Queensbridge Houses
Queensbridge Houses is the largest public housing development in North America.[1] It is located in Long Island City in Queens, and opened in 1939. The 3,142 unit complex is owned by the New York City Housing Authority. The complex is located in Community Board 1.[2]
Location
Long Island City is located in the northwestern part of the New York City borough of Queens. The Queensbridge Houses, the largest of Queens' twenty-two developments, is located between Vernon Boulevard and 21st Street, immediately south of KeySpan's Ravenswood power plant. Queensbridge gets its name from the Queensboro (59th Street) Bridge, which is just south of the complex. The development is separated into two complexes, the North Houses on 40th Avenue and the South Houses on 41st Avenue.
Subway commuters will recognize the complex's name from its 21st Street–Queensbridge station along the IND 63rd Street Line (F and <F>). The entrance to the station is on the eastern side of the complex on 21st Street.
Buildings
The 96 unit six-story buildings are distinctive due to their shape - two Y's connecting at the base. This shape was used as the architects hoped it would give residents more access to sunlight than the traditional cross-shape. The design was said to be cost-efficient, and they reduced the cost even further by using elevators that only stopped at the 1st, 3rd and 5th floors. Political pressure to keep costs down was a key reason for the use of cheap designs. W.F.R Ballard, Henry S. Churchill, Frederick G. Frost and Burnett Turner designed Queensbridge Houses.
In many aspects the buildings of Queensbridge are very similar to most government-built housing projects of the era. They are a worn grayish brown which now suffers noticeable deterioration and weathering. Each building is painted red to about four feet up from the ground, giving a united feel to the entire complex because a uniform red "layer" is always close, throughout the complex.
On each of the corners in Queensbridge, the New York City Housing Authority has posted signs indicating the project's name and management: "Queensbridge North (or South) Houses NYCHA." These signs come in several varieties depending on their age. The oldest signs, erected in the early nineties, are simply orange and blue, with the newer signs featuring graphics, like those of many other projects.
Access to buildings in the complex is by key or via a new intercom system. The halls of Queensbridge’s buildings are comparable to most municipal buildings, and are dilapidated and lined with worn light blue tiles. Apartments are painted white and are fairly small, even by New York City standards.
Within the last few years, the elevators have been rebuilt and now stop at floors 1-2-3-4-5 and kitchens have been completely renovated and now have frost-free refrigerators. Three thousand bathrooms were renovated with new tubs, toilets, vanities, floor tile and lighting in 2000. This followed a renovation in 1986 when 1000 of the bathrooms were renovated by Arc Plumbing, a firm for which the salesman to NYCHA was John Gotti.
During the 1950s, the management changed the racial balance of Queensbridge by transferring all families whose income was more than $3,000/year, a majority of whom were Caucasian, to middle-income housing projects, and replacing most of these tenants with African American and Latino families. While this policy provided safe and sanitary housing to many low income African American and Latino families, it also resulted in racially motivated conflict between their children.
Amenities and parks
As a result of the 1937 Wagner Housing Act, Congress would only approve funds for public housing if the housing was unattractive to middle-class families who would otherwise buy or rent homes in the private housing market. The original plans nonetheless included some basic amenities, like a central shopping center, a nursery and six inner courtyards for play. In the 1950s, there were also three playschool rooms, a library, a community center with an auditorium where shows were put on, a gymnasium with a wooden floor that doubled as a wooden-wheels roller skating rink, activity rooms downstairs, and a cafeteria upstairs where the playschool children ate their lunches. Some of the downstairs activities included tap dancing, ballet, art, playing the recorder and singing, pool, knock hockey and table tennis, as well as Girl Scout and Boy Scout meetings. Residents enjoyed concerts during the hot summer months in the square central shopping area, and the Fresh Air Fund sent under-privileged youth out to the Peekskill mountain's to release them from the crime and grit plagued streets.
The buildings in the complex are divided by a series of paths and small lawns. Also in the complex are several basketball courts and play areas lined with benches. Across Vernon Boulevard lies Queensbridge Park, which has a fully-lit baseball diamond, running paths, lawns and areas for picnicking. That park, home to the Queensbridge Little League, is the primary place of recreation for tenants of the project. Queensbridge Park is the venue for numerous summer-time live concerts with music ranging from R&B to Latin.
During the 1950s and up through 1970 Queensbridge Park was called "River Park," after the East River that runs next to it. There was also a smaller park placed conveniently right under the 59th street bridge called "Baby Park". Baby Park was closed due to debris falling from the bridge during maintenance work which is ongoing in 2007. Baby Park was replaced by a new playground for same age range between 40-41 Avenues within Queensbridge Park itself.
Music
Queensbridge has historically proved to be a hotbed of hip-hop musical talent. Marlon “Marley Marl” Williams was the first in a long succession of acclaimed rappers from “The Bridge,” which became one of the most prolific hip hop-producing neighborhoods in the country. The legendary Marley Marl, MC Shan, Roxanne Shanté, Nas, Blaq Poet & DJ Hot Day (PHD), Jae Supreme (Roxanne Shante's DJ, The Dreamteam, Gatekeepers Multimedia Inc., Top 20 Videos) SwerveG, Craig G, Capone, The Bravehearts, Mobb Deep (Prodigy & Havoc), Infamous Mobb, Cormega, A.C.D., Vital, Jungle, Don(one of Queensbridge most prominent underground freestyle battlers), Killa (received his name from a myth in which he killed 3 men attempting to rob him) Nature, Big Noyd, Blitz (rapper), Tragedy Khadafi, Lakey The Kid, Imam Thug and Capone, Littles, Bars& Hooks, Nashawn as well as others, all resided in the Queensbridge Housing Projects. In regards to the Queensbridge music scene, an XXL columnist wrote: "Since the 1980s, New York City’s Queensbridge Housing Projects has been documented perhaps better than any other geographic location. Starting with super producer Marley Marl’s dominant Juice Crew in the ’80s all the way through ’90s mainstays like Nas, Cormega and Capone, the Bridge has produced the highest per-capita talent of any ’hood."
Other notable Queensbridge residents
Other notable former residents of Queensbridge include:
- Ron Artest—player for the NBA team Houston Rockets
External links
References
- ^ Barry, Dan. "Don't Tell Him the Projects Are Hopeless", The New York Times, March 12, 2005. Accessed July 16, 2008. "UP, up, up it rises, this elevator redolent of urine, groaning toward the rooftop of another tired building in the Queensbridge public housing development, the largest in Queens, in New York, in North America."
- ^ Queens Community Boards, New York City. Accessed July 16, 2008.
Sources
- “Queensbridge, New York, N.Y.,” Architectural Forum 72 (Jan. 1940), pp. 13-15.
- Samantha Henry, “A Good Rap: Residents of the Queensbridge Houses Make Their Claim To Fame,” Newsday, August 5, 2001.
- New York City Housing Authority, “Factsheet”, April 19, 2004. [1]
- Ron Artest: The Next MC Outta Queensbridge?
- Gail Radford, “The Federal Government and Housing During the Great Depression” in John F. Bauman, ed., From Tenements to the *Taylor Homes: In Search of an Urban Housing Policy in Twentieth Century America (University Park, Pennsylvania: Pennsylvania State University Press, 2000), pp. 102-120.
Henry S. Churchill. The City is the People. New York. Norton. 1945
