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Daft Punk

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Daft Punk

Daft Punk is a duo consisting of Paris musicians Guy-Manuel de Homem-Christo (born February 8, 1974)[1] and Thomas Bangalter (born January 3, 1975).[1] The duo is considered one of the most successful electronic music collaborations of all time, both in album sales and in critical acclaim.[2] After Daft Punk reached significant popularity in the late 1990s house movement in France, other artists such as Air, Cassius and Dimitri from Paris began to receive a similar amount of attention.[3]

Daft Punk is also credited with producing songs that were considered essential in the French house scene. They are currently managed by Pedro Winter (Busy P), the head of Ed Banger Records.

History

Early years (1987–1993)

Thomas Bangalter and Guy-Manuel de Homem-Christo met in 1987 on the grounds of the Lycée Carnot, a secondary school in Paris.[1] The two became good friends and later recorded demo tracks with others from the school.[4] This eventually led to the formation of the guitar-based group Darlin' with Laurent Brancowitz in 1992.[5] Bangalter and de Homem-Christo played bass and guitar, respectively, while Brancowitz performed on drums.[6] The indie rock trio had branded themselves after The Beach Boys song of the same name, which they covered along with an original composition.[7] Stereolab released both tracks on a multi-artist Duophonic Records EP[7] and invited the band to open for stage shows in the United Kingdom.[8] Bangalter felt that "The rock n' roll thing we did was pretty average, I think. It was so brief, maybe six months, four songs and two gigs and that was it."[9] A negative review in Melody Maker subsequently dubbed the music "a bunch of daft punk." Instead of dismissing the review, Bangalter and de Homem-Christo found it to be amusing.[4] As the latter stated, "We struggled so long to find [the name] Darlin', and this happened so quickly."[10] Darlin' soon disbanded, leaving Brancowitz to pursue other efforts with Phoenix.[5] Bangalter and de Homem-Christo formed Daft Punk and experimented with drum machines and synthesizers.

Homework era (1993–1999)

In 1993 Daft Punk attended a rave at EuroDisney, where they met Stuart Macmillan of Slam, co-founder of the label Soma Quality Recordings.[4] The demo tape given to Macmillan at the rave formed the basis for Daft Punk's debut single, "The New Wave", a limited release in 1994.[9] The single also contained the final mix of "The New Wave" called "Alive".

Daft Punk returned to the studio in May 1995 to record "Da Funk". It became their first commercially successful single the same year. After the success of "Da Funk", Daft Punk looked to find a manager. They had no trouble finding one at the time as they chose Pedro Winter, who regularly promoted them and other artists at his Hype night clubs.[6] The band signed with Virgin Records in September 1996[1] and made a deal through which they licensed their tracks to the major label through their production company, Daft Trax.[6]

"Da Funk" and "Alive" were later included on Daft Punk's 1997 debut album Homework. The album was regarded as an innovative synthesis of techno, house, acid house and electro styles, and is widely acknowledged as one of the most influential dance music albums of the nineties. "Da Funk" was also included on The Saint film soundtrack. It was during this period of change in dance music that Daft Punk became largely successful. They combined the aforementioned music styles and elements of rave that were crowd pleasers. The most successful single from Homework was "Around the World", which is known for the repeating chant of the song's title. Daft Punk also produced a series of music videos for Homework directed by Spike Jonze, Michel Gondry, Roman Coppola and Seb Janiak. The collection of videos was released in 1999 and titled D.A.F.T. - A Story about Dogs, Androids, Firemen and Tomatoes.

Daft Punk's skills at producing filter effects "to make sounds shiver up your spine, 'ardkore's sped-up and helium-squeaky vocals"[11][who?] lends itself to the developing style of speed garage. A mixture of rave, house, jungle (circa 1994) and ragga chants were combined with a new style of syncopated beats and textured snare drum sounds. Contrasting from the usual metronomic kick drum, Daft Punk utlilized compact breakbeats where "speed garage is lascivious - the skipping snares tug at your hips, the rumpshaker B-lines wiggle your ass."[11][who?] This combination proved successful for Daft Punk in the club scene and helped bring mainstream attention to their music.

Discovery era (1999–2004)

By 1999 the duo were well into the recording sessions for their second album, which had begun a year earlier.[12] 2001's Discovery took on a slicker and distinctly synthpop-oriented style, initially stunning fans of Daft Punk's previous material in Homework. The group states that the album was conceived as an attempt to reconnect with a playful, open-minded attitude associated with the discovery phase of childhood.[8] This accounts for the heavy use of themes and samples from the late '70s to early '80s era on the album. It reached #2 in the United Kingdom, and its single "One More Time" was a major club hit, creating a new generation of fans mainly familiar with the second Daft Punk release. "One More Time" is believed to contain a sample of "More Spell on You" by Eddie Johns,[13] but this is uncredited in the Discovery liner notes. Bangalter reportedly denied using any samples for the song.[14]

The singles "Digital Love" and "Harder, Better, Faster, Stronger" were also very successful in the UK and on the United States dance chart, and "Face to Face" hit #1 on the USA club play charts despite a limited single release. Harder, Better, Faster, Stronger would later be successful as an underground song at Australia in 2007. A 45-minute excerpt from a Daftendirektour performance recorded at Birmingham, UK in 1997 was also released in 2001, entitled Alive 1997.

2003 first saw the release of the feature-length animated film Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. Daft Punk produced the film under the supervision of Leiji Matsumoto, whom they have said is their childhood hero.[15] The album Daft Club was also released to promote the film. It features a collection of remixes previously made available through an online membership service of the same name.

Human After All era (2004–present)

File:Daft Punk.jpg
Daft Punk in their robotic suits

Starting on September 13 and ending November 9 2004, Daft Punk devoted six weeks[16] to creating new material. The duo released the album Human After All in March 2005. Reviews were mixed, mostly citing its overly repetitive nature and seemingly rushed recording. The singles taken from this album were "Robot Rock", "Technologic", "Human After All" and "The Prime Time of Your Life". The earliest official statement from Daft Punk concerning the album was "we believe that Human After All speaks for itself."

A Daft Punk anthology CD/DVD entitled Musique Vol. 1 1993-2005 was released on April 4, 2006. It contains new music videos for "The Prime Time of Your Life" and "Robot Rock (Maximum Overdrive)". Daft Punk also released a remix album of Human After All called Human After All: Remixes. A limited edition included two kubricks of Daft Punk as robots.

On May 21, 2006, Daft Punk premiered their first directed film, Daft Punk's Electroma at the Cannes Film Festival sidebar Director's Fortnight.[17] The film does not include their own music, which is a first for the duo considering their previous DVD and film releases (D.A.F.T. for Homework and Interstella 5555 for Discovery). Midnight screenings of the film were shown in Paris theaters starting from the end of March 2007.[18] Initial public comments have since been positive.[19]

Daft Punk released their second live album titled Alive 2007 on November 19 2007. It contains the duo's performance in Paris from their Alive 2007 tour. The album includes a 50-page book showcasing photographs shot while on tour.[20] The live version of "Harder, Better, Faster, Stronger" from Alive 2007 was released as a single.[21] A music video for the single directed by Olivier Gondry features footage shot by 250 audience members at Daft Punk's Brooklyn appearance at KeySpan Park, Coney Island.[22]

Influences

File:Daft Punk Human.jpg
Bangalter and de Homem-Christo years before the release of Homework

Bangalter and de Homem-Christo have credited many sources that influenced their musical style. Years before producing electronic music as a duo, they were stated to have shared tastes for Elton John,[23] MC5, The Rolling Stones, The Beach Boys and The Stooges.[5] Their mutual admiration for rock bands led to the founding of their own independent project, Darlin'. Bangalter expressed that "It was still maybe more a teenage thing at that time. It's like, you know, everybody wants to be in a band."[9] They drew inspiration from the rock and acid house displayed in the United Kingdom during the early 1990s. De Homem-Christo pointed to Screamadelica by Primal Scream as an influential work, as the record "put everything together" in terms of genre.[3]

The liner notes of Homework pay tribute to a large number of musical artists and contains a quote from Brian Wilson. Bangalter expressed that "In Brian Wilson's music you could really feel the beauty - it was very spiritual. Like Bob Marley, too."[9] When questioned on the success of their debut album and rising popularity of their associated musical genre, Bangalter responded, "before us you had Frankie Knuckles or Juan Atkins and so on. The least you can do is pay respect to those who are not known and who have influenced people."[9] The Daft Punk track "Teachers" on Homework refers to several influences including Romanthony and Todd Edwards. De Homem-Christo stated that "Their music had a big effect on us. The sound of their productions — the compression, the sound of the kick drum and Romanthony's voice, the emotion and soul — is part of how we sound today."[8]

Romanthony and Edwards later collaborated with Daft Punk in tracks for Discovery. For the album Daft Punk focused on new styles of electronic music. A major inspiration was the Aphex Twin single "Windowlicker", which was "neither a purely club track nor a very chilled-out, down-tempo relaxation track" according to Bangalter.[12] The duo also utilized vintage equipment to recreate the sound of a previous artist. As stated by de Homem-Christo, "On 'Digital Love' you get this Supertramp vibe on the bridge," which was generated through an in-studio Wurlitzer piano.[24] During a later interview, de Homem-Christo clarified that "we didn't make a list of artists we like and copy their songs."[25]

Visual components

Daft Punk are noted for their use of visual components associated with their musical productions. The music videos for their singles from Homework featured memorable characters and placed emphasis on storytelling instead of musical performance. The album Discovery subsequently became the soundtrack to Interstella 5555.

Their outward personae have also changed over time. During their Homework years, the duo would usually wear masks to hide their appearance.[9] When not wearing disguises, they occasionally preferred to be replaced by animation (as they appeared in The Work of Director Michel Gondry DVD) or have their faces digitally obscured for press kits. Very few photos of the duo's faces exist, including a blurry one found in the Homework liner notes.

In their more visible Discovery years, they have appeared as futuristic robots for publicity photo shoots, interviews, live shows and music videos. These suits, engineered by Tony Gardner and Alterian, Inc.,[26] sport complicated helmets capable of various LED effects and metallic finger gloves. Daft Punk introduced the costumes to many U.S. television viewers through an advertisement for a special presentation of their videos during Cartoon Network's Toonami block.[27] Thomas Bangalter once stated, "We did not choose to become robots. There was an accident in our studio. We were working on our sampler, and at exactly 9:09 a.m. on September 9, 1999, it exploded. When we regained consciousness, we discovered that we had become robots."[8]

During a video interview shot in Japan, Daft Punk stated that they donned their robot masks to easily merge the characteristics of humans and machines. However, Bangalter later admitted that the costumes were initially the result of shyness. "But then it became exciting from the audiences' point of view. It's the idea of being an average guy with some kind of superpower."[3] When asked on whether the duo expressed themselves differently within the robotic suits, Bangalter stated "No, we don't need to. It's not about having inhibitions. It's more like an advanced version of glam, where it's definitely not you."[3] With the release of Human After All, the musical duo's outfits became slightly less complicated, consisting of simplified versions of the Discovery head gear and dark leather jumpsuits. The latter were designed by Hedi Slimane.[3]

Daft Punk during an interview on Sjónvarpið

During the filming and promotion of Daft Punk's Electroma, the duo went to great lengths to avoid showing their faces. While on the set of the film, the duo chose to be interviewed with their backs turned. As reported on October 2006, the band went as far as to wear black cloth over their heads during a televised interview.[28]

It is believed that the mystery of their identity and the elaborate nature of their disguises has added to their popularity.[3] The iconic status of the robotic costumes has been compared to the makeup of KISS and the leather jacket worn by Iggy Pop. Bangalter stated, "The mask gets very hot, but after wearing it as long as I have, I am used to it."[29]

Live performances

File:Coachella-Daft-Punk-2006.jpg
Daft Punk performing at the 2006 Coachella Valley Music and Arts Festival

In the mid-to-late nineties, Daft Punk performed live without costumes in many places including the United States. In particular, a rare bootlegged video featuring the duo in Wisconsin matches the verified identity of Thomas Bangalter. Less clearly seen, Guy-Manuel de Homem-Christo is to Bangalter's right and is mostly cut off from the camera. Comparing the artwork packaging of Homework to the video footage, one can verify that the album's liner note photo was taken during this event.

In the fall of 1997 they did their Daftendirektour to promote Homework in several cities throughout the world. For this tour Daft Punk opted to utilize their home studio equipment for the live stage instead of creating a more conventional DJ set.[9] As Bangalter stated, "Everything was synched up — the drum machines, the bass lines. The sequencer was just sending out the tempos and controlling the beats and bars. On top of this structure we built all these layers of samples and various parts that we could bring in whenever we wanted to."[8] May 25 1997 saw them perform at the Tribal Gathering festival at Luton Hoo, England, headlining with Orbital and Kraftwerk.[30] Also of note is the November 8 performance in Birmingham, UK, from which came the recording of Alive 1997.

At the start of 2006, Daft Punk announced plans for a number of special summer shows. On April 29, Daft Punk performed at the Coachella Valley Music and Arts Festival where they received a jubilant reception for their first U.S. performance since 1997.[31] Thomas Bangalter had initially been reported as saying that there would be a DVD of their recent live set.[32] He later emphasized his reluctance for such a release, as the duo felt that online amateur videos of their performances were more compelling than anything captured professionally.[33] In an interview with the Miami Herald[25] Guy-Manuel de Homem-Christo stated that their November 11 appearance at the Bang Music Festival was their final for 2006 and that Daft Punk would conduct more performances in the future. The band later specified a date for a live show at Bercy, Paris for June 2007.[34] Also reported were dates at the Rock Ness Festival and Wireless Festival in June,[35][36] the Oxegen festival in July[37] and Lollapalooza in August.[38] Daft Punk then announced a world tour called Alive 2007.[34]

Daft Punk played at the Rock Ness Festival by the banks of Loch Ness on June 10 2007 as the headline act in the 10,000 capacity Clash tent. To the crowds displeasure, the show was delayed, but the crowd gave the duo a jubilant welcome when they appeared. Due to popularity, part of the tent was removed to allow thousands of people outside to see the show.[39] On June 16, 2007 Daft Punk successfully headlined the third day of the O2 Wireless Festival to positive reaction and reviews. The Times described the set as a "memorable sensory spectacle, both dazzling and deafening"[40] and ThisisLondon declared it "an almost faultless set of relentless electro euphoria".[41]

File:Daftpunk greektheater.JPG
Daft Punk performing at the Hearst Greek Theatre in 2007

Daft Punk headlined Stage 2/NME Stage at the Oxegen music festival on July 8, 2007. Their live set was preceded by a showing of the trailer for the film Daft Punk's Electroma. Subsequent reports stated that the Daft Punk appearance was the highlight of the festival. NME expressed that the performance was "a robotic spectacular",[42] while Shoutmouth described the set as "typically triumphant".[43] Four days later, the duo played at Traffic Torino Free Festival in Parco della Pellerina in Turin, Italy.[44]

Daft Punk headlined the AT&T stage on August 3, 2007, the first night of the Lollapalooza music festival in Chicago. Their show there was praised by Pitchfork Media stating that the experience of watching the performance "was a much-needed reminder of the still-potent power of communicative pop."[45]

Daft Punk composed the music for the Louis Vuitton Spring/Summer 2008 Womenswear Full Show on October 7 2007.[46] The duo also headlined the Vegoose festival in Las Vegas on October 27. They appeared at the festival along with bands Rage Against the Machine, Muse and Queens of the Stone Age.[34] At the end of the month, Daft Punk performed in Mexico City.[47] The duo also performed in the two other largest cities in Mexico: Guadalajara[48] and Monterrey.[49]

Closing scene of Daft Punk performing at Sydney in 2007

Modular announced that Daft Punk would appear in Australia for an event in December 2007 called Never Ever Land.[50] The announcement addressed years of speculation on whether Daft Punk would visit Australia for live performances. Never Ever Land included Australian acts The Presets, Cut Copy, Muscles, Van She and the Bang Gang Deejays. Daft Punk were supported by their regular acts SebastiAn and Kavinsky at the appearances, which had been announced as an extension the Alive 2007 tour.[34] Never Ever Land toured to Melbourne at the Sidney Myer Music Bowl, Perth at the Esplanade, Brisbane at the Riverstage and finally Sydney at the Sydney Showground Main Arena.[51] A Triple J interview with Pedro Winter (Busy P) revealed that Daft Punk's Sydney appearance on December 22 would be their final show for 2007 and the last to feature the pyramid light scheme.[52] Tickets for the Australian tour sold more quickly than for any Daft Punk-related event in their history.[53] The duo stated in an EMI-sponsored live webchat that there will be no tour performances for 2008, and that they would instead focus on new projects.[54]

Daft Punk made a surprise appearance at the 50th Grammy Awards on February 10 2008. The duo appeared with Kanye West to perform a reworked version of "Stronger" on stage at the Staples Center in Los Angeles.[55] For the appearance, Daft Punk utilized four JazzMutant Lemur controllers.[56] A press release specified that this was the first televised live performance by the duo in their career.[55] Bangalter's wife Élodie Bouchez also attended the event.[57]

Appearances in media

Daft Punk as they appear in Interstella 5555
  • Daft Punk's "Technologic" was sampled by Swizz Beatz for a Busta Rhymes song called "Touch It". In a later remix of "Touch It" the line touch it, bring it, pay it, watch it, turn it, leave it, stop, format it from "Technologic" was sung at a slower pace by R&B and rap artist Missy Elliott.
  • Daft Punk appeared in a television ad to promote Sony-Ericsson's Premini mobile phone.
  • "Losing My Edge", the first single by LCD Soundsystem, also bragged about being the first to "play Daft Punk to the rock kids."
  • The robotic Daft Punk costumes make an appearance in the "Masterclass" section on Gonzales' 2006 DVD release From Major to Minor.
  • In the Flight of the Conchords episode "Sally", a music video for the Flight of the Conchords song "Robots" is shot with homemade robot costumes fashioned by the band's manager, Murray. Jemaine comments, "They don't look like Daft Punk. We wanted ones that look like Daft Punk." Murray, often revealed to lack basic knowledge of music, replies, "I don't know who he is."
  • Daft Punk also gained fame in the US when their song "Technologic" was featured in an iPod commercial in 2005, since the music was readily available for purchase in the iTunes Store.

Discography

For detailed information, see Daft Punk discography.
Studio albums
Other albums

References

  1. ^ a b c d Daft Punk Musique Vol. 1 Official Website. Archived from April 10 2006.
  2. ^ Daft Punk page at thedjlist.com. Retrieved on December 24 2006.
  3. ^ a b c d e f Suzanne Ely, "Return of the Cybermen" Mixmag, July 2006, pp. 94-98.
  4. ^ a b c RFI Musique - Biography - Daft Punk rfimusique.com. Retrieved on March 3 2007.
  5. ^ a b c Darlin' biography at Discogs. Retrieved on February 20 2007.
  6. ^ a b c James, Martin. French Connections: From Discotheque to Discovery. London, United Kingdom: Sanctuary Publishing Ltd., 2003. pgs 265; 267; 268. (ISBN 1-8607-4449-4)
  7. ^ a b Shimmies In Super 8 at Discogs. Retrieved on July 17 2007.
  8. ^ a b c d e Chris Gill, "ROBOPOP" (May 2001) Remix Magazine Online. Retrieved on March 6 2007.
  9. ^ a b c d e f g Matthew Collin, ("Do You Think You Can Hide From Stardom?" (August 1997) Mixmag. Retrieved on March 6 2007.
  10. ^ Alan Di Perna, "We Are The Robots" Pulse!, April 2001, pp. 65-69.
  11. ^ a b Simon Reynolds, "Generation Ecstasy." Routledge, NY. 1999, p.378.
  12. ^ a b "Daft Punk Embark On A Voyage of Discovery" MTVe.com. Retrieved on February 22 2007.
  13. ^ versions originales samples hip hop et funk 113 113 & intouchable 113 & j.mi sissoko
  14. ^ "Another Daft Punk single..." inthemix.com.au. Retrieved on July 102007.
  15. ^ Interstella 5555: The 5tory of the 5ecret 5tar 5ystem companion leaflet (2003)
  16. ^ Human After All liner notes (2005). Retrieved on December 17 2007.
  17. ^ Daft Punk's Electroma review variety.com. Retrieved on February 26 2007.
  18. ^ Daft Punk's Electroma Screenings Info Template:Fr icon allocine.fr. Retrieved on April 11 2007.
  19. ^ Daft Punk's Electroma news thedaftclub.com. Retrieved on March 29 2007.
  20. ^ Exclusive: Daft Punk Unveil Live Album Details; Midlake to Release EP Spin.com. Accessed on August 27 2007.
  21. ^ a b Live Album To Chronicle Daft Punk Tour Billboard.com. Retrieved on August 17, 2007.
  22. ^ Daft Punk Announce Live Album side-line.com. Retrieved on August 31 2007.
  23. ^ Les Inrockuptibles (March 2005).
  24. ^ Bryan Reesman, Daft Punk interview mixonline.com. Retrieved on March 6 2007.
  25. ^ a b Michael Hamersly, "Ask the DJ" (November 10, 2006) Miami Herald. Retrieved on March 6 2007.
  26. ^ Liner notes of the Discovery album - "Bionics Engineering by Tony Gardner & Alterian"
  27. ^ Toonami: Digital Arsenal toonamiarsenal.com Retrieved on April 14, 2007.
  28. ^ Daft Punk Talk Electroma. While Wearing Bags On Their Heads. twitchfilm.net. Retrieved on March 6 2007.
  29. ^ Daft Punk and the Rise of the Parisian Nightlife Paper Magazine. Retrieved on November 4 2007.
  30. ^ 2 Cents: Kraftwerk, Tribal Gathering (May 25, 1997). Retrieved on February 7 2007.
  31. ^ Merry Swankster, Coachella Show Review (May 05, 2006). Retrieved on February 25 2006.
  32. ^ Interview at French Touch Forum Retrieved on March 7 2007.
  33. ^ Las Vegas Weekly: Chatting with a robot Las Vegas Weekly. Retrieved on October 26 2007.
  34. ^ a b c d Daft Punk's Official MySpace Page myspace.com. Retrieved on August 31 2007.
  35. ^ Rockness '07 rockness.co.uk. Retrieved on February 28 2007
  36. ^ Wireless Festival '07 wirelessfestival.co.uk. Retrieved on June 16 2007
  37. ^ Oxygen '07 oxegen.ie. Retrieved on February 24 2007
  38. ^ Lolla '07 lollapalooza.com. Retrieved on April 12 2007.
  39. ^ Clash Magazine Rock Ness Review. clashmagazine.com Retrieved on June 17 2007.
  40. ^ Wireless Festival review Times Online. Retrieved on July 6 2007
  41. ^ O2 Wireless Festival London 2007 review ThisisLondon. Retrieved on July 6 2007
  42. ^ Daft Punk close Oxegen with robotic spectacular NME.com. Retrieved on July 12 2007.
  43. ^ Daft Punk Closes Out Oxegen Festival shoutmouth.com. Retrieved on July 12 2007.
  44. ^ Daft Punk at Traffic Torino Free Festival trafficfestival.com. Retrieved on July 13 2007.
  45. ^ Lollapalooza Report Friday (Scott Plagenhoef) Pitchfork Media. Retrieved on August 7 2007.
  46. ^ Louis Vuitton Fashion Show Retrieved on October 9 2007.
  47. ^ Révision: Daft Punk Ciudad de México Template:Sp icon vivirmexico.com. Retrieved on November 6 2007.
  48. ^ Gallery Calendar guadalajarareporter.com. Retrieved on November 6 2007.
  49. ^ Daft Punk Monterrey Weekend: Part One URB. Retrieved on November 6 2007.
  50. ^ Daft Punk ARE coming to Australia inthemix.com.au. Retrieved on August 30 2007.
  51. ^ Official Never Ever Land site. Retrieved on August 30 2007.
  52. ^ Daft Punk to Play Last Shows in Australia abc.net.au. Retrieved on October 19 2007.
  53. ^ Zan Rowe Interviews Busy P on Triple j triplej.net.au. Retrieved on September 30 2007.
  54. ^ "Technology cannot be trusted" thedaftclub.com. Retrieved on April 2 2008.
  55. ^ a b Daft Punk Make Surprise Grammy Appearance with Kanye West nme.com. Retrieved on February 10 2008.
  56. ^ Daft Punk rock the Grammy Awards with 4 Lemurs jazzmutant.com. Retrieved on March 18 2008.
  57. ^ Élodie Bouchez Arrives to the 50th Annual Grammy Awards variety.com. February 12 2007.
  58. ^ Janet Jackson Samples Daft Punk Stereogum. Retrieved on March 7 2008.
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