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Dress skirt

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Jean Auguste Dominique Ingres depicts the Comtesse d'Haussonville, wearing a dress.

A skirt is a tube- or cone-shaped garment which hangs from the waist and covers all or part of the legs. A dress (also frock, gown) is a garment consisting of a skirt with an attached bodice or with a matching bodice giving the effect of a one-piece garment.

In Western culture, skirts and dresses are usually considered women's clothing. However, there are exceptions. The kilt is considered a traditional men's garment in Scotland and some fashion designers, such as Jean-Paul Gaultier, have shown men's skirts.

At its simplest, a skirt can be a draped garment made out of a single piece of material (such as pareos), but most skirts are fitted to the body at the waist and fuller below, with the fullness introduced by means of dart, gores, pleats, or panels. Modern skirts and dresses are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts and dresses of thin or clingy fabrics are worn with slips to make the material of the skirt drape better and for modesty.

The hemline of skirts and dresses can be as high as the upper thigh or as low as the ground, depending on the whims of fashion and the modesty or personal taste of the wearer.

Some medieval upper-class women wore skirts over 3 metres in diameter at the bottom. At the other extreme, the miniskirts of the 1960s were minimal garments that may have barely covered the underwear when seated.

Dresses and skirts in the 19th century

During the nineteenth century, the cut of women's dresses in western culture varied more widely than in any other century. Waistlines started just below the bust (the Empire silhouette) and gradually sank to the natural waist. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. Dresses were generally one-piece garments from 1800 through the 1840s; after that it became common for a dress to be made as a separate skirt and bodice, and many dresses had a "day" bodice with a high neckline and long sleeves, and an "evening" bodice with a low neckline (decollete) and very short sleeves.

Throughout this period, the length of fashionable dresses varied only slightly, between ankle-length and floor-sweeping.

See also History of Western fashion: 1795-1820, 1820s, 1830s, 1840s,1850s, 1860s, 1870s, 1880s, 1890s
Victorian fashion, Artistic Dress movement, Victorian dress reform.

Dresses and skirts in the 20th and 21st centuries

File:Kodak dress 1920s rene lelong.jpg
Dress of the mid-1920s: Ad by René Lelong.

Beginning around 1915, hemlines for daytime dresses left the floor for good. For the next fifty years, fashionable skirts became short (1920s), then long (1930s), then shorter (the War Years with their restrictions on fabric), then long (the New Look), then shortest of all during the 1960s, when skirts became as short as possible while avoiding exposure of underwear, which was considered taboo.

Since the 1970s and the rise of pants as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side-by-side in fashion magazines and catalogs.

Styles of dresses and skirts of the twentieth and twenty-first centuries include:

Dresses

Basic shapes:

  • Shirtwaist, a dress with a bodice (waist) like a tailored shirt and an attached straight or full skirt
  • Sheath, a fitted, often sleeveless dress, sometimes without a waistseam (1960s)
  • Shift, a straight dress with no waist shaping or seam (1960s)
  • Sundress, a sleeveless dress of any shape, with a low neckline in a lightweight fabric, for summer wear
  • Tent, a dress flared from above the bust, sometimes with a yoke (1960s)

Fads and fashions:

  • Chanel's Little Black Dress (1920s and on)
  • Tea gown, a frothy, feminine semiformal dress
  • Dinner dress, a semiformal dress worn when fashionable people "dressed for dinner" (men in tuxedos or dinner jackets, even at home)
  • Princess gown, a dress for princess quinceaneras.
  • Evening gown or formal, a long dress for formal occasions
  • Ball gown, a long dress with a full, sweeping, or trained skirt for dancing
  • Kitty Foyle, a dark-colored dress with contrasting (usually white) collar and cuffs (1940s, after a dress worn by Ginger Rogers in the movie of the same name)
  • Cocktail dress, a semiformal party dress of the current street length (1950s and sporadically popular since)
  • Granny gown, an ankle-length, often ruffled, day dress of printed calico, cut like a Victorian nightgown, popularized by designer Laura Ashley (late 1960s-1970s)

Skirts

Circle skirt

Basic shapes:

  • Straight skirt, a tailored skirt hanging straight from the hips and fitted from the waist to the hips by means of darts or a yoke; may have a kick-pleat for ease of walking
  • Full skirt, a skirt with fullness gathered into the waistband
  • A-line skirt, a skirt with a slight flare, roughly in the shape of a capital letter A
  • Pleated skirt, a skirt with fullness reduced to fit the waist by means of regular pleats ('plaits') or folds, which can be stitched flat to hip-level or free-hanging
  • Circle skirt, a skirt cut in sections to make one or more circles with a hole for the waist, so the skirt is very full but hangs smoothly from the waist without darts, pleats, or gathers

Fads and fashions:

  • Ballerina skirt, a full-length formal skirt popular in the 1950s.
  • Broomstick skirt, a skirt with many crumpled pleats formed by compressing and twisting the garment while wet (1980s and on)
  • Cargo skirt, a plain, utilitarian skirt with belt loops and numerous large pockets, based on the military style of Cargo pants and popularised in the 1990s.
  • Culottes, a pair of shorts that look like a skirt and are generally worn as part of a girls school uniform.
  • Dirndl, a skirt made of a straight length of fabric gathered at the waist
  • Hobble skirt, a fashion of the early 20th century, with fullness at the hips narrowing to the ankles
  • Jean skirt, A trouser skirt made of denim, often designed like 5-pocket jeans, but found in a large variety of styles.
  • Leather skirt, A skirt made of leather
  • Kilt-skirt, a wrap-around skirt with overlapping aprons in front and pleated around the back. Though traditionally designed as women's wear, it is fashioned to mimic somewhat closely the general appearance of a (man's) kilt, including the usage of a plaid pattern more or less closely resembling those of recognized tartan patterns of Scotland.
  • Maxiskirt, an ankle length-skirt (1970s)
  • Midi skirt, mid-calf length. See: 1970s in fashion.
  • Miniskirt, a thigh-length skirt, and micromini, an extremely short version (1960s)
  • Poodle skirt, a circle or near-circle skirt with an appliqued poodle or other decoration (1950s)
  • Prairie skirt, a flared skirt with one or more flounces or tiers (1970s and on)
  • Rah-rah skirt, a short, tiered, and often colourful skirt fashionable in the early-mid 1980s.
  • Sarong, a square of fabric wrapped around the body and tied on one hip to make a skirt; worn as a skirt or as a cover-up over a bathing suit in tropical climates.
  • Tiered skirt, made of several horizontal layers, each wider than the one above, and divided by stitching. Layers may look identical in solid-colored garments, or may differ when made of printed fabrics.
  • Trouser skirt, a straight skirt with the part above the hips tailored like men's trousers, with belt loops, pockets, and fly front

How skirts and dresses are worn today

In Europe and America, skirts and dresses can be worn by females of all ages as an alternative to pants. A skirt may be worn as part of a suit. Skirts or dresses are the garments of choice for many women in formal situations, such as weddings. In cold climates, girls and women may wear trousers, hosiery, or long underwear for warmth and/or modesty, with a skirt or dress on top to mark their femininity or other reasons (for instance, since they happen to be "in-fashion" at the time). In traditional societies, such as in many countries in Africa, the Middle East and Central and South America, it is considered inappropriate for girls and women to wear trousers rather than a skirt or a dress.

Potential disadvantages of skirts and dresses include them being either too long or cumbersome for the performance of some physical activities such as climbing ladders, and that their use can run contrary to the individual or wider public sense of modesty and decency, especially given their potential to intentionally or accidentally expose the wearer's underwear.

Dresses however can be cooler and less confining than many trouser styles, and they are still very popular for special occasions such as proms or weddings.

Male wear

There are a number of male garments which are superficially similar to the skirt or dress. These go by a variety of names and form part of the traditional dress for men from various cultures. Usage varies - the dhoti is part of everyday dress on the Indian subcontinent while the kilt is more usually restricted to occasional wear and the foustanella is used almost exclusively as costume. Examples from various cultures include:

  • The kilt is a historic Gaelic and Celtic garment, part of the Scottish national dress in particular, and is worn formally and to a lesser extent informally. Irish and Welsh kilts also exist but are not so much a part of national identity.
  • The foustanella is worn by men in Greece and other parts of the Balkans. By the mid-20th Century, it was relegated to ceremonial use and as period or traditional costume.

Outside of ethnic communities, skirts, dresses and similar garments are still considered primarily women's clothing in the Western world and the wearing of them by men in these areas is generally seen as cross-dressing although some fashion designers have produced skirts for men and there is a niche market for skirts for outdoor activity wear. There was a brief vogue for male skirts during the late 1990s, [citation needed] with Tom Cruise and David Beckham attracting some comment for wearing them, and Samuel L. Jackson has notably worn a kilt for many public appearances.

Fledgling movements under the names "Men In Skirts" (MIS) and "Male Fashion Freedom" (MFF) also exist to support the wearing of skirts by men.

Underwear

Skirts and dresses are, like other outer clothing, usually worn with underwear. A wearer of a skirt is likely to wear a form of panties as innerwear, though depending on the occasion, type of material, and type of skirt for modesty one may wear a slip over the panties.

For dresses, one may usually wear a bra, but for modesty wearing a camisole / vest or full slip is also an option for the top.

The kilt, on the other hand, is often worn without underwear. Indeed the uniforms of several Scottish military regiments mandate wearing no underwear with the kilt except at specified occasions [citation needed].

See also

References

  • Oxford English Dictionary
  • Brockmamn, Helen L.: The Theory of Fashion Design, Wiley, 1965.
  • Picken, Mary Brooks: The Fashion Dictionary, Funk and Wagnalls, 1957. (1973 edition ISBN 0-308-10052-2)
  • Tozer, Jane, and Sarah Levitt: Fabric of Society: A Century of People and Their Clothes 1770-1870, Laura Ashley Ltd., 1983; ISBN 0-9508913-0-4

External links