George Jones: Difference between revisions
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There are other stories that he was actually arrested by the highway patrol for driving while intoxicated, though those may be apocryphal. |
There are other stories that he was actually arrested by the highway patrol for driving while intoxicated, though those may be apocryphal. |
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The riding mower doesn't seem to be a one-time event. Wife Tammy Wynette told her own riding mower story in her 1979 autobiography "Stand By Your Man": |
The riding mower doesn't seem to be a one-time event. Wife Tammy Wynette told her own riding mower story in her 1979 autobiography ''"Stand By Your Man":'' |
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Revision as of 16:59, 7 December 2006
George Jones |
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George Glenn Jones (born September 12, 1931), nicknamed The Possum, is an American country singer known for his distinctive voice and phrasing that frequently evoke the raw emotions caused by grief, unhappy love, and emotional hardship. He has had more songs than any other singer on the country charts – 167 as of November, 2005. He has also had the most Top 40 Hits – 143 – and is second to Eddy Arnold with the most Top 10 Hits – 78. Over the past twenty years or so, Jones has frequently been referred to as "the greatest living country singer" [1] and "the Rolls-Royce of country singers." Frank Sinatra once called him "the second best white male singer." The country music scholar Bill C. Malone writes, "For the two or three minutes consumed by a song, Jones immerses himself so completely in its lyrics, and in the mood it conveys, that the listener can scarcely avoid becoming similarly involved."[2]
Early Life and Career
Jones was born with a broken arm in Saratoga, Texas to a religious mother and an alcoholic father. He grew up in the settlements north of Beaumont around the Big Thicket[3]. By age 24, he had served in the Marines[4], and developed his skills as a country musician and singer. Jones started off singing for local radio and in 1954 recorded his first record, "No Money In This Deal."
In 1955 he had his first top 10 hit with "Why, Baby, Why."[5] He had his first country No. 1 on Mercury Records in 1959 with "White Lightning." After Elvis Presley's success, Jones half-heartedly took a stab at rockabilly in the hopes of getting noticed, recording under the name "Thumper Jones," but returned to country almost immediately. In his autobiography, Jones claims that when he encountered these rock and roll records years later he would use them as frisbees[6]. On his earliest recordings Jones imitated his idols Hank Williams, Lefty Frizzell, and Roy Acuff, but as the 1960s began, his voice matured and he developed a unique style that continued to evolve throughout his long career.
He wrote or co-wrote many of his early hits on Mercury Records as well as hits for others, such as "Tender Years," "Life To Go" (a smash for Stonewall Jackson), "Seasons Of My Heart" (a hit for Johnny Cash) and "The Window Up Above," a tune that has since become a standard.
Marriages
Jones was married twice before he turned 24. His first marriage was to Dorothy Bonvillion in 1950, a marriage that lasted but a year. In 1954, Jones married Shirley Ann Corlea, and this marriage lasted until 1968. He next married fellow country musician Tammy Wynette in 1969. This marriage lasted until 1975. He married his current wife, Nancy Sepulveda, who also became his manager, in 1983. Jones credits Nancy for rescuing him from the bottle and cocaine. The couple currently live in Tennessee.[7]
Drinking and Drug Abuse
Jones' alcohol consumption was legendary. For a great part of his life he woke up to a Bloody Mary and spent the rest of the day drinking bourbon.
Perhaps the best known story of his drinking days is tragiccomic. While married to the former Shirley Coreley, his second wife in the mid 1960's. Jones wrote about it in his 1996 autobiography "I Lived To Tell It All":
Once, when I had been drunk for several days, Shirley decided she would make it physically impossible for me to buy liquor. I lived about eight miles from Beaumont and the nearest liquor store. She knew I wouldn't walk that far to get booze, so she hid the keys to every car we owned and left.
But she forgot about the lawn mower.
I can vaguely remember my anger at not being able to find keys to anything that moved and looking longingly out a window at a light that shone over our property. There, gleaming in the glow, was that ten-horsepower rotary engine under a seat. A key glistening in the ignition.
I imagine the top speed for that old mower was five miles per hour. It might have taken an hour and a half or more for me to get to the liquor store, but get there I did.
There are other stories that he was actually arrested by the highway patrol for driving while intoxicated, though those may be apocryphal.
The riding mower doesn't seem to be a one-time event. Wife Tammy Wynette told her own riding mower story in her 1979 autobiography "Stand By Your Man":
About 1 am I would wake up and look over to find he was gone. I got into the car and drove to the nearest bar 10 miles away.
When I pulled into the parking lot there sat our rider-mower right by the entrance. He'd driven that mower right down a main highway. He looked up and saw me and said, `Well, fellas, here she is now. My little wife, I told you she'd come after me'.
There are other stories that he was actually arrested by the highway patrol for Driving Under The Influence, though those may be apocryphal.
In the 1970s, Jones was introduced to cocaine by a manager before a show in which he was too tired to perform. This accelerated his already unpredictable actions. His self-destructive bent brought him close to death and to the inside of a mental hospital in Alabama at the end of the decade. Although somewhat celebrated by some of his fans as the hard-drinkin', fast-livin' spiritual-son of his idol, Hank Williams, he missed so many booked engagements that he became known as "No-Show Jones." He was often broke and later admitted that friends Waylon Jennings and Johnny Cash came to his aid financially during this period. Jones' drinking contributed to the dissolution of several of his marriages.
Stardom
Throughout the 1960s, Jones dominated the country charts with a string of hits. Songwriters fell over themselves to get their songs to him because he was, quite simply, money in the bank. Jones himself remained remarkably aloof from fame and fortune while his managers signed him to various recording deals with different record labels. Although he stuck to country with a vengeance, his recordings lost some of their earlier Williams/Frizzell honky-tonk rawness and became more stylized with the emergence of the Nashville Sound. By the end of the decade, however, he was becoming increasingly unhappy with his recordings on Musicor, and began looking around for a new deal. He found it at Epic Records and was signed by legendary producer Billy Sherrill. Despite a shaky start, the Jones/Sherrill partnership would go on to become one of the most legendary in the history of the business.
Jones was introduced to Sherrill by Tammy Wynette, who had co-written "Stand By Your Man" with the producer. She was, at that time, one of the biggest stars in country music. Jones' third wife, Wynette became the passion of his life and he even curbed his by now legendary drinking. The pair were married in 1969 and performed a string of duets together, including "Take Me" (co-written by Jones with Leon Payne, who had written "Lost Highway" for Hank Williams years earlier), "We're Gonna Hold On," and "Golden Ring." Wynette could not keep Jones from drinking, however, and after a turbulent relationship, the couple divorced in 1975.
During the 1970s, Jones began to use cocaine. There were few hits because Jones' voice was often in shambles from his binges and he was unable to record. This period is probably best summed up in a spellbinding song called "I Just Don't Give A Damn," a by now rare co-written tune by Jones and Jimmy Peppers that is on his Memories Of Us LP. However, when Jones did record, it was evident that his singing was actually getting better and he began to be recognized as a first-rate improvisational vocalist. Journalist Nick Tosches noted in the Texas Monthly that Jones "possesses a unique sound and stands alone in country music: a well of pure natural power, capable of swooping from high tenor to deep baritone, of articulating emotion like no other, of weaving the tapestries of hard-core honky-tonk, buoyant rockabilly, and back-country gospel."
In 1980 Jones released the album I Am What I Am,Which included Jones' biggest hit, "He Stopped Loving Her Today," which is often considered to be the greatest country song of all time. It was recorded in the depths of his bad days and literally made fools out of everyone who had previously written him off. It was an instant sensation, going to number one and staying there for 18 weeks. According to Sherrill, the last words an unethusiastic Jones said about the song before bolting from the studio was "Nobody'll buy that morbid son of a bitch." Throughout the 1980s Jones and Sherrill continued to pump out albums, including Shine On, Who's Gonna Fill Their Shoes, andWine Colored Roses.
Jones continued recording throughout the 1990s despite being ignored by modern country radio, a state of affairs that has long been a source of annoyance to him. In his biography I Lived to Tell It All, published in 1996, Jones set out a chronicle of his life and his bad behaviour.
In March 1999 Jones was in a near-fatal car crash and later admitted to driving while impaired. He later recorded a double album of Gospel songs to critical acclaim. Billy Sherrill, who had retired from producing in the early 1990s, came out of retirement to produce the album. Jones still spends up to 165 days a year on the road.
Jones appeared on the latest album by Jerry Lee Lewis that was released in September of 2006. He also released a duet album with Merle Haggard on October 24 called Kickin' Out The Footlights... Again, a sequel to their A Taste Of Yesterday's Wine LP from 1983. The album is advertised as "Haggard sings Jones, Jones sings Haggard."
On October 20, 2006, Jones broke his right wrist in a fall at his producer's studio in Nashville, Tennessee. He was taken to orthopedic surgeon Jane Siegel of the Tennessee Orthopedic Alliance, who performed surgery on October 23, 2006. Eight days later, in spite of his bandaged wrist, the 75-year-old Jones gave his first concert at Carnegie Hall in New York in 44 years. He was unable to play his guitar and, according to The New York Times appeared as if he were in "apparent agitation throughout the concert, which rarely found him engaging with a song." Its review summed up the concert as being "something other than a resounding success." [1]
This year, 2006, marks Jones' 51st year in country music as well as his 37th year at the Grand Ole Opry.
Awards
Year | Award | Awards | Notes |
---|---|---|---|
1956 | Most Promising New Country Vocalist | Billboard | |
1962 | Most Promising New Country Vocalist | Country Music D.J. Convention | |
1962 | Male Vocalist of the Year | Cash Box | |
1962 | Male Vocalist of the Year | Billboard | |
1963 | Male Vocalist of the Year | Country Music D.J. Convention | |
1963 | Male Vocalist of the Year | Cash Box | |
1963 | Male Vocalist of the Year | Billboard | |
1970 | Walkway of Stars at the Country Music Hall Of Fame | Country Music Hall of Fame | |
1972 | Top Vocal Duo | Cash Box | with Tammy Wynette |
1973 | Top Vocal Duo | Cash Box | with Tammy Wynette |
1976 | Top Duet | Cash Box | with Tammy Wynette |
1980 | Grammy for Best Male Country Vocal Performance for "He Stopped Loving Her Today" | Grammy | |
1980 | Male Vocalist of the Year | Academy of Country Music | |
1980 | Male Vocalist of the Year | CMA | |
1980 | "He Stopped Loving Her Today" Song of the Year | CMA | |
1981 | Male Vocalist of the Year | CMA | |
1981 | "He Stopped Loving Her Today" Song of the Year | CMA | Won "Song of the Year" two years in a row. |
1981 | Male Vocalist of the Year | Music City News | |
1981 | "He Stopped Loving Her Today" Single of the Year | Music City News | |
1986 | Music Video of the Year | CMA | |
1987 | Living Legend | Music City News | |
1992 | "He Stopped Loving Her Today" Voted All-Time Country Song | ||
1992 | Inducted into the Country Music Hall of Fame | Country Music Hall of Fame | |
1993 | The Pioneer Award | Academy of Country Music | |
1993 | Vocal Event of the Year | CMA | with Garth Brooks, Joe Diffie, Pam Tillis, T. Graham Brown, Mark Chesnutt, Travis Tritt, Vince Gill, Alan Jackson, Patty Loveless, and Clint Black |
1995 | Vocal Collaboration of the Year | TNN/Music City News | |
1998 | Hall of Fame Award | Grammy | |
1998 | Vocal Event of the Year | CMA | with Patty Loveless |
1999 | Grammy for Best Male Country Vocal Performance for "Choices" | Grammy | |
2003 | Ranked #3 of the 40 greatest men in country music | CMT |
Discography
Year | Album | Record Label | Notes |
---|---|---|---|
1965 | Famous Country Duets | Musicor | |
1965 | George Jones and Gene Pitney: For the First Time! Two Great Singers | Musicor | with Gene Pitney |
1965 | George Jones and Gene Pitney (Recorded in Nashville!) | Musicor | with Gene Pitney |
1965 | Mr. Country & Western Music | Musicor | |
1965 | New Country Hits | Musicor | |
1965 | Old Brush Arbors | Musicor | |
1966 | Country Heart | Musicor | |
1966 | I'm a People | Musicor | |
1966 | It's Country Time Again! | Musicor | |
1966 | Love Bug | Musicor | |
1966 | We Found Heaven Right Here on Earth at "4033" | Musicor | |
1976 | Hits by George | Musicor | |
1967 | Walk through This World with Me | Musicor | |
1968 | If My Heart Had Windows | Musicor | |
1968 | Sings the Songs of Dallas Frazier | Musicor | |
1969 | I'll Share My World with You | Musicor | |
1969 | Where Grass Won't Grow | Musicor | |
1970 | Will You Visit Me on Sunday? | Musicor | |
1971 | George Jones with Love | Musicor | |
1971 | George Jones Sings the Great Songs of Leon Payne | Musicor | |
1971 | We Go Together | Epic Records | with Tammy Wynette |
1972 | A Picture of Me (Without You) | Epic Records | |
1972 | George Jones (We Can Make It) | Epic Records | |
1972 | Me and the First Lady | Epic Records | with Tammy Wynette |
1972 | We Love to Sing About Jesus | Razor & Tie | |
1973 | Let's Build a World Thogeter | Epic Records | |
1973 | Nothing Ever Hurt Me (Half as Bad as Losing You) | Epic Records | |
1973 | We're Gonna Hold On | Epic Records | with Tammy Wynette |
1974 | In a Gospel Way | Razor & Tie | |
1974 | The Grand Tour | Razor & Tie | |
1975 | George & Tammy & Tina | Epic Records | with Tammy Wynette |
1975 | Memories of Us | Epic Records | |
1976 | Alone Again | Epic Records | |
1976 | Golden Ring | Razor & Tie | with Tammy Wynette |
1976 | The Battle | Epic Records | |
1978 | Bartender's Blues | Razor & Tie | |
1979 | My Very Specail Guests | Epic Records | |
1980 | Double Trouble | Razor & Tie | with Johnny PayCheck |
1980 | I Am What I Am | Epic Records | |
1981 | Together Again | Epic Records | with Tammy Wynette |
1981 | Still The Same Ole Me | Epic Records | |
1982 | A Taste of Yesterday's Wine | Epic Records | with Merle Haggard |
1982 | Anniversary - 10 Years Of Hits | Epic Records | |
1983 | Jones Country | Epic Records | |
1983 | Shine On | Epic Records | |
1984 | You've Still Got a Place in My Heart | Epic Records | |
1984 | Ladies' Choice | Epic Records | |
1984 | By Request | Epic Records | |
1985 | First Time Live | Epic Records | |
1985 | Who's Gonna Fill Their Shoes? | Epic Records | |
1986 | Wine Colored Roses | Epic Records | |
1987 | Too Wild Too Long | Epic Records | |
1987 | Super Hits | Epic Records | |
1989 | One Woman Man | Epic Records | |
1990 | You Oughta Be Here with Me | Epic Records | |
1991 | Friends in High Places | Epic Records | |
1991 | And Along Came Jones | MCA Nashville Records | |
1992 | Walls Can Fall | MCA Nashville Records | |
1993 | High Tech Redneck | MCA Nashville Records | |
1993 | Super Hits, Vol. 2 | Epic Records | |
1994 | Bradley Barn Sessions | MCA Nashville Records | |
1995 | One | MCA Nashville Records | with Tammy Wynette |
1996 | I Lived to Tell It All | MCA Nashville Records | |
1998 | It Don't Get Any Better Than This | MCA Nashville Records | |
1999 | Cold Hard Truth | Asylum Records | |
1999 | Live With the Possum | Asylum Records | |
2001 | The Rock: Stone Cold Country 2001 | Bandit Records | |
2003 | The Gospel Collection | Bandit Records | |
2004 | 50 Years Of Hits | Bandit Records | |
2005 | Hits I Missed...And One I Didn't | Bandit Records | |
2006 | Kickin' Out the Footlights...Again | Bandit Records | with Merle Haggard |
Gold & Platinum Albums
Certification Date | Album | Certified | Label |
---|---|---|---|
09/18/81 | I Am What I Am | Gold | Epic Records |
12/29/83 | I Am What I Am | Platinum | Epic Records |
09/11/89 | Anniversary - 10 Years Of Hits | Gold | Epic Records |
12/18/90 | Still The Same Ole Me | Gold | Epic Records |
02/13/92 | Super Hits | Gold | Epic Records |
02/03/94 | Super Hits | Platinum | Epic Records |
10/04/94 | Walls Can Fall | Gold | MCA Nashville Records |
12/05/94 | Wine Colored Roses | Gold | Epic Records |
09/12/95 | George Jones and Tammy Wynette's Greatest Hits | Gold | Epic Records |
03/07/00 | Cold Hard Truth | Gold | Asylum Records |
07/03/01 | High Tech Redneck | Gold | MCA Nashville Records |
11/05/02 | 16 Biggest Hits | Gold | Legacy Recordings/Epic Records |
11/05/02 | Super Hits | 2x Platinum | Epic Records |
10/25/05 | 50 Years Of Hits | Gold | Bandit Records |
Music Videos
Year | Video | Notes |
---|---|---|
1985 | "Who's Gonna Fill Their Shoes?" | |
1991 | "She Loved A Lot In Her Time" | |
1991 | "You Couldn't Get the Picture" | |
1992 | "Walls Can Fall" | |
1993 | "I Don't Need Your Rockin' Chair" | |
1993 | "High Tech Redneck" | |
1995 | "One" | with Tammy Wynette |
1996 | "Honkey Tonk Song" | |
1998 | "Wild Irish Rose" | |
1999 | "Choices" | |
2001 | "Beer Run (B Double E Double Are You In?)" | with Garth Brooks |
2002 | "50,000 Names" | |
2005 | "The Blues Man" | with Dolly Parton |
2006 | "Funny How Time Slips Away" |
Songs In Top 100 Since 1955 — (In parentheses: weeks at #1, #2, or #3)[8]
No. | First Charted | Peak Position | Weeks Charted | Title |
---|---|---|---|---|
1 | 10/29/55 | 4 | 18 | Why Baby Why, co-written by Jones |
2 | 1/28/56 | 7 | 7 | What Am I Worth, co-written by Jones |
3 | 7/14/56 | 7 | 8 | You Gotta Be My Baby, written by Jones |
4 | 10/20/56 | 3 (1) | 11 | Just One More, written by Jones |
5 | 5 | Gonna Come Get You (Juke Box flip side hit, apparently, of Just One More), written by Jones | ||
6 | 1/26/57 | 10 | 1 | Yearning (with Jeanette Hicks), co-written by Jones |
7 | 3/9/57 | 10 | 2 | Don't Stop The Music, written by Jones |
8 | 1 | Uh, Uh, No (Juke Box flip side hit, apparently, of Don't Stop The Music), written by Jones | ||
9 | 6/10/57 | 13 | 6 | Too Much Water, co-written by Jones |
10 | 4/14/58 | 7 | 10 | Color of the Blues, co-written by Jones |
11 | 11/17/58 | 6 | 16 | Treasure of Love, co-written by Jones |
12 | 12/8/58 | 29 | 1 | If I Don't Love You (Grits Ain't Groceries), flip side, apparently, of Treasure of Love, co-written by Jones |
13 | 3/9/59 | 1 (5) | 22 | White Lightning |
14 | 7/20/59 | 7 | 13 | Who Shot Sam, co-written by Jones |
15 | 11/23/59 | 15 | 12 | Money To Burn |
16 | 11/23/59 | 19 | 12 | Big Harlan Taylor, flip side, apparently, of Money To Burn |
17 | 4/4/60 | 16 | 12 | Accidentally On Purpose, co-written by Jones |
18 | 4/25/60 | 30 | 1 | Sparkling Brown Eyes, flip side, apparently, of Accidentally On Purpose |
19 | 8/22/60 | 25 | 2 | Out Of Control, co-written by Jones |
20 | 11/7/60 | 2 (1) | 34 | The Window Up Above, written by Jones |
21 | 5/29/61 | 16 | 2 | Family Bible |
22 | 6/19/61 | 1 (7) | 32 | Tender Years |
23 | 9/18/61 | 15 (1) | 3 | Did I Ever Tell You (with Margie Singleton) |
24 | 2/24/62 | 5 | 12 | Aching, Breaking Heart |
25 | 4/14/62 | 1 (6) | 23 | She Thinks I Still Care Grammy: Hall of Fame |
26 | 4/28/62 | 17 | 5 | Sometimes You Just Can't Win, flip side, apparently, of She Thinks I Still Care |
27 | 6/16/62 | 11 | 10 | Waltz Of The Angels (with Margie Singleton) |
28 | 7/21/62 | 13 | 11 | Open Pit Mine |
29 | 8/25/62 | 28 | 1 | You're Still On My Mind |
30 | 10/6/62 | 3 (4) | 18 | A Girl I Used To Know (& The Jones Boys) |
31 | 10/13/62 | 13 | 9 | Big Fool Of The Year (& The Jones Boys), flip side, apparently, of A Girl I Used To Know |
32 | 2/9/63 | 7 | 18 | Not What I Had In Mind (& The Jones Boys) |
33 | 4/6/63 | 29 | 1 | I Saw Me (& The Jones Boys), co-written by Jones |
34 | 5/4/63 | 3 (1) | 28 | We Must Have Been Out Of Our Minds (with Melba Montgomery) |
35 | 7/13/63 | 5 | 22 | You Comb Her Hair |
36 | 11/30/63 | 20 | 5 | What's In Our Heart (with Melba Montgomery), co-written by Jones |
37 | 12/7/63 | 17 | 7 | Let's Invite Them Over (with Melba Montgomery), flip side, apparently, of What's In Our Heart |
38 | 2/1/64 | 5 | 18 | Your Heart Turned Left (And I Was On The Right) |
39 | 2/8/64 | 15 | 9 | My Tears Are Overdue, flip side, apparently, of Your Heart Turned Left (And I Was On The Right) |
40 | 3/28/64 | 39 | 3 | The Last Town I Painted |
41 | 6/6/64 | 31 | 7 | Something I Dreamed |
42 | 6/20/64 | 10 | 16 | Where Does A Little Tear Come From, flip side, apparently, of Something I Dreamed |
43 | 9/5/64 | 31 | 5 | Please Be My Love (with Melba Montgomery) |
44 | 9/26/64 | 3 (6) | 28 | The Race Is On |
45 | 12/12/64 | 25 | 15 | Multiply The Heartaches (with Melba Montgomery) |
46 | 1/30/65 | 15 | 15 | Least Of All |
47 | 3/13/65 | 9 | 21 | Things Have Gone To Pieces |
48 | 4/24/65 | 16 | 10 | I've Got Five Dollars And It's Saturday Night (George & Gene) (with Gene Pitney) |
49 | 6/5/65 | 14 | 12 | Wrong Number, co-written by Jones |
50 | 7/3/65 | 25 | 7 | Louisiana Man (George & Gene) (with Gene Pitney) |
51 | 8/28/65 | 6 | 18 | Love Bug |
52 | 10/9/65 | 40 | 3 | What's Money, co-written by Jones |
53 | 11/6/65 | 8 | 18 | Take Me, co-written by Jones |
54 | 11/20/65 | 50 | 2 | Big Job (George & Gene) (with Gene Pitney) |
55 | 3/12/66 | 6 | 17 | I'm A People |
56 | 3/12/66 | 46 | 3 | World's Worse Loser |
57 | 6/4/66 | 47 | 3 | That's All It Took (George & Gene) (with Gene Pitney), co-written by Jones |
58 | 6/25/66 | 30 | 7 | Old Brush Arbors |
59 | 7/30/66 | 5 | 16 | Four-O-Thirty-Three, co-written by Jones |
60 | 11/19/66 | 70 | 3 | Close Together (As You And Me) (with Melba Montgomery) |
61 | 1/21/67 | 1 (2) | 22 | Walk Through This World With Me |
62 | 5/20/67 | 5 | 17 | I Can't Get There From Here |
63 | 9/9/67 | 24 | 10 | Party Pickin' (with Melba Montgomery) |
64 | 10/7/67 | 7 | 18 | If My Heart Had Windows |
65 | 2/3/68 | 8 | 14 | Say It's Not You |
66 | 4/13/68 | 35 | 11 | Small Time Laboring Man, co-written by Jones |
67 | 7/6/68 | 3 (1) | 13 | As Long As I Live |
68 | 9/28/68 | 12 | 12 | Milwaukee, Here I Come (With Brenda Carter) |
69 | 11/23/68 | 2 (2) | 17 | When The Grass Grows Over Me' |
70 | 3/29/69 | 2 (2) | 18 | I'll Share My World With You |
71 | 7/19/69 | 6 | 14 | If Not For You |
72 | 11/15/69 | 6 | 14 | She's Mine |
73 | 11/22/69 | 72 | 13 | No Blues Is Good News, flip side, apparently, of She's Mine |
74 | 3/14/70 | 28 | 10 | Where Grass Won't Grow |
75 | 7/4/70 | 13 | 14 | Tell Me My Lying Eyes Are Wrong (And The Jones Boys) |
76 | 11/21/70 | 2 (1) | 1 | A Good Year For The Roses |
77 | 3/20/71 | 10 | 13 | Sometimes You Just Can't Win, new version of his 1962 hit |
78 | 6/12/71 | 7 | 14 | Right Won't Touch A Hand |
79 | 10/2/71 | 13 | 12 | I'll Follow You (Up To Our Cloud) |
80 | 12/25/71 | 9 | 13 | Take Me (with Tammy Wynette), new version of his 1965 hit, co-written by Jones |
81 | 2/12/72 | 6 | 14 | We Can Make It |
82 | 2/12/72 | 30 | 8 | A Day In The Life Of A Fool |
83 | 5/20/72 | 2 (1) | 14 | Loving You Could Never Be Better |
84 | 7/8/72 | 6 | 15 | The Ceremony (with Tammy Wynette) |
85 | 10/14/72 | 46 | 7 | Wrapped Around Her Finger, co-written by Jones |
86 | 10/28/72 | 5 | 16 | A Picture Of Me (Without You) |
87 | 11/25/72 | 38 | 9 | Old Fashioned Singing (with Tammy Wynette) |
88 | 3/3/73 | 6 | 14 | What My Woman Can't Do, co-written by Jones |
89 | 4/7/73 | 32 | 9 | Let's Build A World Together (with Tammy Wynette) |
90 | 6/23/73 | 7 | 13 | Nothing Ever Hurt Me (Half As Bad As Losing You) |
91 | 9/1/73 | 1 (2) | 17 | We're Gonna Hold On (with Tammy Wynette), co-written by Jones |
92 | 11/24/73 | 3 (1) | 16 | Once You've Had The Best |
93 | 2/9/74 | 15 | 13 | (We're Not) The Jet Set (with Tammy Wynette) |
94 | 4/6/74 | 25 | 12 | The Telephone Call (with stepdaughter Tina) |
95 | 6/8/74 | 1 (1) | 17 | The Grand Tour |
96 | 7/27/74 | 8 | 12 | We Loved It Away (with Tammy Wynette) |
97 | 10/26/74 | 1 (1) | 13 | The Door |
98 | 3/22/75 | 10 | 14 | These Days (I Barely Get By), co-written by Jones |
99 | 5/17/75 | 25 | 13 | God's Gonna Get'cha (For That) |
100 | 7/26/75 | 21 | 11 | Memories Of Us |
101 | 11/1/75 | 92 | 4 | I Just Don't Give A Damn, flip side, apparently, of Memories Of Us, co-written by Jones |
102 | 2/7/76 | 16 | 12 | The Battle |
103 | 5/22/76 | 37 | 9 | You Always Look Your Best (Here In My Arms) |
104 | 6/5/76 | 1 (1) | 15 | Golden Ring (with Tammy Wynette) |
105 | 9/4/76 | 3 (2) | 16 | Her Name Is |
106 | 12/11/76 | 1 (2) | 16 | Near You (with Tammy Wynette) |
107 | 5/21/77 | 34 | 8 | Old King Kong |
108 | 7/16/77 | 5 | 13 | Southern California (with Tammy Wynette) |
109 | 8/13/77 | 24 | 10 | If I Could Put Them All Together (I'd Have You) |
110 | 1/7/78 | 6 | 14 | Bartender's Blues (James Taylor vocal harmony) |
111 | 7/1/78 | 11 | 13 | I'll Just Take It Out In Love |
112 | 12/9/78 | 7 | 13 | Mabellene (with Johnny PayCheck) |
113 | 5/26/79 | 14 | 11 | You Can Have Her (with Johnny PayCheck) |
114 | 6/30/79 | 22 | 11 | Someday My Day Will Come |
115 | 3/1/80 | 2 (1) | 14 | Two Story House (with Tammy Wynette) |
116 | 4/12/80 | 1 (1) | 18 | He Stopped Loving Her Today, CMA Award for Single of the Year two years in a row, 1980 and 1981; 1980 Grammy for Best Country Vocal Performance, Male |
117 | 6/2/80 | 31 | 9 | When You're Ugly Like Us (You Just Naturally Got To Be Cool) (with Johnny PayCheck) |
118 | 8/23/80 | 2 (1) | 17 | I'm Not Ready Yet |
119 | 9/6/80 | 19 | 11 | A Pair Of Old Sneakers (with Tammy Wynette) |
120 | 12/13/80 | 18 | 12 | You Better Move On (with Johnny PayCheck) |
121 | 1/17/81 | 8 | 15 | If Drinkin' Don't Kill Me (Her Memory Will) |
122 | 10/3/81 | 1 (1) | 17 | Still Doin' Time |
123 | 2/6/82 | 5 | 19 | Same Ole Me (Oak Ridge Boys backing vocals) |
124 | 8/7/82 | 1 | 15 | Yesterday's Wine (with Merle Haggard) |
125 | 12/4/82 | 10 | 19 | C. C. Waterback (with Merle Haggard) |
126 | 1/15/83 | 3 (2) | 19 | Shine On (Shine All Your Sweet Love On Me) |
127 | 5/7/83 | 1 (1) | 18 | I Always Get Lucky With You |
128 | 9/10/83 | 2 (1) | 22 | Tennessee Whiskey |
129 | 12/17/83 | 6 | 18 | We Didn't See A Thing (with Ray Charles and Chet Atkins) |
130 | 4/7/84 | 3 (2) | 19 | You've Still Got A Place In My Heart |
131 | 9/22/84 | 2 (3) | 23 | She's My Rock |
132 | 12/22/84 | 15 | 16 | Hallelujah, I Love You So (with Brenda Lee) |
133 | 4/27/85 | 19 | 18 | Size Seven Round (Made Of Gold) (with Lacy J. Dalton) |
134 | 8/3/85 | 3 (1) | 20 | Who's Gonna Fill Their Shoes |
135 | 11/23/85 | 3 (2) | 22 | The One I Loved Back Then (The Corvette Song) |
136 | 4/19/86 | 9 | 21 | Somebody Wants Me Out Of The Way |
137 | 9/13/86 | 10 | 23 | Wine Colored Roses |
138 | 1/17/87 | 8 | 20 | The Right Left Hand |
139 | 5/16/87 | 26 | 18 | I Turn To You |
140 | 12/19/87 | 26 | 14 | The Bird |
141 | 2/26/88 | 52 | 10 | I'm A Survivor |
142 | 6/4/88 | 63 | 6 | The Old Man No One Loves |
143 | 9/3/88 | 43 | 10 | If I Could Bottle This Up (with Shelby Lynne) |
144 | 12/17/88 | 5 | 20 | I'm A One Woman Man |
145 | 4/29/89 | 26 | 13 | The King Is Gone (So Are You) |
146 | 7/29/89 | 31 | 16 | Writing On The Wall |
147 | 11/11/89 | 62 | 6 | Radio Lover |
148 | 9/8/90 | 8 | 20 | A Few Ole Country Boys (with Randy Travis) |
149 | 8/31/91 | 32 | 20 | You Couldn't Get The Picture |
150 | 1/11/92 | 55 | 14 | She Loved A Lot In Her Time |
151 | 4/11/92 | 60 | 7 | Honky Tonk Myself To Death |
152 | 10/17/92 | 34 | 20 | I Don't Need Your Rockin' Chair (with Vince Gill, Mark Chesnutt, Garth Brooks, Travis Tritt, Joe Diffie, Alan Jackson, Pam Tillis, T. Graham Brown, Patty Loveless, and Clint Black) 1992 CMA Award for Vocal Event of the Year |
153 | 3/20/93 | 65 | 6 | Wrong's What I Do Best |
154 | 11/13/93 | 24 | 20 | High Tech Redneck |
155 | 3/12/94 | 52 | 10 | Never Bit A Bullet Like This (with Sammy Kershaw) |
156 | 11/12/94 | 56 | 7 | A Good Year For The Roses (with Alan Jackson) |
157 | 7/1/95 | 69 | 4 | One (with Tammy Wynette) |
158 | 9/14/96 | 66 | 6 | Honky Tonk Song |
159 | 9/20/97 | 14 | 20 | You Don't Seem To Miss Me (with Patty Loveless) 1997 CMA Award for Vocal Event of the Year |
160 | 5/80/99 | 30 | 20 | Choices 1999 Grammy for Best Country Vocal Performance, Male |
161 | 11/6/99 | 45 | 20 | The Cold Hard Truth |
162 | 11/20/99 | 30 | 13 | A Country Boy Can Survive (Y2K Version) (with Chad Brock and Hank Williams, Jr.) |
163 | 5/13/00 | 55 | 12 | Sinners And Saints |
164 | 8/4/01 | 47 | 9 | The Man He Was |
165 | 10/13/01 | 24 | 20 | Beer Run (B Double E Double Are You In?) (with Garth Brooks) |
166 | 3/30/02 | 55 | 1 | 50,000 Names |
167 | 4/23/05 | 26 | 23 | 4th Of July (with Shooter Jennings) |
Trivia
- Jones is known as "No-Show Jones" as a result of his missing many performances during his days of drug and alcohol abuse.
- Jones has had more individual songs than any other singer on the country charts, 167 as of November, 2005. He has had the most Top 40 Hits, 143. He is second to Eddy Arnold for the most Top 10 Hits, 78.
- According to a formula derived by Joel Whitburn, Jones is second to Eddy Arnold in his overall ranking for hits and their time on the charts.
- Jones has had four wives and was married twice before he was 24.
- Jones was married to fellow country legend Tammy Wynette. They were married from 1969 until 1975
- Frank Sinatra once called Jones “the second best white male singer.”
- Jones’ 1980 hit, "He Stopped Loving Her Today," is considered by many to be the greatest country song of all time.
Notes
- ^ http://www.cmt.com/artists/az/jones_george/bio.jhtml
- ^ Country Music U.S.A, Bill C. Malone, page 288
- ^ http://www.cmt.com/artists/az/jones_george/bio.jhtml
- ^ http://www.americaremembers.com/products/GJ50TRI/GJ50TRI.asp
- ^ http://www.georgejones.com/bio/index.htm
- ^ I Lived to Tell It All By: George Jones
- ^ http://www.cmt.com/artists/az/jones_george/bio.jhtml
- ^ Joel Whitburn's Top Country Songs, 1944 to 2005, pages 194-196
Further reading and Reference
- In The Country of Country: A Journey to the Roots of American Music, Nicholas Dawidoff, Vintage Books, 1998, ISBN 0-375-70082-X
- Country Music U.S.A., Bill C. Malone, University of Texas Press, 1985, ISBN 0-292-71096-8
- Joel Whitburn's Top Country Songs, 1944 to 2005, Record Research, Inc., Menomonee Falls, WS, 2005, ISBN 0-89820-165-9