Goldstar TV" air lots of 70s and 80s italo-disco hits, such as "Melody" from France and MCM Pop (mainly on the "MCM Kitch" specials). This has caused new interest in eurodisco in general, since most of these videos were very rarely seen, even back in the 80s

Greece seems to have the biggest revival in italo-disco music, with 3 terrestrial radio stations airing Italo-Disco hits in Athens in 2007 (Blue Space, Radio Boom Boom and Free FM) and many Discoteques re-open after decades of non existence in most Greek Cities (Among them 5 in Athens (Disco Cinderella, Vinilio, Dizzy Discoclub, Boom Boom Discoteque, Athens Club) 2 in Salonica (Blue Sky, Figaro) 2 in Volos (Velvet, Queens), 1 in Drama (Velvet), 1 in Patra and 3 in Creta). Italo-Disco based parties take place twice a month in Athens and the 80s eurodisco music as a whole can be considered as "mainstream" in dance clubs.

As of 2005 several online radio stations stream the genre, and underground clubs are playing the records widely again. Its renewed popularity is inspiring re-releases and new mixes on many of the record labels that initially released Italo Disco. ZYX records has released many new CD mixes since 2000. and labels like Panama Records and Radius Records have gone through great lengths to find the original artists of obscure Italo tracks for re-release on vinyl.

The German group I-Robots has released several mixes incorporating obscure Italo Disco tracks, and in 2006 released a German-language cover of Charlie's "Spacer Woman" called "Spacer Frau."

The Swedish performance artist and musician Tobias Bernstrup has since 1997 been making music performances and releasing records characterized his heavily Italo-Disco inspired sound and use of elaborate costumes and make-up reminiscent of Klaus Nomi.

A German group [Master Blaster]], released in 2003 an album called "I love Italo Disco". Many hits of that group are italo-disco covers with an uplifting house twist. In the UK, that twist seems to lead to "Scouse house"

The Swiss artist Harre Money (pronounced Àrmani, like the world wide famous Italian designer) released in 2006 an album called The Picture of Dorian Gray, which included many Italo Disco like tracks. His shows are also characterized by a theatrical performance reminiscent of the eccentric 80s style.

Swedish act Sally Shapiro has made Italo-disco music which has been championed in the indie community, particularly by Pitchfork Media.

Contemporary artists influenced by Italo Disco:

Reaction, Revival, and inspired by:

Evolved into:

See also

References

Template:Hi-NRG

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