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Szabó was the son of Maria ([[married and maiden names|née]] Vita) and Istvan Szabó, who was a doctor.<ref>[http://www.filmreference.com/film/58/Istvan-Szabo.html Istvan Szabo Biography (1938-)<!-- Bot generated title -->]</ref> His family was [[Jew]]ish and were hidden by family friends during the [[Holocaust]].<ref>[http://home.comcast.net/~dwp1944/Szabo.htm Sample: István Szabó<!-- Bot generated title -->]</ref> In the 1960s and '70s, he directed films which explore his own generation's experiences and recent [[Hungarian history]] (''Father'' ({{lang-hu|Apa}} 1966); ''Lovefilm'' (''Szerelmesfilm'' 1970) and ''25 Fireman's street'' (''Tűzoltó utca 25'' 1973)). His signature film trilogy consists of ''[[Mephisto (1981 film)|Mephisto]]'' (1981, winner of an [[Academy Awards|Academy Award]] for [[Academy Award for Best Foreign Language Film#1980s|Best Foreign Language Film]] and a [[Cannes Film Festival|Cannes Award]] for the [[Best Screenplay Award (Cannes Film Festival)|Best Screenplay]]), ''[[Colonel Redl]]'' (1984, winner of a [[Jury Prize (Cannes Festival)|Jury Prize]] at the [[1985 Cannes Film Festival]]) and ''[[Hanussen (1988 film)|Hanussen]]'' (1988).
Szabó was the son of Maria ([[married and maiden names|née]] Vita) and Istvan Szabó, who was a doctor.<ref>[http://www.filmreference.com/film/58/Istvan-Szabo.html Istvan Szabo Biography (1938-)<!-- Bot generated title -->]</ref> His family was [[Jew]]ish and were hidden by family friends during the [[Holocaust]].<ref>[http://home.comcast.net/~dwp1944/Szabo.htm Sample: István Szabó<!-- Bot generated title -->]</ref> In the 1960s and '70s, he directed films which explore his own generation's experiences and recent [[Hungarian history]] (''Father'' ({{lang-hu|Apa}} 1966); ''Lovefilm'' (''Szerelmesfilm'' 1970) and ''25 Fireman's street'' (''Tűzoltó utca 25'' 1973)). His signature film trilogy consists of ''[[Mephisto (1981 film)|Mephisto]]'' (1981, winner of an [[Academy Awards|Academy Award]] for [[Academy Award for Best Foreign Language Film#1980s|Best Foreign Language Film]] and a [[Cannes Film Festival|Cannes Award]] for the [[Best Screenplay Award (Cannes Film Festival)|Best Screenplay]]), ''[[Colonel Redl]]'' (1984, winner of a [[Jury Prize (Cannes Festival)|Jury Prize]] at the [[1985 Cannes Film Festival]]) and ''[[Hanussen (1988 film)|Hanussen]]'' (1988).


He began to make English-language films with ''[[tailor#Use as a Surname|Meeting Venus]]'' (1991), and followed it with ''[[Sunshine (1999 film)|Sunshine]]'' (1999), ''[[Taking Sides (play)|Taking Sides]]'' (2001) and most recently ''[[Being Julia]]'' (2004), which garnered an Oscar nomination for actress [[Annette Bening]]. His most acclaimed films came from his work with famed Austrian actor [[Klaus Maria Brandauer]], and his ongoing collaboration and friendship with cinematographer [[Lajos Koltai]].
Szabó began to make English-language films with ''[[tailor#Use as a Surname|Meeting Venus]]'' (1991), and followed it with ''[[Sunshine (1999 film)|Sunshine]]'' (1999), ''[[Taking Sides (play)|Taking Sides]]'' (2001) and most recently ''[[Being Julia]]'' (2004), which garnered an Oscar nomination for actress [[Annette Bening]]. His most acclaimed films came from his work with famed Austrian actor [[Klaus Maria Brandauer]], and his ongoing collaboration and friendship with cinematographer [[Lajos Koltai]].


==College years==
==College years==

Revision as of 22:13, 28 August 2009

István Szabó
István Szabó, 2004
Years active1959 — present

István Szabó (born February 18, 1938, Budapest) is a Hungarian film director.

Life

Szabó was the son of Maria (née Vita) and Istvan Szabó, who was a doctor.[1] His family was Jewish and were hidden by family friends during the Holocaust.[2] In the 1960s and '70s, he directed films which explore his own generation's experiences and recent Hungarian history (Father (Hungarian: Apa 1966); Lovefilm (Szerelmesfilm 1970) and 25 Fireman's street (Tűzoltó utca 25 1973)). His signature film trilogy consists of Mephisto (1981, winner of an Academy Award for Best Foreign Language Film and a Cannes Award for the Best Screenplay), Colonel Redl (1984, winner of a Jury Prize at the 1985 Cannes Film Festival) and Hanussen (1988).

Szabó began to make English-language films with Meeting Venus (1991), and followed it with Sunshine (1999), Taking Sides (2001) and most recently Being Julia (2004), which garnered an Oscar nomination for actress Annette Bening. His most acclaimed films came from his work with famed Austrian actor Klaus Maria Brandauer, and his ongoing collaboration and friendship with cinematographer Lajos Koltai.

College years

On January 26, 2006 a Hungarian weekly newspaper, Élet és Irodalom (Life and Literature), revealed that István Szabó was an 'agent' of the Internal Reactionary Prevention Unit of the Communist regime of Hungary during the Kádár-era. (Though the word 'agent' was used by the Hungarian media to describe his involvement, his activities resembled more of those of a "civilian asset" or "informant".) His task was to make reports about his classmates in the University of Arts of Theatre and Cinema (he made about 48 of them). He was blackmailed by the authorities with compromising evidence against him and as such he was forced to work for them as an 'agent' only one year after the Hungarian Revolution of 1956, Szabó agreed "to save himself and revolutionist classmate Pál Gábor from being gibbeted" (in Szabó's own words).

On February 1, 2006, Szabó's latest movie Rokonok (Relatives) was a huge success, receiving a round of applause when Szabó was asked to come on stage after its premiere at the 37th Annual Hungarian Movie Review. At this event Lajos Koltai, the film's cinematographer (and acclaimed Director of Fateless) declared that "Some people are still trying to crush even this community" and "Let the love keep us together." On February 3 he and his four former classmates (whereof Szabó had written reports) held a press conference to speak about their memories about their lives in the post-revolution Hungary of the 1950s and that they didn't feel anger towards Szabó.

Filmography

Further reading

  • "A Screen Moralist". Hungarian Quarterly. 43. Winter 2002.English language review on a book on him

References