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Miles' book ''Hippie'' is a reminiscence of the [[Hippie]] sub-culture of the sixties and early seventies with interviews, quotes, and images. He co-wrote ''[[I Want to Take You Higher]]'' (documenting the [[Rock and Roll Hall of Fame and Museum]] exhibit by the same name) with Charles Perry and James Henke.
Miles' book ''Hippie'' is a reminiscence of the [[Hippie]] sub-culture of the sixties and early seventies with interviews, quotes, and images. He co-wrote ''[[I Want to Take You Higher]]'' (documenting the [[Rock and Roll Hall of Fame and Museum]] exhibit by the same name) with Charles Perry and James Henke.


In March 1978 Miles wrote an article critical of the band [[Rush (band)|Rush]] and its drummer [[Neil Peart]] which falsely labelled the band as [[right-wing]]. <ref>[http://www.rushisaband.com/view_full.php?image=/images/200908/1251.f.jpg&caption=New+Musical+Express%2C+March+1978+page+1 "Is everybody feelin' ALRIGHT? (Geddit...?)"]. ''New Musical Express'', March 4, 1978</ref> Peart describes himself as a [[Left-libertarianism|Left-libertarian]]. Miles was one of many {{Specify}} rock critics who took exception to Peart's advocacy of the ideas of [[Ayn Rand]].<ref> The Journal of Ayn Rand Studies (Volume 4, Number 1): 161-85</ref> In the article published in UK's ''[[New Musical Express]]'' Miles noted Peart's politics and criticized the band's aloofness and [[libertarian]] rhetoric. In the same interview Peart labelled the Sex Pistols products of a "socialist" state.<ref>[http://www.rushisaband.com/view_full.php?image=/images/200908/1251.f.jpg&caption=New+Musical+Express%2C+March+1978+page+1 "Is everybody feelin' ALRIGHT? (Geddit...?)"]. ''New Musical Express'', March 4, 1978</ref> <ref> Rush: 'Our fans feel vindicated' The Guardian 24 March 2011
In March 1978 Miles wrote an article critical of the band [[Rush (band)|Rush]] and its drummer [[Neil Peart]] which falsely labelled the band as [[right-wing]]. <ref>[http://www.rushisaband.com/view_full.php?image=/images/200908/1251.f.jpg&caption=New+Musical+Express%2C+March+1978+page+1 "Is everybody feelin' ALRIGHT? (Geddit...?)"]. ''New Musical Express'', March 4, 1978</ref> Peart describes himself as a [[Left-libertarianism|Left-libertarian]]. Miles was one of many rock critics who took exception to Peart's advocacy of the ideas of [[Ayn Rand]].<ref> The Journal of Ayn Rand Studies (Volume 4, Number 1): 161-85</ref> In the article published in UK's ''[[New Musical Express]]'' Miles noted Peart's politics and criticized the band's aloofness and [[libertarian]] rhetoric. In the same interview Peart labelled the Sex Pistols products of a "socialist" state.<ref>[http://www.rushisaband.com/view_full.php?image=/images/200908/1251.f.jpg&caption=New+Musical+Express%2C+March+1978+page+1 "Is everybody feelin' ALRIGHT? (Geddit...?)"]. ''New Musical Express'', March 4, 1978</ref> <ref> Rush: 'Our fans feel vindicated' The Guardian 24 March 2011
</ref>. Miles also criticised [[Frank Zappa]] over his business oriented approach to art and his attacks on labour unions.<ref>Zappa: A Biography - Grove Press, 2004</ref>.
</ref>. Miles also criticised [[Frank Zappa]] over his business oriented approach to art and his attacks on labour unions.<ref>Zappa: A Biography - Grove Press, 2004</ref>.



Revision as of 21:32, 29 May 2011

File:Barry Miles.jpg
Barry Miles.

Barry Miles (or "Miles", born 1943, Cirencester, England) is an English author known for his participation in and writing on the subject of the 1960s London underground. He has written numerous books and his work has also regularly appeared in left-wing papers such as The Guardian. In the 1960s, he was co-owner of the Indica Gallery and helped start the independent newspaper International Times.

Life and work

In the 1960s, Miles worked at Better Books, which was managed by Tony Godwin. Godwin was friends with Lawrence Ferlinghetti with whom he would exchange Penguin books for City Lights publications. In 1965 Allen Ginsberg gave a reading at Better Books which led to the International Poetry Incarnation, a seminal event that was co-organised by Miles. Following the International Poetry Incarnation, Miles established the Indica Gallery and Bookshop, allowing him to meet many of the stars of the Swinging London social scene.[1] Miles brought Paul McCartney into contact with people who wanted to start the International Times, which McCartney helped to fund.[2] Miles would later become de facto manager of the Apple's short-lived Zapple Records label, and wrote McCartney's official biography, Many Years from Now (1998).

In 1965 Miles and his wife, the former Susan Crane,[3] introduced McCartney to hash brownies by using a recipe for hash fudge which they had found in The Alice B. Toklas Cookbook.[4]

With John Hopkins, Miles organised The 14 Hour Technicolor Dream, a concert on 29 April 1967 Alexandra Palace to raise funds for the International Times. It was a multi-artist event, featuring poets, artists and musicians. Pink Floyd headlined the event; other artists included: Yoko Ono and John Lennon, Arthur Brown, jazz-rock group Soft Machine, Tomorrow and The Pretty Things. In 1970 Miles moved with his wife to the United States living with Allen Ginsberg on his farm in New York state, but the couple's marriage soon ended.[3]

Miles' book Hippie is a reminiscence of the Hippie sub-culture of the sixties and early seventies with interviews, quotes, and images. He co-wrote I Want to Take You Higher (documenting the Rock and Roll Hall of Fame and Museum exhibit by the same name) with Charles Perry and James Henke.

In March 1978 Miles wrote an article critical of the band Rush and its drummer Neil Peart which falsely labelled the band as right-wing. [5] Peart describes himself as a Left-libertarian. Miles was one of many rock critics who took exception to Peart's advocacy of the ideas of Ayn Rand.[6] In the article published in UK's New Musical Express Miles noted Peart's politics and criticized the band's aloofness and libertarian rhetoric. In the same interview Peart labelled the Sex Pistols products of a "socialist" state.[7] [8]. Miles also criticised Frank Zappa over his business oriented approach to art and his attacks on labour unions.[9].

Miles has written biographies of Paul McCartney, John Lennon, William S. Burroughs, Jack Kerouac, Charles Bukowski and Ginsberg, in addition to books on The Beatles, Pink Floyd and The Clash.[10][11] as well as a definitive history of London's counter-culture since 1945. London's Calling.[12]

He is occasionally inaccurately credited as "Miles Mabbett", due to his co-authoring a book with Andy Mabbett, often listed as "by Miles and Andy Mabbett".

Notes and references

  1. ^ Thomson, L: London Calling: A Countercultural History of London Since 1945, By Barry Miles The Independent Friday 12th March 2010
  2. ^ Miles, p. 232
  3. ^ a b Jonathon Green Obituary: Sue Miles, The Guardian (website), 13 October 2010
  4. ^ Miles, p233
  5. ^ "Is everybody feelin' ALRIGHT? (Geddit...?)". New Musical Express, March 4, 1978
  6. ^ The Journal of Ayn Rand Studies (Volume 4, Number 1): 161-85
  7. ^ "Is everybody feelin' ALRIGHT? (Geddit...?)". New Musical Express, March 4, 1978
  8. ^ Rush: 'Our fans feel vindicated' The Guardian 24 March 2011
  9. ^ Zappa: A Biography - Grove Press, 2004
  10. ^ Amazon Review of Many Years from Now Amazon.com, 4 November 2005. Retrieved on 14 September 2007
  11. ^ Miles, Barry (1981). The Clash. London; New York: Omnibus Press. OCLC 7676911. {{cite book}}: |access-date= requires |url= (help)
  12. ^ London Calling: A Countercultural History of London Since 1945, By Barry Miles

Bibliography

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