Odyssey

For other uses, see Odyssey (disambiguation).

Odysseus and Nausicaä - by Charles Gleyre

The Odyssey (Greek: Ὀδύσσεια, Odusseia) is one of two major ancient Greek epic poems (the other being the Iliad), attributed to the poet Homer. The poem is commonly dated circa 800 to 600 BC. The poem is, in part, a sequel to the Iliad and concerns the events that befall Odysseus, a Greek hero, in his long sojourn after the fall of Troy and when he at last returns to his native land of Ithaca.

It takes Odysseus more than ten years to reach Ithaca after the ten years of the Trojan war. During this twenty-year absence, his son Telemachus and his wife Penelope must deal with a group of unruly suitors who have moved into Odysseus' home to compete for Penelope's hand in marriage, since most have assumed that Odysseus has died.

The poem is a fundamental text in the Western canon and continues to be read in both Homeric Greek and translations around the world. While today's version of The Odyssey is usually a printed text, the original poem was an oral composition sung by a trained bard, in an amalgamated Ancient Greek dialect, using a regular metrical pattern called dactylic hexameter. Each of the 12,110 hexameter lines of the original Greek consists of six feet; each foot is a dactyl or a spondee. Among the most impressive elements of the text are its strikingly modern non-linear plot, and its elevation of the status of women and the lower classes. In the English language as well as many others, the word odyssey has come to refer to an epic voyage.

Character of Odysseus

Main article: Odysseus.

Odysseus' main heroic trait is his mētis, or "cunning intelligence"; he is often described as the "Peer of Zeus in Counsel". This intelligence is most often manifested by Odysseus' use of disguise and deceptive speech. His disguises take forms both physical (altering his appearance) and verbal, such as telling the Cyclops Polyphemus that his name is "Nobody", then escaping after blinding Polyphemus (When queried by other cyclops about why he is screaming, Polyphemus replies that "Nobody" is hurting him).

Structure

The Odyssey consists of twenty-four books and begins, as do many ancient epics, in medias res, meaning that the action begins in the middle of the plot, and that prior events are described through flashbacks or storytelling. The first four books, known as the Telemachy, trace Telemachus' efforts to maintain control of the palace in the face of suitors who would have his inheritance, and his mother Penelope's hand in marriage. Failing that, Athena encourages him to find his father. In book 5, we find Odysseus near the end of his journey, a not entirely unwilling captive of the beautiful nymph Calypso, with whom he has spent 7 of his 10 lost years. Released from her wiles by the intercession of his patroness Athena and her father Zeus, he departs. His raft is destroyed by his nemesis Poseidon, who is angry because Odysseus blinded his son, Polyphemus. When Odysseus washes up on Scheria, home to the Phaeacians, the naked stranger is treated with traditional Greek hospitality even before he reveals his name. Odysseus satisfies the Phaeacians' curiosity, telling them - and us - of all his adventures since departing from Troy. This renowned, extended "flashback" leads him back to where he stands, his tale told. The shipbuilding Phaeacians finally loan him a ship to return to Ithaca, where, home at last, he regains his throne, reunites with his son, metes out justice to the suitors, and reunites with his faithful wife Penelope.

Plot summary

Book I

"Tell of the crafty man, O Muse, who wandered long after he sacked the sacred city of Troy." With the invocation of the muse Homer begins his epic, though the hero himself is still offstage. Urged on by Athena, the gods decide that Odysseus has been marooned too long on the island of the nymph Calypso. Athena also decides to visit Ithaca to see Odysseus' son Telemachus."ανδρа μοí εννεπε....."

Book II

The mansion of Odysseus is infested with suitors for the hand of his wife Penelope. Everyone assumes Odysseus is dead. Encouraged by Athena who arrives in the form of Mentor, Telemachus calls an assembly to ask for help. He breaks down and cries and is pushed off the platform by Athena. Antinous mocks Telemachus. He issues an ultimatum to Telemachus: "Either you force your mother to marry a suitor, or we ruin your house." Telemachus refuses to comply. Zeus sends an omen of the suitors' doom. Two eagles swoop down, tearing each other's throats and necks with their talons. The suitors mock Halitherses, who makes the prophecy ("be wise in time, and put a stop to this wickedness before he comes." The suitors do not heed Halithérses' warning.). Afterwards, Telemachus, accompanied by Athena, sets sail for Pylos to seek news of his father.

Book III

Telemachus arrives in Pylos, where he is welcomed. Nestor, the king of Pylos, tells Telemachus what he knows of the fates of the other Achaean leaders: Diomedes, Idomeneus and most of the other kings arrived home safely, while Agamemnon was piteously and treacherously murdered by his wife and her lover. Nestor gives Telemachus an escort to assure a safe journey inland to Sparta, where Menelaus reigns. Nestor also holds a feast in honor of Athena, the goddess who accompanied Telemachus to his palace.

Book IV

Menelaus tells what he learned of Odysseus while stranded in Egypt after the war. He was advised by a goddess to disguise himself and three members of his crew and then pounce on the Old Man of the Sea. If they could hold him down while he transformed himself into various animals and shapes, then he would send them on their homeward way and give news of their companions. Menelaus did as instructed and was informed that Odysseus was presently being held against his will by the nymph Calypso.

Book V

Zeus sends Hermes over the waves on magic sandals to Calypso's island. Calypso promises Odysseus immortality, but he refuses. Though the nymph isn't happy about it, she agrees to let Odysseus go. But the raft on which he sets sail is destroyed by Poseidon, who lashes the sea into a storm with his trident. Odysseus barely escapes with his life and washes ashore days later, half-drowned. He staggers into an olive thicket and falls asleep.

Book VI

Odysseus wakes up to the sound of maidens laughing. Princess Nausicaa of the Phaeacians has come down to the riverside to wash some clothes because Athena came to her in a dream and instructed her to do so. Now she and her handmaids are frolicking after the chore. Odysseus approaches as a supplicant, and Nausicaa is kind enough to instruct him how to get the king's help in returning to his home.

Book VII

Then, Odysseus waited and prayed; but the girl drove on to the town. When she reached her father's house she drew up at the gateway, and her brothers gathered round her, took the mules out of the wagon, and carried the clothes into the house, while she went to her own room, where an old servant, Eurymedusa of Apeira, lit the fire for her. This old woman had been brought by sea from Apeira, and had been chosen as a prize for Alcinous because he was king over the Phaeacians, and the people obeyed him as though he were a god. Then Athena said, "Yes, father stranger, I will show you the house you want, for Alcinous lives quite close to my own father."

Book VIII

The next day is declared a holiday in honor of the guest, whose name the king still does not know. Angered, Odysseus takes up a discus and throws it with such violence that everyone drops to the ground. That night at a banquet, as the court entertains with songs of the Trojan War, Odysseus is heard sobbing. "Enough!" shouts the king. "Our friend finds this song displeasing. Won't you tell us your name, stranger, and where do you hail from?"

Book IX

"My name is Odysseus of Ithaca, and here is my tale since setting out from Troy. We destroyed a city called Ísmaros, the domain of the Cicones, but then reinforcements arrived and we lost many comrades. Next we visited the Lotus Eaters, and three of my crew tasted this strange plant. They lost all desire to return home and had to be carried off by force. On another island we investigated a cave full of sheep pens. The herdsman turned out to be as big as a barn, with a single glaring eye in his forehead. This Cyclops promptly ate two of my men for dinner. We were trapped in the cave by a boulder in the doorway that only the Cyclops could budge, so we couldn't kill him while he slept. Instead we sharpened a pole and used it to gouge out his eye. We escaped by clinging to the undersides of his sheep." In total, 6 men were eaten by the Cyclops. Odysseus tells the Cyclops his real name, so then Polyphemus tells Poseiden to enchant a curse on Odysseus. This is the reason why Odysseus' travels are so long and tiring.

Book X

"Next we met Aeolus, who sent us on our way with a steady breeze. He'd given me a leather bag, which my crew mistook for booty. They opened it and released a hurricane that blew us back to where we'd started. We ended up among the Laestrygonians, giants who bombarded our fleet with boulders and gobbled down our shipmates. The few survivors put in at the island of the enchantress Circe. My men were entertained by her and then, with a wave of her wand, turned into swine. Hermes the god gave me an herb, called moly, that protected me. Circe told me that to get home I must travel to the land of Death, then she gave me specific instructions how to cross Oceanus and reach the entry to the underworld where two big rivers flow into Acheron."

Book XI

"We traveled to the underworld to hear from the blind prophet Tiresias. There I saw the ghost of my mother, Anticleia, as well as many of my fallen comrades who died before Troy. Finally I encountered the ghost of Tiresias, who foretold the path I must travel to finally return to Ithaca and make amends to Poseidon."

Book XII

"At sea once more we had to pass the Sirens, whose sweet singing lures sailors to their doom. I had stopped up the ears of my crew with wax, and I alone listened while tied to the mast, powerless to steer toward shipwreck. Next came Charybdis, who swallows the sea in a whirlpool, then spits it up again. Avoiding this we skirted the cliff where Scylla exacts her toll. Each of her six slavering maws grabbed a sailor and wolfed him down. Finally we were becalmed on the island of Helios. My men disregarded all warnings and sacrificed his cattle, so back at sea Zeus sent a thunderbolt that smashed the ship. I alone survived, washing up on the island of Calypso."

Book XIII

When Odysseus had finished, the king ordered him to go to Ithaca. The sailors put him down on the beach asleep. Athena cast a protective mist about him that kept him from recognizing his homeland. Finally the goddess revealed herself and dispelled the mist. In joy Odysseus kissed the ground. Athena transformed him into an old man as a disguise. In a filthy tunic, he went off to find his faithful swineherd, as instructed by the goddess.

Book XIV

Eumaeus the swineherd welcomed the stranger. He threw his own bedcover over a pile of boughs as a seat for Odysseus, who does not reveal his identity. Observing Zeus's commandment to be kind to guests, Eumaeus slaughters a prime boar and serves it with bread and wine. Odysseus, true to his fame as a smooth-talking schemer, makes up an elaborate story of his origins. That night the hero sleeps by the fire under the swineherd's spare cloak, while Eumaeus himself sleeps outside in the rain with his herd. He then later goes and finds Athena to get help to fight the suitors off.

Book XV

Athena summons Telemachus home and tells him how to avoid an ambush by Penelope's suitors. Meanwhile back on Ithaca, Odysseus listens while Eumaeus recounts the story of his life. He was the child of a prosperous mainland king, whose realm was visited by Phoenician traders. His nursemaid, a Phoenician herself, had been carried off by pirates as a girl and sold into slavery. In return for homeward passage with her countrymen, she kidnapped Eumaeus. He was bought by Odysseus' father, whose queen raised him as a member of the family.

Book XVI

Telemachus evades the suitors' ambush. Following Athena's instructions, he proceeds to the farmstead of Eumaeus. There he makes the acquaintance of the tattered guest and sends Eumaeus to his mother to announce his safe return. Athena restores Odysseus' normal appearance, enchanting it so that Telemachus takes him for a god. "No god am I," Odysseus assures him, "but your own father, returned after these twenty years." They fall into each other's arms. Later they plot the suitors' doom. Concerned that the odds are fifty-to-one, Telemachus suggests that they might need reinforcements. "Aren't Zeus and Athena reinforcement enough?" asks Odysseus.

Book XVII

Disguised once more as an old beggar, Odysseus journeys to town. On the trail he encounters an insolent goatherd named Melanthius, who curses and kicks him, but fails to knock him over because of his firm stance. At his castle gate, the hero is recognized by a dog, Argos, that he raised as a pup. Argos is described as being infested with fleas, in a parallel to the infestation of Odysseus's house by Penelope's suitors. Having seen his master again, the faithful old hound dies. At Athena's urging Odysseus begs food from the suitors. One man, Antinous son of Eupeithes, berates him and refuses so much as a crust. He even hurls his footstool at Odysseus, hitting him in the back. This makes even the other suitors nervous, for sometimes the gods masquerade as mortals to test their righteousness.

Book XVIII

Now a real beggar shows up at the palace and warns Odysseus off his turf. This man, Irus, is always running errands for the suitors. Odysseus says that there are pickings enough for the two of them, but Irus threatens fisticuffs and the suitors egg him on. Odysseus rises to the challenge and rolls up his tunic into a boxer's belt. The suitors goggle at the muscles revealed. Not wishing to kill Irus with a single blow, Odysseus breaks his jaw instead. Another suitor, Eurymachus, marks himself for revenge by trying to hit Odysseus with a footstool as Antinous had done.

Book XIX

Odysseus has a long talk with his Penelope but does not reveal his identity. Penelope talks kindly to the stranger and orders her maid Eurycleia to bathe his feet and anoint them with oil. Eurycleia, who was Odysseus' nurse when he was a child, notices a scar above the hero's knee. Odysseus had been gored by a wild boar when hunting on Mount Parnassus as a young man. The maid recognizes her master at once, and her hand goes out to his chin. But Odysseus silences her lest she give away his plot prematurely.

Book XX

Odysseus, sleeping, is furious as he sees the maidservants leaving the hall to sleep with the suitors. He also hears Penelope weeping, until Athena sends her to sleep. The next morning Odysseus asks for a sign, and Zeus sends a clap of thunder out of the clear blue sky. A servant recognizes it as a portent and prays that this day be the last of the suitors' abuse. Odysseus encounters another herdsman. Like the swineherd Eumaeus, this man, who tends the realm's cattle, swears his loyalty to the absent king. A prophet, an exiled murderer whom Telemachus has befriended, shares a vision with the suitors: "I see the walls of this mansion dripping with your blood." The suitors respond with gales of laughter.

Book XXI

Penelope now appears before the suitors. In her hand is a bow left behind by Odysseus when he sailed for Troy. "Whoever strings this bow,and sends an arrow straight through the sockets of twelve axe heads lined in a row, that man will I marry." The suitors take turns trying to bend the bow to string it, but all of them lack the strength. As it is the festival of Apollo, who was, among other things, god of the bow, the suitors decide to pour libations and drink, leaving the fate of the contest up to the gods. Odysseus asks if he might try. The suitors refuse, saying that he is drunk and comparing him to the centaur Eurytion, fearing that they'll be shamed if the beggar succeeds. Penelope speaks up and says that if he strings the bow, she will not marry him, but instead clothe him and send him on his way. But Telemachus rebukes her and his anger distracts them into laughter. Odysseus strings the bow and sends an arrow through the axe heads. At a sign from his father, Telemachus arms himself and takes up a station by his side.

Book XXII

Antinous, ringleader of the suitors, is just lifting a drinking cup when Odysseus puts an arrow through his throat. The goatherd sneaks out and comes back with shields and spears for the suitors, but now Athena appears. She sends the suitors' spearthrusts wide, as Odysseus, Telemachus and the two faithful herdsmen strike with volley after volley of lances. They finish off the work with swords. Those of the housemaids who consorted with the suitors are ordered to clear the hall in which the suitors were slain before being hanged in the courtyard, while the treacherous goatherd is chopped to pieces.

Book XXIII

Odysseus tells everyone to dress in their finest and dance, so that passers-by won't suspect what's happened. Even Odysseus could not hold kinfolk at bay. Penelope still won't accept that it's truly her husband without some secret sign. She tells a servant to make up his bed in the hall. "Who had the craft to move my bed?" storms Odysseus. "I carved the bedpost myself from the living trunk of an olive tree and built the bedroom around it." Penelope rushes into his arms. Odysseus tells her of his adventures and of the prophecy that he has one more journey to make, at some future time, before settling into old age.

Book XXIV

The souls of the dead suitors are led down to Hades, where Agamemnon has been recounting to Achilles the details of the latter's funeral. When the spirit of the suitor Amphimedon tells his own story, Agamemnon praises Odysseus and Penelope and again laments his death at the hands of the faithless Clytemnestra. The next morning Odysseus goes upcountry to the vineyard where his father, old King Laertes, labors like a peasant. Meanwhile, the kin of the suitors have gathered at the assembly ground, where the father of the suitor Antinous fires them up for revenge. Odysseus, his father, and Telemachus meet the challenge. Laertes casts a lance through the helmet of Antinous's father, who falls to the ground in a clatter of armor. But the fighting stops right there. Athena intervenes and stops the fight, and she helps the contending parties reach an agreement to live together in peace down through the years to come.

Geography in the Odyssey

The text of the Odyssey does not contain many modern place names that can immediately be located on a map. Scholars both ancient and modern are divided as to whether or not the locations were in any way real places or they never existed. Eratosthenes, the third century BC Alexandrian geographer, ridiculed attempts to identify places mentioned in the Odyssey, saying "you will find the scene of the wanderings of Odysseus when you find the cobbler who sewed up the bag of winds." Those who tend towards real locations point to the high degree of realism present throughout the poem, especially in Homer's description of sailing. It seems most likely that Homer strung together tales of one or more sea voyages and that some locations at least should follow a logical sequence. Even amongst those scholars who believe the locations to have some basis in reality there is much dispute. However, unlike the Iliad which describes the political geography of post-Homeric Greece indicating that bards would sing at the courts of kings who wished to highlight their city's connection with the world's most famous siege and indicates, the Odyssey may be a more allegorical work.

The Mediterranean

The traditional orthodox theory, which has been taken as accurate by many including some encyclopedias and other reference works, sees Odysseus driven into the western Mediterranean with most of his adventures taking place between Tunisia, Sardinia, Italy and Sicily. However this theory has a number of flaws which make little sense either from a sailing or identification point of view. Ancient Greek ships were small, rarely ventured out onto the open sea and their captains did not explore unknown territories but instead sought to regain their course if blown off it. The orthodox route includes the following locations:

• The island of Calypso, referred to in the Odyssey as Ogygia, is associated with Gozo, which is part of the Maltese archipelago. Odysseus is said to have landed on the northern shore of the island, on the beach of Ir-Ramla.
• The lotophagi are located in Tunisia on the basis that this is where a sailing vessel blown off course at Cape Malea could reach at full speed. However, a vessel blown off course would have been more cautious and would not have ventured so far away, especially if trying to reach home.
• Aeolus is traditionally located in the Aeolian Islands to the north of Sicily. However, for Odysseus' vessels to have caught a favourable wind all the way to Ithaca and then have an unfavourable wind blow them all the way back so that they would have had to sail through the Straits of Messina is extremely implausible.
• There is a real river Acheron in north west Greece. However, its location has been ignored by many, since the orthodox theory makes no allowances for Odysseus being in that region.
• The palace of Alcinous, the king of the Phaecians in the Odyssey itself is located on the island of Scherie, which is now suspected to be Corfu.
• Scylla and Charybdis are traditionally located in the Straits of Messina. However, the channel they inhabit is said to be narrow. The Straits are over two miles wide at their narrowest point, and even wider at the rock traditionally identified as Scylla's. The whirlpools around the straits are not even in the "narrows" and are nothing more than gyrating patches of water caused by the cross-section of two currents.
• Thrinicia, the island home of Helios' cattle, is said to have been Sicily since the name Thrinicia implies an island connected to the number 3 and Sicily has three corners. However, Sicily is huge by ancient Greek standards and so its three corners are only noticeable on a modern map, not at sea, and it is more likely that the name Thrinicia would have come about because sailors could use it to easily identify an island as they could see it.

More generally the orthodox theory assumes that the ancient Greeks knew about Italy, but there are very few references at all in the Odyssey to any part of the world to the west of Greece, though lands in the east and south such as Egypt and Sudan are mentioned in several places.

Not all reconstructions are based purely on readings in the classics: Tim Severin sailed a replica Greek sailing vessel (originally built for his attempt to follow Jason's argosy) along the 'natural' route from Troy to Ithaca, following the sailing directions that could be teased out of Homer. Along the way he found locations at the natural turning and dislocation points which fit the pattern much more closely than the orthodox theory. However, he also came to the conclusion that the sequence of adventures from Circe onwards derived from a separate voyage to those that ended with the Laestrygonians, possibly coming via the stories of the Argonauts. He placed many of the later adventures on the northwest Greek coast, near to the river Acheron. Along the way he found on the map Cape Skilla and other names that implied strong mythological links to the Odyssey. His adventure is recounted in The Ulysses Voyage: Sea Search for the Odyssey.

The Atlantic Ocean

There is an alternative theory which places all of the locations of the Odyssey in the Atlantic Ocean. As the Greek geographer Strabo noted that "Homer was not ignorant about the ebb and flow of Okeanos," and thus concluded that at least several events described by the poet must have taken place in the Atlantic. Some modern readers have argued that that all of Odysseus's travels took place in the Atlantic, such as Theophile Cailleux.

Criticism on the attempts at a Homeric Geography

The modern Greek homerist I.Th. Kakrides maintained that the Odyssey is a work of poetry and not a travel log, and that it is hence useless to make efforts to locate the various places mentionned in the Odyssey on the map, excepting some places as Ithaca, Pylos, Thrace and Troy, that were known places in Homer's times. He compares the effort to locate, for example, Circes' island on the map, to locating the castle of Bluebeard or the hut of the seven dwarves. We cannot possibly confuse the narration of Odyssey with history, since it contains gods, giants, witches, monsters etc., except if we believe that these creatures really existed. Neither can we but totally arbitrary interpret any mythos as an allegoric description of natural phenomenae, e.g. say that "giants are in fact tall exotic people or gorillas", because that is to confuse the speculated inspiration for the mythos to the mythos itself. The only question that could be asked is rather "where Homer did imagine this places?". But Homer is not preocupated with geographic precision. When Ulysses says "we travelled nine days", the number "nine" is a typical poetic number - the meaning is "some days". ¹

Near Eastern influences

Scholars have seen strong influences from Near Eastern mythology and literature in the Odyssey. Martin West has noted substantial parallels between the Epic of Gilgamesh and the Odyssey. Both Odysseus and Gilgamesh are known for travelling to the ends of the earth, and on their journeys go to the land of the dead. On his voyage to the underworld Odysseus follows instructions given to him by Circe, a goddess who is the daughter of the sun-god Helios. Her island, Aiaia, is located at the edges of the world, and seems to have close associations with the sun. Like Odysseus,Gilgamesh gets directions on how to reach the land of the dead from a divine helper: in this case she is the goddess Siduri, who, like Circe, dwells by the sea at the ends of the earth. Her home is also associated with the sun: Gilgamesh reaches Siduri's house by passing through a tunnel underneath Mt. Mashu, the high mountain from which the sun comes into the sky. West argues that the similarity of Odysseus' and Gilgamesh's journeys to the edges of the earth are the result of the influence of the Gilgamesh epic upon the Odyssey.

Derivative works

• The contemporary play Highway Ulysses by Rinde Eckert tells the story of the journey of a Vietnam veteran travelling to his son, meeting modern day characters akin to characters or monsters in the Odyssey (including the Sirens and Cyclops).
• "Telemachus Clay" by Lewis John Carlino is a contemporary play about the travels of a young man, Telemachus, in search of the father he never knew in the big city as he meets many strange characters along the way.
• The 1954 Broadway musical The Golden Apple by librettist John Treville Latouche and composer Jerome Moross was freely adapted from the Iliad and the Odyssey, re-setting the action to the American state of Washington in the years after the Spanish-American War, with events inspired by the Iliad in Act One and events inspired by the Odyssey in Act Two.
• Some of the tales of Sindbad the Sailor from The Book of One Thousand and One Nights (Arabian Nights) were taken from Homer's Odyssey.
• A modern novel inspired by the Odyssey is James Joyce's Ulysses (1922).
• Nikos Kazantzakis wrote The Odyssey: A Modern Sequel, a 33,333 line epic poem which continues Odysseus' journeys past the point of his arrival in Ithaca.
• Andrew Lang and H. Rider Haggard collaborated on The World's Desire in which Odysseus and Helen meet in Egypt at the time of the Exodus.
• "The Odyssey", a made for TV movie from 2001 made by Hallmark Entertainment and directed by Andrei Konchalovsky is a slightly abbreiviated version of the tale which encompasses Homer's epic. It stars Armand Assante, Greta Scacchi, Isabella Rossellini and Vanessa Williams.
• The movie O Brother, Where Art Thou? has the basic plot of The Odyssey; Joel and Ethan Coen admit to basing the movie loosely on the Odyssey (and explicitly reference it in the opening credits) but insist that they haven't read it.
• R.A. Lafferty retold the story in a science fiction setting in his novel Space Chantey. Another science fiction retelling of the Odyssey is R L Fanthorpe's novel Negative Minus, in which all the names are spelled backwards (for example "Suessydo", "Ecric" and "Acahti").
• Progressive metal group Symphony X based a 24-minute epic track The Odyssey on the story in their 2002 album, The Odyssey.
• The animated cartoon Ulysses 31 featured a science-fiction tale of a hero trying to get back to his wife Penelope.
• The first half of Virgil's Aeneid parallels the Odyssey in structure.
• Ulysses, a poem by Alfred Lord Tennyson, and also The Lotos-Eaters.
• Tank Girl: Odyssey borrows freely and irreverently from Homer and from James Joyce's Ulysses, casting targets in the contemporary media as the trials the heroine must overcome to get back to her mutant kangaroo boyfriend.
• Odyssey: A Stage Version, 1993 play, divided into two acts (respectively broken up into 14 and 6 scenes) written by Derek Walcott and originally performed by the Royal Shakespeare Company.
• The 1997 novel Cold Mountain by Charles Frazier, about a confederate war deserter returning home, is based on The Odyssey
• In Jean-Luc Godard's film Le Mépris (Contempt) (1963) German film director Fritz Lang plays himself trying to direct a film adaptation of Homer's Odyssey.
• In Dante's Divine Comedy ("Inferno XXVI"), Odysseus is punished as a fraudulent advisor in Hell, talking about the Hubris of his last voyage (over the edge). (Yet this story is not taken from Homer's Odyssey.)
• Odds Bodkin has published a retelling of the Odyssey, featuring vocal storytelling and musical accompaniment, entitled "The Odyssey." This work includes most of the plot of Homer's "Odyssey," and is narrated from Odysseus' point of view.
• The Penelopiad by Margaret Atwood retells the story from the point of view of Penelope.
• The Desmond Hume storyline on Lost may be based partly on The Odyssey; Desmond goes on a "race around the world" in order to win back his honor and marry his girlfriend Penelope.
• The main character of Hayao Miyazaki's movie Nausicaa of the Valley of the Wind is named after the princess in the Odyssey.
• The short story The Ulyssey by uruguayan writer Rodrigo Tisnés, tells in a humoristic way, the frustrated attempt of two friends both named Ulysses in Eastern Holidays, to travel from Montevideo in Uruguay to Florianopolis in Brazil.

External links

• Greek Myth: the Odyssey
• The Meaning of Tradition in Homer's Odyssey by Marcel Bas. Views The Odyssey from the perspective of Indo-european tradition and religion.
• Homer's Odyssey resources on the Web by Jorn Barger. Provides links to the original and various public domain translations.

Interlinear translations

• John Jackson
  • Homer: Odyssey © Oxford Univ. Press 1902, parsing and English definitions by John Jackson © 2006 Free eBook for Palm Handheld

English translations

• • George Chapman, 1616 (couplets)
  • Alexander Pope, 1713 (couplets); Project Gutenberg edition; [1]
  • William Cowper, 1791 (blank verse)
  • Samuel Henry Butcher and Andrew Lang, Project Gutenberg edition; [2]
  • William Cullen Bryant, 1871 (blank verse)
  • William Morris, 1887
  • Samuel Butler, 1898 (prose), Project Gutenberg edition; [3]
  • English Text Samuel Butler, 1898 (prose)
  • A. T. Murray (revised by George E. Dimock), 1919; Loeb Classical Library (ISBN 0-674-99561-9)
  • T.E. Shaw (T.E. Lawrence), 1932
  • W. H. D. Rouse, 1937
  • E.V. Rieu, 1945
  • Richmond Lattimore, 1965 (ISBN 0-06-093195-7)
  • Robert Fitzgerald, 1963 (ISBN 0-679-72813-9)
  • Walter Shewring, 1980 (ISBN 0-19-283375-8), Oxford University Press (Oxford World's Classics)
  • Allen Mandlebaum, 1990
  • Robert Fagles, 1996 (ISBN 0-14-026886-3); an unabridged audio recording by Ian McKellen is also available (ISBN 0-14-086430-X).
  • Stanley Lombardo, 2000 (ISBN 0-87220-484-7) has what is considered by some to be the best combination of faithfulness to the original Greek and a more vernacular style. An audio CD recording read by the translator is also available (ISBN 1-930972-06-7).
  • Perseus Project Od.1.1

¹< Ελληνική Μυθολογία [Greek Mythology],vol. 5: The war of Troy, Ekdotike Athenon, Athens 1986.